
‘Most sex-obsessed Love Islander ever' called out by fans after making shock claim
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LOVE Island viewers have slammed the 'most sex-obsessed Islander' after she made a shocking claim.
Fairly-new bombshell Yasmin, 24, revealed to some of the Islanders, including Harry and Dejon, that a man had never given her an orgasm before - which came amid another very shocking claim.
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Yasmin made a bombshell confession
Credit: Eroteme
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In fact, she made two bombshell confessions in a matter of minutes during Wednesday night's episode
Credit: Eroteme
The London-based beauty also confessed that she has only ever slept with two men before, despite speaking about sex frequently with guys in the villa.
Many fans have now slammed Yasmin's claims on the grounds that she talks about sex a lot.
"Unsure how Yasmin goes on about all this sexual stuff so much but says she's only slept with 2 people…" said one person.
A second added: "Yasmin can't hold a conversation without mentioning sex but has only slept with two guys?? i've seen it all."
"Not in a million years has Yasmin slept with 2 men. She's the horniest person that's ever set foot in this villa, wow," penned a third.
While a fourth slammed: "Yasmin has made her whole personality sex like does it hurt you to not talk about it ???"
"Yasmin making up the orgasm lies for MORE male attention??" speculated a fifth.
CONFIDENT BOMBSHELL
But some viewers defended Yasmin and slammed those "coming for her" because she's "confident enough to talk about sex".
One person on X said: "Why is everyone coming for Yasmin? Cause she's confident enough to talk about sex?
"Grow up man, you lot fantasise about this shit but when it's happening you all hide behind your duvets?"
Love Island star gets VERY sexy invitation minutes after bombshell enters villa - but did you spot it
Earlier this week, Yasmin offered to have a threesome with Dejon.
'Would you ever have a threesome with me and Toni?' she asked the hunk who is currently coupled up with Meg.
Then, in Wednesday night's instalment, Yasmin spoke to Harry on the terrace when things got very flirty.
She spoke about being "bent over" and he said she was "undressing" him with her eyes.
CRINGE CHAT
"listening to yasmin and harry is PAINFUL," said one person on X as the conversation played out.
"This Harry & Yasmin chat is actually cringe. I do not know who's worse," added a second.
"Omfg I'm going to sick. This chat between Harry and Yasmin is so gross. WHY ARE THEY SO DAMN HORNY. DOES NO ONE CARE ABOUT DIGITAL FOOTPRINT ANYMORE," penned a third.
While a fourth said: "You know what, Harry & Yasmin belong together cos they're both lustful creatures."
Yasmin entered the villa just mere days ago and has caused a massive stir ever since.
From London, Yasmin works in commercial banking and describes herself as the "CEO of flirting".
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She was seen chatting in a flirty way to Harry in tonight's episode
Credit: Eroteme

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BBC News
44 minutes ago
- BBC News
28 Years Later review: Zombie-apocalypse horror is a 'never-dull' monster mash-up
Alex Garland and Danny Boyle have reunited for a follow-up to their 2002 classic. It has visual flair, terrifying adversaries and a scene-stealing performance from Ralph Fiennes. 28 Years Later is part zombie-apocalypse horror, part medieval world-building, part sentimental family story and – most effectively – part Heart of Darkness in its journey toward a madman in the woods. That mashup is not necessarily a bad thing, since most of those parts work so well in this follow-up to the great 2002 film 28 Days Later, about a virus that decimates London. The new film is one of the year's most anticipated largely because it comes from the original's creators, director Danny Boyle and screenwriter Alex Garland. It glows with Boyle's visual flair, Garland's ambitious screenplay and a towering performance from Ralph Fiennes, whose character enters halfway through the film and unexpectedly becomes its fraught soul. But as with Frankenstein's monster, the seams are conspicuous, making for a patchwork that is never dull but not as fully engaging as it might have been. A lot has changed in the 23 years since the original, of course. Boyle, then known for smart indie films like Trainspotting, went on to win an Oscar for Slumdog Millionaire. Garland, then a novelist and screenwriter – 28 Days was his first – is now the director of politically pointed films including Civil War. In 28 Years Later, the central problem is that Garland's political bent and Boyle's commercial instincts don't entirely mesh. The world they have created is specific and impressive though, starting with an island where people have survived the decades since the outbreak by isolating themselves from the still-plague-ridden mainland of England, reached by a causeway that can only be walked across at low tide. It is a community that might have existed in the Middle Ages. Without 21st-Century resources, they make their own arrows for weapons and use wood for fuel. Aaron Taylor-Johnson is impressively solid as Jamie, a harried but responsible husband and father. Jodie Comer plays his wife, Isla, bedridden and occasionally delirious in this community which has no doctor to diagnose her. Mostly, Comer has to look woeful. Isla can barely remember why Jamie is about to take their son, Spike (Alfie Williams), on a ritualistic trip to the mainland. It is time for him to make his first kill of an infected creature, a survival tactic he will need to know. Boyle takes full advantage of his striking technical skills in the father-son hunting scenes, which are pure zombie action-horror, full of kinetic camera movements and quick cuts as Jamie and Spike race through the woods, shooting arrows and trying to outrun the infected. The creatures are officially not zombies, as much as they look and act that way, but victims of the same blood-borne virus that caused people to become full of rage in the original film, turning them into lumbering, mush-brained marauders. Decades later they have morphed. Some, called the Slow-Lows, look like hippos crawling on all fours. Others are faster and smarter than ever. All are naked, caked in dirt, and spout geysers of blood when an arrow hits them. The danger feels visceral. Some stylish flourishes briefly comment on this embattled world. A scratchy, ominous 1915 recording of the Rudyard Kipling poem Boots, about infantrymen, (the same used in the film's trailer) is heard over recurring images of war, from the Crusades to the 20th- Century World Wars. Text at the start of the film tells us that Europe managed to push the virus away, quarantining it in Britain, which has been abandoned by the rest of the world. French and Swedish boats patrol the waters to enforce the quarantine. But that politically acute theme, which might have been so resonant with the issue of isolationism today, goes nowhere. Spike, whose story is so central, is a bland character. A thread of the narrative about the boy and his mother strains for emotion and includes a twist about a pregnant infected woman that is ludicrous even for a horror film. And separated from the original in every way except its source story, for a long stretch the film lands as a more visually stunning, less emotionally rich variation on The Last of Us. But it takes on a quieter, more psychological tone and becomes infinitely better when Fiennes arrives. It's here that Boyle and Garland truly elevate and reimagine the genre. Fiennes's character, Kelton, lives on the mainland and was once a doctor. Spike believes he might be able to help his mother, although Jamie warns that everyone knows Kelton is insane. Fiennes plays him with a shaved head, a dash of wit, and skin that looks orange. "Excuse my appearance. I paint myself in iodine," he politely says when he first meets Spike and Isla. "The virus doesn't like iodine at all." (I did wonder how he got so much iodine after all those apocalyptic years, but let's not be pedantic about it.) And he shows them his lovingly designed temple, with tall columns made of bones elegantly laid out alongside a tower of skulls. It is, he explains, a Memento Mori, a reminder that we all die. Each skull reminds him that it was once part of a living person in the flesh, not a monster. Creepy, yes, but Fiennes also makes Kelton gentle, a man of deep compassion, who regrets that there are no longer hospitals where the sick like Isla can be treated. He is the most humane person on screen, which is largely down to Fiennes's vivid, layered performance. One of the film's strengths is that you can leave debating just how unhinged Kelton really is. 28 Years Later is the first in a projected new trilogy. The second part, written by Garland and directed by Nia DaCosta, has already been shot and is scheduled to be released in January. That one is called 28 Years Later: The Bone Temple, an excellent sign considering how Fiennes's character runs away with this imaginative but uneven film. ★★★★☆ 28 Years Later is released in cinemas in the UK and US on 20 June. -- If you liked this story sign up for The Essential List newsletter, a handpicked selection of features, videos and can't-miss news, delivered to your inbox twice a week. For more Culture stories from the BBC, follow us on Facebook, X, and Instagram.


Daily Mail
an hour ago
- Daily Mail
EXCLUSIVE Now Stephen Fry turns on JK Rowling: Star who narrated Harry Potter books says the author has been 'radicalised by TERFs' and is 'a lost cause'
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He said: 'She started to make these peculiar statements and had very strong difficult views. She seemed to wake up or kick a hornet's nest of transphobia which has been entirely destructive. 'I disagree profoundly with her on this subject. I am angry she does not disavow some of the more revolting and truly horrible, destructive violently destructive things that people say. She does not attack those at all. 'She says things that are inflammatory and contemptuous, mocking and add to a terribly distressing time for trans people. 'She has crowed at the success of legislation in Scotland and elsewhere declaring things about gender. 'So I am very happy to go on the record to say that I am really angry about that. My view about all things of sharp and difficult nature is that is is much more important to be effective than to be right.' Sir Stephen, who has until now not spoken openly about the row, explained that he had previously got on well with the author. 'I am sorry because I always liked her company. I found her charming, funny and interesting and then this thing happened and it completely altered the way she talks and engages with the world now.' Sir Stephen has faced criticism from parts of the LGBT+ community for not being more vocal earlier on transgender issues. He notably called for both sides to stop fighting each other over trans rights in 2022, adding: 'There is no winner'. He told Roger Bolton's Beeb Watch podcast at the time that he refused to get involved in the debate: 'I definitely wouldn't because I am aware that you are talking about an issue where two sides are very sore and anxious about their enemies.' Addressing his friendship with JK Rowling, he said: 'She is a friend of mine and I have trans friends and intersex friends who are deeply upset by her. That is a circle I have to square personally', adding he did not plan to 'abandon' friendships. But three years later Sir Stephen has changed his stance and waded head-on into the bitter row. He called for peace and humanity amid the contentious debate over trans people's rights, while calling attention to the higher rates of mental health issues, self-harm and suicide that exist for them. He told the podcast: 'When it comes to the transphobia issue it is right to remind people that trans people are here and that they are hurting and that they are being abominably treated. 'The recent way the culture has gone against them means there is a great deal of bullying, violence and suicide and genuine pain and agony in the trans community. 'But to scream 'transphobe' at anybody who does not buy into every single aspect of that particular person's trans views is so self harming. It does not get the thing done. You have to let people love you.' One study in the UK found that some 34.4 percent of trans people in the UK had attempted suicide at least once. For the entire population, the figure is closer to six percent. The comedian is far from the only former Harry Potter star to speak out in criticism of JK Rowling's views on the subject. Daniel Radcliffe, Emma Watson and Rupert Grint, who played the three central characters, have all previously come out and supported the trans community. By contrast Tom Felton, who played Harry's nemesis Draco Malfoy in the franchise, said he remains 'grateful' to Ms Rowling and her views on trans rights don't affect his work. He said: 'I'm not really that attuned. The only thing I always remind myself is that I've been lucky enough to travel the world. 'Here I am in New York. And I have not seen anything bring the world together more than Potter, and she's responsible for that. So I'm incredibly grateful.' 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I found her charming, funny and interesting and then this thing happened and it completely altered the way she talks and engages with the world now' The judgement marks the culmination of a long-running legal battle between the Scottish government and a women's group over the definition of a 'woman' in Scottish legislation mandating 50 percent female representation on public boards. The case centred on whether somebody with a gender recognition certificate (GRC) recognising their gender as female should be treated as a woman under the 2010 Equality Act. Lord Hodge recognised 'the strength of feeling on both sides' and cautioned against seeing the judgement as 'a triumph for one side over another', stressing that the law still gives trans people protection against discrimination. 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Daily Mail
an hour ago
- Daily Mail
Aggie MacKenzie says Kim Woodburn 'haunted her dreams' after their two-decade feud began when she 'pushed her to the ground' as she reflects on fraught relationship after her death
Aggie MacKenzie has revealed the moment her friendship with Kim Woodburn came to an abrupt end, as she reflected on their fraught relationship following the star's death at 83. The pair had once starred in the Channel 4 series How Clean Is Your House? but after a shock fall-out, would barely exchange a word in the final two series of the show. In the past, Kim had insisted that she and Aggie 'never got on,' and the latter previously claimed she was left needing therapy after working with her co-star. Following Kim's death Aggie has now told The Mirror about the cause behind their fallout, admitting it was her co-star's anger that brought their working relationship to an end. The star, who now works as a yoga teacher, said that the incident occurred while they were performing as the Ugly Sisters a pantomime show in 2008, She said: 'Kim missed her cue so I tapped her on the shoulder. We went on and did our scene, but when we came out at the other side, Kim was furious. She pushed me. She actually pushed me so hard that I fell over.' 'I lost it then. I really really lost it with her. I was so furious because I wasn't expecting to be pushed over like that.' Aggie went onto reveal the row threw the whole pantomime inot chaos, as Kim ran off to her dressing room 'crying her eyes out,' and she refused to go back on stage. While bosses scrambled to save the show, drafting in a lead dancer to take her place, Kim then suddenly decided to continue with the show, with Aggie admitted she felt 'crushed and disrespected' by her co-star's behaviour. The former presenter added that she never received an apology from Kim for her behaviour, adding: 'Essentially, she probably had no confidence, she probably deep down hated herself, and so in order to survive she had to put on a big front to keep herself protected and to keep people away. 'If she apologised to me, that would be showing weakness in her eyes. So no, I never got an apology from her.' Aggie admitted she was 'surprised and shocked' when she learned of Kim's passing, but struggled to recall the last time she spoke to her. 'I have no memory of the last time I spoke to Kim. It was years and years ago. But I did used to dream about Kim a lot, but I never actually saw her in real life again. The dreams were mostly about us making up and being friendly again,' she said. Following Kim's death, Aggie shared a statement with the Mail where she branded the star a 'tormented soul.' She said: 'Kim was a tormented soul, but now she's finally at peace. 'We clashed often. Behind the fierce persona was deep pain and incredible strength. She survived because she had to. I hope she's resting now. She was an unforgettable woman.' Speaking to The Sun , Aggie said her time with Kim was 'one of the strangest, most intense working relationships' and it felt like 'walking a tightr tpe'. Detailing Kim's childhood trauma, she added: 'Kim was always battling something. She could be bright and brilliant one minute, then stormy and defensive the next. That wasn't entirely diva behaviour. That was also trauma. 'There were moments - even on set - when I'd catch a glimpse of that frightened, furious young toddler whose needs had never been met.' While the pair didn't get on, Aggie claimed that the 'friction' between them but that it helped make the show work better. She also admitted that their show finished because their relationship had become too fractured and it was too hard for them to continue filming together. Kim's passing was announced on Tuesday. Her representative confirmed to MailOnline: 'It is with immense sadness that we let you know our beloved Kim Woodburn passed away yesterday following a short illness. 'Kim was an incredibly kind, caring, charismatic and strong person. Her husband Peter is heartbroken at the loss of his soulmate.' The statement continued: 'We are so proud of the amazing things Kim achieved in her life and career. 'We kindly ask that Kim's husband and close friends are given the time and privacy they need to grieve. We will not be releasing any further details.' Known as the 'Queen of Clean', Kim rose to fame as the co-host of Channel 4 's popular series How Clean is Your House? at the age of 60. Kim went on to become a household name on ITV chat shows This Morning and Loose Women. She also starred in a number of reality TV shows including a stint on I'm A Celebrity... Get Me Out Of Here! in 2009 and Celebrity Big Brother in 2017.