
Another K-pop scandal? SM Entertainment accused of tampering with local broadcaster
Xiumin's management company claims the entertainment powerhouse exerted influence to block the singer's appearance on 'Music Bank'
EXO member Xiumin's new agency INB100, on Tuesday, accused SM Entertainment of tampering with local broadcaster KBS to prevent the singer from appearing on a music show. The following day, MC Mong, co-founder of One Hundred, further criticized SM Entertainment for allegedly exerting influence over the broadcaster.
One Hundred, the parent company of Xiumin's agency INB100, revealed Tuesday that KBS had been unresponsive to their attempts to schedule the singer for an appearance on 'Music Bank,' despite repeated inquiries. The company alleged that KBS had informally communicated that 'Xiumin would not be allowed to appear on the program alongside SM Entertainment artists.'
MC Mong further went on to post on his social media: "Do you guys remember coming to my house to apologize? Now, you're isolating yourselves, acting barbaric and violent. It's disgraceful. Someone who's never made music is leading A&R, while an ignorant manager plays CEO, recklessly running things. Your greed and ignorance will leave you all alone — I promise you that." The post has since been deleted.
However, KBS denied the claims, stating that discussions regarding Xiumin's appearance were ongoing and that there was no intentional exclusion.
Xiumin left SM Entertainment in 2023 to join INB100, the agency founded by fellow EXO members Baekhyun and Chen.
The broadcasting dispute follows a legal battle last year involving Baekhyun, Chen and Xiumin — often referred to as EXO-CBX. The three members challenged their contracts with SM Entertainment, citing unfair terms and a lack of financial transparency. The conflict was settled in August, with the three members agreeing to continue EXO group activities under SM while pursuing individual careers elsewhere.
SM Entertainment previously accused MC Mong and Big Planet Made of attempting to poach EXO members, an allegation both MC Mong and BPM denied. MC Mong was an internal director of BPM then.
Music critic Lim Hee-yun noted that if One Hundred's claims are true, the issue extends beyond SM Entertainment.
'Although more media platforms exist today, major broadcasting channels and top agencies still dominate K-pop's promotional landscape. With a limited number of production companies and influential broadcasters, cases like this become possible,' Lim said Wednesday.
He added that broadcasting stations naturally want high viewership and must consider the influence of powerful agencies when selecting artists for their programs. 'If a company controls a majority of the industry's top artists, it can leverage that power to limit exposure for artists associated with rival agencies.'
Stephanie Choi, a postdoctoral researcher at the State University of New York at Buffalo, pointed out that K-pop companies have increasingly relied on fans to advocate for their artists in industry conflicts.
'In the past, television producers had more control over K-pop, as TV appearances were essential for idol promotion. But with the rise of social media, companies now depend heavily on grassroots fan engagement to promote their artists,' Choi said.
'This is why Korean fans, who play a significant role in physical promotional activities, often reject public accusations like this. Essentially, companies are asking fans to intervene in their disputes, but fans worry that such controversies could harm the artist's public image — especially ahead of a major album release,' she added.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
31 minutes ago
- Korea Herald
Megan of Katseye comes out as bisexual
Megan becomes second member of Katseye to come out as LGBTQ+ after Lara Megan, a member of the global girl group Katseye, has publicly come out as bisexual. During a live broadcast on fan platform Weverse with fellow member Lara on Friday, Megan shared her identity with fans, stating, 'I'm coming out. I'm bisexual.' The two celebrated the moment together, jumping in place with joy. This marks the second coming out within the group. Back in March, Lara revealed her sexual orientation through a Weverse live broadcast. She shared that she realized she was attracted to women as early as the age of eight, and confessed that she was deeply afraid when auditioning. 'I didn't know if people would accept me. I was scared it might ruin my chances,' she wrote at the time. With both Lara and Megan now openly identifying as members of the LGBTQ+ community, Katseye stands out as a rare example of queer representation in the K-pop scene. The group will return with its second EP "Beautiful Chaos" on May 27.


Korea Herald
an hour ago
- Korea Herald
Annual Culture Communication Forum to crown winners of sustainable K-Style contest
International gathering showcases finalists with creative takes on Korean tradition The Corea Image Communication Institute will hold its 16th annual Culture Communication Forum on Thursday at the Grand Hyatt Seoul, wrapping up a monthslong global contest centered on "sustainable K-style." The event will bring together senior diplomatic and business leaders for a ceremony recognizing the competition's finalists and winners. KAIST President Lee Kwang-hyung will deliver opening remarks, with congratulatory messages from Italian Ambassador Emilia Gatto and Japanese Ambassador Koichi Mizushima. EU Ambassador Maria Castillo Fernandez will join around 10 other ambassadors in attendance. Corporate attendees include Seo Jung-ho, chair of the Ambassador Hotel Group; Cho Jung-il, chair of The Hanok Heritage; and Sean Blakeley, chair of the British Chamber of Commerce in Korea and Honorary Ambassador of Foreign Investment Promotion for Korea. Franz Hotten, president of Pernod Ricard Korea, will also attend alongside some 60 guests. The forum's centerpiece will be a live vote to determine the winners among 12 finalists, selected from entries submitted between March 20 and May 30. Participants submitted ideas for reimagining Korean cultural traditions through a sustainability lens, exploring how K-style can evolve for future generations across music, cuisine, film and fashion. Finalists will present their entries, ranging from video clips to spoken presentations in Korean, during Thursday's event. The video competition features long- and short-form categories, each with four finalists. The grand prize winner in the long-form category will receive a prize package worth 3 million won (around $2,213), including 1 million won in cash. The short-form winner will receive a 2 million won package, with 700,000 won in cash. For the Korean speech segment, contestants from the United States, Spain, China, France and Egypt will compete for the grand prize. Each will deliver a three-minute speech on sustainable K-style, with the winners determined by real-time audience voting. The top prize is valued at 3 million won, including 1.5 million won in cash. The forum begins with registration at 4:40 p.m., followed by the main program at 5 p.m. A special pansori performance by French artist Mapo Lor will round out the ceremony. Founded in 2003 and officially registered with the Foreign Ministry, CICI promotes Korea's global image through cultural exchange. Since 2010, its annual CCF has served as a global platform for dialogue among cultural and diplomatic leaders.


Korea Herald
3 hours ago
- Korea Herald
Korea celebrates first National Gugak Day, with diverse festival
'Gugak is core pillar of K-culture', says Minister Yu In-chon South Korea officially marked its first-ever National Gugak Day on June 5 with a series of cultural events designed to spotlight the continued relevance of traditional Korean music. Declared by Minister of Culture, Sports and Tourism Yu In-chon during a commemorative ceremony at Gyeongbokgung, the new national day aims to bridge the past and present by raising public interest in gugak and activating the gugak-centered cultural industry. 'To promote gugak, revitalize its cultural industries, and elevate public awareness, we declare June 5 as National Gugak Day,' said the minister in his speech. 'With the enactment of the Gugak Promotion Act and the inaugural celebration today, I believe we've reached a significant milestone in the history of gugak.' He continued, 'Gugak has accompanied our lives for centuries, present at every moment of joy, sorrow and celebration. It has been preserved and developed across generations, arriving here today. Its growing global popularity as a core pillar of K-culture is thanks to the dedication of those who have quietly upheld its traditions.' Yu, now serving his second term as culture minister, also took a personal moment during the ceremony, noting that this would likely be his final official appearance before stepping down following the recent change in government. 'This may be the last time I address you at an official event like this. My heart is full of gratitude and emotion,' he said. June 5 was chosen for National Gugak Day to commemorate the first official record of yeominrak, meaning 'music enjoyed by the people,' which appeared in the Annals of King Sejong on this date in 1447. The day encapsulates the ethos of shared cultural heritage and aims to invite all citizens to appreciate and participate in Korea's traditional performing arts. To mark National Gugak Day and the broader Gugak Week running from June 5 to 30, a wide array of cultural events is taking place across the country. At Gyeongbokgung Palace's Geunjeongjeon Hall, audiences can experience a commemorative performance titled "Sound of the Heavens, Music of King Sejong (Sejongjo Hoerye-yeon)," while Gwanghwamun Square hosts the Yeominrak Grand Festival, featuring street parades of traditional nongak from six different regions, special performances, and interactive activities. Beyond Seoul, performances, educational programs, hands-on workshops, academic symposia, and conferences are being organized by regional gugak centers and cultural foundations nationwide, offering opportunities for the public to engage with Korea's traditional music heritage.