Clémence Poésy signs on for upcoming TV series Neuromancer
Clémence Poésy has signed on the dotted line for the Neuromancer TV series adaptation that's currently in the works at Apple TV+.
The Harry Potter alum will star in the 10-episode drama alongside fellow cast members Callum Turner, Brianna Middleton, Joseph Lee and Mark Strong, as reported by Variety.
Based on the debut novel of the same name by William Gibson, the official logline for Neuromancer states that it "follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high stakes crime with his partner Molly (Middleton), a razor-girl assassin with mirrored eyes, aiming to pull a heist on a corporate dynasty with untold secrets."
The French actor and former model will play the part of Marie-France Tessier.
Primarily known for her work in film, Poésy has previously starred in features including In Bruges, 127 Hours, Tenet, and as Fleur Delacour in the Harry Potter franchise.
In television, she appeared in The Essex Serpent and starred in the first two seasons of The Walking Dead: Daryl Dixon.
The production of Neuromancer has been highly secretive. The series is expected to be released in late 2025 or early 2026
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Hamilton Spectator
3 hours ago
- Hamilton Spectator
UN Ocean Conference sets sail off France on World Oceans Day
NICE, France (AP) — A fleet of 30 research and exploration vessels from around the world set sail just off the French coastal city of Nice on Sunday to kick off the third U.N. Ocean Conference and pay tribute to World Oceans Day. The event themed 'Ocean Wonders' will see the vessels sail across Nice's Baie des Anges, or Bay of Angels, and is designed to spotlight the beauty and importance of the ocean while urging world leaders not to lose sight of its value as they make decisions about the planet's future. Thousands of delegates, including heads of state, scientists, and environmental advocates, are expected in Nice this week to confront growing threats to the ocean, and the need to transform pledges into protection. The United Nations has called the threats a global emergency facing the world's oceans as they confront rising temperatures, plastic pollution choking marine life, and relentless overexploitation of fish and other resources. Just 2.7% of the global ocean is effectively protected from destructive activities like industrial fishing and deep-sea mining — far below the global goal of 30% by 2030. Participating boats include the Energy Observer, a solar-panel covered catamaran that was the first vessel to circumnavigate the globe using renewable energy alone. It produces hydrogen fuel on board via seawater electrolysis, offering a vision of zero-emissions maritime travel. Other standout vessels include France's Alfred Merlin, dedicated to underwater archaeology; the OceanXplorer, a high-tech billionaire-owned research yacht; and the WWF's Blue Panda, which is working to map and protect the last remaining seagrass meadows in the Mediterranean Sea. At the heart of the conference is the push to ratify the High Seas Treaty, adopted in 2023. If it takes effect, the treaty would for the first time allow countries to establish marine protected areas in international waters, which cover nearly two-thirds of the ocean and remain largely ungoverned. 'The High Seas Treaty is critical to ensuring we can protect biodiversity in the ocean,' said Rebecca Hubbard, director of the High Seas Alliance. 'We're in the middle of a biodiversity and climate crisis. We absolutely have to protect the ocean to address those crises.' But even in waters already designated as protected, enforcement often falls short. Many countries, France included, face criticism from environmental groups over weak regulation and continued industrial activity within their marine protected areas. 'The ambition is not there, the speed is not there, and the scale has not been there,' said Sílvia Tavares, project manager at Oceano Azul Foundation. 'Moments like UNOC are key to changing that.' Several countries are expected to announce new marine protected areas, or MPAs, during the conference, along with bans on bottom trawling and other destructive activities within their existing MPA networks. After Sunday's parade sail, the 'Ocean Wonders' fleet will remain docked in Nice and open to the public until the conference concludes on June 13. ___ Follow Annika Hammerschlag on Instagram @ahammergram . ___ The Associated Press receives support from the Walton Family Foundation for coverage of water and environmental policy. The AP is solely responsible for all content. For all of AP's environmental coverage, visit
Yahoo
3 hours ago
- Yahoo
Marcel Ophuls, maker of The Sorrow and the Pity, which examined French collaboration with the Nazis
Marcel Ophuls, who has died aged 97, was a German-born documentary-maker who fled his homeland in the 1930s and spent much of his career interrogating the various legacies of the Second World War; his international breakthrough, the landmark The Sorrow and the Pity (Le Chagrin et la Pitié, 1969), revealed the extent to which his adopted France had collaborated with the Nazis. The son of the German-Jewish director Max Ophuls – known for such elaborate melodramas as La Ronde (1950) – Marcel began his career in film drama but achieved greater traction with complex, rigorous, meticulously edited non-fiction work. In documentaries such as The Memory of Justice (1976) and Hôtel Terminus (1988), the filmmaker set multiple testimonies side by side, sometimes corroborating, often contradicting, always inviting the spectator to shake any passivity and judge for themselves. In The Sorrow and the Pity, Ophuls spent four and a half hours of screen time – and many more hours of shooting – staking out the city of Clermont-Ferrand 'to analyse four years of collective destiny'. Patiently hearing from residents of all walks of life, the film picked insistently away at the Gaullist myth of a country united against an occupier, instead revealing two Frances at odds with one another – one resisting, the other collaborating. In France, Sorrow was denounced by conservative politicians as 'a prosecutorial film' and initially rejected for both theatrical and television distribution. After much legal wrangling, it finally opened in 1971, earning an Oscar nomination the following year, but it did not air on French television until 1981; a station director said the film had 'destroyed myths the French people still needed'. Ophuls subsequently made films on Vietnam (The Harvest of My Lai, 1970) and the Irish Troubles (A Sense of Loss, 1972), though the latter was rejected by the BBC. His personal favourite, The Memory of Justice, revisited the Nuremberg trials in the context of more recent conflicts in Algeria and Vietnam, though the project was again beset by lengthy and expensive legal challenges; Ophuls filed for bankruptcy shortly thereafter and spent a decade on the lecture circuit. He made a triumphant return, however, with the Oscar-winning Hôtel Terminus, on the life of the Nazi war criminal Klaus Barbie. As free-roaming as its subject, unearthing material both disturbing and absurd, the film ends in one of documentary cinema's most extraordinary sequences, as Ophuls witnesses a chance encounter between a woman who as a child had seen her father carted away by the Gestapo and an elderly neighbour who had turned a blind eye to the same events. Though Hôtel Terminus sparked violent arguments at Cannes, the critic Roger Ebert admired its tenacity, calling it 'the film of a man who continues the conversation after others would like to move on to more polite subjects'. Yet as a characteristically combative Ophuls countered in 2004: 'I'm not obsessed. I just happen to think that the Holocaust was the worst thing that happened in the 20th century. Think I'm wrong?' He was born Hans Marcel Oppenheimer in Frankfurt on November 1 1927, the son of Max Oppenheimer and his actress wife Hildegard Wall. The family fled Germany for France in 1933, taking French citizenship in 1938, whereupon Max dropped the umlaut from his stage name, Ophüls; after the occupation they fled anew to Los Angeles, where Max began an unhappy spell as a studio filmmaker and Marcel attended Hollywood High and Occidental College. Marcel Ophuls completed military service in Japan before studying at UC Berkeley, taking US citizenship in 1950. Upon graduation he moved to Paris, briefly studying philosophy at the Sorbonne, before dropping out and working as an assistant director (initially under the pseudonym Marcel Wall, to dodge nepotism accusations) on John Huston's Moulin Rouge (1952) and his father's sweeping Lola Montès (1955). He made his directorial debut with a German television adaptation of John Mortimer's The Dock Brief (Das Pflichtmandat, 1958), before being tapped by François Truffaut to contribute to the portmanteau film Love at Twenty (L'amour à vingt ans, 1962). By now he was part of the New Wave set: Jeanne Moreau funded his detective comedy Banana Skin (Peau de Banane, 1963), but his fiction career came to a halt after the flop thriller Place Your Bets, Ladies (Faites vos jeux, mesdames, 1965). Ophuls moved into documentary, taking a job with the French broadcaster ORTF, where he railed against the prevailing state censorship; he was eventually fired in May 1968 after making a film deemed sympathetic to the student rioters, though by then he was well into post-production on The Sorrow and the Pity. After Hôtel Terminus, Ophuls suffered mixed fortunes. November Days (1990), on the subject of German reunification, played as part of the BBC's Inside Story strand, but The Troubles We've Seen (Veillées d'armes, 1994), on wartime journalism and the Bosnian conflict, failed to reach an audience, despite a César nomination in France. He worked more sparingly in the new millennium, completing Max par Marcel (2009), on his father's legacy, and the career overview Ain't Misbehavin' (Un voyageur, 2013), his final completed film; a later project on anti-Semitism and the Middle East, Des vérités désagréables (Unpleasant Truths), ran into financial and legal troubles and remained unfinished at the time of his death. During a visit to Israel in 2007, Ophuls attempted to define his life's work: 'I'm not a preacher, a judge or an adviser. I'm just a filmmaker trying now and then to make sense of crises... Life made me, unwillingly, an expert on 20th-century crises. I would've preferred to direct musicals.' He is survived by his wife Regine, née Ackermann, and three daughters. Marcel Ophuls, born November 1 1927, died May 24 2025 Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
Yahoo
3 hours ago
- Yahoo
Supporting free science is a 'political and ethical' duty, Macron says
STORY: :: French President Emmanuel Macron makes a firm stand against skepticism towards climate science :: Monaco :: June 8, 2025 'For several years now, we've been hearing that, 'basically, climate change, the threat to biodiversity, the problem of the oceans, all of that is a matter of opinion. In fact, we could do without it. Besides, we're not entirely sure'. And I'm even noticing that some people are cutting funding to continue research in this area. I'm going to tell you, 'no', we don't have the right to do that because it's not an opinion, it's scientifically established.' // "And so it is a political, ethical, and scientific duty that we continue to fund free, open, and cooperative science, to continue to understand, research, and base our decisions on this science." Monaco hosted the two-day Blue Economy and Finance Forum (BEFF), a prelude to the week-long U.N. Ocean Conference in nearby Nice, which starts on Monday (June 9). The BEFF sought to outline financial advantages in protecting the oceans. Macron spoke to an audience that included Brazil's Luiz Inacio Lula da Silva, Costa Rican President Rodrigo Chaves and Britain's Prince William. He underlined efforts to promote sustainable fishing, decarbonized maritime transport, and green tourism. This week's U.N. conference aims to get more countries to ratify a treaty on protecting ocean biodiversity which currently lacks sufficient signatories to come into force.
