
Iconic '70s band lead singer quits live on air during The Voice finale shocker
The lead singer of Foreigner stunned longtime fans with a surprise announcement during Tuesday's season finale of The Voice.
Following the band's electrifying performance, Kelly Hansen—who joined the group in 2005—revealed that he'll be stepping down after nearly two decades at the mic.
'After 20 magical years fronting this band, this will be my last year with Foreigner,' Hansen told the audience. 'At the end of this summer, a new great voice will sing these songs for you; my friend Luis Maldonado.'
In a later statement, he added: 'Being the voice of Foreigner has been one of the greatest honors of my life. But it's time to pass the mic. Luis has the voice, the energy, and the soul to carry these songs into the future. I couldn't be prouder to hand this off to him.'
Maldonado, the band's longtime guitarist, added in a statement: 'This music has been part of my life for as long as I can remember. I'm ready to honor Foreigner's legacy and bring my heart to every performance.'
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop.
Foreigner shot to fame in the late 1970s and ruled the charts through the '80s with a string of rock anthems and ballads, including Cold as Ice, Hot Blooded, Urgent and Juke Box Hero.
The band hit the stage during The Voice finale with a powerhouse medley of their classics, including Feels Like the First Time and the fan-favorite ballad I Want to Know What Love Is.
Foreigner came together in New York City in 1976, with guitarist Mick Jones assembling a powerhouse lineup.
It included singer Lou Gramm, drummer Dennis Elliott, keyboardist Al Greenwood, bassist Ed Gagliardi, and multi-instrumentalist Ian McDonald.
In a statement, Jones said, 'In 1976, my goal was to assemble the finest group of musicians I could find. Results have shown that it worked!
'About thirty years later, Jason Bonham encouraged me to do it all over again and create a brand-new Foreigner, and the magic was still there. I was especially fortunate in the choice of lead singer.
'Kelly Hansen is one of the best front men in our business and over the last twenty years he has breathed new life into our songs. His boundless energy and flawless talent has helped us climb the mountain and set up the opportunity for Foreigner vocalist and guitarist, Luis Maldonado, to bring us home.'
He concluded, 'I wish Kelly great happiness in his next endeavors after our summer tour, and I look forward to welcoming Luis to his new position.
The band hit the stage during The Voice finale with a powerhouse medley of their classics, including Feels Like the First Time and the fan-favorite ballad I Want to Know What Love Is.
'Luis was my choice as a guitarist and he has already shown us what he can do on lead vocals by fronting the band in South America to incredible reviews.
'He will soon lead the charge that will carry us forward to new heights.'
Foreigner were inducted into the Rock and Roll Hall of Fame last year, though the current lineup wasn't included in the honor, as they weren't part of the original band.
The inductees included founding members Jones, Elliott, Gagliard (who passed away in 2014), Gramm, Greenwood, McDonald (who died in 2022), and longtime bassist Rick Wills.
Foreigner is currently touring North America through November, with a stop at Louisville's Bourbon & Beyond festival in September, and a string of headlining shows set for 2026 at the Venetian Theatre in Las Vegas.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
an hour ago
- Daily Mail
Jessica Alba shows off her toned and tanned physique in a patterned bikini as she enjoys sun-soaked getaway to focus on 'friendship and selfcare'
She is never shy showing off her physique when on her many holidays. And Jessica Alba was flaunting her toned and tanned physique as she enjoyed her latest sun-soaked getaway this weekend. The actress, 44, slipped into a skimpy white and beige patterned two piece as she flashed a peace sign by the pool. Jessica had her abs and toned legs on display as she accessorised with a sunhat and shades while another shot showed her cooling off in the pool. After her divorce from Cash Warren, she penned in the caption of her post: 'Channeling chill - breathwork - friendship and selfcare.' From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the In her slew of snaps she also posed in a strapless leopard print swimsuit while spending time at a luxury spa where they were staying. Her holiday comes after she was recently spotted kissing and cozying up to a new mystery man just weeks after her divorce from Cash Warren. But recently an insider has shed light into Jessica 's life back on the market. While she seemed to have a potential new beau in London, a source insisted to Us Weekly that Jessica isn't dating anyone in particular at the moment and is merely 'embracing' the attention coming her way. '[Jessica has] gone on dates, but she isn't seeing anyone specific right now,' the source said. 'She's having a lot of fun going out with her girlfriends and being more spontaneous. She's embracing all the attention she's getting,' they added. Indeed, Jessica seems to be living it up now that she is single again. Her Instagram account shows her traveling to numerous destinations where bathing suits are a must, and she even celebrated her birthday with her gal pals in Las Vegas. 'A vegas birthday was not in the cards, but a time was definitely had,' Jessica mused on Instagram as she shared snaps from her travels to Sin City in early May. 'Grateful for the women who have been by my side through every season with nothing but love & support. No matter where we are in the world, we have the best time when we're together - te amo.' The post even included the L.E. Bowman poem 'A New Kind of Sexy', a telling clue of her post-divorce attitude. While Jessica may be an independent woman, she has had some company in recent weeks. Earlier this month Alba was spotted enjoying a very cosy-looking stroll with a man in London's Regent's Park. An onlooker told The Sun that the pair could be seen kissing on deckchairs and embracing as they strolled through the park. They said: 'They looked very intimate. They were hugging and holding hands as they walked through the park together. 'They rented out some deck chairs and they were sitting on them kissing. 'It looked very much like a new relationship.' Jessica cited 'irreconcilable differences' as the reasoning behind her separation from Cash when it was announced earlier this year, with him soon filing afterwards. During the course of their marriage, the former couple welcomed three children: Honor, 16, Haven, 13, and Hayes, seven - and both have requested for joint physical and legal custody of their kids. Eight months before it was revealed that Jessica and Cash were 'set for divorce,' the Hollywood star uploaded her final anniversary post to celebrate 16 years of marriage. At the time, Alba shared an assortment of images to her main Instagram page of the pair from over the years. She also penned a cryptic caption to accompany the snaps while reflecting on how they have gone through 'thick and thin.' '16 years of marriage, 20 years together and forever to go… Happy Anniversary @cashwarren,' the mother-of-three began. 'I'm proud of us for making it this far. There is no real set of rules or guidance that can ever prepare you for what it means to commit to another person and choose to be family.' The Honey star concluded with, 'Through thick and thin we have continually found our way back to each other and have chosen one another. Cheers to us, I love you.'


Daily Mail
an hour ago
- Daily Mail
Aaron Taylor-Johnson smoulders as he flashes a glimpse of his hairy chest in an open shirt alongside Jodie Comer and director Danny Boyle at 28 Years Later event in NYC
Aaron Taylor-Johnson joined co-star Jodie Comer and director Danny Boyle at an event for their new zombie movie 28 Years Later in New York on Sunday. The British actor, 34, who sported a bushy beard, smouldered as he flashed a glimpse of his hairy chest in an open shirt while taking to the red carpet. Aaron cut a stylish figure in beige ensemble and teamed the shirt with a matching sports jacket, trousers and suede shoes. He completed with a gold necklace and flashy Omega watch, after signing a deal with the brand which provide timepieces to the James Bond franchise - in what fans believes was a hint he would soon be announced as the new 007. Meanwhile Jodie, 32, was the epitome of chic in a flowing black blouse which was worn with bell bottoms and pointed heels. DailyMail's new Showbiz newsletter to stay in the loop. The much-anticipated release of 28 Years Later is just weeks away, with fans left waiting two decades to discover the next instalment in the film series. And with the nation devastated by the Rage virus nearly three decades ago, this new film - released June 19 - will show insight into the vastly different ways humanity has adapted to survive. For one such community, this means complete isolation from the outside world, and in a new clip ahead of the film's premiere, star Aaron shares insight into this new addition to the 28 Days Later universe for the first time. In this new land, known as The Holy Island, humans are entirely self-sufficient, and only leave the community to hunt on the mainland, when the tide is low. Aaron plays Jamie a scavenger who is tasked with training his Spike to survive in the wilderness, before they embark on a deadly mission to the mainland. In an exclusive featurette, Aaron offers a glimpse at this new Holy Island, explaining: 'My character is part of this community that survived 20-odd years because they live on the Holy Island, disconnected from the mainland. 'They don't have doctors or medicine, can only eat what they can grow, they can go hunt, but they have to go hunt on the mainland.' 'And we have rules, if you leave the island and you don't return, there's no one going out to look for you, they're going to assume you've been infected and you're dead.' Aaron then explains that for his character's son, it's a 'rite of passage' to learn his father's hunting skills, in the hope that they can survive when they leave the island. The film is set on the real-life island of Lindisfarne, which is only accessible through a causeway during low tide. Jodie Comer also stars in the film as Jamie's wife Isla, while Ralph Fiennes plays Dr. Kelson, a survivor of the outbreak. The original film 28 Days Later starred Cillian as a bicycle courier who wakes up from a coma to discover the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society. But despite frenzied speculation that he would be reprising his role in this sequel, when the trailer came out in December, with one character appearing to resemble a zombified form of Cillian's character Jim from the first film. However, this theory was quickly shut down when a London art dealer and model revealed he was the one playing the zombie character. Danny has since teased that viewers may get to see Cillian, 48, return after all, in one of the later films in the trilogy. Speaking during Sony's presentation at 2025 CinemaCon, the filmmaker hinted: 'Like all good things in life, you may have to wait a little while for [Cillian] to make his appearance'. 28 Years Later was filmed back-to-back with the second film, 28 Years Later: The Bone Temple, by director Nia DaCosta, which is being released in January 2026. Producer Andrew Macdonald previously confirmed that Cillian would not be appearing in 28 Years Later, but also suggested he could return for a future film. He told Empire: '[On] this, we wanted him to be involved and he wanted to be involved. He is not in the first film, but I'm hoping there will be some Jim somewhere along the line.' He added: 'He's involved at the moment as an executive producer, and I would hope we can work with him in some way in the future in the trilogy.' With a budget of $75million, 28 Years Later is the biggest film to be created with an iPhone and follows in the footsteps of a new Apple TV show. 28 Years Later hits UK cinemas on June 19, 2025.


The Guardian
2 hours ago
- The Guardian
Pulp: More review – anthems and rage for the next life stage
Time has been particularly kind to Pulp. As Jarvis Cocker points out on Spike Island, the lead single from their first album in 24 years, their 2002 split went largely unlamented: they had already succeeded in considerably reducing the size of their audience with 1998's claustrophobic album This Is Hardcore and 2001's Scott Walker-produced We Love Life. An ostensibly valedictory greatest hits album spent a single week in the lower reaches of the Top 75. And the year after their demise, John Harris's Britpop history The Last Party noted tartly that Pulp's music had 'rather dated'. 'The universe shrugged, then moved on,' sings Cocker, which is a perhaps more poetic reiteration of what he said at the time: the greatest hits album was 'a real silent fart' and 'nobody was that arsed, evidently'. But subsequent years significantly burnished their memory. It was frequently noted that, besides the Manic Street Preachers' A Design for Life, Common People was the only significant hit of the Britpop years that might be described as a protest song, a bulwark against the accusation that the era had nothing more substantial to offer than flag-waving and faux-gorblimey. At a time when ostensibly 'alternative' rock bands had seemed suddenly desperate for mainstream acceptance, Pulp had become huge by sticking up for outsiders and weirdos. Mis-Shapes, for example, hymned the kinds of people one suspected some of Oasis's fans would have happily thumped. They had also been quick to call time on rock's disastrous association with New Labour, releasing the scathing Cocaine Socialism a year after Tony Blair was elected. If there weren't a huge number of takers for Cocker's musical solo projects, his national treasure status seemed to grow and grow. Pulp reformed in 2011 to general rejoicing, and again in 2022, by which point they could reasonably claim to be the only major Britpop band exerting an obvious influence on current artists (clearly Sports Team and, latterly, Welly both have Pulp in their DNA) and note that their infamous flop greatest hits collection had finally gone platinum. But there's a huge difference between playing the old favourites live and making a new album. If you don't want to sully your catalogue with a photocopy of past glories, you'd better have something new to say, something the oddly equivocal tone of Spike Island and indeed the Cocker quote accompanying More – 'this is the best we can do' – seems to acknowledge. In fact, like Blur on last year's acclaimed The Ballad of Darren, Pulp have found a way to successfully apply their longstanding approach to a very different stage of life when, as Cocker puts it on Slow Jam, 'you've gone from all you that could be to all that you once were'. A man who once fantasised about cuckoldry as an act of class rage-fuelled revenge now finds himself addressing how divorce impacts on your potential to find love again on Background Noise (in a characteristic touch, this existential meditation takes place in the middle of a shopping centre). Tina effectively transposes the kind of Pulp song that ruminates on missed romantic opportunities – Babies, Disco 2000, Inside Susan – into middle-age, the frustration sharpened by the fact that it's 40 years since that particular opportunity sailed. Similarly, Cocker was always exceptionally skilled at drawing confused, youthful relationships and at making capital from the grubby mundane aspects of sex. He still is, although on Grown Ups, the relationship is depicted as taking place on a planet now out of reach, 'because the rocket doesn't have enough fuel' to get back – to youth, presumably – and on My Sex, all the grubby mundanity has taken on a pressing tone as libido dims: 'Hurry 'cos with sex, we're running out of time.' Given how strong the imprint of their frontman's voice is, it seems almost pointless to note that the contents of More sound like Pulp – if Cocker was unexpectedly recruited as lead singer of Cannibal Corpse, they'd probably sound like Pulp too – but suffice to say the music here does all the things a longstanding fan might expect. There are melodies derived from Gallic chanson, tinny electronics, rhythms that lean towards disco, sprechgesang verses that build into anthemic choruses and a lot of flourishes that recall 70s pop (there's also a surprising amount of violin redolent of long-departed member Russell Senior). More importantly, it does these things really well: the epic A Hymn of the North is as heart-rending a Scott Walker-influenced ballad as Pulp have ever recorded, while if they had released the joyous Got to Have Love as their post-Different Class comeback single in 1998, rather than Help the Aged, their commercial fortunes might have taken a different shape. More certainly isn't going to convince anyone who doesn't already like Pulp to change their mind, but then anyone who expects a reformed band's first album in nearly 25 years to do that is perhaps grappling with wildly unreasonable expectations. It's more likely that a reformed band's new album might be a placeholder, filled with songs that pad out the hits live, but provoke a rush on the bars and loos in the process. That definitely isn't the case with More. If this is the best Pulp can do, it's more than good enough.