'I Was Broke': Gary Oldman Gets Honest About Starring In 1 Of The Most Hated Films Ever
Sir Gary Oldman has opened up about how he came to star in a film that's widely considered one of the worst in history.
Back in 2003, the newly-knighted British actor starred alongside Matthew McConaughey, Patricia Arquette and Kate Beckinsale in Tiptoes (two of whom have gone on to win Academy Awards, as has Sir Gary).
The film centred around a young man, played by Matthew, who gets his girlfriend pregnant, having concealed from her that every member of his family, including his twin brother, has a form of dwarfism.
Sir Gary played Matthew's brother in the movie, for which he donned prosthetics and spent much of the shoot on his knees.
During a new interview with the Happy Sad Confused podcast, Sir Gary admitted that he's never actually seen Tiptoes, and revealed that it came along at a difficult time in both his personal and professional life.
'I'll be very honest with you,' Sir Gary began. 'I had gone through a divorce and a nasty thing with a contractor.'
He continued 'I ended up in California, in LA, at 42 years old, a single dad, and I was broke. And, ironically, I was living under the Hollywood sign, living in this rental. We had no furniture – thank God for Ikea.'
Sir Gary said that when the offer for Tiptoes came along, he'd not worked for just shy of two years, and had been affected by an actors' strike.
'It was a bit of a rough time, and I needed to pay some bills, and I needed some money, and it was an actors' strike ontop of it all, which was a double whammy,' he admitted, noting the situation was a 'terrible time' for everyone in Hollywood.
'And then this film came along, this crazy idea, from this director, that I would play a little person. And I would play Matthew McConaughey's brother.
'There were several [issues]. First of all, I got locked in to doing a voice like that, because I had to sound like Matthew. We were brothers, so somehow, I had to sound like Matthew. So that was that. And then, I'm on my knees… desperate measures, desperate times.'
'I needed to work,' he insisted. 'And it was a crazy idea. But, would I do it now? No.'
He said that if one good thing came out of the film, it's that several actors with dwarfism – including a pre-Game Of ThronesPeter Dinklage – were able to get work at a time when many performers were struggling.
'It was a good thing in that regard, because they were all going through the same thing I was going through, with no work,' Sir Gary said, insisting: 'But it's a misfire, to be sure. Not one I talk about, I'm so glad you brought it up.'
Elsewhere in the interview, Sir Gary was also asked about another of the films he hasn't held in an especially high regard, The Fifth Element.
He explained that his wife of eight years, Gisele Schmidt, has helped to 'convince me that it's a better film than I think it is'.
Sir Gary explained: 'I'm contaminated, because I was the one who had that haircut. And I was the one who was wearing rubber. So, others can experience it in a different way. I get a little triggered when I see it, and I go back to that place of Jean-Paul Gaultier and rubber.'
He added: 'Bruce [Willis] didn't like [that] either – you know that orange vest that he wears? He hated it.'
A year after Tiptoes hit cinemas, Sir Gary made his debut as Sirius Black in the third Harry Potter film – a role with which he's still synonymous to many today.
Since then, he also won an Oscar for his portrayal of Winston Churchill in Darkest Hour.
Over the weekend, it was announced that Sir Gary had been bestowed with a knighthood by King Charles for his services to drama.
Prior to that, he was the only British recipient of Best Actor or Best Actress this century not to be honoured with a knighthood or damehood.
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CBS News
18 minutes ago
- CBS News
National Park Service site in Monroe hosts grand opening at new visitor center
An official celebration of a major update to River Raisin National Battlefield Park takes place Saturday and Sunday in Monroe, Michigan. The park retells and interprets the January 1813 battles of the War of 1812 that were fought in Southeast Michigan and the historical context of the times. The battles were a victory for Tecumseh's Confederation and the British, and a significant defeat for the Americans. The Battlefield was originally part of the Monroe County park system, and was transferred in 2010 to the National Park Service. The visitor center moved in recent years from its original location on East Elm Avenue near I-75 to an existing building a half-mile away at 333 North Dixie Highway. With the move to a larger venue and significant renovations to what was once an ice sports arena, the education center's historical displays were expanded and updated. One of the exhibits at River Raisin National Battlefield Park in Monroe, Michigan, is this Native American long home replica, on display inside the visitor center. Paula Wethington "With the help of La-Z-Boy, the State of Michigan, the Wyandotte Nation, the The City of Monroe, Michigan and many partners, donors and members of the Foundation, we are ready to share the stories of the River Raisin with the public," the River Raisin National Battlefield Park Foundation posted on its social media. "Join us for a celebration for our community and its support for creating a world-class education center." The current exhibits focus on Great Lakes history, Native Americans, the Battles of the River Raisin and the early 1800s French Town settlement in what is now Monroe. Annual events include a POW-MIA Day ceremony and flag display, French Noel and the Battles of the River Raisin commemoration. The Grand Opening events begin with a ticketed gala Friday night, and will continue Saturday and Sunday. The visitor center will be open to the public from 9 a.m. to 5 p.m. Saturday with a ceremony at 10 a.m., ribbon cutting at noon, and performances by the 126th U.S. Army Band Saxophone and Piano Jazz Duet in the afternoon. The center also will be open to the public 9 a.m. to 5 p.m. Sunday, with the La Compagnie Musical Dance Troupe giving a performance in the afternoon.


WIRED
24 minutes ago
- WIRED
'28 Years Later' Director Danny Boyle Says Shooting on iPhones Let Him Capture 'Startling' Violence
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It also gave 28 Days Later its unique grainy look that makes the movie stand out even today. Almost three decades later, Boyle faced a similar dilemma. As its title suggests, 28 Years Later takes place exactly 28 years after the initial outbreak of a zombie-like 'Rage Virus.' Abandoned by the rest of the world, a quarantined United Kingdom has returned to its natural state, even as pockets of humans and zombies survive. To bring that vision to life, Boyle once again had to rely on lightweight cameras to film in locations he normally wouldn't be able to. But this time, the location was the untamed wilderness of Northumbria, and the camera was an iPhone. 'Filming with iPhones allowed us to move without huge amounts of equipment,' Boyle tells WIRED. 'A lot of Northumbria looks like it would have looked 1,000 years ago. So we were able to move quickly and lightly to areas of the countryside that we wanted to retain their lack of human imprint.' 28 Years Later is a full-circle moment for Boyle, in more ways than one. The original movie turned its director, best known at the time for dark comedies like Trainspotting , into a genre-hopping auteur. But in the decades since, he has resisted revisiting this postapocalyptic setting, mostly sitting out the 2007 sequel 28 Weeks Later . His return, sparked in part by the Covid-19 pandemic, which brought Boyle's vision of an emptied London to life, takes the franchise in some surprising directions that both set up an entire new trilogy and manage to tell a beautiful story about life, death, and the unbreakable bond between parent and child. For Boyle, these were all valid reasons to reexamine the world he created with screenwriter Alex Garland. But there was never going to be a wrong time to make this movie—even if the timing feels particularly prescient in the context of our own apocalyptic reality. 'There has been no diminishing of the appetite for apocalyptic stories,' Boyle says. 'Whether that's because we're in the worst of times, I don't know. Certainly, the horrors of the world have not diminished since we made the first film. If anything, they've gotten worse, and they bleed into the film, whether it's the horrors of war or the horrors of infection.' Ahead of the movie's release, WIRED spoke to Boyle about why now was the perfect time for a sequel, the advantages and drawbacks of shooting on iPhone, and why he couldn't wait 28 actual years to release 28 Years Later . 'Poor Man's Bullet Time' Earlier this month, IGN published a behind-the-scenes look at 28 Years Later , revealing a massive rig capable of pointing 20 iPhone 15 Pro Max cameras (all outfitted with special accessories) at their subject. Speaking to me over Zoom, Boyle explains how this smartphone array, organized in a half-circle, lets the director capture complex action scenes from multiple angles at once. 'It allowed us to do what is basically a poor man's bullet time,' he says, referencing the effect pioneered by The Matrix . But while The Matrix used bullet time to visualize its physics-defying combat, Boyle's goal was to capture the brutality of his world. 'We use it for the violence. It was startling and unexpectedly depicted at times.' Boyle's use of iPhones wasn't limited to those giant rigs. He notes that the Apple device was the 'principal camera' for the film and praises the 'immediacy' of shooting on a smartphone over a traditional movie camera. 'Although it's a recording device, because of people's familiarity with it, actors are slightly different with it,' Boyle says. In some scenes, he even handed an iPhone to the actors and had them film from their perspective. There were some minor disadvantages to this method, Boyle admits, mostly due to Apple's user-friendly camera software. 'You have to override the working system,' the director says. For example, the iPhone's camera automatically focuses on whatever it assumes is the focus of your photo or video. That's a useful feature for snapping quick selfies, but for a film director it's a problem. 'Drama is often not following necessarily where the brightest light or the largest object is,' Boyle says. 'It's where you want the story to be.' These small annoyances were easily outweighed by the many advantages of filming the movie with iPhones, Boyle says. He praises the high resolution of the device, which is capable of shooting at 4K resolution at up to 60 frames per second and allowed him to capture both gorgeous locations and the brutal violence on a camera that weighs a fraction of the ones used to film 28 Days Later . 'It gives you a recording of beauty and nature that was a huge part of what we wanted to contrast the horror with,' he says. Inspired by Covid-19 Boyle never thought the world he depicted in 28 Days Later would become a reality. Then, a global pandemic swept across the world. 'You saw cities emptied overnight in a way that one would have thought unimaginable outside a movie,' he says. 'Then it literally happened in people's lives.' But while the global lockdowns of 2020 gave Boyle a sense of déjà vu for 28 Days Later , it was what happened immediately afterward that inspired him to make a sequel. 'The big discovery was thinking about our own behavior after Covid,' Boyle says. In the first weeks or months of the pandemic, you probably washed your hands for a full 20 seconds every time you got home, and you wore a face mask outside. You might have even sanitized your groceries. But as lockdown dragged on, you likely stopped some, if not all, of that behavior. 'You start to take risks over time,' Boyle says. 'It was something we could all relate to. We all had stories.' Boyle and Garland applied that same thinking to the world of 28 Years Later . Their sequel follows a community living on an island off the northeast coast of England and connected by a single causeway that floods each night with the tides. The community of Holy Island (a real place in the UK) manages to keep out the Rage Virus completely, and, over the years, they begin to explore the mainland, despite the inherent dangers. 'Twenty-eight years after an infection, there would be risk-taking,' Boyle says. 'There'd be enormous amounts of risk-taking, because they'd have worked out the parameters of how far they can go and still stay safe.' He brings up the dangers of getting the virus if the blood of an infected enters your body: 'In the original movie, if you got a fleck of blood on you, you were hacked to death by your fellow survivors. Whereas in this one, they can operate. That was really interesting, and that came out of Covid for us.' The Legacy of 28 Days Later In the 22 years since Boyle's genre-redefining movie, zombie storytelling has changed dramatically, thanks in large part to screenwriter Garland's vision for fast-moving Infected. (In interviews, Garland has revealed he drew inspiration from the zombie dogs in the Resident Evil video games.) Subsequent movies like World War Z , Zombieland , and Train to Busan all borrowed liberally from 28 Days Later . But while Boyle is proud of his influence on the zombie film landscape, he's mostly abstained from watching any of those movies himself. 'I've tended to stay away from them,' the director says. 'I always thought it was useful that Alex was an expert and I wasn't. That was a good dynamic in the way we'd approach the films. You have to be careful about either being too reverential or too avoidant. They're both equally dangerous instincts.' Boyle adds that he relied on Garland to warn him when 28 Years Later felt too similar to another zombie movie, while admitting that the writer also took some inspiration from more recent additions to the genre. 'I know he's an enormous admirer of The Last of Us game,' Boyle says. 'In fact, I think that was influenced by 28 Days Later . One hand washes the other, in that respect.' Ultimately, 28 Years Later is just one of many movies pushing the zombie genre forward through both storytelling and technological innovations. And while the wait for a proper sequel has been long and winding, it appears to be arriving at the exact right time. Then again, as my time with Boyle comes to a close, I can't help but wonder why he didn't wait a few more years until 2031, when the film's title would have literally described the span of time between the original and its overdue follow-up. When I pose the question, Boyle's answer reveals his unique perspective—dark, witty, and unmistakably British—that made the franchise a hit all those years ago. 'It would have been cute, as the Americans say, and very neat for marketing, but I couldn't guarantee I'd still be alive by then,' he says with a wicked smile. 'So we thought we should move now, just in case.'
Yahoo
an hour ago
- Yahoo
National Picnic Week: Shop our picky-bits essentials for summer
Image: Coco & Wolf Reiss Tolga It's National Picnic Week until the 21st June, and if you're anything like me, your season has already been punctuated by spontaneous in the park with your pals. Not only a dreamy way to bask in the elusive British sunshine, picnicking is also my favourite hack for not spending an arm and a leg on drinks and dinner. Even better, it invites the elite concept of snacking as an actual meal. Enter: the quintessential picky-bits kit. While a haul at M&S is a vital part of the fun (if you don't know about their Green Goddess dip, get to know), we all know the first bite is taken with the eye, and there's no reason your picnicware shouldn't be as beautiful as the bites you'll eat from it. The high street has blossomed this summer with fabulous pieces that are as functional as they are fashionable. From a basket equipped with bottle holders, to pretty melamine, to a picnic-themed collab between Glassette and the Delevingne sisters' Prosecco brand Della Vite, read on for the picnicware of the moment.£63.99 at laredoute£70.00 at at at laredoute£100.00 at at anthropologie£35.40 at in-store. £40.00 at marksandspencer£9.00 at in-store. £40.00 at marksandspencer£9.00 at Follow House Beautiful on TikTok, Instagram and Pinterest You Might Also Like 7 hallway mirrors to create the illusion of space 13 bedroom wallpaper ideas to transform plain walls 12 garden furniture sets perfect for outdoor entertaining