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'GMA' gets ready to move from Times Square Studios

'GMA' gets ready to move from Times Square Studios

Yahooa day ago

It's the end of an era as "Good Morning America" prepares to move from the iconic Times Square Studios to a new home in New York City.
For nearly 26 years, in the city that never sleeps, "GMA" has brought a "Ray" of sunshine to the crossroads of the world and made history along the way, delivering the biggest news of the day while hosting everything from emotional reunions and heartwarming weddings to epic concerts -- and, of course, sharing hilarious bloopers.
Before America's favorite morning show embarks on a new adventure downtown, the "GMA" family took a look back at waking America up from Times Square.
"GMA" first started broadcasting from Times Square Studios in September 1999, and its first guest was none other than tennis legend Serena Williams after she won her first U.S. Open and first Grand Slam title.
"Serena Williams -- she just wins the U.S. Open. Our studio is brand-spanking-new, and she comes in, and she talks with us," "GMA" co-anchor Robin Roberts recalled. "She had a little dog. I think her dog's name was Jackie. Jackie's all up in my face. But I just remember ... the energy and just looking around, going, 'This is our home?' All these years later, it still feels that way."
Celebrating 20 years of 'GMA' in Times Square
Many members of the "GMA" family can still remember their first days on set, including co-anchor Michael Strahan, who started as a part-time contributor before he joined full-time in 2016.
"The bright lights, the personality, the energy, how intimidated I was when I walked through the door. A lot of thoughts were going through my mind," Strahan said, adding that it all felt "overwhelming" in the beginning.
'GMA Day' is literally flipping our Times Square studio upside down for Halloween
George Stephanopoulos also recalled receiving a gift on his first morning co-anchoring alongside Roberts in December 2009.
"One of my first interviews was with [former senior adviser] David Axelrod, who was working in the White House at the time with President Obama. They sent me a big alarm clock for my first day," said Stephanopoulos.
For ABC News chief meteorologist Ginger Zee, starting at "GMA" was a humbling honor.
"I am this woman who grew up on a small farm, rural Michigan, suburban at best in some places, and to be working and that this was going to be my temporary home really meant something to me," Zee said.
The privilege will continue as "GMA" moves physical homes. As Roberts put it, the heart of it all and the spirit won't change.
"It never gets old to say 'Good Morning America,'" Roberts said.
'GMA' gets ready to move from Times Square Studios originally appeared on goodmorningamerica.com

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What is Oakmont's church pew bunker? History behind distinctive U.S. Open course feature
What is Oakmont's church pew bunker? History behind distinctive U.S. Open course feature

New York Times

timean hour ago

  • New York Times

What is Oakmont's church pew bunker? History behind distinctive U.S. Open course feature

OAKMONT, Pa. — He didn't even want to set foot in it. The year was 2007. Tiger Woods was scouting Oakmont Country Club, seeing the property for the first time outside of TV highlights and photographs. A group of 82 American Express cardholders walked along, watching Woods, jaws open. A 'small' fee of $900 got those AmEx customers onto Oakmont for the day, but little did they know they'd get to spend it with the then 13-time major champion. Woods helped execute the surprise as a cardholder perk, inviting them for a stroll around that year's U.S. Open venue as he strategized for the tournament ahead. Advertisement When they arrived at No. 3, Woods striped a 3-iron off the tee, splitting the fairway with ease. When the group approached his ball, one onlooker curiously asked, 'Can you hit one from the church pews?' 'No,' Woods replied, according to the AP. Woods eventually agreed to stand in the infamous 108-yard-long bunker, smiling momentarily only for a photo-op, before climbing out again: 'I only practice from where I expect to play.' The monstrosity sits between the third and fourth fairways. It now occupies more than 28,000 square feet of Oakmont real estate. And it lives rent-free in the psyche of any golfer who steps up on that tee box. The bunker creeps into your peripheral vision, even if you don't anticipate playing from it. Oakmont's church pew bunker, one of the most recognizable golf course features in the world, is just as beautiful as it is maddening. So is its history. 'Where Augusta National has Amen Corner, and TPC Sawgrass has the 17th, and Pebble Beach has No. 7, the church pews, that's us. That's our signature feature,' says David Moore, Curator of Collections at Oakmont. The church pews, as they are configured today — 13 long, grassy tufts that act as islands within a seemingly endless pit of sand — were never part of the original Oakmont design. Henry Fownes, a big-time steel mogul, built Oakmont in 1903 when his obsession with golf reached the point of setting out to design his own course. 'A poor shot should be a shot irrevocably lost,' Fownes famously said of his design philosophy. Oakmont was soon constructed by a team of 150 people and a dozen horses. It's the only course Fownes ever designed. There were more than 350 bunkers marked in the original Oakmont layout. The church pew bunker was not one of them. But a peculiar detail emerged in aerial photographs of the club taken in 1927, the year it hosted the U.S. Open for the first time. Six separate bunkers, each long and skinny and not particularly deep, lined the left side of the third hole. 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The bunker, now stuck with a permanent name, was tweaked and fiddled with over time. Pews were added, straightened, trimmed and tucked. Ahead of this year's championship, renowned golf course architect Gil Hanse helped put the snake back into the snake mounds, bending the pews to match original photographs. His team also added a 13th pew. 'We deconstructed all of them and used the dirt to build the new pews to more accurately reflect the old style, in an expanded configuration,' Hanse says. For an on-course obstacle so widely recognized in the sport, it is surprising that one simple question proves unanswerable: Who came up with the idea? No one wrote it down. No one thought to document it. No one expected that, almost 100 years later, the club would be hosting its record 10th U.S. Open. With the pews tracing back to the years between the 1927 and 1935 U.S. Opens, there is a working theory that they were not a creation of Henry Fownes himself, but rather his son, William C. Fownes. At the time, W.C. was one of the best amateurs in Western Pennsylvania, competing frequently. Every year, he teed it up in one particular tournament in Atlantic City, New Jersey. And en route to that event, either traveling via the turnpike or the train, he would stop in Philadelphia and stay with his sister, Amelia. Advertisement The murkiness of the story begins about 20 miles outside of Philadelphia. It is loosely believed that W.C. played a course called The Springhaven Club during his visits with his sister. The club was first founded in 1896 by three women who were exposed to golf after trips abroad, much like Henry Fownes. Aerial photographs of Springhaven from 1924 feature a very familiar sight: a series of grass mounds, lined up in a row, along the first hole. It's not a bunker, but the resemblance is striking. At Springhaven, the configuration is referred to as a steeplechase. There are several loose connections between Springhaven and Oakmont. According to Michael Hodges, Springhaven's de facto historian, Springhaven members also participated in the same tournament in Atlantic City, and perhaps even played with or against W.C. in matches. The credit for the design of The Springhaven Club has long been associated with Ida Dixon. Ron Whitten and Geoffrey S. Cornish assert in their book, The Architects of Golf, that Dixon may have been the first female golf architect in the world. She went on to serve as the president of the Women's Golf Association of Philadelphia from 1911 to 1916, and Springhaven was her only design. Mysteriously, Springhaven's pews did not survive longer than a few years. Hodges uncovered photographs documenting the evolution of the club over the years in the Hagley Museum, a small museum in Wilmington, Delaware, and the pews were nowhere to be found by 1927. There is very little evidence that proves Dixon was responsible for the construction of such a unique design, and why they were eventually removed. Multiple golf architects were brought in by Springhaven pre-Great Depression to consult on its routing. Around the time of Englishman Herb Barker's hire, Springhaven also featured several long, skinny bunkers resembling the early stages of the six individual pew bunkers. William Flynn, perhaps best known for his design of Shinnecock Hills, was hired to correct bunker drainage around the course in 1923, which may have contributed to the pews' demise. 'The committee is determined to improve the course as much as possible during the winter and spring. They have consulted with H.H. Barker, the Garden City pro., who staked out fifty pits which will be placed as rapidly as the weather will permit. Most of the new hazards guard the approaches to the greens,' reads an article from the January edition of the 1910 American Golfer Magazine, one of the few pieces of concrete evidence available about the early stages of Springhaven. Advertisement The devilish pew design eventually re-emerged at Oakmont, and they've been reinstated at Springhaven too, as part of a recent renovation. The iconic feature has since been replicated around the world, including at TPC Scottsdale, Bucknell Golf Club and Lonsdale Links in Australia. The pews are alive and well. The Springhaven Club has never claimed to be the original inspiration for the pews. But a series of coincidences and likelihoods make Moore, for one, virtually certain of it. There isn't really another explanation. The church pews were a product of the sincerest form of flattery: Imitation. Whether it was Fownes, Dixon, Barker or Flynn, whoever thought of the church pews knew how to torture a golfer. One hundred years later, as the best players in the world descend upon Oakmont yet again, they're still doing their job.

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time2 hours ago

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