Sneak peek: The Singhs visit India in Bollywed, Season 3
The Singh family goes to India | Bollywed Season 3 Trailer
36 minutes ago
Duration 1:00
Social Sharing
Get ready to laugh, cry and swoon with the Singh family! Kuki and his clan are back to give you a behind-the-scenes look at Chandan Fashion, Toronto's most iconic bridal shop. Located in Little India, the store has been the heartbeat of South Asian wedding couture, crafting show-stopping designs and unforgettable memories for decades.
What is new for Season 3 of Bollywed?
This season, the Singh family are taking us on their most emotional and exciting adventure yet — a trip back to their roots in India. Buckle up as they travel to Phagwara, Punjab, where Kuki visits his childhood home and his father's legendary fashion store, Kuki Silks. (Yes, there's a family tradition of naming a shop after the son).
Chandan and Roop launch their first-ever fashion collection with jaw-dropping designs, nerve-wracking pre-launch jitters and a show-stopping debut at their spectacular Mumbai fashion show.
From dazzling lehengas to big family humour and heart, Season 3 of Bollywed delivers everything you loved about the first two seasons, with the thrill of a family trip to India.
Where and when can I watch Bollywed Season 3?
Bollywed returns to CBC and CBC Gem on Thursday, March 27. Take a first look at all the action on the trailer at the top of the page.
In the meantime, catch up on Seasons 1 and 2 on CBC Gem now.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Winnipeg Free Press
15 hours ago
- Winnipeg Free Press
A Sikh Captain America and other stories: Takeaways from AP's report about faith themes in comics
Representation of many of the world's faiths and spiritual traditions has been minimal to nonexistent in the mainstream comics universe. Even when they are portrayed in comics, their presentation, as experts point out, is often inauthentic and sometimes, negative. Recently, however, comic book writers and academics who study the intersection of religion and comics are observing a renaissance of sorts. They say this is because people close to these faith traditions have begun to tell these stories with a reverence and an authenticity that resonate with a wider audience. Here's a look at some of the creators and trends: A Sikh superhero with a message 'Captain America doesn't wear a beard and a turban, and he's white.' Vishavjit Singh looked at the boy who uttered those words, and then he looked at himself — a skinny, bespectacled, turbaned, bearded Sikh in a Captain America suit. 'I wasn't offended, because I knew that this kid was going to have this image of me, a Sikh Captain America, forever in his mind,' Singh said. Singh's journey began after the attacks of Sept. 11, 2001, triggered anti-Sikh hate incidents. Having faced hate and exclusion throughout his life, he decided to spread his message of kindness and inclusion by capitalizing on the appeal of comics and superheroes — an area where he found Sikh representation to be 'virtually zero.' In 2016, Singh gave up his full-time job to travel around the country to schools, government agencies and corporations to share his story and educate youth about his culture and faith. Incorporating Black mythology and spirituality Brooklyn-born Haitian American comic book writer Greg Anderson Elysée said he didn't learn about African and Caribbean religious traditions until he was a teenager. For the past decade, he's written a series of comics about Is'nana, the son of Anansi the Spider, the god of wisdom, knowledge and mischief in the Akan religion of West Africa. What drives his vision and his creativity, Elysée said, is the need to see more Black mythology, deities and spirituality showcased with the same level of respect as European fairy tales and Greek mythology. 'When I started going to ceremonies and rituals, I saw how much power there is in it. When we know who we are — whether you believe in the religion or not — it fills you with joy, a purpose and a sense of being.' Africana religions in comics Marvel's Black Panther heralded better representation for Africana religions in the U.S., according to Yvonne Chireau, a professor of religion at Swarthmore College in Pennsylvania. However what is seen in Black Panther or other comics is a synthesis of different African religions and cultural practices, she said. The turn of the last century was a time of revival for Black-centric comics, she said, adding that immigration from African and Caribbean countries, including Haiti, led to increased understanding of religious practices originating in those places. Zen comics that heal, ground and center Zen Buddhism has informed much of John Porcellino's work. For over three decades, he has produced and self-published King-Cat Comics and Stories, a largely autobiographical mini-comic series. He gave the example of a wordless story titled 'October,' featured in King-Cat's 30th issue, that shows him as a high school student walking the dog one night and suddenly catching a glimpse of the stars. 'It's the experience of being in everyday, mundane life … and then suddenly breaking through to some kind of transcendence,' he said. Why representation matters for children Teresa Robeson, who grew up in Hong Kong around Buddhist relatives, wrote a graphic novel about the 14th Dalai Lama, She said she jumped at the opportunity to tell the story of the Dalai Lama in graphic novel form because the book focused on a pivotal moment in the spiritual leader's life, when he fled Tibet for India after the Chinese occupation. Robeson took on the project because she liked the idea of it representing a religion and culture that do not get much attention in media. The comics renaissance in India Amar Chitra Katha was a comic book company started by the late Anant Pai in Mumbai in 1967 as a way to teach Indian children about their own mythology and culture. The first title was 'Krishna,' an important god in Hinduism and protagonist of the Bhagavad Gita, one of the religion's main sacred texts. Reena I. Puri, the company's managing director and a veteran of the industry, said Pai started with Hindu mythology and gods but soon expanded to other faiths and more secular themes. But religion remains the mainstay of Amar Chitra Katha, according to Puri. Atheism, Paganism and … Lucifer Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. British comic book writer Mike Carey is known for his 2000-2006 DC Comics series 'Lucifer,' which depicts the titular character's adventures on Earth, in Heaven and in various realms after abandoning Hell. Carey portrayed Lucifer as the 'son of God, but as a rebellious disobedient son who wants to find himself as distinct from his father.' He has also explored Pagan themes, particularly what he calls the 'weird interface between British folklore and British religious traditions.' Carey delved into the concepts of faith, God and morality in a series titled 'My Faith in Frankie,' which tells the story of a teenager with a personal god called Jeriven who gets jealous of her boyfriend. ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.
Winnipeg Free Press
15 hours ago
- Winnipeg Free Press
A Sikh Captain America? Why religious diversity matters in the comics universe
'Captain America doesn't wear a beard and a turban, and he's white.' Vishavjit Singh looked at the boy who uttered those words, and then he looked at himself — a skinny, bespectacled, turbaned, bearded Sikh in a Captain America suit. 'I wasn't offended, because I knew that this kid was going to have this image of me, a Sikh Captain America, forever in his mind,' Singh said. 'This image has so much power to it that it opens up conversations about what it means to be American.' Representation of non-Abrahamic religions and spiritual traditions, particularly in the mainstream comics universe, is minimal. Even when they are portrayed in comics, their presentation, as Singh and others in the field point out, is often inauthentic and sometimes negative. Recently, however, comic book writers and academics who study the intersection of religion and comics observe a renaissance of sorts, which they say is happening because people close to these faith traditions are telling these stories with a reverence and sincerity that resonate with a wider audience. A Sikh superhero with a message Singh's journey to make that connection began after the attacks of Sept. 11, 2001, triggered anti-Sikh hate incidents. Having faced hate and exclusion throughout his life, he decided to spread his message of kindness and inclusion by capitalizing on the appeal of comics and superheroes — an area where he found Sikh representation to be 'virtually zero.' He suited up as Captain Sikh America in Manhattan for the first time in summer 2013 — one year after a self-proclaimed white supremacist opened fire inside a Sikh temple in Oak Creek, Wisconsin, killing six and injuring four others. New York's reaction to Captain Sikh America was joyous. 'Strangers came up and hugged me,' Singh said. 'Police officers wanted photos with me. A couple wanted me to be part of their wedding ceremony. I felt I had a certain privilege I'd never had before.' In 2016, Singh gave up his full-time job to travel around the country to schools, government agencies and corporations to share his story and educate youth about his culture and faith. He doesn't speak directly about religion but rather the core values of Sikhism. 'I talk about equality, justice and about the universal light being present in every speck of creation,' he said. Africana religions in comics Marvel's Black Panther heralded better representation for Africana religions in the U.S., according to Yvonne Chireau, a professor of religion at Swarthmore College in Pennsylvania. However what is seen in Black Panther or other comics is a synthesis of different African religions and cultural practices, she said. For example, one page might talk about the Orishas, divine spirits that play a key role in the Yoruba faith of West Africa, while another might feature Egyptian gods. One of the first superheroes with African roots, Chireau said, was Brother Voodoo, created in the 1970s by Marvel publisher Stan Lee, writer Len Wein and artist John Romita. He was the first Haitian superhero. The turn of the last century was a time of revival for Black-centric comics, she said, adding that immigration from African and Caribbean countries, including Haiti, led to increased understanding of religious practices originating in those places. 'It's definitely gotten a lot better and much more authentic because the people who are telling these stories care about those religious practices,' she said. Incorporating Black mythology and spirituality Brooklyn-born Haitian American comic book writer Greg Anderson Elysée said he didn't learn about African and Caribbean religious traditions until he was a teenager. Elysée was raised Catholic, but he now considers himself agnostic. For the past decade, he's written comics about Is'nana, the son of Anansi the Spider, the god of wisdom, knowledge and mischief in the Akan religion of West Africa. What drives his vision and his creativity, Elysée said, is the need to see more Black mythology, deities and spirituality showcased with the same level of respect as European fairy tales and Greek mythology. 'When I went looking for anything on African spirituality in the bookstore, I found it in the occult section as opposed to the religion or mythology section,' he said. Common depictions of African faith as voodoo and witchcraft are colonialist narratives aimed at demonizing Indigenous spiritual practices, he added. 'When I started going to ceremonies and rituals, I saw how much power there is in it. When we know who we are — whether you believe in the religion or not — it fills you with joy, a purpose and a sense of being.' Elysée is excited and relieved by the reaction to his work. 'While this is entertainment, you also don't want to offend those who believe in it and truly get so much power from it,' he said. 'Some of my portrayals of these religions in my comics may not be 100% authentic, but there is a level of research and respect that goes into every piece of it.' Zen comics that heal, ground and center Zen Buddhism has informed much of John Porcellino's work. For over three decades, he has produced and self-published King-Cat Comics and Stories, a largely autobiographical mini-comic series. Porcellino was drawn to Buddhism in his 20s after what he describes as a period of intense mental suffering and health problems. As a punk rock fan, Porcellino saw commonalities between punk and Zen because 'they are both concerned with the essence of things rather than appearances.' Both are ways of life — simple yet nuanced. He gave the example of a wordless story titled 'October,' featured in King-Cat's 30th issue, that shows him as a high school student walking home one night from school. When he gets home, his mom asks him to take the dog outside; as he steps out, he sees the stars. 'It's the experience of being in everyday, mundane life … and then suddenly breaking through to some kind of transcendence,' he said. Porcellino views these comics as a healing presence in his life. 'They are an important part of my spiritual practice,' he said. 'Any time I have a major crisis in my life, my first reaction is to sit down and start making comics and put my focus into that. It just helps ground me.' Why representation matters for children Teresa Robeson, who wrote a graphic novel about the 14th Dalai Lama, said that even though her mother was Catholic and raised her in the faith, her grandmother was Buddhist. She grew up in Hong Kong, with memories of relatives praying to Buddhist gods, taking in the fragrance of burning incense and the sound of Buddhist chants. Though she practices neither Catholicism nor Buddhism at this time, Robeson jumped at the opportunity to tell the story of the Dalai Lama in graphic novel form because the book focused on a pivotal moment in the spiritual leader's life, when he fled Tibet for India after the Chinese occupation. Robeson liked the idea of representing a religion and culture that do not get much attention in media. 'Children's books are like mirrors and windows for kids,' she said. 'It's helpful especially for children of immigrants who don't often see themselves in mainstream literature. They don't see anyone who looks like them or prays like them. At the same time, it also helps kids who are not Asian or Buddhist to learn something about those communities.' The comics renaissance in India Amar Chitra Katha was a comic book company started by the late Anant Pai in Mumbai in 1967 as a way to teach Indian children about their own mythology and culture. The first title was 'Krishna,' an important god in Hinduism and protagonist of the Bhagavad Gita, one of the religion's main sacred texts. Pai was an engineer turned comic books seller who used varied marketing techniques, including walking around with planks, nails and hammers in his bag so he could build shelves for bookstores that refused to display his comics because they lacked shelf space, said Reena I. Puri, the company's managing director and a 35-year veteran of the business. Pai started with Hindu mythology and gods but soon expanded to other faiths, releasing a globally successful comic titled 'Jesus Christ' and others about Buddha, Sikh gurus and Mahavira, who founded Jainism. Later came secular comics about historical figures and folktales. But religion remains the mainstay of Amar Chitra Katha, and books that teach children about faith, history and culture are also the most popular in the diaspora, Puri said. 'Most recently we've also portrayed (Indigenous) religions and have gathered folktales relating to these traditions from all over India,' she said. Amar Chitra Katha comics faced criticism in the past for their portrayal of gods as fair-skinned and 'asuras' — often the antagonists to the gods — as dark-skinned with demonic facial features. But that has changed, Puri said. 'We've educated ourselves and realized that our ancient texts were not as racist or colorist as we may be today,' she said. 'We're correcting those misconceptions now.' Atheism, paganism and … Lucifer British comic book writer Mike Carey is known for his 2000-2006 DC Comics series 'Lucifer,' which depicts the titular character's adventures on Earth, in Heaven and in various realms after abandoning Hell. Carey counts himself an atheist who went to Sunday school only 'for the fun, stories and chocolate.' Carey portrayed Lucifer as the 'son of God, but as a rebellious disobedient son who wants to find himself as distinct from his father.' He has also explored pagan themes, particularly what he called the 'weird interface between British folklore and British religious traditions.' Carey delved into the concepts of faith, God and morality in a series titled 'My Faith in Frankie,' which tells the story of a teenager with a personal god called Jeriven who gets jealous of her boyfriend. Even though many of his comics and novels explore religion and ethics, Carey said, he has never 'felt any temptation whatsoever to believe.' 'I've become more and more entrenched in that position, because organized religions are like any organization that sustain themselves, amass power, wealth and authority,' he said. 'So I've never really grappled with religious issues. What I do sometimes is explore, play with and tease out moral issues that were important and meaningful to me.' ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.
Montreal Gazette
a day ago
- Montreal Gazette
Brownstein: Montreal producer takes deep dive in documentary Implosion: The Titanic Sub Disaster
By The documentary begins intriguingly enough: 'Where do you want to go in the ocean? What is the most known site in the ocean? It's clearly the Titanic.' The speaker is well-heeled, maverick American inventor Stockton Rush, whose mission it was to take paying passengers 3,800 metres into the Atlantic Ocean in his mini-sub to scope the ruins of the Titanic luxury liner that sank on its maiden voyage in April 1912 after striking an iceberg 600 kilometres off the coast of Newfoundland. More than 1,500 passengers died in that disaster. Five died, including Rush, when his submersible the Titan imploded on its way down to the Titanic wreck on June 18, 2023. The documentary Implosion: The Titanic Sub Disaster takes a deep and disturbing plunge into the apparent arrogance of Titan mastermind Rush, the co-founder and CEO of the OceanGate undersea exploration company. The doc, co-produced by Montreal GalaFilm boss Arnie Gelbart and directed and co-scripted by acclaimed British director Pamela Gordon, begins streaming Friday on CBC Gem. It will also be broadcast on CBC Television June 20. The production team has done a thorough job in bringing this tragedy into fuller focus, aided and abetted by insightful interviews, rare footage of the Titan's final voyage and other failed dives plus access to the U.S. Coast Guard's investigation. Experts interviewed had misgivings about the Titan's structure, particularly its carbon-fibre hull, even if Rush had pulled off some dives prior to its final descent. There were other ominous warning signs, like seeping water damage and cracking engine sounds. Mutters one skeptic: 'Everyone stepping on board the Titan was risking their life.' The feeling was that Rush was 'hell-bent' on taking the Titan to dangerous new lows under the ocean, someone seeking to 'democratize deep-sea exploration.' Rush was an engineer who initially dreamed of becoming an astronaut. But when it became apparent he was never going to make it to 'Jupiter or Mars,' he turned his sights in the opposite direction. He concluded that would require a 'special sub.' Rush had the money, vision and drive to do so. He was a patrician whose roots went way back, with two of his ancestors having signed the U.S. Declaration of Independence. History, as is often the case, repeats itself here. How's this for cruel irony? Rush's wife's great-great-grandparents, owners of the fabled Macy's department-store chain, perished on the Titanic. They were rumoured to have been the richest passengers aboard. Christine Dawood is understandably livid. Among the five who died aboard the imploded Titan were her billionaire British-Pakistani husband, Shahzada, 48, and son Suleman, 19. She blames 'ego and arrogance' for their deaths. Gelbart has long been consumed by the Titanic and Titan. He brings to the documentary a wealth of factoids about both as well as Rush's participation. 'Rush had done some 88 dives prior to his last, but not all successful ones,' Gelbart says in a phone interview. 'It went down successfully only six times.' Gelbart had been involved since 2017 when Rush had come up with a working model of the Titan, which he had initially tested in the Bahamas. Then ensued a lot of correspondence with Rush, who was to move to his company's home in Everett, Wash. before heading to his last base in St. John's. 'He was looking for publicity, and I first wanted to make an Imax film, The Return to Titanic. What he was building for us was a remote camera that would go inside the hold of the Titanic, full of cars and furniture and other stuff that no one had seen since 1912.' Gelbart's project was initially to be a four-part series, retelling the Titanic story but using Rush's submersible to examine what was left of it, including its interior. 'We were looking for a Hollywood celebrity for the project,' Gelbart says. 'I would have liked to go down there myself, but because it was something like $250,000 a seat, it was not feasible. Instead, we included that price in our budget for a celebrity, someone to tell the Titanic story by being next to it.' Amid all the experimenting, failed testing and rebuilding of the original Titan, Gelbart stayed in touch with Rush. 'He was a great salesman and really believed in the Titan. As an engineer, he could talk the talk. We trusted him. We didn't think he was creating something that was fatally flawed. He explained the technology, but what do I know about carbon fibre? 'He moved his operation to St. John's for a number of reasons, one of which was so he wouldn't need to certify it in Canada. But on the downside was the weather there. And with water freezing, then thawing on the Titan lining outside, this could have created damage. In the final report of the U.S. Coast Guard, we heard this could have been one of the mitigating factors in the disaster.' That official report has yet to be released. Why? 'When (U.S. president Donald) Trump took over this year, he fired the head of the U.S. Coast Guard. So they're not allowed to release it until they get a new head.' Gelbart was shocked like most everyone else upon learning of the implosion. 'But 24 hours later, we had the commission from the BBC, Discovery U.S.A. and the CBC to make this documentary. It was such a whirlwind turnaround for a story that much of the world had been watching and waiting for news about what happened to the Titan and its occupants, until the fate was learned.' Gelbart's GalaFilm has more than 120 film and TV credits and has won dozens of awards, including multiple Gémeaux/Geminis and one Prime Time Emmy Award for the Cirque du Soleil series Fire Within. 'But this was the first time in my life I was involved with anything as well-known as this one.'
