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David Knight: Addams Family values on Aberdeen stage contrasts real-life school chaos

David Knight: Addams Family values on Aberdeen stage contrasts real-life school chaos

It was dark and I was whispering into the ear of a mysterious Danish woman I had only just met a few minutes earlier.
I was asking if she minded if I moved a little closer.
All we needed was Phyllis Nelson to start singing in the background, you might think.
But you'd be jumping to the wrong conclusion.
After all, we usually whisper in the dark in a theatre during a show.
I was longing to take over an empty seat between us to stretch my aching cramped legs, which is why I asked if we could squeeze up.
A stage can be an unforgiving place; so is Row L in the very front seats of the dress circle at Tivoli Theatre in Aberdeen – it felt as though they were designed for the vertically challenged.
I'm relatively small, more on the rotund side; yet I thought when Tivoli was built in the 19th Century theatre-goers must have been less than five feet tall.
Having said all that, it's a magical place full of character and a credit to all those who brought the theatre back to life a few years ago.
It turned out that the charming woman next door to my wife and I was from a city to the south of Copenhagen; I think she said Nyborg.
As I sipped my cream-soda Pepsi, she confided that many Danes were boycotting Coca-Cola in protest over Trump's dreams of annexing Greenland.
It always amazes me how people from all sorts of far-flung places and backgrounds are thrust together suddenly; airports obviously, but perhaps less common in an Aberdeen theatre.
We were bonding in joyful unison with a common purpose: to see young relatives on stage in a Saturday matinee with the junior section of Aberdeen Youth Music Theatre.
What a storming show it was: a sparkling performance of the Addams Family musical.
It was difficult to believe that the eldest performers were only in their early teens, but most of the cast were younger.
We were watching our respective grandsons in action.
Both boys were singled out for high praise, as was the show in general, in a proper review published on a north-east website by a journalistic person who seemed to know what she was talking about.
It was quite moving for our family to read such kind words of praise from an objective source heaped on my grandson, who played the tricky part of Lurch with such skill and aplomb.
All the hugs and kisses outside the stage door afterwards showed how much family emotion floods through these out-of-school events, whatever activity is being pursued.
Striving for personal excellence and understanding the importance of teamwork; a lesson for life of course, but are some children falling into a black hole through lack of firm direction and motivation?
Contrast triumphant team spirit on stage – or similar pursuits – with the toxic desolation of school battlegrounds scarred by misogyny and violence; where teachers are abused or attacked routinely, but too frightened to complain.
Aberdeen schools are in the firing line over this, but it's typical of what is happening in classrooms everywhere.
When I saw some of the anarchic school scenes in the much-lauded TV drama Adolescence I was shocked and sceptical at first, but it seems they were holding up a mirror to reality.
Thuggish kids ruling the roost, teachers hanging on desperately.
Later, I was thinking of all this while standing outside a chip shop in Aberdeen of all places when 15 or so young lads cycled past in a large group in the middle of the road.
All dressed in black hoodies with faces covered; some swearing loudly, others doing wheelies.
Twerps, yes, but intimidating – full of arrogant swagger and looking ready for mischief.
I might be too quick to judge.
Maybe they belonged to a formation dance-cycling team which raises money for charity and performs other good deeds.
I somehow doubted it.
It seems schools struggle these days to impose proper discipline or make miscreants pay a price.
Once upon a time, when I was training to be a child-protection counsellor, tutors kept hammering home the message that children must be challenged head on or face consequences – and, above all, 'don't put them on a pedestal'.
I was terrified of some of my teachers; many had served in the war, which gave them a certain no-nonsense aura.
Our metalwork teacher was so strict that we were convinced he had been in the SS – even though he was British.
They say too many people are wrongly in prison because they have specialist needs which cannot be addressed properly by staff; the same might be said of some children in school, it would seem.
I hate to make a song and dance about it, but some things need to be said.

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'Still, if this is a consistent pattern, it could suggest a closer bond with one child, or that they identify more strongly with that particular relationship.' Having a photo of friends on a lock screen can often indicate that the device owner is someone who 'thrives on social connection and values their chosen relationships deeply'. How you come to the decision of who takes pride of place on your phone screen can be a surprisingly emotional decision, and having friends there could reflect 'a stage of life where friendships are the primary support system'. As Britons become ever more pet-obsessed - with figures showing an estimated 60 per cent of UK households owning at least one pet - it's no surprise that our furry friends are a popular lock screen choice. Having them on your phone can represent a strong emotional attachment, and could also mean your pet is a source of daily comfort. 'Pets often bring a calming or joyful energy to someone's day,' Holly continued. 'And having them on a lock screen can reflect that soothing or stabilising role.' People and pets aside, some phone owners prefer to have images of nature or scenery, which might suggest a need for calm, inspiration, or escapism, the expert added. 'People who use these photos may value mindfulness, solitude, or feel most themselves when outdoors,' she explained. 'Sometimes, these photos serve as visual reminders to slow down or to mentally return to a peaceful place during the stress of daily life.' Others yet have photos of seemingly random objects - but Holly says these are 'rarely random at all' and usually represent something meaningful to the person whose phone it is. It could be anything from 'a goal, an aesthetic, a private joke, or a vision board of sorts'. Some people may even use their phone lock screen as a means of visualisation or manifestation, using it as 'daily cues to focus the mind and align behaviours with a goal'. Finally, there's the phone owners who simply have a blank screen - although these people are increasingly few and far between. If you do come across someone who has nothing at all on their phone background, it could be because they prefer minimalism, privacy, or to avoid distractions as much as possible. 'A blank lock screen might reflect a desire for digital simplicity, or a subtle resistance to the emotional pull of personal photos,' Holly suggested. 'For others, it's simply a way to protect mental space - deliberately not engaging with their phone on an emotional level. 'Ultimately, a lock screen isn't a psychological blueprint, you can't know somebody through such a small detail - but it can be a telling snapshot of what someone wants to see – how they want to feel - or be reminded of - multiple times a day.'

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