
Happy to make a spectacle of himself, it's pub staffer's daily duty to don a unique pair of sunglasses
The future's so bright, they've gotta wear shades.
Vancouver resident Lori-Ann Keenan always dreamed of having her name appear among the Guinness World Records, the British publication that since 1955 has been charting an array of remarkable human accomplishments, such as the fastest-run marathon by a person dressed as an elf (2:58:16), the longest standup comedy routine (40 hours and eight minutes) and the most baked beans eaten in under 60 seconds using chopsticks (59).
At first, Keenan, an author and entrepreneur, wasn't sure what sort of record she should set her sights on. However, after reading about an 87-year-old Hawaiian woman who in 2015 was recognized by Guinness adjudicators for possessing the world's largest collection of sunglasses — 1,506 individual pairs — she had her answer.
MIKAELA MACKENZIE / FREE PRESS
James Brown has posted a selfie every day this year of himself wearing a unique pair of sunglasses and there's no sign — based on the volume of shades at his disposal — of him slowing down anytime soon.
'OK, well I can't eat 18 hot dogs in 30 seconds, and I can't put 500 cigarettes in my mouth but I could do… sunglasses. And that's when I started,' Keenan told reporters in June 2019 when news spread that she had realized her goal by amassing 2,174 pairs of shades.
'You wouldn't believe how hard it is to find 2,000 pairs of sunglasses that are completely different,' she went on, sporting a pair of red-tinted specs at a press conference.
'It's a big job.'
Closer to home, Corydon Avenue resident James Brown is in the midst of a sunglasses undertaking of his own, though he readily admits he has a long way to go if he intends to surpass his Vancouver counterpart in the record books.
Since New Year's Day, Brown, a shaggy-haired sort who has never met a band T-shirt he didn't love, has posted daily pics of himself on social media. Each photo shows him parked on a tan-coloured couch in his living room donning a new pair of sunglasses chosen from a personal cache he keeps on a multi-tiered shelving unit together with records, CDs and assorted items from his childhood.
'Honestly, when I started this whole thing, I didn't even know how many pairs I had,' he says, throwing on a pair of aviator sunglasses, a style featuring bold rims and thick temples favoured by Elvis Presley, one of his rock 'n' roll heroes. (To prove his point he breaks into an a cappella version of Patch It Up, from Presley's That's the Way It Is album.)
'Don't get me wrong — it's been a hoot and people seem to be getting a big kick out of it — but if I'd known it was going to go this long, I might have thought twice.'
'I've already told all my buddies that when I'm finally done with sunglasses, I'll host a big party where everybody can come over and pick out a pair to take home'–James Brown
Brown, 55, grew up in the North End but has lived in the Earl Grey neighbourhood for most of his adult life, save for a short period in his 20s when he moved to B.C.
After playing guitar in his fair share of 'crappy' bands, he landed a job booking acts and handling the sound board at the Cavern, a subterranean Osborne Village watering hole that closed in 2019. He has carried out much the same duties at the King's Head Pub for the past five years, and if there is one thing the Exchange District hot spot has in common with his former workplace, it's the inordinate number of sunglasses he and his co-workers discover strewn under tables at the end of the evening, when they turn the house lights on.
'Almost always it's cheap plastic pairs that get handed out for birthday or bachelorette parties. They end up in our lost-and-found box for months without ever getting claimed and that's what gave me the idea for this project,' he says.
Bright and early on Jan. 1, a few hours after party band Doctor Rocktopus packed the pub's dance floor, Brown posted a shot of himself on Facebook wearing a pair of pink wraparound sunglasses — he calls them his Bret 'the Hit Man' Hart specimens — along with the message, 'Did you ever go to the bar & lose your sunglasses? Well I work at that bar & I found 'em!'
He added that he had recently noticed his 'pile of shades is MASSIVE,' and that he was interested in seeing how many days in a row he could go before running out of a different pair to slap on.
'Betcha I make it to my birthday (June 23),' he added.
Well, we're happy to report that over 120 days later, Brown and his shades are still going strong.
MIKAELA MACKENZIE / FREE PRESS
There's no shortage of shades to be found at Brown's workplace, the King's Head Pub, where cheap plastic pairs are routinely left behind at night's end.
Last week, on Day 113, he donned a heart-shaped pair, with a rainbow arching between the lenses. Days before that, on an afternoon when the temperature outside climbed to 20 C, he appeared in a pair made to look like yellow daisies, writing 'FINALLY! SPRING!' as the caption.
To date he has sported everything from thrift-store finds to more expensive Dolce & Gabbanas to, on Day 36, a pair of 3-D sunglasses he's held onto for 25-plus years.
'Back in the '90s I used to work at HMV. I scored a lot of free swag at that gig,' he wrote that morning, explaining 'the '90s hip-hop rapper Nas had an album called Nastradamus and these glasses came with the CD.'
Wednesdays
A weekly look towards a post-pandemic future.
In addition to sunglasses Brown has scooped up on his own — Flamingo glasses? Check. Super Mario? Check. Valentine's Day? The Easter bunny? Check and check — he's also been on the receiving end of gifts from people who've been following his antics online, some of whom are complete strangers.
'As this has gotten more popular, people I don't even know have approached me at the bar or Safeway or wherever. They're like, 'I love the sunglasses thing and the effort you're putting in,' then, while they're shaking my hand, they hand me a couple of pairs. I guess they're afraid I'm eventually going to run out, and they want me to keep 'er going.'
MIKAELA MACKENZIE / FREE PRESS
What started as a lark for Brown, has turned into a months-long streak of daily social media posts sporting different pairs of sunglasses.
Sinden Carswell is the lead singer of Cross Roads, a Top 40 band that performs at the King's Head on a regular basis. Carswell and her bandmates were made aware of Brown's sunglasses venture and, in early March, dedicated their rendition of the Corey Hart smash Sunglasses at Night to him.
'We did it while all wearing a pair of funny sunglasses, and I even changed the lyrics of the first verse to I wear my sunglasses at night / so I can leave them at the King's Head for James Brown,' Carswell says with a chuckle.
'After our performance I gave James the pair of checkerboard glasses I was wearing to add to his collection because he indicated that he liked them so much.'
This weekend, the members of Cross Roads have a second surprise for Brown. A couple of weeks ago they had a T-shirt produced with their image on it, labelled 'Cross Roads Sunglasses at Night Tour 2025.'
'We had it made for him and we'll be presenting it to him for our next King's Head gig,' Carswell says. (What's next on the setlist? ZZ Top's Cheap Sunglasses? Boys of Summer — You got your hair slicked back and those Wayfarers on, baby — by Don Henley?)
'Like I said, I didn't really plan on this going for more than a month or two, so it's been a fun surprise,' Brown says. 'It's a nice feeling when somebody out of the blue goes, 'I like what you're doing there.' It makes my day.'
Still, Brown doubts he'll miss what for the time being is a daily ritual when it eventually comes to a close.
MIKAELA MACKENZIE / FREE PRESS
Brown with some of the pairs in his collection.
'I collect lots of other things — Hot Wheels, guitar picks, fridge magnets, Kinder egg toys — so you never know, I might be back with something else. I'm a single guy with lots of time on my hands, sometimes a little too much,' he says, nodding toward a wall in his apartment he has adorned with 13,000 glued-on googly eyes, those small black-and-white crafting pieces used to mimic eyeballs.
'I've already told all my buddies that when I'm finally done with sunglasses, I'll host a big party where everybody can come over and pick out a pair to take home. I mean, if there's any here you have your eye on, by all means, be my guest.'
david.sanderson@freepress.mb.ca
David Sanderson
Dave Sanderson was born in Regina but please, don't hold that against him.
Read full biography
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Winnipeg Free Press
5 hours ago
- Winnipeg Free Press
Winnipeg-born director wins big at Canadian Screen Awards
Matthew Rankin began his speech in Farsi, took a detour into French and wound back toward English when accepting the Canadian Screen Award for achievement in direction Sunday for Universal Language, a feature film set at a dreamy intersection connecting Winnipeg to Tehran. 'This is delightful,' Rankin told the crowd at CBC's Broadcast Centre in downtown Toronto. 'I'm from Winnipeg — I'm not accustomed to winning anything — so this is really weird and sweet and nice, so thank you very much.' It's a line that Rankin will now be forced to retire: with six wins — including original screenplay, editing, costume design, casting and art direction, handed out at Saturday's industry gala for cinematic arts — Universal Language, shot in Winnipeg and Montreal, was a repeat champion on Sunday night. Chris Young / The Canadian Press Matthew Rankin won as best director; his Universal Language took home five more awards. Based for several years in Quebec, which Rankin hailed as 'one of the last places where art and culture is thought of and defended as a public good,' the director, who also co-wrote and co-starred in the film, was quick to mention his upbringing at the Winnipeg Film Group, where as a teenager he enrolled in filmmaking workshops. 'I really want to take the opportunity to thank all the weirdos of the Winnipeg Film Group,' he said, later mentioning the late Cinematheque programmers Dave Barber and Jaimz Asmundson in a message shared with the Free Press. 'This is where I learned how to make movies in an artist-run centre. Those people are really keeping Winnipeg weird, and I love that.' Universal Language, which was the Canadian submission to this year's Academy Awards for best international feature, had its world première in competition at Cannes. Last spring after a sold-out local première at the Centre culturel franco-manitobain, Rankin carved up several Jeanne's cakes with the film's title written on top in green Farsi script. In a five-star review for the Free Press, Alison Gillmor wrote that 'while the film is laugh-out-loud funny — literally — it is also, by the end, as the wandering characters are finally brought together, ineffably sad and delicate.' 'Rankin's work has always been clever and comic, but there's a new tenderness here as the filmmaker brings in autobiographical strands, fusing them into a poetic expression of regret, longing and the meaning of home and family,' she added. Rankin, who in addition to French and Farsi is also learning Esperanto, has built a stellar career playing with the narrative strands of Canadian identity and political memory. His debut feature The Twentieth Century is a fantastical reimagining of former prime minister William Lyon Mackenzie King's origin story, while short films including 2014's Mynarski Death Plummet and 2010's Negativipeg are more localized, equally rewarding experiments in semi-fiction. Monthly What you need to know now about gardening in Winnipeg. An email with advice, ideas and tips to keep your outdoor and indoor plants growing. In February, Universal Language — co-written by Rankin, Ila Firouzabadi (who took home the best casting award) and Pirouz Nemati (who lost the award for leading performance in comedy to Cate Blanchett in Guy Maddin's Rumours) — was named best Canadian feature by the Toronto Film Critics Association, earning a $50,000 prize. Academy of Canadian Cinema & Television Universal Language co-writers and co-stars Pirouz Nemati (left) and Matthew Rankin 'This is a movie we made with our whole heart,' Rankin said Sunday. 'We all know what political moment we're living in. Every day there are new Berlin Walls shooting up all around us and pitting us against each other into very cruel binaries, and if our film stands for anything, it stands for the fact that kindness can, in fact, be a radical gesture, and that's really what we believe in now more than ever.' Other Winnipeg-related winners at the awards include the locally made Wilfred Buck, which nabbed David Schmidt an award for best editing of a feature-length documentary, and local writer Scott Montgomery as part of a team of winners for best writing, animation, for the Apple TV+ prodution Snoopy Presents: Welcome Home, Franklin. The 2025 Canadian Screen Awards show, which aired live June 1 on CBC and CBC Gem, is also available to stream on Crave as of 8 p.m. Monday. Ben WaldmanReporter Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the Free Press. Born and raised in Winnipeg, Ben completed three internships with the Free Press while earning his degree at Ryerson University's (now Toronto Metropolitan University's) School of Journalism before joining the newsroom full-time in 2019. Read more about Ben. Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.


Toronto Star
13 hours ago
- Toronto Star
‘Doctor Who' season finale surprises fans with an exit - and a familiar face
LONDON (AP) — A familiar face to 'Doctor Who' fans is rejoining the long-running British sci-fi series as Ncuti Gatwa exits the lead role after two seasons. In Saturday's season finale, Gatwa's Time Lord regenerated and fans got a glimpse of Billie Piper, who played the character Rose Tyler for 35 episodes between 2005 and 2013. Tyler was a companion to versions of the doctor played by Christopher Eccleston and David Tennant.


Cision Canada
a day ago
- Cision Canada
The Frequency School breaks GUINNESS WORLD RECORDS™ title for the "195" song featuring the most nationalities
History made by The Frequency School: The "195" officially shatters the GUINNESS WORLD RECORDS title LONDON and LOS ANGELES, June 2, 2025 /CNW/ -- The Frequency School set a new GUINNESS WORLD RECORDS title for "Most nationalities to contribute vocals to a musical recording (single song)" with the "195" song on Monday, in a bid to raise awareness about gender equality and to ignite a global movement uplifting people through the transformative power of soundhealing frequencies. The record-breaking "195" is the first song in history featuring women from all of the world's 195 countries and using sound healing frequencies and the 528 Hz 'Love Frequency'. The Frequency School co-founded by U.S. Grammy-nominated and multi-platinum music producer Maejor, Martina Fuchs, Kingsley M, Brandon Lee and Aaron Dawson produced this visionary, powerful and universal campaign and premiered it during the 55th Annual Meeting of the World Economic Forum (WEF) in Davos-Klosters, Switzerland, from January 20-24. Using the sounds of birds and the heartbeat as instrumental elements, the "195" aims to raise the world's frequency, elevate humanity, and trigger a positive impact by uniting and empowering women worldwide. One woman in every one of the world's 195 countries recognized by the United Nations said one word: "EQUALITY" in her national language or native tongue and sent in her voice and video recording. The number of women and nationalities participating in the song was officially verified by a Guinness World Records adjudicator. Martina Fuchs, Executive Producer of the "195" and Co-Founder of the Frequency School, said: "It has always been my dream to produce the first song in history featuring every country on the planet. Our vision was to unite 195 ordinary women from all walks of life in this pioneering and groundbreaking initiative to advocate for gender equality and the rights of women and girls, and to help people struggling with mental health issues. Breaking this record is only the beginning: we are on a global mission to make our world a more peaceful place." Maejor, Founder and CEO of the Frequency School who produced the song, said: "The world record is a testimony to our work and the universal language of music. This achievement is a call to every one of us to lift each other up and spread peace, love and harmony. We chose to use 528 Hz which is often referred to as the 'love frequency', or the frequency of transformation and miracles. We wanted to promote more respect and fairness for women, as well as deep inner healing and a state of peace. The transformative vibration of 528 Hz can inspire positive action and empathy and people to act more kindly and inclusively." According to scientific studies and music theory, Solfeggio frequencies, ranging from 174 Hz to 963 Hz, offer unique sound patterns that promote relaxation, stress relief, and overall well-being. These frequencies have been shown to positively impact mental, emotional, and physical health by generating vibrations that help achieve a state of calm and balance of the mind, body and spirit. Kingsley Maduka, Co-Founder of the Frequency School, said: "We're incredibly excited to set a new world record, and I am honored to have the youngest lady in my family, my 6 year-old daughter, to be apart of such an intentional women empowerment project, focused on wellness. Being a man, it's important that we do our parts to support our better halfs for the sake of the mental health and wellness of humanity. The Frequency School is such an amazing platform for utilizing, implementing and amplifying wellness tools - working at the intersection of music, wellness, mental health and education is some of the most impactful work I've been able to be apart of." Brandon Lee, Co-Founder of the Frequency School, said: "Every one of us enters this world through a woman—women are the very heartbeat of humanity. I'm deeply honored to be part of this project and inspired by the future initiatives we're building at Frequency School to uplift women's wellness. Earning the GUINNESS WORLD RECORDS title will amplify our mission globally, allowing us to create an even greater impact." Aaron Dawson, Co-Founder and Creative Director of the Frequency School, said: "This project is much more than a world record, it's a reflection of the immense gratitude I hold for women everywhere. I carry deep appreciation for every woman who have shaped me: my mother, grandmothers, aunts, cousins, godchildren, teachers, ancestors, and the many women whose love and existence have given me and the world such beautiful life. A better world exists when we honor women's gifts, invest in them, and protect their well-being." Miriam Moriati, President of the Kiribati Rotaract Youth Club and a Women and Youth representative for OARS (Ocean Alliance for Resilience and Sustainability), said: "I'm from Kiribati, a small island nation in the Pacific, where our highest point is just 3 meters above sea level. Our women in Kiribati are vulnerable due to gender equality not being part of our culture and traditions. They are often the first to be affected by crises and the last to recover. Being part of this initiative to support women on an international stage is an incredible honor. Opportunities to represent our small country are rare, and I am grateful for this platform to amplify the voices of Kiribati women." Sawilanji Nachula, a middle school student representing Zambia, said: "I am a 13-year old Zambian and live on the 'Mighty Zambezi' near the Victoria Falls. I am currently a student at Falcon College in Esigodini, Zimbabwe, where I will start my grade 9 next month. I am both honoured and inspired to smash the world record with so many already successful and soon to be successful members. I doubt I will be able to contribute much myself for now. But I will be sure to promote gender equality as I get older." Inspired by the murmuration of birds and nature's synchronicity, the visualizer of the song includes art elements evoking raw emotions and reflecting the power and harmony of women, and their aspiration for freedom and collective strength. Watch the "195" here: MEDIA CONTACT: Martina Fuchs Email: [email protected] Mobile: +41 79 361 01 46 LIST OF "195" PARTICIPANTS: Fawzia Koofi, Afghanistan Juxhina Sotiri Gjoni, Albania Kahina Bouagache, Algeria Jimena Cierco Martinez and Júlia Carreras Salvadó, Andorra Ester Nilsson, Angola Abrianna Cooper, Antigua and Barbuda Romina Sudack, Argentina Sose Markosyan, Armenia Anjali Nadaradjane, Australia Delia Fischer, Austria Bahar Balayeva, Azerbaijan Amanda Darville, Bahamas Ahdeya Ahmed Al-Sayed, Bahrain Laiba Jannati Pritha, Bangladesh Gloria Carter, Barbados Kristina Lozinskaya, Belarus Nyanchama Okemwa, Belgium Julie Robinson, Belize Adjalla Senami Naomy Campbell Mariela, Benin Yangdon Sonam, Bhutan Valentina Crespo Kuljis, Bolivia (Plurinational State of) Iman Daneya Zulum, Bosnia and Herzegovina Kabelo Botlhe Dikobe, Botswana Samanta Bullock, Brazil Daphne Lai Teck Ching, Brunei Darussalam Natalini Yordanova, Bulgaria Audrey Korsaga, Burkina Faso Jeanne Irakoze, Burundi Zanu Alves, Cabo Verde Savada Prom, Cambodia Sabrina Love, Cameroon Alyson Meister, Canada Kessy Martine Ekomo-Soignet, Central African Republic Mariam Abdoulaye Malloum, Chad Bernardita Castillo Passi, Chile Joyce Peng Peng, China Karin Andrea Stephan, Colombia Armel Azihar Sly-vania, Comoros Gisèle Brice Mabiala, Republic of the Congo Maria Jose Freer Murillo, Costa Rica Noussoeu Bih, Côte D'Ivoire Marijana Maros, Croatia Lixandra Díaz Portuondo, Cuba Louiza Nikolaou, Cyprus Shelley Pleva, Czechia Esther Eom, Democratic People's Republic of Korea Dodo Liwanga, Democratic Republic of the Congo Heidi Bjerkan, Denmark Intibah Ali Abdallah, Djibouti Sapphire Vital, Dominica María Eugenia del Castillo, Dominican Republic Margarita Heredia Forster, Ecuador Amena Bakr, Egypt Fabiola Torres, El Salvador Paulina Laurel Sami, Equatorial Guinea Harena Amanuel, Eritrea Anette Maria Rennit, Estonia Zandisile Howe, Eswatini Lina Getachew Ayenew, Ethiopia Renita Reddy, Fiji Julia Sulonen, Finland Anino Emuwa, France Rita Aboghe, Gabon Sarjo M Jallo, Gambia (Republic of The) Eka Khorbaladze, Georgia Carolin Strunz, Germany Michelle Nana Adwoa Agyakomah Yeboah, Ghana Efi Pylarinou, Greece Laureen Redhead, Grenada Lilian Viviana Tzul Pérez, Guatemala Fatoumata Diallo, Guinea Waltemira Audilia Monteiro Eckert, Guinea Bissau Amrita Naraine, Guyana Stephanie Garçonvil, Haiti Carmen Elisa Méndez Silva, Honduras Aliz McLean, Hungary Mardis Karlsdottir, Iceland Asma Khan, India Siti Suliatin Buechel, Indonesia Sanam Shantyaei, Iran (Islamic Republic of) Aya Al-Shakarchi, Iraq Lisa Armstrong, Ireland Dalith Steiger, Israel Cristina Romelli Gervasoni, Italy Heather Carrington, Jamaica Meguri Fujisawa, Japan Suad Musallam Hijazin, Jordan Zhanna Kan, Kazakhstan Shayoon, Kenya Miriam Moriati Koae, Kiribati Suad Al Sabah, Kuwait Aigerim Sultanbekova, Kyrgyzstan Duangtavanh Oudomchith, Lao People's Democratic Republic Laima Dimiševska, Latvia Dia Audi, Lebanon Reekelitsoe Molapo, Lesotho Laymah E. Kollie, Liberia Manal Aboujtila, Libya Katrin Eggenberger, Liechtenstein Deimile Soares, Lithuania Sophie-Anne Schaul, Luxembourg Mireille Ramampandrison, Madagascar Jacqueline Nhlema, Malawi Harpreet Bhal, Malaysia Widhadh Waheed, Maldives Binthily Youma Macalou, Mali Michelle Muscat, Malta Claret ChongGum, Marshall Islands Habibata Cissé, Mauritania Ameenah Gurib-Fakim, Mauritius Yolanda Sánchez, Mexico Drinnette James, Micronesia (Federated States of) Annabelle Jaeger-Seydoux, Monaco Amrita Gerelt-od, Mongolia Milica Markovic, Montenegro Touria El Glaoui, Morocco Maria Honoria da Silva Mocambique, Mozambique Ei Han, Myanmar Tisha Haushona, Namibia Angelina Waqa, Nauru Sahana Vajracharya, Nepal Andrea B. Maier, Netherlands (Kingdom of the) Alexia Hilbertidou, New Zealand Kathia Salazar, Nicaragua Alassane Soumana Roukayatou, Niger Eyitola St. Matthew-Daniel, Nigeria Matea Kocevska, North Macedonia Alliance Niyigena, Norway Ruby Saharan, Oman Mariam Zaidi, Pakistan Dee Raya Antonio, Palau Nadia Hazem, Palestine Trishna Nagrani, Panama Jenny Namana, Papua New Guinea Emilie Seitz, Paraguay Gigi Caballero, Peru Andrea Mikaella Geronimo, Philippines Elvira Eevr Djaltchinova-Malec, Poland Sandra Fankhauser, Portugal Dr. Asmaa Alfadala, Qatar Sylvia Shin, Republic of Korea Dana Muntean, Republic of Moldova Carina Schuster, Romania Ashley Dudarenok, Russian Federation Bonita Mutoni, Rwanda Vicia Woods, Saint Kitts and Nevis Sheridin Jones, Saint Lucia Rianka Chance, Saint Vincent and the Grenadines Faauiga Maiava Onosai Sauiluma, Samoa Martina Mattioli, San Marino Katy Nascimento, Sao Tome and Principe Asma Alsharif, Saudi Arabia Korka Dieng, Senegal Teodora Cosic, Serbia Beverly Dick, Seychelles Sylvia Conteh, Sierra Leone Cheng Ying (Monica), Singapore Lucia Kupcova, Slovakia Ksenia Juvan, Slovenia Sharon Inone, Solomon Islands Amran Abocar, Somalia Kim August, South Africa Josephine Albino, South Sudan Alejandra Costales Richards, Spain Suba Umathevan, Sri Lanka Tahani Karrar, Sudan Radhiya Ebermann-Joval, Suriname Sabinije von Gaffke, Sweden Martina Fuchs, Switzerland Stephanie Ghazi, Syrian Arab Republic Zarina Khasanova, Tajikistan Ratih Paramitha, Thailand Dália Kiakilir, Timor-Leste Isbath Esther Ali, Togo Ofa gé, Tonga Alexa Chin Pang, Trinidad and Tobago Aya Chebbi, Tunisia Guelistan Fuchs, Türkiye Aylar Babayeva, Turkmenistan Lilly Teafa, Tuvalu Jovia Kisaakye, Uganda Kateryna Krasnozhon, Ukraine Suaad Al Shamsi, United Arab Emirates Melissa Monique, United Kingdom of Great Britain and Northern Ireland Flaviana Matata, United Republic of Tanzania Kenzi Kachi Maduka, United States of America Camila Bentancur, Uruguay Muldir Khayitova, Uzbekistan Adrina J L Abel, Vanuatu Boglarka Sztancs, Vatican City Sophia Santi Guevara, Venezuela, Bolivarian Republic of Yip Thy Diep Ta, Viet Nam Wadha Abdullah Mohsin, Yemen Suwilanji Nachula, Zambia Rosheen Ngorima, Zimbabwe ABOUT THE FREQUENCY SCHOOL: The Frequency School is a pioneering global initiative designed to harness the transformative power of music for the holistic development of people around the world, focusing on the mind, body, and spirit. Through services like music therapy, education, and performance, we empower individuals to lead balanced, healthy, and fulfilling lives. The approach integrates the latest in sound therapy with traditional wellness practices to support the whole person. It was launched by Maejor, Martina Fuchs, Kingsley M, Brandon Lee, and Aaron Dawson at the renowned international boarding school Aiglon College in Switzerland in 2024. YouTube: Frequency School LinkedIn: The Frequency School Instagram: @thefrequencyschool Website: PARTNERS: The Female Quotient 100 Women @ Davos Learnstar International Institute for Management Development (IMD) Läderach Montreux Jazz Festival China Bullock Inclusion LGT Private Banking Innovation Foundation, Empowered by the Adecco Group Global Women's Institute, The George Washington University Female Founders Initiative Global Africa Global Gender Academy (AGGA) Equal Voice The Lion Academy OpenDesk The Equality Institute Global Island Partnership (GLISPA) Caribbean Women's Network NOTA Inclusion Women Future Cities Initiative Global CSR Foundation (GCSRF) World Pulse Global Citizen Forum