
‘The Amateur' review: An analog '80s spy tale gets a wobbly update starring Rami Malek
Just when movie theaters don't need another one, 'The Amateur' comes along to join the roster of 2025 releases that lack the knack, the juice and exciting reasons for theatergoers to theater-go.
The film comes from Robert Littell's 1981 spy thriller, previously adapted for the screen in a Canadian project. The novel takes place in the early '70s, a time when the tools and strategies of espionage belong to an analog Iron Curtained era of surveillance. This Rami Malek showcase, directed by James Hawes of the staggeringly better 'Slow Horses' series, reworks the material via Ken Nolan and Gary Spinelli's screenplay (aided by no less than eight other writers' uncredited efforts, according to Variety) for a contemporary setting.
On a business trip to London, the wife (Rachel Brosnahan) of CIA cryptology and coding whiz Charlie Heller (Malek) is killed in a terrorist attack. Walloped by grief and rage, Charlie wonders why his superiors seem so blasé about holding the perps to account. His supervisor is played by Holt McCallany, a fine actor who makes the unfortunate mistake of never for a second seeming remotely trustworthy.
At heart, 'The Amateur' relies on Charlie's inward transformation from nerd to rogue killing-machine nerd, as he tracks down his wife's assailants one by one, from London to Paris to Marseille to Madrid to Istanbul to Russia, without the curtain. Along the way he's beset by double agents and a CIA-backed mentor/frenemy played by Laurence Fishburne. He manages what McCallany and others in the cast do not: an air of authority nicely cut by a dash of mystery.
There are some nice bits, among them Charlie consulting a YouTube lock-picking instruction video. Director Hawes' finished product, dutiful and impersonal, goes to geopolitical extremes to disregard any geopolitical realities. The movie is a little John le Carré, a little Robert Ludlam, a little Jason Bourne and a little boring. Off the coast of Russia, the watery climax pitting Charlie's newly acquired espionage skills against Mr. Big (Michael Stuhlbarg, with that look in his eye that says 'Once again, I must be better than my dialogue') offers all the zing of a trip to the Apple store for an iPhone problem. The movie adaptation deletes Charlie's love affair with a newfound ally, found in Littell's novel, because he's nicer that way, I guess? More admirably focused on revenge killings?
As for Malek: Full of talent, and intriguing charisma. Also a bit of a plodder when it comes to delivering routine exposition. There are many world-class screen actors in the world, from Joaquin Phoenix to Harrison Ford, whose toolkits don't necessarily include nimble verbal facility and an easy variety of rhythms and intensity. 'The Amateur' might well have been several minutes shorter with a different leading actor. But you'd still have a film neither here nor there. And updating the technology of a spy movie, along with the ethnicity of the antagonists, goes only so far in getting the thing to cohere.
How to watch: Premieres in theaters April 11
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