Trump's explosive clash with Zelenskyy: read the full transcript
A meeting between Donald Trump and Volodymyr Zelenskyy veered sharply off track in front of the television cameras as the US president berated his Ukrainian counterpart then abruptly called off a minerals deal with that he had said would be the first step towards a ceasefire with Russia.
Here are the highlights, word-for-word, of the conversation between Trump, Zelenskyy and Vice-President JD Vance in the Oval Office.
Zelenskyy: What kind of diplomacy, JD, are you are asking about? What do you mean?
Vance: I'm talking about the kind of diplomacy that's going to end the destruction of your country.
Zelenskyy: Yes, but if you …
Vance: Mr President, with respect, I think it's disrespectful for you to come to the Oval Office and try to litigate this in front of the American media. Right now, you guys are going around and forcing conscripts to the frontlines because you have manpower problems. You should be thanking the president.
Zelenskyy: Have you ever been to Ukraine to see the problems we have?
Vance: I've actually watched and seen the stories, and I know what happens is you bring people on a propaganda tour, Mr President.
Do you disagree that you've had problems with bringing people in your military, and do you think that it's respectful to come to the Oval Office of the United States of America and attack the administration that is trying to prevent the destruction of your country?
Zelenskyy: First of all, during the war, everybody has problems, even you. You have nice solutions and don't feel [it] now, but you will feel it in the future.
Trump: You don't know that. Don't tell us what we're going to feel. We're trying to solve a problem. Don't tell us what we're going to feel.
Zelenskyy: I am not telling you, I am answering …
Vance: That's exactly what you're doing …
Trump, raising his voice: You're in no position to dictate what we're going to feel. We're going to feel very good and very strong.
Zelenskyy tries to speak.
Trump: You right now are not in a very good position. You've allowed yourself to be in a very bad position. You don't have the cards right now. With us, you start having the cards.
You're gambling with lives of millions of people, you're gambling with world war three and what you're doing is very disrespectful to this country.
Vance: Have you said thank you once?
Zelenskyy: A lot of times.
Vance: No, in this meeting, this entire meeting? Offer some words of appreciation for the United States of America and the president who's trying to save your country.
Zelenskyy: Yes, you think that if you will speak very loudly about the war …
Trump: He's not speaking loud. Your country is in big trouble. No, no, you've done a lot of talking. Your country is in big trouble.
Zelenskyy: I know, I know.
Trump: You're not winning this. You have a damn good chance of coming out OK, because of us.
Zelenskyy: We are staying strong from the very beginning of the war, we have been alone, and we are saying, I said, thanks.
Trump, speaking over Zelenskyy: You haven't been alone … We gave you military equipment. Your men are brave, but they had our military. If you didn't have our military equipment, this war would have been over in two weeks.
Zelenskyy: I heard it from Putin in three days.
Trump: It's going to be a very hard thing to do business like this.
Vance: Just say thank you.
Zelenskyy: I said it a lot of times.
Vance: Accept that there are disagreements and let's go litigate those disagreements rather than trying to fight it in the American media, when you're wrong. We know that you're wrong.
Trump: You're buried there. Your people are dying. You're running low on soldiers. No, listen … And then you tell us, 'I don't want a ceasefire. I don't want a ceasefire. I want to go and I want this.'
Trump: You're not acting at all thankful. And that's not a nice thing. I'll be honest, that's not a nice thing.
All right, I think we've seen enough. What do you think? Great television. I will say that.
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In her replica cell, Tolokonnikova thought about the Los Angeles mothers and fathers who had just been torn away from their families, people who were 'hard-working breadwinners and caretakers', not violent gang members. She looked at the art decorating her cell's walls, drawings sent by current and former political prisoners in Russia and Belarus, 'people imprisoned for 10, 15, 20 years, simply for being good'. 'I was thinking of dehumanization and scapegoating as a universal mechanism – applied with heartbreaking ruthlessness both back home and here,' she wrote in the email. 'I was thinking how the western idea that history inevitably moves toward progress is a mirage.' When her performance hours were done, she walked out into the Los Angeles streets for comfort. It was early Sunday evening, and the protests downtown had been going on most of the afternoon. 'People were giving out gas masks, water, and protective glasses,' she wrote. What captured her attention was not moments that would be played and replayed on the news, like Waymo automated vehicles set on fire, or protesters streaming on to the 101 highway. It was the way being at a protest feels: 'That spirit of care and solidarity is precious,' she wrote. 'People were being shot with rubber bullets and burned by tear gas, yet they refused to leave.' On Wednesday, the museum announced that the rest of Tolokonnikova's performance would have to be postponed indefinitely, because of 'ongoing demonstrations and military activity'. 'Every single event I did in Russia was shut down by the cops,' she posted on Instagram, 'and now it's starting to feel a lot like Russia.' Tolokonnikova, who faces immediate arrest if she returns to Russia, is not an optimist. In recent months, she has repeatedly compared her art practice to the musicians who kept playing on the Titanic as the ship went down. 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She told me cheerfully about almost getting blown up by pyrotechnics at a recent unauthorized concert, and praised the work of LA's Dead City Punx, a hardcore punk band and one of her planned collaborators in Los Angeles. 'One thing that I just don't vibe with in modern American society – there's an entire thing about safety. And I've lived my life in a way that safety was the last thing that I would care about,' she said. 'This is a thing I think about a lot lately. We need to be less safe, be ready to offend ourselves and other people. Otherwise, Maga people are just going to keep winning, because they're not afraid.' Tolokonnikova told me she had hoped that people would come to her Moca exhibit with their children. 'I've always been obsessed with building a version of Disneyland, but much more radical and grim,' she said. She had worked with Banksy on Dismaland, the artist's 2015 dark Disney satire, but she's still thinking about the possibilities of a more revolutionary theme park. 'It's just a giant waste of time and money the way that Disneyland looks now. It just doesn't accomplish anything,' she said. Imagine, she suggested, if the animatronic characters of the Pirates of the Caribbean ride were instead a way for kids 'to learn the history of the feminist movement'. 'So instead of pirates doing this,' she said, jerking her arms, 'it could be like, you're a suffragette being arrested.' 'Obviously, I don't have a budget to build Disneyland,' she added. 'But it was a dream of mine for ever.' Police State had been scheduled to run through June 13, with a final performance by Pussy Riot Siberia, Tolokonnikova's new performance collective, to close it out. Now, it is postponed to an unknown date in the future. 'I guess the National Guard will be performing POLICE STATE instead of me this week,' Tolokonnikova wrote on Instagram.
