3 reasons your hydrangea won't bloom and when to prune for the best flowers
If you gathered in one large room, all the plant pros from all over the world and asked them to name the number one question they are asked by customers, that normally diverse and typically quite contrarian group would find themselves in unanimous and surprising agreement. Questions related to how to prune a hydrangea, why one either does or does not flower from one year to the next, could fuel a reality TV show ... maybe even to rival "Game of Thrones."
Here are three reasons why you hydrangea may not be blooming:
Improperly Timed Pruning: By far the most common reason for some hydrangeas to not flower is pruning at the wrong time of year. Hydrangeas come in a variety of types. Some set their flower buds in the fall for the following spring. If you prune that type in winter, there won't be many/any left to flower in spring. This is the case for the popular bigleaf hydrangea (Hydrangea macrophylla,) the type that typically has glossy, bright green leaves and either pink or blue flowers in summer. The always popular oakleaf hydrangea (H. quercifolia) falls into this same category of old wood bloomers.
(Note: a few of the newer varieties of H. macrophylla actually produce flowers both on last year's growth and current season's growth so will bloom in spring even if you prune them hard in winter, but all flower better if you skip the winter prune.)
More: Should I use landscape fabric in the yard or garden? Here are 3 things to know
Hydrangeas that flower on the current season's growth (sometimes called new wood flowering) can be cut all the way to the ground in winter and they will still bloom the following spring after the new growth is produced. The native smooth hydrangea (H. arborescens) and the panicle/tree hydrangea (H. paniculata) both fall into this category.
Winter/Cold Damage: Some hydrangea species can handle a whole lot of cold without even the least of a shiver. When I lived in Bangor, Maine it took no time at all to see that both the smooth hydrangea and panicle hydrangea were (and still are) staples in the landscape. They can handle cold.
Big leaf hydrangeas, on the other hand, are best considered snowbirds. They can handle some winter cold but what they don't like is the up and down temperatures of a continental climate. A few warm February days during winter can cause a bit of a false start for big leaf hydrangeas. And once those buds (that contain the flower initials formed last fall) start to swell even a bit, any temperature below freezing will result in a total or partial loss of flowers for the coming season and will leave you with a big green bush with no flowers. If the cold is borderline, sometimes you'll just get a few flowers near the ground where they were either protected from the freeze by snow cover or from a bit of warmth radiated up from the ground beneath.
More: How to keep deer out of the garden: 8 things to try
Too Much Shade: Many of us who start off with a sun garden know that it won't often last very long. Trees grow. Other large shrubs grow. Over time, a once floriferous hydrangea can lose its flower power as maturing plants in the vicinity start to suck up the essential sunlight. All hydrangeas are quite shade tolerant — meaning they can survive quite nicely in even a moderate amount of shade. But as the amount of incident light decreases, so does the flower production. The solution is to move your hydrangea to a sunnier spot or open up the tree canopy with some strategic tree pruning.
There is also a short list of other reasons for a gradual decrease of hydrangea flowers. Of course the ever-present white tailed deer that so many of us battle in our gardens can chow down on your hydrangeas, meaning no buds make it to flowering stage. Poor mineral nutrition, moisture stress, and a host of other cultural insults can keep hydrangeas from flowering but those are minority cases.
First things first. Like most plants, hydrangeas do not need to be pruned. If left unpruned, they will be just fine. After flowering, some people like to remove the old blooms (which is completely fine) while others like to leave them in place for little winter texture. But in both the old wood and new wood blooming hydrangea species, no pruning is necessary. If you just let them do their thing, they'll do their thing.
Old Wood Bloomers: If big leaf hydrangeas are pruned at the wrong time of year, they won't flower the next year. But that doesn't mean you can't prune and still have flowers. If you want to prune to encourage tighter branching or maintain a slightly smaller plant, prune as soon as the current crop of blooms start to fade. The goal is to encourage lower buds to break and produce new shoot growth before the end of the growing season, with enough time for a new crop of flower buds to form. A thorough watering regime post pruning will help make sure that new growth forms. My general rule of thumb is to do this kind of pruning before the middle of July.
Other than the bigleaf hydrangea, oakleaf hydrangea (H. quercifolia) and the less common climbing hydrangea (H. petiolaris) fall into the same group of old wood bloomers.
More: How to properly plant a tree: here are 6 things to know
New Wood Bloomers: These are far less fussy. If you wantm you can clean them up by removing the spent flower heads about any time of the year. Whole plants (young or old) can be cut to the ground in winter (which will create a plant with fewer but larger blooms), or they can be left to their own devices with no pruning. The no pruning approach will generally produce a plant with a greater quantity of smaller blooms.
Worldwide there are somewhere around 80 or so species. Most are shrubs. Some approach tree status. A few are climbing vines. And if you're lucky enough to have a specimen or two of the rarer species in your garden, all you need to know to determine the best pruning time is whether it blooms on new or old wood.
But then if you do have some of those plant geek species in your garden, you're probably already getting the pruning question from your friends and neighbors. Maybe you need your very own television series.
Paul Cappiello is the executive director at Yew Dell Botanical Gardens, 6220 Old Lagrange Road, yewdellgardens.org.
This article originally appeared on Louisville Courier Journal: Reasons your hydrangea won't bloom and how to fix it
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Washington Post
an hour ago
- Washington Post
Early American property blends history, whimsy in Old Town Alexandria
Before one of the designers of the Metro system bought the historical brick house a block from Alexandria's waterfront, and before an early 19th-century trunk maker used the building for a workshop, and before a friend of George Washington's bought the land, an 18th-century oyster shack stood just beyond what today is the Duke Street house's backyard. Fast-forward to the 21st century, when the backyard was dug up for a small heated pool and patio, unearthing oyster shells, likely discarded from the oyster shop in the 1770s. Homeowner Martha Peterson bleached and painted the shells, hanging them in a frames above the quartz countertop in a kitchen where custom pocket doors conceal Miele appliances, a built-in coffee maker, wine cooler and other equipment not dreamed of when the house was built in 1800. 'The ground was just full of oyster shells, and my mom had the idea to keep some as a kind of tribute to the history of the place,' said Peterson's son Chase Whitely, who lives in the house and has helped renovate it with her. They are both interior designers. The house was originally about half its current size. Transportation engineer Alan Voorhees, whose work helped shape both Washington's subway and the U.S. interstate highway system, bought an empty lot next door in the 1980s and expanded the house to cover both properties. Three years ago, Peterson built another addition, which includes a second living room, a back staircase, guest bedroom with balcony, and front and back porches. In all, the house has five bedrooms, four bathrooms and five fireplaces. 'Every corner, every inch they touched, but they were amazing at keeping the charm of house, including some original floors and fireplaces, keeping the historic look and adding modern touches,' Compass real estate agent Stefanie Hurley said of Peterson's and Whitely's work on the house. One of Whitley's favorite renovations is the first-floor powder room where swans swim on bright pink Gucci wallpaper and are reflected in the ornate mirror above a custom curved marble vanity. Gold leaf covers the ceiling. Another gem for Whitley is the transformation of the soaring entry way. 'What sold us on the house was the foyer. When we bought it, it was just a wood floor and painted walls, so we added a heated marble floor, redid the stairs and put in paneling. We really wanted the space to be like 'wow' when people walk in,' he said. Whitley and Peterson added a hand-painted mural by artist Suzanne Harter of a pastoral scene that wraps around an arched doorway in the main-level hallway. They converted an upstairs bedroom to a dressing room off the primary bedroom. Both rooms have fireplaces. The home's crawl space has been converted to finished storage space that spans the entire house. 'It had been just a pile of dirt. In a lot of historic homes, you don't get a lot of storage space, so this is a huge perk of the house,' Hurley said. Many historical elements remain. In addition to the fireplaces and some of the wood floors, the exposed brick in the kitchen marks where the original house ended. The original front door to the house built by trunk maker Ephraim Mills in 1800 still faces the street. When the house was expanded another front door was added as the main entryway, but because it has two doors, the house appears as if it's two separate residences. Outside, the pool's temperature can be controlled by an app, and residents have even used it when it's snowing, Hurley said. A narrow putting green abuts what had been Whitley's stepfather's office with a door to the outside. Whitley recalls him taking phone calls while putting. 'The house has been evolving since we bought it about 10 years ago,' Whitley said. 'As an interior designer, you're often giving clients things you might not necessarily do in your home. So, this has been fun for us and it's made us happy.' $5.8 million 109 Duke St., Alexandria, Va.


New York Times
an hour ago
- New York Times
The Fast-Food Gimmick That Became an Unlikely Muse for Chefs
In 2020, Fernando Strohmeyer was scrolling through Reddit in the back of Aunt Ginny's, a dive bar in Ridgewood, Queens, when a video of someone making a homemade Crunchwrap Supreme caught his eye. It didn't matter that he had never tasted the Taco Bell original. Recipes for the fast-food staple have spread online like open-source code. Soon, he was making one, too. From his small kitchen at Aunt Ginny's, Mr. Strohmeyer serves six-sided wraps that are browned on both sides and filled with the 14-hour pernil he learned to make from his Puerto Rican mother. His version — 'the Crispwrap Ultimate' — is considerably thicker than the source material, with a cross-section that looks more like your actual aunt's seven-layer dip. 'As long as you have that crunchy thing in the middle and you know how to fold it, you can put anything in there,' said Mr. Strohmeyer, 44. Introduced by Taco Bell as a special on June 22, 2005, the Crunchwrap Supreme wildly outperformed company expectations, becoming the fastest-selling menu item in the fast-food chain's history. Twenty years later, it is as much a novelty food as a playful framework for chefs. They reinterpret its nostalgic layers — ground beef, nacho cheese, a tostada shell, lettuce, tomato and sour cream enrobed by a 12-inch flour tortilla — with ingredients that are deeply personal. Want all of The Times? Subscribe.


New York Times
an hour ago
- New York Times
We Need to Make America Grateful Again
We live in the most materially prosperous era in human history. Over the past half-century, child mortality has fallen by two-thirds in the United States, medical advances have made lives longer and more comfortable, education rates have soared, and material comforts like air-conditioning, plumbing and internet access abound. Although our country faces many challenges, the progress of the past decades has ushered in conveniences and opportunities that previous generations could scarcely imagine. Yet we are anxious, restless and often enraged. Why? It's not only about our circumstances. It is about how we perceive our lives. Although technology has elevated our standard of living, it has created a warped lens of comparison. Americans' many anxieties — about the state of our democracy, among other pressing worries — are increasingly born out of envy. Rarely has envy been so easily provoked, profitably spread or deeply embedded in daily life. This collective envy runs the risk of cutting the threads that hold our democratic system and civil society together. In his 'Divine Comedy,' Dante Alighieri described envy not just as a personal sin but also as a societal toxin. In 'Purgatorio' the envious are punished by having their eyes sewn shut — blinded to their own blessings, tormented by the success of others, which they can still hear about. That poem was written more than seven centuries ago. Today our punishment is the inverse: Our eyes are forced open, flooded with curated illusions of friends and strangers alike on social media. We scroll through images of other people's vacations, seemingly perfect families, luxury homes and effortless success, and we start to feel that we're falling behind, even if we are objectively thriving. There is a strong argument that social media can provide access to important information and a sense of community. However, the consequences of this technology and the slow drip of dopamine it administers present massive dangers to the well-being of our society. Social media didn't invent envy, but it industrialized it. It turned comparison into a business model. The average teenager spends almost five hours per day on platforms whose algorithms are finely tuned to monetize discontent. We have handed over the emotional development of an entire generation to corporations with an incentive to keep them scrolling and feeling less and less content. Into this fragile emotional landscape stepped Donald Trump. His genius was not policy but narrative. He told millions of Americans what they already felt: You are losing. Someone else is winning. And it is not your fault. Others are to blame. He named villains — immigrants, China, coastal elites. He successfully rebranded envy as righteous anger. His political project was never about making America great again. It was about explaining why other people seemed to be doing better. Ironically, essentially no one is taking advantage of America. The United States built the postwar order and wrote the rules of the global game. Our government designed the trade agreements and a financial system that benefited Americans. That's why the U.S. gross domestic product is almost 60 percent larger than that of its nearest rival, China. American companies have historically dominated in science, technology, aerospace and defense. They lead the way in banking and capital markets, media and entertainment, biotech and pharmaceuticals, professional services and higher education. Want all of The Times? Subscribe.