'It was unbelievable' - commentator on Goodison's farewell
BBC Radio 5 Live commentator Ali Bruce-Ball discussing Goodison Park's farewell on The Commentators' View podcast: "It was really special. The club did it brilliantly."My favourite memories of the day were before the game got underway. The walk through Liverpool city centre before the game, sun up, fans drifting to their church, Goodison. Walking across Standley Park, the sense of fans trying to linger and draw it out."The singing outside the ground was shaking the ground. It was unbelievable."The bit that will stay with me the most was Z-Cars, the last ever entrance to that tune. They did it so well. Silence fell and that siren rang around an empty stadium three or four times, then the drums and the piercing melody. The roar when they came out. Pat Nevin was really taken aback by the whole thing. He is such a cool customer and when the full time whistle blew, the lump in the throat came."No tifo display, no fireworks, just the Z-Cars theme tune and fans in their blue shirts. That's all it needed. It's such an old school ground Goodison that it was perfect for that occasion."Listen to The Commentators' View
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Instead, there have been forays into acting: in 2022, he was on Albert Square for a two-week stint playing Avery Baker, estranged brother of Mitch Baker. 'When they showed me the part, it's a dude who wears a three-piece suit, smoking a cigar, driving a Bentley and playing the piano in the pub.' So not that far from real life? 'Exactly. I was like, 'This is me'.' Brighter the Days took a while on several fronts: finishing songs, finding a label and finalising paperwork with collaborators (he also underwent brachytherapy in 2024 for early-stage prostate cancer). Lyefook wanted Common, who he'd worked with on the rapper's seminal 2002 album Electric Circus, but it wasn't to be. 'I'm a big believer in timing. First time I was meant to work with Stevie, it took eight years. Don't set your watch by him, put it that way.' In 1992, he was in LA, and his manager also had Wonder as a client. 'He played my album to him. Stevie wants to write my first No 1. Fantastic! Midnight, I got the call: come down to the studio. Finally, he's ready. We're talking. And then …' He snores. 'So that was the end of that session. I waited all day for him to fall asleep.' 'Then seven or eight years later, I got a phone call out of the blue when I'm in London: 'Yo, man, it's your boy'. Who's that? 'Steve!' Steve who? 'Stevie Wonder!' Yeah, bollocks – sing me something. And he did.' For the next two weeks, 'I was like his ambassador. I had to take him to restaurants, clubs, hotels. We finally went to the studio, but the song we started with, it's alright but it's not blowing my skirt up. And then I had an idea to take him to my friend's studio where they were jamming' (the result was the 2006 track, Feeling You). Another session involved the late beatmaker J Dilla who Lyefook had met through Common in Detroit around 2000. 'We went to a strip club, J Dilla paid for a stripper, and then we went to the studio. It seemed to be a normal Tuesday for him!' A beat that Dilla made with Omar in mind was recently rediscovered by Lyefook's brother, the producer Scratch Professer, but 'it wasn't ready for this album, probably the next one'. Among the guests that did make it on to Brighter the Days is UK rapper Giggs. 'I wasn't that aware of him before,' says Lyefook – Giggs wrote 'Yo, uncs!' as he reached out via Instagram. 'That's what they call me now. Well, it's better than grandpa.' British rap, he says, can be 'gritty, and you got to be hardcore' – very different to the 'good times, barbecues, chilling out' vibes of soul (though the pair find mutual ground on We Can Go Anywhere, where Giggs invites you to help yourself to his party buffet). Lyefook appreciates grime, he says, but 'it's so not my world. I mean, Stormzy's album cover [2017's Gang Signs and Prayer] was how many men in balaclavas? Great artist, but they didn't have that in Canterbury.' Lyefook once protested the Mobos for not having a soul category. His peers, including Bluey from Incognito, unrolled posters on the red carpet reading Mobos: Where's Your Soul? 'And so they relented and made it R&B/soul – but those are two different animals,' Lyefook laments. 'One year I got nominated and Adele's in the same category. It's not just a black and white thing, it's generational. I'm just filler.' The musician is content these days, however, with his elder statesman role. 'It used to be, 'my sister likes your music'. Then 'my mum likes your music'. Now it's 'my nan likes your music',' he quips. 'I've been lucky – they passed it down through the generations.' While other musicians are part-time, he continues, 'I've managed to make a career that can pay the bills. It's not ostentatious. I would love it to be. But the love that I've been getting has been enough.' Brighter the Days is out now on Impressive Collective and BBE Music
