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Book Review: Quirky private eye tracks a couple more killers in Stephen King's 'Never Flinch'

Book Review: Quirky private eye tracks a couple more killers in Stephen King's 'Never Flinch'

Stephen King's favorite private investigator returns in 'Never Flinch,' the sixth novel by King featuring Holly Gibney, who readers first met in the Bill Hodges trilogy ('Mr. Mercedes,' 'Finders Keepers,' 'End of Watch') and who then helped solved the murders at the heart of 'The Outsider' and 'Holly.'
In 'Never Flinch,' Holly cracks two more cases, one as the lead security escort for a polarizing author touring the nation to talk about women's reproductive freedom, and the other back home in Ohio, as a serial killer preys on jurors following a miscarriage of justice.
The biggest connection between the two cases is classic King — the killers have dead Daddy issues. We meet them both relatively early in the plot and spend time inside their heads, though the true identity of one of them is a mystery until closer to the end. One of the murderers supplies the novel's title, recalling how his abusive and overbearing father berated him to 'push through to the bitter end. No flinching, no turning away.'
Even with two killers talking to themselves, Holly is still the star of the book. She continues to 'attract weirdos the way a magnet attracts iron filings,' is how Holly's friend Barbara puts it. More often than not, Holly's obsessive compulsive disorder helps her 'think around corners,' as one of the story's detectives says.
King also brings back Barbara's brother, Jerome, and introduces some dynamic new characters, including Sista Bessie ('She's not the Beatles, but she's a big deal'), a soul singer whose comeback concert serves as the nexus for the convergence of the novel's two storylines. When they do, readers will enjoy the very Kingly ending. It's not quite the pigs' blood from 'Carrie,' but it's satisfying.
The pages turn very quickly in the final third of the book as all the characters arrive back in Dayton, Ohio ('the second mistake on the lake'), where we first met Holly, and where psychopath Brady Hartsfield began his killing spree in 'Mr. Mercedes.' Will the Mingo Auditorium be the site of another massacre or will Holly and her amateur detectives save the day again?

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Still from 'The Life of Chuck.' NEON There have been so many movies made from King's work, yet filmmakers haven't scratched the surface of his prolific oeuvre. Even with the numerous miniseries and television movies, there always seems to be more King to consider. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Even King himself has taken a crack at adapting his work, something most authors shouldn't do. See his directorial debut, 'Maximum Overdrive' for a great example as to why. Anyway, King's screenplay for Mary Lambert's 1989 version of 'Pet Sematary' was pretty good, though the film was far less disturbing than what I'd consider his darkest book (and one of his best). As an added bonus, the movie gave us that awesomely absurd Ramones song. Advertisement King's most recent screenplay was for 2016's 'Cell,' an adaptation of the 2006 horror novel set right here in Boston. 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One of the best books about the art of writing and the evil of fandom becomes a showcase for Advertisement Sissy Spacek and Piper Laurie in the 1976 film "Carrie." Photo by FilmPublicityArchive/United Archives via Getty Images/FilmPublicityArchive/United Archives via Getty Images 'Carrie' (1976) Back when I was too young for R-rated movies, my two older cousins would act them out for us after they saw them. This was one of the movies they 'performed.' They were surprisingly thorough — their version of the PG-rated 'Mommie Dearest' deserved Oscars. When my aunt took me to see 'Carrie,' I pretty much knew the entire movie. And I still jumped at the end! I've never heard an audience scream louder in my entire movie-going career. My favorite De Palma, easily. 'Cat's Eye' (1985) and 'Creepshow' (1982) King wrote the screenplays for these short story-based movies that were directed by two of the best helmers of his work, Lewis Teague and George Romero. 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