
Kamal Haasan's 'Vikram' roars in Japan amid 'Thug Life' release
Just days before the release of 'Thug Life,'
Kamal Haasan
's eagerly awaited next outing, his 2022 blockbuster 'Vikram' has taken Japan by storm. The action-packed thriller made its Japanese theatrical debut on May 30, marking a grand re-entry for the actor on international screens.
Releasing across 54 theaters, the film has quickly become a crowd-puller, setting the stage for record-breaking footfalls and grossing over ₹50 lakh in just its first three days.
'Vikram' released to mark its third anniversary
Timed with the film's third anniversary since its original Indian release on June 3, 2022, Vikram's overseas premiere is more than symbolic—it's a powerful reminder of the film's lasting impact.
Packed houses and overwhelmingly positive reviews in Japan reflect not only the excitement surrounding Kamal Haasan but also the rising enthusiasm for Indian cinema in global markets. Social media is abuzz with fans in Japan sharing their experiences from the screenings, showcasing packed theaters and loud cheers.
'Vikram' blends intense action with emotion
Directed by
Lokesh Kanagaraj
, 'Vikram' belongs to the celebrated Lokesh Cinematic Universe (LCU) and stars Kamal Haasan alongside
Vijay Sethupathi
, Fahadh Faasil, Narain, and
Kalidas Jayaram
.
With its slick action sequences and emotionally layered storytelling, the film follows a former black-ops commander's gritty return to battle against a menacing drug empire. Its success in Japan speaks to the film's universal themes and high production quality that transcends language barriers.
The renewed success of 'Vikram' sets the stage for 'Thug Life'
As 'Thug Life' has opened with blockbuster reviews, and Mani Ratnam's directorial continues to mount in India and abroad, Vikram's international wave offers perfect momentum. The dual release moment of one film revisiting its past glory while the other awaits its global curtain raise cements Kamal Haasan's position not just as a cinematic icon in India but also as a compelling force in world cinema.
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