
Review: Embracing Hope by Viktor E Frankl
Embracing Hope claims to reveal 'how to turn tragedy into triumph and lead a fulfilled, purposeful life.' For a fraught time such as this, with pandemics, raging wild fires, full-blown wars and killings and the shenanigans of authoritarian regimes assailing us, offline and online, every day, it sounds like an enticing proposition. For me, having lived through two years of great unrest with no peace in sight, this book, a compilation of the writings and speeches of Austrian neurologist and psychiatrist Viktor E Frankl, spanning the period from 1946 to 1984, feels like exactly what the doctor ordered.
The pieces in this volume include Collective Neuroses (first published in 1955), an interview of Frankl for the Canadian Broadcasting Corporation in 1977, the text of a lecture titled Existential Analysis and the Problems of Our Times given at the Franco-Austrian University in December 1946, and Conquering Transience, the text of another lecture delivered at Dornbirn, Austria, in October, 1984. Forewords by Edith Eger, a fellow holocaust survivor, and Tobias Esch, an eminent neuroscientist, further enrich the book by providing context.
An Austrian Jew who survived Auschwitz and other Nazi concentration camps but lost his brother, wife and parents to the holocaust, Frankl was not beaten down by his experiences. Instead, they spurred him to a second life filled with meaning and success. A recipient of 29 honorary doctorates from universities across the world, he obtained his pilot's license at age 67 and lived a full life until he died aged 92 in 1997. He wrote 39 books including the acclaimed Man's Search for Meaning and pioneered the field of logotherapy, a sub-field within psychotherapy, which aims to help people find meaning in their lives.
This book is anchored in a belief in human ingenuity and boundless resilience. Frankl agrees entirely with Dostoevsky's definition of man 'as a creature who can get used to anything' and celebrates the inalienable freedom and choice with which humankind is endowed. Perhaps you cannot help what happened to you, or what bad people or totalitarian regimes did to you. However, how you choose to respond is entirely up to you. No one can take that freedom away. As Frankl famously wrote in Man's Search for Meaning: 'Everything can be taken from a man but one thing: the last of the human freedoms – to choose one's attitude in any given set of circumstances, to choose one's own way.'
Frankl chose to respond to the deadened and insufferable conditions of the camp with mental images of his smiling wife. He talked to her and imagined what good times awaited them. He looked for and found humour amidst the dead and dying. These were his survival tools. For Edith Eger, freedom lay in choosing to live instead of just giving up and dying like others around her. She realized that she could still choose which blade of grass to eat as she lay in the mud, numbed with pain and unable to move. For both, Frankl and Eger, the concentration camp experience turned from being a curse to a well of treasure from which they gained perspective, meaning, strength and purpose. Their external pain did not dim their internal light, but rather strengthened it.
Unlike Man's Search for Meaning, which was Frankl's account of his concentration camp experiences and the insights gained from it (he claims it was written in nine consecutive days), Embracing Hope is less personal and more about those who have been impacted by his story, and have benefited from logotherapy. It draws less from extreme examples of the holocaust and more from the mundane, daily challenges of people living in a 'leisure society'. The unifying theme is how to find meaning in everyday life and work. It speaks to the present moment where we, glued to the screen, feel harried and exhausted yet vacuous and unproductive all the time.
Frankl's central message is that we are born with the urge to find meaning in our lives. A meaningful life is one endowed with love, forbearance and fulfilment; it is one lived in accord with the better angels of human nature. It has nothing to do with riches or material success and is not about chasing happiness either. Happiness will ensue if meaning is found. People can find it in all sorts of ways and at all stages of life. Frankl identified the three main avenues through which the individual can find meaning: work, love and suffering.
Those who experience involuntary suffering, like a debilitating medical condition or the holocaust, often experience higher mental clarity and illumination. They find reasons to be grateful about things that ordinary folk take for granted. Many re-emerge having discovered faith, hope, compassion and common human decency rather than hatred and anger. As the writer Pico Iyer reported in The Value of Suffering: 'I once met a Zen-trained painter in Japan, in his 90s, who told me that suffering is a privilege, it moves us toward thinking about essential things and shakes us out of short sighted complacency; when he was a boy, he said, it was believed you should pay for suffering, it proves such a hidden blessing.'
Secondly, to experience love, to have someone to love, or have someone love us, is, according to Frankl, one of the surest ways to find meaning. His own love for his wife and his fond memories of her equipped him with the will to live and sustained him through his camp life.
As for work, Frankl approvingly quotes the American neurosurgeon Harvey Cushing: 'The only way to endure life is always to have a task to complete.' Much of the book is about the need to engage in meaningful work. Work doesn't just earn us money, but also accords us dignity and a sense of fulfilment. It is well recognized that there is a close correlation between levels of unemployment and the degree of criminality in any given area or community.
Frankl states that people love to be challenged. Indeed, it is more dangerous to make too few demands of them than to make too many. When a person's will to meaning is not fulfilled, he tries to take solace in his will to pleasure, which leads to a life of sexual depravity, criminality and substance abuse. In Frankl's reckoning, meaning represents higher instincts while unhindered pleasure represents man's baser ones.
But Embracing Hope is more than your average motivational book. What lends it weight and depth is that it melds insights and lessons wrenched out of the author's extreme physical experience at concentration camps with his lifelong study of the human mind. Those receptive to its message will find enough resources here to answer the pressing questions of existence. I have no doubt that the lessons from this book can lead one to a more fulfilling and meaningful life, whatever one's circumstances.
Thangkhanlal Ngaihte is assistant professor of Political Science at Churachandpur College, Manipur and PhD candidate at Mizoram University, Aizawl.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
3 days ago
- Time of India
Clint Eastwood critiques remakes, sequels, and adaptations: "Do something new or stay at home..."
Clint Eastwood , the 95-year-old veteran actor, seeks more work and firmly stated that his fans don't have to worry about his retirement after a long time. In addition, Eastwood reminisced about the golden days when people were writing new ideas instead of remakes and sequels. "I'm not one of them" In an Austrian newspaper, Kurier, the 'Unforgiven' actor, who is currently working on the pre-production of his upcoming film, stated that fans won't need to worry about his retirement this soon. 'There's no reason why a man can't get better with age. And I have much more experience today. Sure, there are directors who lose their touch at a certain age, but I'm not one of them,' he added. Clint Eastwood critiques the remakes and the sequels When asked what he thinks about the current state of the film industry , Eastwood states that he misses the olden days when the theatres weren't booked with remakes, sequels and adaptations. 'I long for the good old days when screenwriters wrote movies like 'Casablanca' in small bungalows on the studio lot. When everyone had a new idea,' the 95-year-old expressed. 'We live in an era of remakes and franchises. I've shot sequels three times, but I haven't been interested in that for a long while. My philosophy is: do something new or stay at home,' he added. Clint Eastwood evolved as an artist... The actor further stated that his upbringing in the olden days has made him stay alert and look for something new, making him evolve as an artist. 'As an actor, I was still under contract with a studio, was in the old system, and thus forced to learn something new every year. And that's why I'll work as long as I can still learn something, or until I'm truly senile,' he further explained. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .


NDTV
3 days ago
- NDTV
Arnold Schwarzenegger Surprises Vienna Metro Users With Climate Message
Vienna: "Here is your chief mobility officer Arnold Schwarzenegger talking to you" -- with this announcement the "Terminator" star and former governor of California surprised Vienna public transport users on Tuesday by hailing them as "climate action heroes". The Austrian Hollywood star is in town for an annual conference he organises on climate change. "Thank you for your commitment to a healthy planet," he says in German in the announcement, broadcast every 30 minutes over the intercom system of all public transport, according to network operator Wiener Linien. He continues in English that "you're all real climate action heroes, helping to unite in action and terminate pollution". Mr Schwarzenegger, 77, launched the summit in his native Austria eight years ago to highlight the challenges of climate change. In his opening speech on Tuesday, Mr Schwarzenegger, who has been an outspoken critic of US President Donald Trump, held back criticism, while calling for "action that makes their (people's) lives better". "I know that the people are sick and tired of the whining and the complaining and the doom and gloom. They want heroes... We have to win the people over," he said. This year, former British prime minister Tony Blair is attending, as well as Austrian Prime Minister Christian Stocker and Austrian President Alexander Van der Bellen. Around 2.4 million people use the city's public transport per day, according to Wiener Linien. The Austrian capital has around two million inhabitants.


Scroll.in
4 days ago
- Scroll.in
In Hyderabad, the international style of art deco reveals itself in homes, with personal touches
Most discussions about the influence of the design style of art deco in India seem to focus on impressive buildings in Mumbai or Chennai. But tucked away in Hyderabad are quieter, equally elegant structures inspired by the subtle geometry and streamlined elegance of the style. – homes, commercial buildings, banks, schools, universities and cinema halls. In Hyderabad, art deco reveals itself gently, in understated domestic settings, with deeply personal touches. Presented in 1925 at an exhibition in Paris called the Exposition Internationale des Arts Décoratifs et Industriels Modernes, art deco percolated into many spheres of design, from jewelry and furniture to automobiles and even saris. In Hyderabad, the first art deco buildings were constructed in the 1930s and were in vogue till the late '50s. It was deployed by architects such as Mohammed Fayazuddin, Zain Yar Jung, the Austrian Karl Heinz and Eric Marret from Britain. Only around 1,000 art deco buildings remain in the city, bearing typical features of the style such as stylised floral patterns, sunbursts and vertical windows. Making an appearance Anuradha Reddy, historian and convenor of INTACH Hyderabad, credits architects Fayazuddin and Heinz for the city's art deco heritage. Her granduncle, the Raja of Wanaparthy, Ramdev Rao, built one of the first art deco buildings in the city for a new home he was building in the early 1930s. It is now the Muffakham Jah College of Engineering and Technology. Heinz came to Bombay as a refugee in the 1930s, fleeing Hitler's crackdown on the Bauhaus art movement. He made his way to Hyderabad thanks to the German Circle, a cultural group with close links to the country. Fayazuddin, said Reddy, had been educated at the JJ College of Architecture in Mumbai and then in the UK. 'Later on, while returning to India from England, he came via Spain and was greatly inspired by the Moorish architecture of the country,' she said. After devastating floods in 1908, Hyderabad began growing outside the old city. Newer areas such as Banjara Hills were being developed. The aristocracy of the princely state of Hyderabad were inspired by the flamboyance of the art deco style, which was already being embraced by royalty elsewhere in the country. Many had encountered this new style during their travels to Europe and were keen to follow the latest trends. These architects used the topography of the Deccan to build grand structures that came to be seen as symbols of a new age. They used geography and elevation of the area to great effect. Confluence of styles Indian art deco is unique because it used design elements from older periods in a decorative manner, said architect G Srinivas Murthy of the Architectural Design Foundation. 'Indian art deco has adopted elements from different styles – the jharokas and floral patterns from the Hindu temples, the pointed arches and jaalis from the Islamic architecture, the chaitya or the arch from the Buddhist viharas, and the columns and the grand staircases from Europe,' Murthy said. Hyderabad, with its influences from the Qutb Shahi and Asaf Jahi dynasties, incorporated the style and gave it a new syntax. From motifs like the swastikas and Om symbols from the Hindu lexicon to the geometric patterns on the city's older Islamic buildings, the Hyderabad art deco language had a syncretic vocabulary. Some buildings by Heinz were designed in the forms of ocean liners and airplanes, as did several art deco buildings around the world. Fayazuddin's designs, which include the Salar Jung Museum and the State Bank building, retain influences from Moorish styles. A rare repository Art deco buildings are characterised by the distinct use of curvilinear forms, parapets, rounded staircases (which gracefully resemble parts of circles) and place an emphasis on horizontality rather than verticality. 'Sunshades that swirl around a building, the top of boundary walls in the form of waves that rise and fall, as well as circular grills, are other distinct features of the style,' said architect Yeshwant Ramamurthy. Jeera Colony in Secunderabad is a treasure house of this style: around 30 sprawling art deco houses still survive. Built by Gujarati migrants in the 1940s, it is a residential enclave with pastel facades, decorative balconies (with motifs ranging from parrots and lotuses and even a boat) and the in-situ terrazzo finish flooring that makes this street a portal into the past, even as the rest of the city surged forward. Other prominent art deco structures in Hyderabad are the Arts College at Osmania University, the Zinda Tilismath building, the State Bank of Hyderabad in Gunfoundry, the Congress Bhavan, Arya Samaj Mandir, Niloufer Hospital and the State Central Library at Afzal Gunj. Many are dotted across older colonies in the city, including the bylanes of Afzal Gunj, Padma Rao Nagar, Himayat Nagar and parts of Secunderabad. The future of these buildings, though, is in question as many are increasingly being demolished (including the Secunderabad railway station in February). As Hyderabad marches into the future, its art deco legacy stands at a crossroads, caught between reverence and redevelopment. Why are these structures important and in need of being saved? 'Why is the Charminar important?' said Reddy. 'Why were the participants of Miss World [held in Hyderabad at the end of May] taken to the Old City and not the gleaming glass buildings of Hitech City? Because heritage tells us the story of who we are, and art deco tells us of an important period of our heritage where we married international design with local sensibilities.' Added Ramamurthy, these art deco buildings are 'anchors to the sensibilities of a city and showcases its history'.