Royal family live updates: King Charles and Camilla match in blue for visit to Northern England
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2 hours ago
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Kate Middleton and Princess Charlotte Twin In Aquamarine For Trooping the Colour
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Princess Charlotte was every bit Kate Middleton's mini-me at this year's Trooping the Colour celebration. The mother-daughter duo matched in bright aquamarine hues for the annual event, which honors the reigning monarch's birthday with a grand display of military pageantry. While Charlotte often coordinates her look with her brothers, Prince George and Prince Louis, for royal outings, this time she took a cue from her mother's signature flair for a standout sartorial moment and opted to mirror her fashion rather than her siblings'. For the parade, which traditionally sees members of the royal family arrive in horse-drawn carriages, the Princess of Wales wore a striking blue-green and ivory coatdress by Catherine Walker. Ever the fan of a good accessory, she completed the look with a wide-brimmed Juliette Botterill hat topped with a sculptural flower, the Irish Guards Regimental Brooch, and drop pearl earrings that belonged to the late Queen Elizabeth. She paired her ensemble with nude pointed-toe pumps that grounded her outfit. Charlotte echoed her mother's palette in a light aqua dress featuring a crisp white bow at the waist, which matched the ribbon tied into her signature braided half-up, half-down hairstyle. Following in her mom's footsteps, she finished her look with classic white ballet flats. Trooping the Colour, which is also known as the King's Birthday Parade, is a tradition that dates back to King George III in the 18th century. Though King Charles won't turn 77 until November 14, the June ceremony serves as the sovereign's official birthday celebration every year. You Might Also Like 70 Impressive Tiny Houses That Maximize Function and Style 30+ Paint Colors That Will Instantly Transform Your Kitchen
New York Post
4 hours ago
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‘How to Train Your Dragon' live-action remake has mythical box office opener
It breathed fire into the box office. 'How to Train Your Dragon' had a mythical day in theaters on Friday, its opener, landing in first place with $35.6 million in sales, according to The Numbers. The live-action remake of the 2010 DreamWorks Animation film, which The Post said 'is nice, but doesn't always soar,' had the fourth-biggest opening of 2025. Advertisement It is slated to enjoy a three-day gross of $82.7 million, as per Variety. 'Materialists' landed in second, with earnings of just over $5.1 million. 3 'How to Train Your Dragon,' the live-action remake of the 2010 DreamWorks Animation film, landed in first place on its opening day. AP Advertisement The rom-com, which is set in NYC and centers around a love-triangle of its main characters, played by Dakota Johnson, Chris Evans and Pedro Pascal, is projected to take in around $12 million until Sunday. The Post said 'watching the new, unromantic, non-comedy,' 'can feel like going on a shaky first date.' 3 In 'Materialists,' Pedro Pascal plays a millionaire private-equity investor. Courtesy Everett Collection The live-action remake 'Lilo & Stitch,' moved down a notch from last week to third place, with $4.7 million in revenue. Advertisement It's already surpassed the $800 million mark globally and is on track to reach $1 billion, according to Deadline. 3 The live-action remake 'Lilo & Stitch' set the record as the biggest four-day Memorial Day weekend domestic opening of all time. ©Walt Disney Co./Courtesy Everett Collection Falling down a spot to fourth was 'Mission: Impossible — The Final Reckoning' with just over a $2.25 million dollar take. 'Karate Kid: Legends' remained in fifth, with $1.25 million in sales.
Yahoo
5 hours ago
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‘A giant parenting group': how online comedians are making a living by laughing about the chaos of kids
Many Instagram-frequenting parents of small children will have seen George Lewis's sketch about two toddlers discussing their feelings of abandonment and relief wrapped in a game of peekaboo. 'It was a normal day, I was just playing with Dad. And then he put his hands in front of his face and he was just gone,' the British comedian and father says in the widely shared video. 'He was behaving so erratically.' Life through a two-year-old's lens – especially in relation to their sleep-deprived parents – is fertile ground for a growing group of online parent comedians whose content is clocking up millions of views. At the heart of the material lies age-old truths: toddlers are sometimes barmy and parenting is often mad. There is a special solidarity among the carers of young children whose days revolve around coaxing vegetables into mouths and bottoms on to potties. In Canada, Farideh Olsen's take on the absurdities of motherhood has one eye firmly on the patriarchy. A sexy husband, her songs suggest, is one who does housework, has therapy and respects women. The 42-year-old singer says it has been a surprise to see how much mothers love watching other mothers 'joking about children and partners and marriage and their love for their children'. 'And, I think that's because a lot of mothering is extremely lonely,' she says. 'You're at home with your kids by yourself, maybe you meet up at a park, but then you don't have the depth of a relationship to joke about your kids.' In the odd three minutes or so that mothers have to check their phones, 'they see something that kind of reflects their life – they find the levity in it,' she says. UK comedian Michael McIntyre was a forerunner when it came to mining laughs from parenting struggles. He told packed theatres well before Covid: 'You never love your children more than when they are unconscious, but still breathing.' Today's troupe of parenting commentators home in on micro moments – a request to cut a toastie exactly in half, the unhinged cackle that follows being asked how the toddler slept, that game of peekaboo – that capture the same sentiment. Farideh thought her music career had been both serious and over before she began writing songs about motherhood. She never considered herself a comedian, nor was she interested in material about parenting, until she had children. While many parenting influencers are female, comedy – including the short-and-sharp social media variety – 'is still very male-dominated', she says. Sydney-based stay-at-home father Sean Szeps' video about the ABCs of parenting – 'A is for 'Absolutely not', B is for 'Brush your teeth'…' delivered with more than a little loopy energy – has almost 40m views on his social media platforms. Last year, all of the 37-year-old's video posts, inspired by his twin seven-year-olds, had a combined 228m views, according to Szeps. Zach Mander, 35, based in Brisbane, has 265,000 TikTok followers and his most popular post has more than 10m views. He has followers all over the world but, as with Szeps, most are in English-speaking countries. They both credit their successes to the pandemic when creative communities on social media took the edge off lockdowns with children. Like their overseas counterparts, they've earned sizeable niche audiences that wouldn't have been accessible to real-world comedians playing clubs with disparate audience members. And they're doing it with disarming honesty. 'Up until that point, my style was incredibly positive, and then the pandemic hit, and I couldn't hold back any more,' says Szeps, who's married to TV presenter and podcaster Josh Szeps. 'Technology,' he says, exploded 'at the same time as we evolved to realising that it would be much better if we were honest about parenthood'. The result was that a 'shit-ton of mums and dads now make an entire career and a living on just sharing what women mostly, but parents overall, have been feeling for decades, which is: it's hilariously hard. It is undeniably difficult. If we can't laugh about it, we're going to sob uncontrollably'. Mander's spoof investigative examinations of Bluey characters, and a video about his children inexplicably losing a slice of pizza in the car (it emerged weeks later 'almost mummified'), are among his biggest hits. 'I've always made content on things that I was experiencing, and it doesn't come much bigger than parenting,' he says. 'I'm amazed we don't talk about it more.' For some, it's really paying off. Szeps, who has a background in social media advertising, has been living off his Instagram account's sponsored content for four years and growth is up 50% year on year. It helps, too, that there will always be new parents. Mander, whose children are two and four, says that because the early years parenting cohort resets about every five years, so does a 'whole lot of people experiencing this for the first time – and those are my cohort'. Viewers are mostly women, both Szeps and Mander say. Szeps, who moved to Australia from America in 2017, has a theory as to why some of the dozen or so male 'power hitters' in the parenting humour space are men talking exclusively to women – and it's down to old-fashioned gender roles. 'We don't want women necessarily to be brutally honest about how hard parenting can be, because that makes us worried for the kids. When a man does it, it's much more accepted,' he says. Parenting jokes sometimes break into the wider satirical space, of course. The Betoota Advocate recently ran a headline: 'Toddler who refuses toast cut the wrong way allegedly ate four servings of vegetable dahl at daycare.' For Szeps, Instagram has become a 'massive, giant parenting group'. 'You still have to navigate the complications. You still have to navigate the perfect parents. You still have to navigate comparison. 'Parenting is so hard, but I don't feel alone in it any more, the way that I felt prior to sharing my experiences online.'
