logo
Anzac 2025 On Whakaata Māori & Māori+

Anzac 2025 On Whakaata Māori & Māori+

Scoop22-04-2025

Whakaata Māori again brings Aotearoa together in remembrance and reflection this Anzac Day honouring our servicemen and women and their whānau, beginning with the Dawn Service from Auckland War Memorial Museum at 5.45AM on Friday 25 April.
This year we acknowledge 'A Company' – 'the Gum Diggers' – of the 28th Māori Battalion with several programmes featuring stories from Tāmaki Makaurau and Te Tai Tokerau, including the premiere of a powerful documentary, Ngā Kai Keri Kāpia.
NGĀ KAI KERI KĀPIA follows the niece and grandnephew of Private Taurere from Te Kao who served in A Company and was killed at Monte Cassino, Italy. With only a photo and medals the family sets out to discover his story. We also travel with a group of young Māori from the Leadership Academy in Whangārei, who were the same age as the soldiers of the Māori Battalion when they embarked on an adventure from which many would not return.
TE RAU AROHA – A BROTHERS' JOURNEY follows Peter and John Urlich, as they reconnect with their father through the taonga of Te Rau Aroha Museum at Waitangi.
KIA MATE A URUROA tells the inspirational story of one of Aotearoa's most outstanding war heroes, Hokianga-born Harding Waipuke Leaf (Ngāpuhi, Te Hikutū). He was awarded the Military Cross for bravery in WWI then, at the age of 49, signed up again for WW2 and was a senior officer in 28 Māori Battalion serving with distinction in the battles of Greece and Crete before being killed in action.
TE KAI WHAKAAHUA: SHOOTER OF WAR follows 28 M ā ori Battalion (A Company) officer Major Wally Wordley (Ngāpuhi), who not only carried a gun, but a camera too. Against regulations, he took hundreds of snaps of his comrades throughout the war and wrote secret diaries of daily life and death in the desert.
At 2.30PM we cross live to Turkey for the service from ANZAC COVE in Gallipoli.
Other programming highlights include the premiere of Richard Curtis' short film RAPIDO telling the story of a young Māori boy's fascination with war comics coming closer to home than he could ever imagine.
COMING UP ON ANZAC DAY:
5.45AM: ANZAC 2025 DAWN SERVICE – live from Auckland War Memorial Museum
7.30AM: PREMIERE: TE WHAKAWHITINGA – Hine recounts the story of pāpā, and his eagerness to join the army shortly after the end of World War II.
7.45AM: TE RAU AROHA – A BROTHERS' JOURNEY – Follows Peter and John Urlich, as they reconnect with their father through the taonga of Te Rau Aroha Museum at Waitangi.
8.15AM: STEPHEN FRY: WILLEM AND FRIEDA – DEFYING THE NAZIS: Stephen Fry investigates the inspiring and moving story of a gay man and a lesbian who led anti-Nazi resistance in Holland.
9.30AM: PREMIERE: NGĀ KAI KERI KĀPIA – Two powerful storylines are intertwined, delving into the untold tales of the Māori Battalion. What began as a simple visit to a war cemetery in Belgium uncovers a hidden family history.
10.00AM: TE KAWAU KI TAI: MĀHUHU O TE RANGI – Part one of a six part series looking back on the planning and building of Māhuhu o te Rangi (Aotearoa's largest waka tauā), its voyages on the Waitematā, and its place within the iwi.
10.15AM: OHMS! PROTEST! A CELEBRATION OF RESISTANCE – Robert Reid and his mates set up OHMS, Organisation to Halt Military Service. They began a series of creative disruptive activities all over Aotearoa to overthrow Compulsory Military Training.
10.50AM: PARADISE SOLDIERS – Reveals the sacrifices, the personal stories, and celebrates the contribution of Cook Island soldiers to the New Zealand armed forces from World War I through Vietnam and to present day.
11.45AM: TE KAWAU KI TAI: THE BUILD – We explore the build itself from the first sketch on the rākau to the final chisel strike. It will be based in Whangārei, where master carver and waka builder Heemi Eruera will work his magic.
12.00PM: TAMA TŪ – Six Māori Battalion soldiers camped in Italian ruins tell jokes waiting for night to fall. A tohu brings them back to reality, and they gather to say a karakia before returning to the fray.
12.20PM: TE KAWAU KI TAI: NGĀ KAIHOE – As important as the waka, are the kaihoe who will man it. We follow them as they prepare for this momentous occasion, starting with land training, involving learning haka, ngeri, and technique.
12.30PM: WAR PAINT – 1864. A British soldier lays wounded, dying, in the New Zealand bush after an assault on a Pā during the Waikato Campaign.
12.45PM: TE KAI WHAKAAHUA: SHOOTER OF WAR – follows 28 Maori Battalion (A Company) Major Wally Wordley (Ngāpuhi), who not only carried a gun, but a camera too. Against regulations, he took hundreds of snaps of his comrades throughout the war and wrote secret diaries of daily life and death in the desert.
1.45PM: TE KAWAU KI TAI: NGĀ WĀHINE – Wāhine play a critical role in whānau, hapū, and iwi as whare tāngata (procreators) and whare mātauranga (repositories of knowledge) - but what role do they have in waka taua?
2.00PM: NGĀ KAI KERI KĀPIA – Two powerful storylines are intertwined, delving into the untold tales of the Māori Battalion. What began as a simple visit to a war cemetery in Belgium uncovers a hidden family history.
2.30PM: LIVE: ANZAC DAY GALLIPOLI SERVICE – From Anzac Cove, Turkey.
3.30PM: TE RAU AROHA: A BROTHERS' JOURNEY – Follows Peter and John Urlich, as they reconnect with their father through the taonga of Te Rau Aroha Museum at Waitangi.
4.00PM: KIA MATE Ā URUROA – the inspirational story of one of Aotearoa's most outstanding war heroes, Hokianga-born Harding Waipuke Leaf (Ngāpuhi, Te Hikutū).
5.00PM: LAST MAN STANDING – The emotional journey of the last man standing, Sir Robert Gillies, to fulfil his wish that his mokopuna walk in the footsteps of the 28th Māori battalion eighty years on.
5.30PM: KORO'S MEDALS – When Billy loses his grandfather's precious war medal, getting it back is the least of his worries.
5.45PM: TE KAWAU KI TAI: THE FINAL STAGES – We join Ngāti Whātua Ōrākei in the final stage of their preparations for the launch that will bring all the elements of the waka journey together.
6.00PM: TE WHAKAWHITINGA – Hine recounts the story of her father, Pāpā, and his eagerness to join the army shortly after the end of World War II.
6.15PM: PREMIERE: CHURCHILL: BRITAIN'S SECRET APARTHEID – When Winston Churchill needed the help of the US Army to defeat Hitler, he made a controversial decision to allow America to bring its segregated Army to the UK.
7.15PM: PREMIERE: RAPIDO – A young Māori boy's fascination with war comics comes closer to home than he could ever imagine.
7.30PM: Premiere: THE KEEPER – The remarkable true story of Bert Trautmann, a German prisoner of war who becomes a legendary goalkeeper for Manchester City and finds love amidst the aftermath of World War II.
9.30PM: TE KAWAU KI TAI: TE WHAKAREWATANGA – History will be made as Ngāti Whātua Ōrākei launch their new waka tauā on the Waitematā.
9.45PM; TAONGA: TREASURES OF OUR PAST – Retells precious Māori stories of romance, betrayal, politics and war. Profiles Te Rangitopeora - a fearsome warrior who fought in battle beside her uncle, the mighty Te Rauparaha.
10.20PM: TE RONGO TOA ANZAC SPECIAL – The memories of our Tūpuna remain in the voices of the descendants today. An anthology of Ngā Waiata Pakanga tell the stories about our soldiers and the sacrifices they made for our country.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tattoo was ‘extra special'
Tattoo was ‘extra special'

Otago Daily Times

time6 hours ago

  • Otago Daily Times

Tattoo was ‘extra special'

Getting a traditional Samoan tātāu (tattoo) really does bring a tear to the eye — in more ways than one. Dunedin-born Samoan Vicky Fitiao, who got a Tualima (a traditional hand tattoo) yesterday, said she was fine until she could feel the Au (tattoo comb) hitting the bones in her fingers. "It was extremely painful, only in certain areas — mainly my fingers, in the lower parts of my fingers — they were the worst. "I think it was more [that] I could feel it hitting my bone." Most Samoans get one hand done at a time, but Mrs Fitiao had both done. She said she had had two sons, and it was not quite as painful as childbirth, but pretty close. Yet, the thing that really brought a tear to her eye was the fact her tātāu was done by world-renowned tufuga tā tātāu (master tattooist) Su'a Sulu'ape Peter, during a live public demonstration at Tūhura Otago Museum yesterday. She said it was an honour to have her tātāu done by Mr Peter. Dunedin-born Samoan Vicky Fitiao proudly shows her Tualima (traditional Samoan hand tattoo), done by tufuga tā tātāu (master tattooist) Su'a Sulu'ape Peter (below) yesterday. Photos: Peter McIntosh "It just gives it that extra special meaning. "It makes me proud of my heritage and my culture. "And just hearing all the people in there, with their words of encouragement, got me through it. "It certainly brings a tear to the eye, in more ways than one. "These are tears of joy and happiness, that I've been through it now." The public event was historic because Tūhura Otago Museum was the first museum in the world to show how the sacred art form was created. Museum Pasifika engagement co-ordinator Leota Meredith said the museum was honoured to host such a significant event. "This is an incredible opportunity for our Pasifika communities and the wider public to witness and gain insight into this powerful, unique and historic traditional art form." The work was done in front of a live audience at Tūhura Otago Museum. She said it offered a rare and respectful window into the resilience, beauty and cultural importance of Samoan tattooing. The event included an 'ava, or kava ceremony, and a public talk about the culture behind the practice, followed by the live tātāu demonstration. The art form has endured through generations, resisting the forces of colonisation and Western religious ideologies that sought to suppress it. Mr Peter is a direct descendant of Samoa's principal tattooing lineage and he continues in his forebears' footsteps, upholding and protecting the sacred tradition entrusted to his family. He will be in Dunedin for the next two weeks, performing Pe'a and Malu — traditional Samoan tattoos for men and women — along with his Mea nā'itaua (wife of the tufuga tā tātāu) and au koso (essential assistants). The tattooing is a deeply spiritual process that honours the recipient's ancestors and family, creating a powerful connection between past and present. During his time in Dunedin, Mr Peter will perform a traditional Pe'a for a Dunedin man, which is expected to take up to a week to complete.

Line dancers step out at festival
Line dancers step out at festival

Otago Daily Times

time6 hours ago

  • Otago Daily Times

Line dancers step out at festival

Diane Perkins teaches a group of Tussock Country festival-goers how to line dance at the Town & Country Club in Gore yesterday. PHOTO: ELLA SCOTT-FLEMING A band from the North Island squeezed in some line dancing in Southland last week before taking to the stage later that night for Gore's country music festival. Instructor Diane Perkins had a full house at her beginners' line dancing class last Wednesday morning, teaching festival-goers and visiting group The Harmonic Resonators some country moves. Ms Perkins' students, with varying levels of skill, danced the "cab driver" to the band's song Kaitaraiwa — Māori for driver. The morning class, held at the Gore Town & Country Club, and the Resonators' later show at the St James Theatre were both part of the Bayleys Tussock Country music festival, which finished on Sunday. Band member and ukulele player Ryan McIntyre said his group all had a country music background, mostly centred around the Morrinsville Country Music Club in the Waikato. Two of his fellow musicians had competed in the festival's Gold Guitar Awards and Mr McIntyre said frontman Jeremy Hantler competed again this year, winning the traditional section. McIntyre also sings in another band and line dances while performing country classic Achy Breaky Heart. He said he was always looking for new dances and often filmed his feet doing the steps, because they were so easy to forget. The group also danced to Ron Mitchell's I'll Be Country and Ms Perkins said Mitchell's songs were great to dance to. There were more than a few giggles as learners stepped or turned the wrong way, but Ms Perkins said there was endless room for mistakes and it was about having fun.

The Māori-Samoan Art Director Championing Diversity
The Māori-Samoan Art Director Championing Diversity

Scoop

time14 hours ago

  • Scoop

The Māori-Samoan Art Director Championing Diversity

Article – RNZ 'What we put on stage and screen matters.' , RNZ Pacific Digital Journalist 'What we put on stage and screen matters.' This mantra forms the core of an online talent directory founded by Māori-Samoan (Ngāpuhi, Ngāti Hine) art director Leon Bristow. BEINGS represents Aotearoa's People of Colour (POC), rainbow, and disabled talent in the advertising industry, 'disrupting the existent status quo' and using voices that Bristow said have been historically sidelined, or misrepresented, in casting calls for advertisements. Bristow's idea for BEINGS came while living in Spain, as he observed controversies in the creative industry over representation. 'There have been so many – Scarlett Johanson withdraws from roles after transgender backlash; Eddie Redmayne says starring in 'The Danish Girl' was a mistake; Taika Waititi's 'Time Bandits' under fire for lack of representation in cast.' He questioned the lag in representation in creative fields like advertising and recalled moments of frustration when working on sets, where he witnessed it first-hand. 'There have been comments that I don't always agree with (as an art director), because it is about profiling – racially profiling, stereotyping, pigeonholing. 'One time, we were casting for a queer couple, and we had people's thumbnails on the screen… some colleagues suggested we cast a person, because she 'looks queer'. 'I put my hand up and said, have we actually asked if they are queer? In these situations, you are taking opportunities away, income away, from these actual communities if we are giving it to a straight couple – and they don't know how to potray that identity authentically. So my next question was: shouldn't we ask that?' Bristow's personal experiences and identity have shaped his commitment to authentic representation. 'People can find it complicated. You have to raise your hand, backtrack through the process. Sometimes the intentions aren't bad but the questions aren't being asked. 'I have certainly grown a shorter tolerance for this. I have learnt, as one of the few Māori/Pasifika in the industry, that I have a responsibility to my community to give back. 'Starting this project up really supports that, and provides a new platform in this space.' Bristow's directory received funding from Creative New Zealand. 'What we are doing is creating a kaupapa that centres BIPOC, rainbow, and disabled voices in a way that allows them to not just exist, but thrive – from casting, to collaboration, to exhibition,' Bristow said. 'Our work is about creating futures where diversity isn't just an add-on, but a given.' At an Auckland Pride Festival Studio One – Toi Tū exhibition, BEINGS showcased some of the talent in its directory. Executive director for Auckland Pride, Hāmiora Bailey (Ngāti Porou Ki Harataunga, Ngāti Huarere), said the photography exhibition is a vital intervention in Aotearoa's media landscape. 'At a time when systemic exclusion still defines many of New Zealand's screen, television, and theatre sectors, BEINGS challenges prevailing stereotypes and opens space for more genuine storytelling,' he said. Bailey added that disparities in representation remain stark. A 2016 NZ On Air diversity report showed women made up 55 per cent of funded television producers, with 33 per cent directors, and 11 per cent had directed drama. Asian producers represented only one per cent, despite making up 11.8 percent of the population. Māori producers reached 23 percent in 2021, exceeding their population share, and Pacific producers were at 7.6 percent. Initiatives like the New Zealand Film Commission and Māoriland Film Festival have supported this shift.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store