logo
The secret part of the charity shop you're forgetting to check for unique buys – I found a perfect dress in mine for £2

The secret part of the charity shop you're forgetting to check for unique buys – I found a perfect dress in mine for £2

The Sun28-05-2025

EVERYONE knows to check the bags and shoes section in charity shops for some amazing bargains.
But there's a hidden section of thrift stores that people are forgetting to look in, and they're missing some incredible purchases.
6
6
6
6
Even Els, who's a pro at stumbling across hidden gems, admitted that she's never looked in the fancy dress section before.
But she said in the video on her TikTok page that she's glad she did - as she ended up finding a one-of-a-kind, handmade gold dress for just £2.
"Today I learned to never skip the Halloween costumes section," she wrote over the top of the clip, which showed her coming across the stunning outfit.
The dress appeared to be leopard-print with gold detailing, with carefully encrusted gem cups and draped sections to make it even more flattering.
The bottom was also embroidered with sparkling gem flowers - and Els managed to get the dress for just four Canadian dollars, the equivalent of £2.
"Still in shock!" she captioned the video.
She added in response to one question: "There is no tag, it looks handmade & the dress is not for sale, I'm sorryyy!"
And the comments section was immediately filled with remarks from people stunned by her incredible purchase.
"Looks very Roberto Cavalli," one said.
"This is a professional belly dance costume, they cost hundreds of dollars!" another wrote.
We went hunting in the charity shop's 'rag house' and were stunned by our discoveries - we found a £80 bag & £600 shirt
As a third added: "I think this is ballroom Latin costume.
"Look them up. They are soooo expensive!"
"That and sunset pics at the beach would eatttt!" someone else suggested.
While others shared their own similar finds in charity shops and on secondhand apps and websites.
"Someone listed once listed a Emilio Pucci set as a clown Halloween set on Poshmark for $25," one wrote.
"It haunts me to this day someone got so lucky lol!"
Top charity shop tips for bagging a bargain
Ross Dutton has been a manager for Crisis's charity shops for four years and currently runs the charity's Finsbury Park shop in London.
Choose your area - As a rule of thumb, the posher the area, the better quality the clothes that are donated.
Don't hang around - If you see something you like, buy it, as it'll likely be gone when you come back
Look out for cut-off labels - Some of your favourite high street stores will have deals with local charity shops to donate stock that isn't sold during their own sales. Often part of the deal is that they need to cut the labels off the clothes.
Stay at home - While some charities have their own site, like Oxfam and Crisis. many also sell from dedicated eBay stores, such as British Heart Foundation and Scope. You won't get the range of bargains that you would get in a physical store, but if you're looking for something specific it may be worth checking online too.
"My fave dress was in the Halloween section," another added.
"It's technically a black bird costume, but it's just a black dress with a strapless off the shoulder black feathered neckline.
"I always check now!"
"I worked at the thrift and everything fun/fur/sparkly/leather/baddie went into Halloween cause they didn't think it would sell," a third revealed.
"Omg the shoessss too - there's so many good ones at Halloween!"
"Halloween season is truly thrifting heaven!" someone else said.
Els modelled the dress in another video, showing that it clung to her enviable figure and fit her like a glove.
"Belly dance costume dress! It was made for you!" one gushed.
"OHHHHHHHH MY GODDDDD!!! IT WAS EVEN BETTER THAN I IMAGINED!" another added.
"You're not wearing the dress, the dress is wearing you - stunning!" a third commented.
6
6

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

EXCLUSIVE Exotic dancer allegedly paid by Sean 'Diddy' Combs to perform massages on Cassie Ventura describes the 'pinch yourself' moment he realised his burqa-wearing employer was the disgraced rap mogul on new Mail podcast
EXCLUSIVE Exotic dancer allegedly paid by Sean 'Diddy' Combs to perform massages on Cassie Ventura describes the 'pinch yourself' moment he realised his burqa-wearing employer was the disgraced rap mogul on new Mail podcast

Daily Mail​

timean hour ago

  • Daily Mail​

EXCLUSIVE Exotic dancer allegedly paid by Sean 'Diddy' Combs to perform massages on Cassie Ventura describes the 'pinch yourself' moment he realised his burqa-wearing employer was the disgraced rap mogul on new Mail podcast

On the latest episode of the Mail's 'The Trial of Diddy' podcast, reporter Marjorie Hernandez interviews Sharay Hayes, a male exotic dancer who testified in court that he was paid to give sexual massages to Cassie Ventura while being watched by a masked Sean 'Diddy' Combs. Combs, 55, is currently on trial in New York facing sex trafficking and racketeering charges. If found guilty, the rap mogul could spend decades behind bars. Combs has pleaded not guilty. His lawyers concede he could be violent, but he denies using threats or his music industry clout to commit abuse. Sharay 'The Punisher' Hayes, a male exotic dancer who was called as a witness for the prosecution earlier in the trial, told the podcast how he came to be in the employ of Combs and Ventura and what they wanted him to do for them. Using an alias, Hayes alleges that Ventura, Diddy's ex-girlfriend and one of two key victims in the trial, contacted him for a sexual dance in 2012. Upon arrival at the couple's hotel room, Hayes says he was greeted by a scantily clad Ventura and Combs wearing nothing apart from a 'burqa' to disguise his identity. Subscribe to The Crime Desk to hear exclusive coverage of the Diddy trial on The Trial+ Join here The dancer claims he began performing exotic massages for the couple's amusement. Hayes told reporter Marjorie Hernandez about his 'embarrassment' at not being able to figure out who his employers were for around a year. 'I had no idea who they were', he said. 'I knew I was with some high-profile couple, but I thought they were married. I did Google searches, trying to figure out who they were. But all the searches I did drew a blank. 'They called me for one more of these sessions and put me in a waiting room. I happened to turn on the TV and there was a welcome message on the screen which read: 'Essex House would like to welcome Mr Sean Combs.' 'It was a holy cr** moment – I had followed him on social media, and I still didn't realise.' 'I grew up in Harlem and in my age range, Diddy was my culture. Being in a room with him had a wow factor and I was doing something of a sexual nature with his partner. It blew me away – it was a pinch yourself moment.' Asked whether Hayes detected any coercive or violent behaviour from Combs towards Ventura, the exotic dancer said he 'did not see anything associated with what's going on in the trial'. He did however feel a sense of 'frustration' from Ventura at Diddy's particular and voyeuristic demands. Ventura has alleged Combs subjected her to rape, physical abuse, sex trafficking, and forced participation in sexual encounters with male sex workers called 'freak-offs' during their decade-long relationship. 'I did not see any indication of any issues between them', Hayes said. The Trial of Diddy: The No.1 True Crime podcast is back, covering all of the most shocking details from the Diddy case. Listen now wherever you get your podcasts 'It just seemed like a couple who were trying to expand their sex life in a kind of fetish way. 'The closest thing I noticed to what is going on in the trial – which I testified to – was that there were moments with Diddy's direction where maybe Cassie would sigh. I could see moments of frustration. 'Diddy could be very specific at times. Move the light here, turn a little bit more to the left – I did see some reactions to that specific direction.' Having heard Ventura's testimony which alleges Combs was abusive and violent towards her over several years, Hayes said he now feels 'terrible' about being involved in the couple's sex life. The exotic dancer said: 'The things Cassie testified to – those experiences show she was clearly in distress. 'It feels terrible to have been involved – period. I hope that, if she was in this difficult space, maybe her interaction with me wasn't too heavy on her. That it was tolerable. 'It is just rough looking back at it – understanding the circumstances. Even though I wasn't a part of it directly, I do not want to imagine what she could have been going through mentally. 'Maybe she was coerced without me knowing, which is just a terrible thing.' Listen to the full exclusive interview with Sharay 'The Punisher' Hayes by subscribing to the Crime Desk today.

Addison Rae: Addison review – 2025's most refreshing star revels in pop's shallow pleasures
Addison Rae: Addison review – 2025's most refreshing star revels in pop's shallow pleasures

The Guardian

timean hour ago

  • The Guardian

Addison Rae: Addison review – 2025's most refreshing star revels in pop's shallow pleasures

When Madonna came to the height of her powers in the late 90s and early 00s, it felt as though she had perfected a new mode of pop stardom, making icy, complex and uncannily incisive records such as Ray of Light and Confessions on a Dance Floor. Those albums are powered by a gripping interplay between detachment and intensity; they sound, to me, like attempts to make pop albums without any sense of ego. As if she's saying: this isn't a Madonna record, it's a pop record. Addison Rae's exceptional debut album reminds me of that unimpeachable run of Madonna records, understanding that supreme confidence and exceptional taste can sell even the most unusual album. It's both familiar – Rae is an artist who unapologetically lives and dies by her references – and totally bold: I get the sense that she is less trying to say 'this is who I am' as much as 'this is what pop should be'. Rae's vision of pop is formally traditionalist – she loves big choruses, euphoric key changes, huge builds – but undeniably influenced by her past life as an inhabitant of content-creation HQ Hype House, after her dance videos made her one of the most-followed people on TikTok. The 24-year-old sees no cognitive dissonance in putting together seemingly mismatched aesthetic or emotional sensibilities, a quality that, to me, suggests supreme comfort with the practically dadaist experience of scrolling TikTok's For You page. Winsome opener New York explores frenetic Jersey club; on Headphones On, a warm-and-fuzzy 90s-style R&B track, she casually tosses off the lyric 'wish my mom and dad could've been in love' as if it was an intrusive thought she just had to let out. Although Addison covers a lot of ground musically, every song also sounds uncannily like it came out of the indie-electronica boom of the early 2010s; High Fashion, arguably the best song here, is a pitch-perfect throwback to early James Blake and second-album Mount Kimbie; Diet Pepsi is Lana Del Rey by way of Neon Indian. The record's remarkable coherence can be chalked up to the fact that Rae worked with the same writer-producer duo, Elvira Anderfjärd and Luka Kloser, on every song – a rare feat for a major-label pop debut, made rarer by the fact that big-budget pop records made exclusively by women are practically nonexistent. But a quick scan of Anderfjärd and Kloser's credits suggests that Rae is in the driver's seat here; neither of them has ever made a song as laconically pretty as the EDM-scented Summer Forever, or as girlishly menacing as FameIs a Gun. If Addison has a mission statement, it's on the latter: 'Tell me who I am – do I provoke you with my tone of innocence?' she asks at its outset. 'Don't ask too many questions, that is my one suggestion.' It's an invitation to take Rae's music at face value – there's no self-conscious dip into wilful silliness or laborious camp. Most of the time, Rae is stringing together vague abstractions in a way that shuns overinterpretation, like when she sings: 'No matter what I try to do / In times like these, it's how it has to be', or returns to the phrase 'Life's no fun through clear waters'. Addison arrives at a fortuitous time: Rae resists the 2020s impulse to intellectualise every pop album and is unencumbered by ham-fisted concepts, Easter eggs or ultra-prescriptive 'lore' that tells listeners what to think. Its casually incisive tone suggests Rae might be a great pop flâneuse in the vein of Madonna or Janet Jackson, drifting through the scene with alluring ease and a gimlet eye. But she'd probably tell me I'm overthinking it.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store