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All of Steven Spielberg's movies, ranked (including 'Jaws')

All of Steven Spielberg's movies, ranked (including 'Jaws')

USA Today21 hours ago

All of Steven Spielberg's movies, ranked (including 'Jaws')
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Top 3 scary moments in 'Jaws'
'Jaws' turns 50 this summer and USA TODAY film critic Brian Truitt celebrates with his favorite bloody moments.
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For movie lovers who grew up in the blockbuster era, there's no more iconic filmmaker than Steven Spielberg.
And there's no more iconic blockbuster than the one that started them: Spielberg's "Jaws," the infamous shark movie that's celebrating its 50th anniversary. (Original release: June 20, 1975.)
Spielberg, 78, has done it all in his legendary Hollywood career, including winning two Oscars as best director. But it's easy to forget just how deep his filmography really goes.
His resume includes classic films like "Close Encounters of the Third Kind," best picture winner "Schindler's List," the first two "Jurassic Park" movies and the Indiana Jones franchise, with Harrison Ford as the globetrotting hero of "Raiders of the Lost Ark." And Spielberg is still breaking fresh ground: His 2022 drama "The Fabelmans" fictionalized his own childhood in coming-of-age fashion.
To mark "Jaws" turning 50, we're celebrating Spielberg's vast filmography by ranking every one of his feature films:
34. 'The Lost World: Jurassic Park' (1997)
The sequel is simply a poor genetic clone of the first "Jurassic Park." There's plenty of giant dinosaurs around, but the dinos and the humans alike are done in by weak characterization, iffy action scenes and a lack of the original's spirit.
33. 'Indiana Jones and the Temple of Doom' (1984)
The Shanghai-set "Anything Goes" opening is magnificent. Unfortunately, everything else in this misadventure, from annoying love interests to cloying sidekicks, is a minecart going off the rails.
32. 'War of the Worlds' (2005)
Maybe it's an answer to the more benevolent aliens earlier in his career? Spielberg puts his own spin on the H.G. Wells invasion classic with Tom Cruise along for the ride, with mediocre results.
31. 'Indiana Jones and the Kingdom of the Crystal Skull' (2008)
Shia LaBeouf, aliens and an indestructible fridge aren't the greatest additions to the Indy franchise, but the franchise return of Karen Allen and debut of Cate Blanchett as an evil Soviet villainess make up for them.
30. 'The Terminal' (2004)
Tom Hanks is by far the best thing in the so-so dramedy about an Eastern European man stuck in New York's JFK airport thanks to a civil war that makes his passport null and void.
29. 'The BFG' (2016)
Spielberg plays it a little too safe with the outsized tale of an orphan girl and her very large best friend. However, it's a perfect intro to his oeuvre for the littlest kids entertained by flatulent corgis and a gibberish-spouting giant.
28. 'A.I. Artificial Intelligence' (2001)
Stanley Kubrick was originally supposed to direct, which would have yielded a much different movie than Spielberg's warm tale of a robot kid with the ability to love.
27. 'The Sugarland Express' (1974)
Goldie Hawn shines in one of her first dramatic roles in the story of two criminal parents who kidnap a cop and go to extreme lengths to get their baby boy back.
26. 'Hook' (1991)
Spielberg's films tend to be corny at times and this is the pinnacle of that, a sugary-sweet and well-meaning take on the Peter Pan mythology with Robin Williams as the Boy Who Wouldn't Grow Up actually grown up.
25. 'Always' (1989)
It goes overboard with the emotionally manipulative romance, but the flick gets points for having Audrey Hepburn in her last film role as an angel. The spirit greets a firefighting pilot who dies and then has to help a fellow flyboy who falls in love with the late dude's girlfriend.
24. 'Amistad' (1997)
Maybe not Spielberg's best "important" film but it's definitely one that's effective in conveying the historical significance of Africans taking over a slave ship heading to the USA circa 1839 and the ensuing legal fight.
23. 'Duel' (1971)
Before rampaging dinos and hungry sharks, Spielberg's film debut (which premiered as a TV movie but also got a theatrical release) offered a truck as its main antagonist. And the road rage is palpable and knuckle-clenching as a traveling salesman tries to avoid getting run off the road and killed by a vengeful big rig driver.
22. 'Ready Player One' (2018)
It's a little odd to see Spielberg directing what's pretty much an homage to his entire geeky filmography. Still, youthful rebellion in virtual reality looks great and the concept of online escapes resonates in an increasingly intense real world.
21. 'Munich' (2005)
A poignant thriller spin is put on one of the sports world's darkest moments, recounting the Israel government's secret act of vengeance for the massacre of its athletes at the 1972 Summer Olympics.
20. 'War Horse' (2011)
The filmmaker goes for all the fuzzy feels on a grand canvas with this World War I tale of a boy and his horse, their parallel stories and their long road to find each other again.
19. 'The Adventures of Tintin' (2011)
The animated effort with Peter Jackson gives us some serious Indiana Jones vibes with a young French journalist and his loyal canine friend on the hunt for a treasure-filled sunken ship.
18. 'Catch Me If You Can' (2002)
There's a fun and retro vibe to the real-life 1960s cat-and-mouse chase between a teenage con man (Leonardo DiCaprio) and dogged FBI agent (Hanks), made all the more so with a jazzy John Williams score.
17. 'Minority Report' (2002)
Featuring Cruise, the futuristic neo-noir sci-fi – about law enforcement capturing ne'er-do-wells before they do anything illegal – has only grown more engrossing and salient as technology has taken big leaps around us.
16. 'Bridge of Spies' (2015)
The filmmaker puts you right into the chilly spycraft of the Cold War, though it's the chemistry between Hanks and Mark Rylance – as an earnest attorney and his Russian secret-agent client – that fuels the drama.
15. 'The Fabelmans' (2022)
This is the portrait of an icon as a 1960s youngster, with Gabriel LaBelle playing a talented teen who loves making movies but faces troubles at home with his parents (Paul Dano and Michelle Williams) and at school with antisemitic bullies.
14. '1941' (1979)
While Spielberg's purest comedy didn't get the best reception, the World War II flick is a hilarious, star-studded wonder about panicked and paranoid LA citizens worrying about a Japanese attack after Pearl Harbor.
13. 'Empire of the Sun' (1987)
Nearly 20 years before he was Batman, Christian Bale was the posh British lad living in China who becomes separated from his parents and ends up in a World War II Japanese internment camp in the emotional epic.
12. 'Lincoln' (2012)
Daniel Day-Lewis transforms into the 16th president in one of his most memorable roles, and Spielberg crafts an amazing look at the later months of the Civil War that would either make or break the country.
11. 'The Post' (2017)
The Pentagon Papers drama is a spiritual prequel of sorts to "All the President's Men," a love letter to journalism and the convening of an amazing cast, including Hanks as hard-charging Washington Post editor Ben Bradlee. In a modern landscape where media struggle to survive, Spielberg rallies to celebrate what makes it great.
10. 'West Side Story' (2021)
It takes some major chutzpah to tackle the classic Broadway show onscreen for the first time since the Oscar-winning 1961 adaptation. But leave it to Spielberg to retell the love story of Tony (Ansel Elgort) and Maria (Rachel Zegler) in a fresh and relevant way, craft epic musical numbers that bring new life to Leonard Bernstein's music and Stephen Sondheim's lyrics, improve the storytelling of this piece of Americana and snag another best picture nomination.
9. 'Saving Private Ryan' (1998)
One of the best war movies ever, period. Spielberg's excellent take on the Invasion of Normandy was groundbreaking in its graphic depictions of the battlefield but especially for its ferocious knockout of an opening. The landing on Omaha Beach shows the carnage and chaos from the perspective of an Army Ranger captain (Hanks), stunned and stumbling in bloody water, and forces an audience to feel unflinching horror.
8. 'E.T. the Extra-Terrestrial' (1982)
The seminal movie for '80s kids captures hearts and jerks tears with the story of a super-cute alien and the youngsters who rally to keep him safe from authorities and take care of him when he's sick. As key as E.T. is, what's even more important is his friendship with Elliot (Henry Thomas), an alienated boy desperately needing a connection in the wake of his parents' divorce. E.T. wants to go home, but Elliott has to rediscover his own, too.
7. 'Close Encounters of the Third Kind' (1977)
The more grown-up complement to E.T. put a mysterious and thoughtful spin on first contact with aliens and the idea that we're all just a small piece of a bigger puzzle. When the visitors come, it's not spoken language but instead a musical theme that bridges the intergalactic gap between us and them, and Richard Dreyfuss' blue-collar worker is every dreamer who's ever looked into the sky and wanted to see the stars. Spielberg's vision is sentimental yet feels so satisfying.
6. 'Jurassic Park' (1993)
Dinosaurs were already cool but in the hands of Spielberg, they are a grand spectacle – and a fearsome set of antagonists – in a movie about not messing around with Mother Nature. The filmmaker takes on corporate greed and mankind's god complex by imagining a theme park of genetically cloned reptiles, but on a more popcorn-chewing level, Spielberg crafts both a terrifying journey as well as a breathtaking collection of species we can only wish existed.
5. 'The Color Purple' (1985)
Exceptional performances (especially Whoopi Goldberg and Oprah Winfrey) drive this wrenching and intimate story of abused but strong women who find their voices and identity in early 20th-century Georgia. Goldberg's Celie is the mousy wife of a mean, bullying farmhand (Danny Glover), one of the men she's been oppressed by and who've kept her from family and a real life, until she finally roars in a rousing catharsis that feels hugely meaningful.
4. 'Indiana Jones and the Last Crusade' (1989)
It's rare that a threequel is almost as good as the first, but this two-fisted quest for the Holy Grail doubles as a surprisingly deep narrative about fathers, sons and mortality. All the usual fun Indy stuff is here – Nazis, treasured artifacts – though the bantering chemistry between Ford's hard-luck hero and Sean Connery as his grumpy dad is off-the-hook spectacular. Bogie and Bacall have nothing on these two.
3. 'Jaws' (1975)
It takes something really special to affect the American populace so much they rethink their beach trips. With that ominous two-note John Williams theme and an infamous killer shark, the movie spawned the summer blockbuster and wracked many a nerve with its water-bound terror. It also taps into a man-vs.-nature dynamic as a modern-day Moby-Dick with Robert Shaw's Quint as the obsessed hunter inextricably tied to his great white nemesis.
2. 'Schindler's List' (1993)
Spielberg's black-and-white dramatic masterwork is a beautiful and brutal look at the Holocaust and an unlikely hero that manages to find hope and kindness in the face of pure evil. The character arc of German businessman Oskar Schindler (Liam Neeson) is astounding, from hiring Jewish workers because they're cheap to giving away a fortune to save hundreds from certain doom. Through his eyes, we see the hatred, dread and innocence lost of that period in history.
1. 'Raiders of the Lost Ark' (1981)
The first Indiana Jones movie – with lots of Nazi-punching and world-shaking religious implications – is the perfect action adventure. In fact, face-meltingly so. It makes smart heroes cool forever after (in everything from "The X-Files" to "Iron Man"), offers a love interest who's just as good in a fight as Indy, is as funny as it is compelling, and – sorry, "Star Wars" – gives us Ford's signature cinema icon. It's the kind of movie that reminds us all why we love movies.

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'Make the magic happen.' Vineyard Museum opens 'Jaws' exhibition with local insights
'Make the magic happen.' Vineyard Museum opens 'Jaws' exhibition with local insights

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'Make the magic happen.' Vineyard Museum opens 'Jaws' exhibition with local insights

VINEYARD HAVEN — In 1974, then 11-year-old A. Bowdoin 'Bow' Van Riper splashed in the waters off Joseph Sylvia State Beach in Oak Bluffs with dozens of others to serve as extras filling out an iconic moment in the movie "Jaws." The scene featured two children using a cardboard fin to spark panic about a shark in the water. Van Riper and a friend were there to watch the filming of Steven Spielberg's blockbuster, when an assistant used a bullhorn to put the call out for volunteers. Van Riper is now a Martha's Vineyard Museum research librarian and film scholar. As part of the museum's celebration of the 50th anniversary of the movie's premiere, he will give a talk about the elements, from his perspective, that make the movie a classic. 'Who'd have thought that 50 years later I'd still be talking about 'Jaws'?' Van Riper laughed during a phone interview on Sunday, May 18. "Jaws" was originally released on June 20, 1975, and was filmed on Martha's Vineyard from May through October 1974. The film depicts a fictional New England beach town Amity Island terrorized by a great white shark. Van Riper's sold-out talk will be held on June 20 from 9:30 a.m. to 12:30 p.m. Through selected clips and stills, he will explore different aspects of the film, such as how Amity Island becomes a living, breathing character. 'Part of the reason why 'Jaws' has remained a classic when a lot of other 'nature runs amok' movies from the 70s have faded way into $1.99 DVD obscurity is that it does have that richness as a story. It's not just monster-eats-people and then eventually gets destroyed,' said Van Riper. 'It's multiple intertwined stories that gives it significantly more depth.' He pointed to Lynn Murphy as an example of a Vineyarder who helped bring the movie to life. Murphy was a Chilmark fisherman and master mechanic credited with inspiring the grizzled shark hunter Quint played by Robert Shaw. Murphy was hired by the production early on to keep much of the maritime hardware running. He helped to make two sea sled sharks functional and dragged them behind his boat during filming, according to the museum. His fingerprints on the film are apparent 'in 100 ways that show up on camera without him ever himself being present,' said Van Riper, including a scene where the shark pulls out the supports of a dock. 'He helped to make the magic happen,' said Van Riper. 'Although the guys from Hollywood knew how to make movies, how to frame shots, how to light things, how to design an electromechanical floating shark — they didn't necessarily know a lot about the ins and outs and nuts and bolts of operating boats and floating equipment on the water.' The museum, housed in the former 1895-built Marine Hospital, will also feature its biggest exhibition yet called Jaws at 50: A Deeper Dive. Curator of Exhibitions Anna Barber said staff have collected rare photographs, oral histories, original artwork, and authentic movie props to dive into the filming of "Jaws." For instance, visitors will see a series of illustrations done by the production designer and art director Joe Alves, who rendered the sketches to help pitch the film to Universal Studios before the Peter Benchley novel was even published. 'He was in charge of creating these action scenes around the shark because a lot of the people were (asking), 'How are you going to film a movie about a shark? You can't train a shark, you have to build a shark,'' said Barber. The exhibit also includes one of two original prop heads of the movie character Ben Gardner, an Amity Island fisherman who drowns after the shark attacks his boat. Oceanographer Matthew Hooper, another character in the movie, finds Gardner's boat before discovering a shark tooth wedged into the hull. While trying to remove it, Gardner's one-eyed head unexpectedly pops out. Spielberg, who has the other prop head, did not initially like the way the scene was shot, said Barber. They redid the sequence in "Jaws" editor Verna Fields' backyard pool, putting plastic black tarp over the pool. 'They poured a gallon of milk in the water to make it look a little murky … this is such an iconic movie moment that it's pretty cool to have this in here,' said Barber. The prop head at the museum is owned by Greg Nicotero, a special make-up effects creator and "Jaws" super fan. Also on display is a life-size replica of Bruce the Shark's head, the mechanical shark in "Jaws." Designed and built by Arcana Workshop, the re-creation has more than 80 handcrafted teeth. While the shark in "Jaws" is never named, Spielberg named the animatronic great white shark after his lawyer Bruce Ramer. The 1:1 replica — measuring 72 x 45 x 45 inches — is based on extensive research, behind-the-scenes photos, documentation, and another replica currently on display at the Atlantic White Shark Center in Chatham. The model traveled by truck and ferry to Martha's Vineyard before it was installed inside the museum's Linnemann Pavilion where fans can get an up-close look. Other highlights include a to-scale replica of the 'Amity Island Welcomes You' sign and a to-scale model of the interior of Quint's fishing boat Orca built by Cort Corino, which will be on display during Amity Homecoming Weekend, a five-day celebration of the movie from June 19 to 23. 'He's going to set it up in the barn so that people can come and sit down inside an exact replica of the Orca down to the books and the vintage bottles that are inside. It's really amazing,' said Barber. 'These things speak to the level of intensity and enthusiasm that fans have to go above and beyond to create something so life-like.' (This story was updated because an earlier version included an inaccuracy.) Zane Razzaq writes about housing and real estate. Reach her at zrazzaq@ Follow her on X @zanerazz. Thanks to our subscribers, who help make this coverage possible. If you are not a subscriber, please consider supporting quality local journalism with a Cape Cod Times subscription. Here are our subscription plans. This article originally appeared on Cape Cod Times: 80 teeth, a mayor's blazer, a one-eyed bust: 'Jaws' at Vineyard museum

'Jaws' influenced filmmaking, Cape theater attendance. 'Seeing it, loving it'
'Jaws' influenced filmmaking, Cape theater attendance. 'Seeing it, loving it'

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'Jaws' influenced filmmaking, Cape theater attendance. 'Seeing it, loving it'

Killer sharks, then killer bunnies. The movie "Jaws" started a "huge thing that we had never seen before," said film director John Waters. "It became a genre, and it got more and more ridiculous. First it was sharks, then it was killer bunnies." With the 50th anniversary of the premiere of Steven Spielberg's blockbuster on June 20 comes reflections on the movie's influence. It has spawned a genre. It has become a shared love across generations. It has moved viewers from extreme fear to curiosity, according to Cape Codders associated with three independent Cape cinemas. The movie has also revived and boosted cinema attendance 50 years later. "There aren't many movies that you can play again and again and it would still do business," Cape Cinema president Eric Hart said. The Chatham Orpheum Theater will be showing "Jaws" at 2 p.m. and 7:30 p.m. daily from June 27 to July 1, and then at 9 p.m. from July 2 to July 6. The theater will also screen the documentary "Jaws @ 50: The Definitive Inside Story" from June 27 through July 1. Cape Cinema in Dennis intends to screen the movie as well. After seeing "Jaws," no one has ever gone swimming and not thought of it, Waters said. "Every time you go in the water you think DUH-nuh," he said, mimicking the famous movie theme in an interview on May 19. "The music's on their mind." Waters, a part-time Provincetown resident, is on the advisory board for the Provincetown Film Society, which is associated with Waters Edge Cinema. He directed films such as "Pink Flamingos" in 1972 and "Cry-Baby" in 1990. He was on the Cape when "Jaws" was released in 1975. "I remember seeing it, loving it and being like the rest of America," he said. Waters said he likes to be scared, but when asked if there was ever a push for him to create films like "Jaws" after the film's success, he said no. "I'm afraid Divine was my shark," he said, of the drag performer and star of "Pink Flamingos." "A lot of people in this community saw it in 1975 in the theater," said Kevin McLain, executive director of the Chatham Orpheum Theater, during a May 23 call. "Now they're bringing their children and grandchildren to the theater to see the movie." The Orpheum, which originally opened in 1916 and reopened in 2013 after more than 20 years of closure, has a close relationship to "Jaws" and director Steven Spielberg, McLain said. The first movie shown at the reopening was "Jaws," McLain said. "We said to the community, 'What do you want us to show first? It's your theater. What do you want to show first?" The answer was resounding. And, a fear of sharks has given way to curiosity, he said. In 1975 when "Jaws" came out and someone yelled "Shark!" on a beach, people ran away — but what's happened since then, "Jaws" has become socially acceptable as a character, McLain said referring to T-shirts and even plush toys for children. "It's kind of been kidified." "Now when you yell 'Shark!' on the beach, people run to the beach! They want to see them!" he said. A boy around seven or eight years old came to see the movie, McLain recalled. "He was a Jaws freak. He had a Jaws T-shirt on. He had a Jaws stuffed animal and he was going with his dad. There was no stopping him. And when he came out of that theater his face was ashen white." That experience of watching the film in theaters has also contributed to why the film is still so popular, according to McLain. "Experiencing the energy, experiencing the drama, experiencing other people's emotional connections to this, it creates an experience that is completely unlike one that you would have sitting in your house and watching 'Jaws.'" "It's an example of why theaters matter and why movies in movie theaters matter," he said. Agreed. The only real way to watch "Jaws" is in theaters, said Hart at the Cape Cinema in Dennis. Hart was also on the Cape when the film premiered in 1975. "It wasn't really something that sort of caught on, it was an instant hit," he said. Since the summer audiences were rotating every two weeks, the film played all summer long, according to Hart. "So it was an even bigger sensation because it stayed incredibly popular for a really long time." Of course, he added, because it was filmed so close to home — just a ferry ride away, to Martha's Vineyard — "Jaws" will always hold a special relationship to Cape Cod. Desiree Nikfardjam is a reporter covering breaking and trending news. She graduated from Columbia University's Graduate School of Journalism. You can reach her at DNikfardjam@ Thanks to our subscribers, who help make this coverage possible. If you are not a subscriber, please consider supporting quality local journalism with a Cape Cod Times subscription. Here are our subscription plans. This article originally appeared on Cape Cod Times: Keeping cinema alive: 'Jaws' continues to be a Cape Cod favorite

How to watch 'The Waterfront,' new series from 'Dawson's Creek' creator
How to watch 'The Waterfront,' new series from 'Dawson's Creek' creator

USA Today

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How to watch 'The Waterfront,' new series from 'Dawson's Creek' creator

How to watch 'The Waterfront,' new series from 'Dawson's Creek' creator Show Caption Hide Caption Need a show to binge? These are the must watch shows this summer USA TODAY's TV critic Kelly Lawler breaks down the best TV shows you don't to want to miss this summer Move over, "Outer Banks": a new North Carolina-based drama series just hit Netflix. "The Waterfront" follows a prominent fishing family in coastal North Carolina whose legacy is at risk, according to the show's description. According to Netflix, the show's first season, which premiered on June 19, is "as much about family dynamics as they are about the lengths people will go to when their legacy is on the line." Kevin Williamson, the creator of hit shows like "Dawson's Creek" and "The Vampire Diaries," is the writer and executive producer of the show. It also features a star-studded cast, including Holt McCallany, who is known for "Mindhunter," and Melissa Benoist, the former star of "Supergirl." Here's what to know about "The Waterfront" Season 1. What is 'The Waterfront' about? The show follows the Buckley family of Havenport, North Carolina. They have long dominated the town's fishing industry and restaurant scene, but the family's empire has started to crumble after patriarch Harlan Buckley suffered from two heart attacks, Netflix says. His wife, Belle, and son, Cane, are working to keep the family businesses afloat while daughter Bree faces her own struggles in addiction recovery, per Netflix. Williamson told Netflix's Tudum the series is about trying to find the 'lesser evil' in a difficult situation. 'It's just about a bunch of people who make mistakes. They do some bad things and then they get in deeper and deeper and deeper,' he said. 'Sometimes they keep making worse mistakes and sometimes they find their way out and do the good thing.' When does 'The Waterfront' come out? "The Waterfront" Season 1 released on June 19 at 3 a.m. ET. All eight episodes of the show hit Netflix at that time. How to watch 'The Waterfront' Only Netflix subscribers will have access to watch "The Waterfront." The service has several monthly plans available, which start at $7.99 per month. The platform doesn't offer free trials. The show's entire first season will be available to stream on the platform starting on June 19 at 3 a.m. ET. 'The Waterfront' trailer 'The Waterfront' cast TV fans may see some familiar faces on "The Waterfront." Here's who's on the cast: Holt McCallany as Harlan Buckley Maria Bello as Belle Buckley Jake Weary as Cane Buckley Melissa Benoist as Bree Buckley Rafael L. Silva as Shawn West Humberly González as Jenna Tate Danielle Campbell as Peyton Buckley Brady Hepner as Diller Hopkins Melina Khan is a national trending reporter for USA TODAY. She can be reached at

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