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It's about time Tom Cruise got an Oscar, the academy decides — Dolly Parton, too

It's about time Tom Cruise got an Oscar, the academy decides — Dolly Parton, too

Yahoo5 hours ago

It's finally Oscar time for Tom Cruise, the Motion Picture Academy of Arts & Sciences has decided.
Cruise, Dolly Parton, actor-producer-director-dancer Debbie Allen and production designer Wynn Thomas will receive Academy Honorary Awards for their ample (and as-yet unrecognized) contributions to big-screen culture.
Read more: 'Lilo & Stitch' and Tom Cruise's 'Mission: Impossible' power record Memorial Day weekend box office
They are, according to a statement Tuesday from academy President Janet Yang, "four legendary individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact."
Cruise (who famously does his own stunts) has "inspired us all," according to Yang, with his "incredible commitment to our filmmaking community, to the theatrical experience, and to the stunts community."
Sometimes called Hollywood's last real movie star, Cruise has fueled box office revenue like few others, drawing crowds to the wildly successful "Top Gun" and "Mission Impossible" films, not to mention "Rain Man," "War of the Worlds," "Risky Business" and "Jerry Maguire."
He has been nominated for four Oscars in the past — twice for lead actor, once for supporting actor and once for best picture, for "Top Gun: Maverick" — but hasn't taken one home.
Allen is being honored for her nearly five-decade career, during which she has acted, sung, danced, directed, produced and executive-produced. In that time she has choreographed the globally televised Academy Awards ceremony seven times and performed as well.
"Debbie Allen is a trailblazing choreographer and actor, whose work has captivated generations and crossed genres," Yang said. While much of the six-time Emmy winner's work has been in TV, film credits tagged to her many job descriptions include "Ragtime," "Fame," "Amistad," "Forget Paris" and more.
And without Thomas' work, Spike Lee wouldn't be who he is today. Thomas started his career as a production designer on the director's 1986 effort "She's Gotta Have It," then continued their collaboration on 'Do the Right Thing,' "Jungle Fever," "School Daze," 'Malcolm X' and 'Da 5 Bloods." He also worked on "Eddie Murphy: Raw," Robert Townsend's "The Five Heartbeats" and "King Richard," which delivered a lead actor Academy Award for Will Smith.
Other films on Thomas' resume? "Hidden Figures," which was nominated for three Oscars, and "A Beautiful Mind," which won four. "Thomas has brought some of the most enduring films to life through a visionary eye and mastery of his craft," Yang said.
Read more: After decades of pushing, stunts will get their own Oscar
Meanwhile, Parton will take home the Jean Hersholt Humanitarian Award and its attendant Oscar statuette, an honor given 'to an individual in the motion picture arts and sciences whose humanitarian efforts have brought credit to the industry by promoting human welfare and contributing to rectifying inequities.'
The singer and "9 to 5" star, whose husband, Carl Dean, died in March, has long put her fame to good use. Yang said Parton "exemplifies the spirit" of the Hersholt award "through her unwavering dedication to charitable efforts." The woman behind Dollywood has been nominated for original song Oscars twice.
The honors will be given out Nov. 16 at the academy's 16th Governors Awards in Hollywood.
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This story originally appeared in Los Angeles Times.

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Dolly Parton, Tom Cruise among stars to receive honorary Oscars

time38 minutes ago

Dolly Parton, Tom Cruise among stars to receive honorary Oscars

Dolly Parton and Tom Cruise can now add honorary Oscars to their long lists of accolades. The Academy of Motion Picture Arts and Sciences announced Tuesday in a press release that the "9 to 5" singer and "Mission Impossible" star will receive honorary Oscars at the 16th annual Governors Awards, which will take place later this year. Cruise, choreographer Debbie Allen and production designer Wynn Thomas will receive Academy Honorary Awards at the ceremony. Honorary Awards are given "to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences in any discipline, or for outstanding service to the Academy," according to the press release. Parton is set to receive the Jean Hersholt Humanitarian Award, which is given "to an individual in the motion picture arts and sciences whose humanitarian efforts have brought credit to the industry by promoting human welfare and contributing to rectifying inequities," according to the academy. "This year's Governors Awards will celebrate four legendary individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact," AMPAS President Janet Yang said in a statement Tuesday. "The Academy's Board of Governors is honored to recognize these brilliant artists." As for what led to Cruise's recognition, Yang cited his "incredible commitment to our filmmaking community, to the theatrical experience, and to the stunts community [that] has inspired us all." Yang said Parton "exemplifies the spirit of the Jean Hersholt Humanitarian Award through her unwavering dedication to charitable efforts." Allen is being recognized for her long career as "a trailblazing choreographer and actor, whose work has captivated generations and crossed genres," Yang said. Thomas, she added, "has brought some of the most enduring films to life through a visionary eye and mastery of his craft." Cruise has been previously nominated for three acting Oscars and also earned a best picture nod as a producer on 2022's "Top Gun: Maverick." Allen has choreographed the Academy Awards ceremony seven times, according to Tuesday's press release. Thomas is known for his work on several acclaimed Spike Lee films, including "Do The Right Thing" and "Malcolm X." Parton has a long history of humanitarian work. She founded the Dollywood Foundation in 1988 "to inspire the children in her home county to achieve educational success," according to the organization's website, and launched the book gifting program Dolly Parton's Imagination Library in 1995. The 16th annual Governors Awards will be held Sunday, Nov. 16, at the Ray Dolby Ballroom at Ovation Hollywood.

Marc Maron's ‘Are We Good?': What happens when stars clash with their documentary filmmakers
Marc Maron's ‘Are We Good?': What happens when stars clash with their documentary filmmakers

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Marc Maron's ‘Are We Good?': What happens when stars clash with their documentary filmmakers

In Steven Feinartz's documentary Are We Good? about comedian and podcast pioneer Marc Maron, the director and subject grapple over who is in control of the narrative. When Feinartz suggests animating still photographs to help chronicle both Maron's career and his life after the unexpected death of his partner, filmmaker Lynn Shelton, the comedian is against it. Yet Feinartz, who had full creative control over the project, used the animation anyway. More from GoldDerby Debbie Allen, Tom Cruise, Dolly Parton, and Wynn Thomas to receive honorary Oscars TV's double threats: 10 actors eyeing nominations for both comedy and drama at the 2025 Emmys Beyond Alexis Bledel: 7 other times actors withdrew themselves from Emmy consideration "The moment I mentioned animation, I could already hear [Marc] recoiling," says Feinartz. "If the film didn't have that back and forth, it wouldn't feel like a Maron doc. He's not someone who just sits back and lets you tell his story. 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SEE'Pee-wee as Himself': Director Matt Wolf on exploring the duality of Paul Reubens and earning his trust — 'It was a constant struggle' In Kargman's Relentless, which debuted at SXSW in 2024, Warren's prolific songwriting career is examined. So is Warren's innate desire not to discuss her creative process or show up for certain interviews. At one point in the documentary, Warren tells Kargman that a camera is placed at a bad angle before grabbing it and repositioning it. At several points in the film, Kargman confronts Warren about her production power plays. Kargman says that while she didn't want the audience to hear her voice in Relentless, she also wanted them to know what it was like to be in her shoes and "experience what I was experiencing." "As I say in the film Diane had a wall up, and I was trying to break through it," she says. "I wanted the audience to experience the occasional deep frustration I had, so you hear me challenge her. In a perfect world, I would not have put myself in the film." To hear Feinartz, Wolf, and Kargman verbally debate with their respective subjects about style, storytelling, or final cut gives each film tension and an air of authenticity. "If anything, the banter between me and Marc just made things more transparent," says Feinartz. "You see me trying to make a film, you see him pushing back. It's less about control and more about letting the mess be part of the film." The power struggle unfolding in all three documentaries is, at times, jarring but also entertaining. Arguably, the breaking of the fourth wall is more captivating than the profile being told, which could, in part, be due to the fact that most celebrity-driven documentaries are boring self-produced infomercials that offer little in the way of new, unusual, or engrossing information about the subject. Practically any doc featuring a musician — Halftime about Jennifer Lopez, Miss Americana about Taylor Swift, and Homecoming about Beyoncé — is a carefully constructed commercial produced by the star or their record label. While recent celebrity documentaries like Elton John: Never Too Late, Martha, Beckham, and The Last Dance were all insightful, there is the issue of subjects being paid to participate, which raises questions about creative control and merit. "I definitely wanted the audience to be clear that this is not a puff piece, or a vanity project," says Wolf. "However, more importantly, control was an important theme in the film. Paul separated himself from Pee-wee Herman as an artistic and professional choice, but also as a way to protect his anonymity. When that precise separation crumbled after Paul's arrest, it was devastating for him. Paul lost control of his personal narrative in the media, so it was very relevant that he struggled with issues of control in the documentary. I was less interested in making a meta-commentary on celebrity documentaries, and more interested in understanding Paul's experiences both in the past and in the present while making the documentary." The recent trend toward push-pull celeb-docs docs is a welcome diversion from the puff pieces that soft-pedal around their A-list subjects. But it's anyone's guess at this point if distributors will get behind raw docs about celebrities or stick with what works — fake docs about celebrities. Are We Good? is seeking distribution. 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Could '28 Years Later' contend for Oscars? Here's the complete awards history of the '28' franchise.
Could '28 Years Later' contend for Oscars? Here's the complete awards history of the '28' franchise.

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Could '28 Years Later' contend for Oscars? Here's the complete awards history of the '28' franchise.

Originally published April 17; updated June 17 at 12:15 p.m. PT The most frightening zombies to ever appear on the big screen are back on Friday, and faster than ever. But can they run all the way to the 2026 Oscars? More from GoldDerby 'The Pitt' heads back into production, DC finds its Clayface, and more of today's top stories Debbie Allen, Tom Cruise, Dolly Parton, and Wynn Thomas to receive honorary Oscars Marc Maron's 'Are We Good?': What happens when stars clash with their documentary filmmakers Set almost three decades after 28 Days Later (2003) and 28 Weeks Later (2007), the first two films in Alex Garland's horror franchise, 28 Years Later is scheduled for theatrical release on June 20. Garland is back as the writer and Danny Boyle, who directed the first flick, returns to direct. (Juan Carlos Fresnadillo directed and cowrote the sequel.) Watch the trailer below. Garland recently told Business Insider that sequels have become less profitable through the years, and that the Marvel behemoth is partly to blame. "I think sequels are seen as diminishing returns," he said. "I don't wanna sort of throw shade as it were, but Marvel has something to do with this," the writer added. "It's not a criticism of Marvel, I just think people got oversaturated." Reviews for 28 Years Later are expected to be released on Wednesday at 5 p.m. ET, just two days before the movie hits theaters. Sony says the late embargo date is to keep spoilers at a minimum. 28 Years Later stars Jodie Comer as Isla, a pregnant woman; Aaron Taylor-Johnson as Jamie, a scavenger and Isla's husband; and Ralph Fiennes as Dr. Kelson, a knowledgable fellow survivor. The plot follows a group of people who've avoided zombie attacks for decades by living on an isolated island. When one member goes to the mainland, he discovers that the monsters — as well as the human survivors — have mutated. Neither of the first two films was recognized at the Oscars, though they did contend at other awards shows. The good news? Horror movies like 28 Years Later occasionally do receive Academy Award nominations, particularly in the craft categories, suggesting Oscar voters aren't too afraid of the genre. Mubi Earlier this year, The Substance (2024) received five overall bids: Best Picture, Best Director and Best Original Screenplay for Coralie Fargeat, Best Actress for Demi Moore, and Best Makeup and Hairstyling; it won the latter. Moore starred as an aging Hollywood star named Elisabeth Sparkle who, in an effort to stay relevant, injected herself with a substance that created a younger, sexier version of herself (Margaret Qualley). The Silence of the Lambs (1991) remains the only horror flick to win Best Picture at the Oscars. In addition, it took home top prizes for Anthony Hopkins in Best Actor for playing iconic cannibal Hannibal Lecter, and Jodie Foster in Best Actress as FBI cadet Clarice Starling. The landmark film also won Best Director for Jonathan Demme and Best Adapted Screenplay for Ted Tally, and earned bids in Best Film Editing and Best Sound. Another spooky movie that found success at the Academy Awards is The Exorcist (1973). Linda Blair was nominated in Best Supporting Actress for playing a girl possessed by the devil. Ellen Burstyn was a Best Actress nominee for playing her petrified mother, and Jason Miller, as a skeptical priest, was up for Best Supporting Actor. The film received 10 total noms, including Best Picture and Best Director for William Friedkin, and won Best Sound and Best Adapted Screenplay for William Peter Blatty. Other performers to win for frightening roles include Kathy Bates (Misery, 1990) as an obsessed fan, Natalie Portman (Black Swan, 2010) as a traumatic ballerina, and Ruth Gordon (Rosemary's Baby, 1968) as a satan-worshipping neighbor. But aren't we here to talk about zombies? Searchlight To date, the only zombie movies to receive Oscar attention were King of the Zombies (1941) in Best Score, Young Frankenstein (1974) in Best Adapted Screenplay and Best Sound, Frankenstein (1994) in Best Makeup, and Frankenweenie (2012) in Best Animated Feature. There's some debate about whether Emma Stone's character in Poor Things (2023) is actually a zombie, considering she was brought back to life via a brain transplant, but that film received 11 bids and won four: Best Actress, Best Costume Design, Best Makeup and Hairstyling, and Best Production Design. Speaking of that Best Makeup category, since its creation in 1981, genre films like An American Werewolf in London (1981), The Fly (1986), Beetlejuice (1988), Bram Stoker's Dracula (1992), Pan's Labyrinth (2006), The Wolfman (2010), Poor Things, and The Substance have all taken home trophies. That suggests makeup/hair could be 28 Years Later's strongest shot at claiming Oscar gold next year. Here is the complete awards history for the 28 Days Later franchise (so far). All are nominations unless designated with winner. Cast: Cillian Murphy, Naomie Harris, Christopher Eccleston, Megan Burns, Brendan Gleeson Plot: Four weeks after a mysterious, incurable virus spreads throughout the United Kingdom, a handful of survivors try to find sanctuary. Awards history: Academy of Science Fiction, Fantasy & Horror Films: Best Horror Film (winner), Best Director, Best Writing British Independent Film Awards: Best British Independent Film, Best Director, Best Achievement in Production Luxembourg International Film Festival: Best European Fantasy Film European Film Awards: Best European Cinematographer (winner), Best European Director Fantasporto Awards: Best Director (winner), Best European Fantasy Film (winner), Best Film Hugo Awards: Best Dramatic Presentation - Long Form International Horror Guild: Best Movie Irish Film and Television Awards: Best Actor in a Film for Cillian Murphy Motion Picture Sound Editors: Best Sound Editing in Foreign Features MTV Movie + TV Awards: Breakthrough Male Performance for Cillian Murphy Neuchâtel International Fantastic Film Festival: Best Feature Film (winner) Online Film Critics Society Awards: Best Breakthrough Performance for Cillian Murphy, Best Sound Taurus World Stunt Awards: Best Fire Stunt Empire Awards: Best Newcomer, Best British film (winner) Black Reel Awards: Best Breakthrough Performance for Naomie Harris (winner) Cast: Robert Carlyle, Rose Byrne, Jeremy Renner, Harold Perrineau, Idris Elba Plot: Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes according to plan. Awards history: BET Awards: Best Actor for Idris Elba British Independent Film Awards: Most Promising Newcomer for Imogen Poots, Best Technical Achievement Evening Standard British Film Awards: Best Technical Achievement Málaga Spanish Film Festival: Spanish release of the movie (winner) Neuchâtel International Fantastic Film Festival: Best Feature Film Empire Awards: Best Horror (winner) Golden Trailer Awards: Best Horror TV Spot, Best Horror Poster Fright Meter Awards: Best Horror Movie, Best Director Scream Awards: The Ultimate Scream, Best Sequel, Best Horror Movie (winner), "Jump-From-Your-Seat" Scene of the Year Cast: Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes Plot: A group of survivors of the rage virus lives on a small island. When one of the group leaves the island on a mission into the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors. Awards history: TBD There are two other films in the works: 28 Years Later: The Bone Temple, due out in 2026, with Nia DaCosta set to direct; and an untitled fifth film, with Boyle back at the helm. Garland is attached to both of these projects as the writer. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Stephen King movies: 14 greatest films ranked worst to best Click here to read the full article.

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