
Fortnite's AI Darth Vader voice prompts complaint from Hollywood actors' union
Hollywood's actors' union filed an unfair labor practice charge against Llama Productions on Monday, alleging the company replaced actors' work by using artificial intelligence to generate Darth Vader's voice in Fortnite without notice.
The Screen Actors Guild-American Federation of Television and Radio Artists said Llama Productions, a subsidiary of gaming giant Epic Games, 'failed and refused to bargain in good faith with the union' in the last six months. The company made unilateral changes to the terms and conditions of employment 'without providing notice to the union or the opportunity to bargain' by using AI-generated voices to replace bargaining unit work, SAG-AFTRA said.
Epic Games did not immediately respond to a request for comment.
SAG-AFTRA called a strike against major game companies in July after more than a year of negotiations around the union's interactive media agreement broke down over concerns around the use of unregulated artificial intelligence.
In a statement, SAG-AFTRA said the union supports the rights of members and their estates to control the use of their digital replicas.
'However, we must protect our right to bargain terms and conditions around uses of voice that replace the work of our members, including those who previously did the work of matching Darth Vader's iconic rhythm and tone in video games,' the union said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gizmodo
40 minutes ago
- Gizmodo
Lego's First ‘How to Train Your Dragon' Set Is an Adorable Little Toothless
With the live-action How to Train Your Dragon on the way, Lego is finally heading to Berk for a new officially-licensed set. The thing that makes sense? It is, of course, your very own buildable Toothless. The thing that doesn't? It's a chibi-fied, almost animated spin on the dragon, despite being inspired by the realistic-rendering of Toothless in the new remake. This morning Lego announced its first ever How to Train Your Dragon set in the form of the Lego Icons Toothless. Clocking in at 784 pieces, the diminutive dragon is rendered in a chibi-fied style, a mostly static (save for the ability to tilt and rotate his oversized head, open his jaw, and flap his wings) rendering of Toothless in suitably cutesy form. He also comes with accessories you can add, like a fish to feed him and a small effects piece to replicate him breathing a little poof of plasma. Nothing too dangerous. Lego Icons How to Train Your Dragon Toothless But the cutesy aesthetic (especially for a set that, as part of the Icons line, is aimed more at adult collectors) is an intriguing choice for a set that is specifically inspired by the upcoming live-action remake of the film. It is meant to represent Toothless in his adult form, judging by the fact that he has his prosthetic tail fin, and of course the box includes imagery of the more-realistically-rendered version of the CG dragon from the new film, rather than his prior animated form. It's an stylized take on a realistic take of a stylized take! All that, however, doesn't stop him from being down right adorable though. The Lego Icons Toothless is available to pre-order now for $70, and will release on July 1.

Associated Press
41 minutes ago
- Associated Press
OKC's Mark Daigneault knows what it takes to win championships. His wife has won a ton of them
Oklahoma City's Mark Daigneault has the best record of any coach in the NBA this season. And he has the second-best record of any coach in his house. Daigneault is a coach, and a coach's husband, too. His wife is Oklahoma assistant women's gymnastics coach Ashley Kerr. She and the Sooners went 33-2 this season and won another national championship, their third in the last four years. So, as Daigneault chases his first NBA title — he and the top-seeded Thunder open the NBA Finals at home against the Indiana Pacers on Thursday night — his wife has now been part of seven national championships over her career on the staffs at Florida and Oklahoma, the most recent of those coming just a few weeks ago as Oklahoma City was starting this playoff run. Daigneault isn't shy about touting the strengths of his wife's resume, either. 'Among my wife and I, she is — by far — the more accomplished, more impressive, better coach,' Daigneault said. 'She's the real deal.' It is a relationship born from ties to Florida. Daigneault — a Massachusetts native — was a student manager under Jim Calhoun at Connecticut, part of the team that won an NCAA championship there in 2004, then started his assistant-coaching career at Holy Cross for three years before moving on to Billy Donovan's staff at Florida. Kerr, a Florida native, was a gymnast whose four years as a student-athlete for the Gators was ending around that time. She was brilliant, a four-time All-SEC academic selection, and Florida found a way to keep her with the program once her eligibility was exhausted. Kerr became a volunteer student manager for the 2011 season, then got promoted to team manager and eventually assistant to the head coach. Along the way, she and Daigneault started dating and over time things got serious. And then, the relationship reached a key moment. Daigneault had an offer from Oklahoma City to coach the Blue, its G League franchise. He was ready to leave. Kerr had a job in Gainesville. She was not ready to leave. 'The OKC job was a no-brainer for him,' Kerr told The Oklahoman newspaper for a story in 2021. 'I was like, 'You have to do it. You have to.'' It became a long-distance relationship for a few years, until Kerr decided it was time to leave Florida and try to embark on a coaching career in Oklahoma. The Sooners didn't have a job for her initially, before a volunteer position opened up right around the time she was going to make the move anyway. Kerr kept that volunteer job — coaching balance beam and helping Oklahoma win three NCAA titles — for about six years, before the NCAA changed rules to allow volunteer assistant positions to be converted into full-time, paid positions. Over that time, Daigneault was promoted from the Blue to the Thunder, they got married and started a family. 'She has a way of connecting with our student-athletes on a personal level and is an exceptional leader,' Oklahoma coach K.J. Kindler said when Kerr was finally promoted. Daigneault likes to say the real coaches in his house right now are the couple's two children, ages 3 and 2, who basically run the show. 'We are not in charge,' Daigneault said. 'We are just surviving.' The younger of the two kids was born April 15, 2023 — a day after the Thunder were eliminated from that season's play-in tournament, and the day the Sooners were competing in the NCAA gymnastics final at Fort Worth, Texas. It was also more than a week ahead of Kerr's due date. Except she went into labor, in Fort Worth, around 5 a.m. Daigneault had been back in Oklahoma City for about an hour after the middle-of-the-night flight home from Minnesota, where the Thunder lost that play-in game. He hopped in the car and made it to Fort Worth just in time for the birth that morning, and later that night the Sooners won a national title. 'Our team really rallied around her,' Kindler said. There are obvious benefits to a coach being married to another coach, as Daigneault and Kerr have found. There is an understanding of the jobs, an understanding of long hours and late nights and travel and unpredictability. But when they're home, they try to be home, not still at work. 'There's certainly a lot more things that define our relationship together, starting with our kids now,' Daigneault said. 'That's occupying the majority of our bandwidth, but even beyond that, we've always tried to compartmentalize it in a way that's pretty healthy because we both like to be home when we're home and not just using the house as an extension of our jobs.' Daigneault got his master's degree from Florida, though originally intended to get it immediately after graduating from Connecticut. If he had stuck to that schedule, though, he almost certainly wouldn't have coached at Holy Cross. He might not have made it to Florida. He might not have met Kerr. He might not be married to someone with seven national championships and counting. He might not have come to Oklahoma City. He might have missed out on these NBA Finals. Right place, right time. 'If you replayed my life 10 million times — I used to say a million, but now that we're playing in the NBA Finals, I'll say 10 million — this would only happen once,' Daigneault said. 'And so, there's never a minute that I'm not grateful.' ___ AP NBA:


CNN
an hour ago
- CNN
How To Watch CNN's Special Presentation of George Clooney's 'Good Night, and Good Luck' on Saturday, June 7 at 7pm ET
June 2nd, 2025 NEW YORK – (JUNE 2, 2025) – CNN will broadcast live the penultimate performance of Good Night, and Good Luck from Broadway's Winter Garden Theatre on Saturday, June 7 at 7pm ET across CNN and CNN International and will stream the event live on and via CNN's apps on connected TVs and mobile devices, without requiring a cable login. This CNN special event will stream live on Max across all subscription plans. This special CNN presentation of the five-time Tony® Award nominated new play by George Clooney and Grant Heslov marks a historic Broadway first: never before has a live play ever been broadcast and televised. CNN anchors Anderson Cooper and Pamela Brown will lead special live coverage. CNN will bring this timely production to audiences around the world, beginning with special live coverage at 6:30pm ET hosted by Brown outside of the Winter Garden Theatre. At 7pm ET, Good Night, and Good Luck will air live on CNN and CNN International and stream live without requiring a cable login via and on connected TVs and mobile apps. It will also stream live on Max across all subscription plans. Immediately following the broadcast, CNN will host an exclusive special to discuss the critically acclaimed production and state of global journalism hosted by Cooper. In this landmark theatrical and live television event, two-time Academy Award® winner and Tony Award® nominated George Clooney makes his Broadway debut as Edward R. Murrow, showcasing his legendary, history-altering, on-air showdown with Senator Joseph McCarthy. As McCarthyism casts a shadow over America, Murrow and his news team choose to confront the growing tide of paranoia and propaganda, even if it means turning the federal government and a worried nation against them. Good Night, and Good Luck recently made history by becoming the highest-grossing play in Broadway history, and the first play to surpass a gross of $4 million in a single week. Nominated for five Tony Awards, Good Night, and Good Luck, co-written by Clooney and Heslov, is directed by Tony Award winner David Cromer. Producers are Seaview, Sue Wagner, John Johnson, Jean Doumanian and Robert Fox. Based on the 2929 Entertainment and Participant film of the same name distributed by Warner Bros. and written by the same authors, the following actors portray real life figures alongside Mr. Clooney as Murrow: Mac Brandt as Colonel Anderson, Will Dagger as Don Hewitt, Christopher Denham as John Aaron, Glenn Fleshler as Fred Friendly, Ilana Glazer as Shirley Wershba, Clark Gregg as Don Hollenbeck, Paul Gross as William S. Paley, Georgia Heers as Ella, Carter Hudson as Joe Wershba, Fran Kranz as Palmer Williams, Jennifer Morris as Millie Green, Michael Nathanson as Eddie Scott, Andrew Polk as Charlie Mack, Aaron Roman Weiner as Don Surine with R. Ward Duffy, Joe Forbrich, Imani Rousselle, Greg Stuhr, JD Taylor, and Sophia Tzougros rounding out the ensemble. The creative team for Good Night, and Good Luck includes Tony Award winner Scott Pask (scenic design), Heather Gilbert (lighting design), David Bengali (video/projections design), Daniel Kluger (sound design), Brenda Abbandandolo (costume design), Leah J. Loukas (hair & wig design), Gigi Buffington (voice & dialect), Daniel Kluger and Bryan Carter (music supervision), and David Caparelliotis (Casting Director). Good Night, and Good Luck is produced by Seaview, Sue Wagner, John Johnson, Jean Doumanian and Robert Fox. PRESS CONTACT ASSETS To download production photos, click here. An additional portrait featuring the entire cast on stage can be downloaded here. ###