Andor Season 2 Episodes 7, 8, 9 – Release Date, Schedule, Where to Watch
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources.
Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content.
Entertainment gossip and news from Newsweek's network of contributors
New episodes of Andor season two are coming in thick and fast, and we're already halfway through, thanks to Disney+'s release schedule that has three new episodes dropping at a time.
However, with the irregular schedule, you may wonder: where is episode seven of Andor season two?
Cassian Andor (Diego Luna) in Lucasfilm's ANDOR Season 2, exclusively on Disney+. Photo courtesy of Lucasfilm. ©2025 Lucasfilm Ltd. & TM. All Rights Reserved.
Cassian Andor (Diego Luna) in Lucasfilm's ANDOR Season 2, exclusively on Disney+. Photo courtesy of Lucasfilm. ©2025 Lucasfilm Ltd. & TM. All Rights Reserved.
Lucasfilm Ltd.
READ: The Last of Us Season 2 Episode 4 – Release Time, Date, Where to Watch
To clarify some things, we've got a guide below on how to watch Andor season two, episodes seven, eight, and nine, including Andor season two release schedule and Andor season two, episodes seven, eight, and nine release date.
Andor Season 2 Episode 7 Release Date
Episodes seven, eight, and nine of Andor season two will be available to stream on Disney+ on May 6, 2025.
New episodes of Andor will be released in threes each Tuesday on Disney+ through May 13, 2025.
Andor Season 2 Episode 7 – How to Watch
Andor season two episodes seven, eight, and nine will be available on Disney+ from 6 pm Pacific Time (PT) on May 6, 2025/9 pm Eastern Time (ET).
To watch Andor, you will need a Disney+ subscription. The basic subscription with ads is $9.99 per month, or you can get Disney+ Premium without ads for $15.99 per month or $159.99 per year.
What Time Does Andor Season 2 Episode 7 Come Out?
Andor season two episodes seven, eight, and nine will be available to stream from 6 pm (PT) on May 6, 2025/9 pm Eastern Time (ET).
With the evening streaming release in the US, new episodes of Andor season two will debut in other countries on different times/dates.
Here is when Andor episodes seven, eight, and ninewill be available to stream in your time zone:
May 6
BRT: 10:00 pm
May 7
GMT : 1:00 am
: 1:00 am CEST : 2:00 am
: 2:00 am IST : 6:30 am
: 6:30 am JST : 10:00 am
: 10:00 am AET : 12:00 pm
: 12:00 pm NZDT: 2:00 pm
Andor Season 2 Release Schedule
Episode One: April 22
April 22 Episode Two: April 22
April 22 Episode Three: April 22
April 22 Episode Four: April 29
April 29 Episode Five: April 29
April 29 Episode Six: April 29
April 29 Episode Seven: May 6
May 6 Episode Eight: May 6
May 6 Episode Nine: May 6
May 6 Episode Ten: May 13
May 13 Episode Eleven: May 13
May 13 Episode Twelve: May 13
https://twitter.com/DiscussingFilm/status/1909667998152945729
Andor Season 2 Episode 7 Runtime
Episode seven of Andor season two doesn't yet have an official runtime. So far, episodes of Andor season two have run between 44 and 54 minutes.
What Will Happen in Andor Season 2 Episode 7?
The official synopses for episodes seven, eight, and nine of Andor season two areunavailable.
However, if you're looking to catch up on what's happened so far in Andor season two, we have individual episode synopses below:
Episode One: An undercover mission. A sanctuary threatened. A Chandrilan wedding. A chilling Imperial plan.
An undercover mission. A sanctuary threatened. A Chandrilan wedding. A chilling Imperial plan. Episode Two: Cassian is caught in a rebel turf war. Mon's wedding woes mount. The Ferrix survivors face inspection.
Cassian is caught in a rebel turf war. Mon's wedding woes mount. The Ferrix survivors face inspection. Episode Three: Time is running out for everyone.
Time is running out for everyone. Episode Four: Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera.
Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera. Episode Five: Cassian on Ghorman. Syril on Coruscant. Bix failing. Wilmon trapped. Kleya has a serious problem.
Cassian on Ghorman. Syril on Coruscant. Bix failing. Wilmon trapped. Kleya has a serious problem. Episode Six: Vel and Cinta to Ghorman. Cassian home to Bix. An argument. A heist. A party. Everything at risk.
(as per IMDb)
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
USA Today
an hour ago
- USA Today
How to Watch Lorenzo Musetti vs. Carlos Alcaraz at the 2025 Roland Garros: Live Stream, TV Channel
How to Watch Lorenzo Musetti vs. Carlos Alcaraz at the 2025 Roland Garros: Live Stream, TV Channel On Friday, Lorenzo Musetti (No. 7 in the world) meets Carlos Alcaraz (No. 2) in the semifinals at the Roland Garros. Musetti heads into the semifinals after his four-set win on Tuesday over Frances Tiafoe (6-2, 4-6, 7-5, 6-2) in the quarterfinals. Alcaraz heads into this match after a three-set victory against Tommy Paul (6-0, 6-1, 6-4) in his last match on Tuesday in the quarterfinals. Watch Tennis Channel on Fubo! Lorenzo Musetti vs. Carlos Alcaraz: live stream info & TV channel Tournament: Roland Garros Roland Garros Round: Semifinal Semifinal Date: Friday, June 6 Friday, June 6 Live Stream: Watch Tennis Channel on Fubo Watch Tennis Channel on Fubo Court Surface: Clay Lorenzo Musetti vs. Carlos Alcaraz matchup stats In five tournaments on clay this year, Musetti has gone 19-4 and has not won a title. Musetti is 220-for-275 in service games on clay courts (winning 80.0%) and 92-for-269 in return games (34.2%). On clay, Musetti is fourth in break point winning percentage (41.8%) after going 81-for-194. Musetti was beaten by Alcaraz short of the final (3-6, 6-7) on May 16 in the semifinals of his most recent tournament, the Internazionali BNL d'Italia. Alcaraz has won two tournaments on clay this year, putting up a 15-1 record on that surface. On clay, Alcaraz has won 79.5% of his service games and 43.3% of his return games. Alcaraz has converted 63 of 139 break points on clay (45.3%), and is ninth in break points won. Alcaraz won the last match of the Internazionali BNL d'Italia, his previous tournament, defeating No. 9-ranked Musetti in the semifinal 6-3, 7-6 on May 16, but he then withdrew from the event. Musetti vs. Alcaraz futures odds Tennis odds courtesy of Tipico Sportsbook. Odds updated Tuesday at 9:57 PM ET. Musetti Odds to Win the 2025 Roland Garros: +1400 +1400 Alcaraz Odds to Win the 2025 Roland Garros: -120 Tennis odds courtesy of BetMGM Sportsbook. Odds updated Tuesday at 9:57 PM ET. For a full list of sports betting odds, access USA TODAY Sports Betting Scores Odds Hub.
USA Today
2 hours ago
- USA Today
Heliot Lemuel Ramos Player Props: June 3, Giants vs. Padres
Heliot Lemuel Ramos Player Props: June 3, Giants vs. Padres Heliot Lemuel Ramos will try to build on a one-hit showing in his most recent game (1 for 4). His San Francisco Giants square off versus Ryan Bergert and the San Diego Padres on Tuesday at 9:45 p.m. ET on NBCS-BA and SDPA. Find odds, stats, and more below to make your Heliot Lemuel Ramos player prop bets. Heliot Ramos has a team-best batting average of .295, and paces the Giants in home runs (10). Among all hitters in MLB play, Heliot Ramos' home run total ranks 38th and his RBI tally ranks 69th. Heliot Ramos brings a six-game hitting streak into this matchup. In his last outings he is batting .302 with a triple, two home runs, three walks and five RBIs. Watch tonight's Giants game on Fubo! Heliot Lemuel Ramos Prop Bets and Odds Hits Prop: 0.5 hits (Over odds: -278) 0.5 hits (Over odds: -278) Home Runs Prop: 0.5 home runs (Over odds: +500) 0.5 home runs (Over odds: +500) RBI Prop: 0.5 RBI (Over odds: +170) 0.5 RBI (Over odds: +170) Runs Prop: 0.5 runs (Over odds: +105) 0.5 runs (Over odds: +105) Total Bases Prop: 1.5 total bases (Over odds: +105) 1.5 total bases (Over odds: +105) Stolen Bases Prop: 0.5 stolen bases (Over odds: +950) How to Watch San Francisco Giants vs. San Diego Padres Matchup: San Francisco Giants vs. San Diego Padres San Francisco Giants vs. San Diego Padres Time: 9:45 p.m. ET 9:45 p.m. ET Date: Tuesday, June 3, 2025 Tuesday, June 3, 2025 TV Channel: NBCS-BA and SDPA NBCS-BA and SDPA Live Stream: Fubo (Watch now! - Regional restrictions may apply) Heliot Lemuel Ramos vs. Ryan Bergert Heliot Lemuel Ramos prop bet insights Heliot Lemuel Ramos has a hit in 43 of 58 games this season, with multiple hits in 17 of them. Out of the 58 games he has played in this season, he's hit a home run in 10 contests (17.2%), taking the pitcher deep in 4% of his trips to the plate. Heliot Lemuel Ramos has scored at least a run 33 times this year in 58 games played (56.9%), including five multi-run scoring contests (8.6%). In 29.3% of his 58 games this season, he has produced a run (17 times). He's also put up nine games with multiple RBI in 2025 (15.5%) and produced three or more of his team's runs in two contests. Heliot Lemuel Ramos has gone down on strikes in 69.0% of his 58 games this season, with more than one strikeout in 22.4% of those games (13). MLB odds courtesy of BetMGM Sportsbook. Odds updated Tuesday at 6:27 p.m. ET. For a full list of sports betting odds, access USA TODAY Sports Betting Scores Odds Hub. Heliot Lemuel Ramos stats against the Padres Padres starter: Ryan Bergert
Yahoo
3 hours ago
- Yahoo
‘Andor' Season 2 Effects Team Did a Wild Number of Things For Real
'Keep it grounded, keep it real' has always been Andor creator Tony Gilroy's mandate to his effects team. For the acclaimed Disney+ Star Wars drama's second season, Gilroy's marching order meant building a massive 'flying' TIE fighter from the ground up, figuring out a fresh way to film a Speeder Bike chase, tweaking the iconic Stormtrooper laser blasts, and solving countless creative challenges (there were 4,140 effects shots). Below, Andor VFX supervisor Mohen Leo (who led the show's digital effects team) and SFX Supervisor Luke Murphy (who tackled the show's practical effects) discuss pulling off the season's biggest visuals — as well as some of the smallest, which often turned out to be the trickiest. More from The Hollywood Reporter 'Wolf Hall' Director on How He Pulled off The Silent Scene That Relayed a Thousand Words Why 'The Handmaid's Tale' Has Become a Feminist Life Raft Tonys: Sarah Paulson on the Truth-Teller Behind the Pulitzer-Winning Play 'Purpose' What was the hardest effect to pull off in season two? MOHEN LEO The most ambitious sequence was the TIE Avenger escape [in the season's first episode]. That was in preparation for months — trying to figure out how to keep this sequence within the language of the show. I didn't want to start the season off with something that was only computer generated. In conversations with Tony and with Luke, we talked about designing a sequence that starts with much more traditional filmmaking — with a practical set where we can use practical effects. And then, over the course of that sequence, transition into digital effects [as the fighter flies out of the hanger]. I'm assuming that TIE fighter was actually built? Because you see it on the ground in multiple settings and I thought it was really there. LUKE MURPHY That thing was [actually built] and it sat on its wings. It was one of the most challenging builds we've ever done. It had a steel core and with materials used in aircraft — loads of aluminum composite panels, carbon fiber. We did everything we could to make that thing as strong as possible without having to rely on other structures that would then get painted out [with CG]. Actors could touch it and walk into it. Then we could literally lift that thing up with a crane and fly it around. Back in the day, George Lucas famously used World War II dogfight footage for creating aerial scenes. What do you use now? LEO I try to avoid referencing other movies. There's almost no excuse not to look at real world references because you can find a fantastic reference for almost anything. There's a shot in episode three when Cassian arrives with the TIE Avenger and he overtakes a troop transporter with the troops sitting in it. The idea for that shot came from looking on YouTube for Apache helicopter shots because we were saying, 'Okay, [the TIE fighter] should behave a little bit like a mix of a jet and an Apache.' And I found that same shot of troops driving through the desert and out of the dust comes an Apache. You also had a speeder bike scene, which has come a long way since . LEO One of the things that always bugs me with Star Wars speeder bikes is you can tell that it's someone on a blue screen with a wind machine, and then we put the background in. Luke ultimately came up with a fantastic solution with the stunts team for the speeder bike chase [through a wheat field] for the shots where you don't see Brasso's (Joplin Sibtain) face. MURPHY The speeder stuff is always tricky. But we managed to get a speeder bike built onto the actual V-8 of a high-speed all-terrain vehicle, and then that was driven by a stunt driver. And I think what really helped there — Oh, the crops! MURPHY Yeah. The speed is supposed to be hundreds of miles an hour, right? That's the reality in the Star Wars world. We were fortunate enough to get some really good shots at a very safe speed that look really dynamic, and then we just [digitally] tidy and clean stuff up. It feels believable because the stunt man is really gunning it and going for it. There was lot of paperwork involved in satisfying [the production's] risk management assessors. What shot or effect are you most proud of this season? MURPHY One of the biggest challenges for us was we had to create a 17-ton electric snowplow for the heist sequence. When that vehicle comes down the street and crashes, it rips up the street for 80 feet. I was nervous that day. It was so cold that the breakaway material we were using in the street was sticking together. So at the last minute, we had to lift up 400 paving slabs and loosen all the material underneath. See, that's a shot I would just assume was digital. LEO When you're in visual effects and see there's going to be a shot like that, you always think, 'We're probably going to have to make a whole lot of [CG changes].' We just had to paint away the camera rail — and that's it. We didn't augment that in any way. It looked fantastic just as it was. MURPHY Another shot I was super happy with was when the grain comes out that silo and hits those stormtroopers. We set up a rig to do that and those guys got wiped out by 16 tons of grain. The shots of K2SO in the cockpit, those are digital? My brain was telling me that has to be in effect, but he's so very there. Also, there's so much subtle expression, with the eyes and head movements. LEO It was so important to have Alan back because he really embodied that character, and for his chemistry with Diego. Something we learned on Rogue One was you have to look at things that Alan might express with his face that you couldn't transfer onto K2SO directly because his face doesn't move — other than the eyes. So you find ways to transfer a facial expression into a little tilt of the head, or a movement of the eyes. Interestingly though, we did have a practical K2SO — like in the sequence where he's [deactivated on the table], he's practical. The moment he wakes up, he's digital. Is there anything from the long line of Star Wars video games that inspired any practical or visual effects the season? LEO There is one Easter Egg, I think in episode four. There are a couple of guards that watching pod racing on a screen. The way it was initially written was that they were watching sports. But there's not really football and stuff like that [in Star Wars]. We were like, 'Can we do pod racing?' Then I went back trying to find aerial footage we could use for those shots. There's a game called Star Wars Episode I: Racer from 1999 and it had a bunch of tracks in it. So it uses the track name from the game. Let's talk a moment about the evolution of the stormtroopers' red laser blasts as seen during the hallway fight scene. I feel like back in the day the lasers looked more chunky, and now they're thinner and more darting? LEO If you look at the original trilogy, because [the lasers] were [painted] manually, there is a larger degree of inconsistency. [The lasers] are not always the same colors and not always the same width. So starting with Rogue One, [ILM Chief Creative Officer] John Knoll said, 'Okay, let's really think about what is the visual language of these carrying forward.' We started doing something that is thinner, and has a pointy diamond shape — like arrow tip — at the front. Another thing John pointed out was that for the bigger laser shots — like from the TIE fighter, for example — is that when a green laser hits something, the first two frames of the explosion are green. When a red laser hits something, the first two frames of the explosion are red. There also needs to be always some wiggle room for the individual director to have a say. It's the same with [a ship going into] hyperspace. It's sometimes much more colorful. In Andor, it's a bit muted because it's a backdrop for intense character drama and you don't want it to be distracting. 'Grounded and real' is probably something that a lot of showrunners walk in asking for. But it's impressive Tony had the heft to do that. And then you guys, obviously, pulled it off. LEO I think it's not just heft. It was this understanding of restraint — from Tony and John Gilroy, his brother, the supervising editor, and even the directors. You didn't want to be flashy when it was inappropriate for the story. So there were a number of big visual effects shots that we ultimately cut or toned down because they just felt like they didn't belong. That's interesting. What's an example of a flashy effect shot that was cut? LEO Like there were a couple directors who said, 'Let's start with a big aerial establishing shot, and then cut into the location.' And Tony and John said, 'We don't need that. It's all about the characters, let's go straight into the drama.' What looked really simple but in reality was very difficult? MURPHY The scene where there's a bubbling liquid poured [onto Luthen's spy network communications panel to destroy it]. Really small stuff like that that you wouldn't think was a big deal when you're breaking down a script. Another challenge was the elevator in the Senate building because it's a cylinder with doors that open and then it all moves diagonally. It was compound curves everywhere and it felt like geometry was against us every step of the way. That was quite a challenging rig [to build]. And again, when you read in the script, 'Mon steps out of an elevator,' you think, 'Okay, fine.' Then you see the drawings. It's always the stuff where you go, 'Oh, that's a just a two-minute job' that turns out to be a total monster. This story first appeared in a May stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
