Witness History Staging Othello in apartheid South Africa
In September 1987, Othello was staged at the Market Theatre in Johannesburg during the apartheid regime in South Africa. The Immorality Act, which banned sexual relationships between white people and non-white people, had been repealed in 1985. But the Shakespeare play was controversial, especially the scene where the black actor, John Kani, kissed the white actress playing his wife. The play was directed by South African born actress Dame Janet Suzman, who looks back on the remarkable story. Produced by Jen Dale.
Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.
Recent episodes explore everything from football in Brazil, the history of the 'Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.
(Photo: Joanna Weinberg, left, Richard Haines, rear centre, and John Kani, right, performing Othello. Credit: Ruphin Coudyzer/AP)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
4 hours ago
- Daily Mail
Teenagers camp out overnight and brave '15 hour' queues in the pouring rain to get their hands on brand new Nike trainers
Teenagers desperate to get the newly released Nike trainers were braving 15 hour queues and camping overnight in the pouring rain. Hundreds lined the streets of Liverpool to get their hands on Air Max 95s, also commonly known as 110s. A winding queue leading up to the Liverpool One shopping centre saw several tents and camping equipment as eager shoppers readied themselves this morning when the doors opened at 8am for the new Nike Mandarin trainers. The boys travelled from far and wide for the chance to snag a pair—some as far as three hours away from Cumbria. Tom Clarehugh came from Ainsdale and made it to the front of the ever-growing queue. He started camping out on the night before on Thursday from 4.30pm. The Nike fan said he has about six pairs of 110s but is looking for a 'fresh new pair' after he wore them all out at festivals, he told the Liverpool Echo. While others reported they had 'not slept' while camping out for Nike's latest shoes. The store sold out of the £175 special edition shoes, which were only stocking 118 pairs and shoppers were only allowed to buy one each. Only a handful of people were allowed in the shop at the same time in order to manage the crowds and limited stock. Staff opened the shop an hour early for shoppers to salvage what they could and shortly after they emerged with bags of the sought-after trainers. The in demand trainers have already gone on sale for hundreds more - with some flogging them for up to £800 - almost four times the original price. The new Nike Mandarin trainers were created to celebrate '30 years of the iconic silhouette,' based on the 1987 edition, which saw the birth of the Air Max lineage. Young Liverpudlians famously love Nike's 95s comes from the city's football culture which is often drawn from when it comes to shoe style. Alongside the release today, Nike also surprised fans with the 'Reverse Neon' edition - flipping the classic OG colourway. The limited edition trainers were also sold in shops across London, Manchester and Glasgow.


Daily Mail
5 hours ago
- Daily Mail
EXCLUSIVE Rising star rapper took his own life after telling partner he 'was tired and ready to go' after mental health battles when he couldn't see his daughter
A rising star rapper and producer took his own life after struggling with his mental health when he was stopped from seeing his daughter, an inquest heard. Jevon Ellis, 30, accessed mental health crisis services three times in the run-up to his death on March 28 last year. But those who knew the rising star said he was 'very good at pretending he was OK to the outside world' because 'his career as a rapper and producer was very important to him.' Mr Ellis had played at numerous festivals, had his music used on a Nike campaign and was featured on a list of NME's top 100 new artists to watch. But in 2023 his mental health began to deteriorate, which was compounded by the fact that access to his daughter had been withdrawn. His latest partner, who had a son with Mr Ellis, said in a statement that 'keeping up an image was important to him at the cost of his overall health.' Mica Simms, who had met Mr Ellis in 2018, said she was aware that he had struggled with his mental health and had been suicidal before they had got together. 'He was having trouble regulating his emotions,' she said. 'Jevon was incredibly intelligent and loving but he would often speak about committing suicide as a means of escaping his emotional turmoil.' Coroner Jean Harkin added: 'She (Mica) was aware Jevon had something wrong with his mental health and he was suicidal at times from very early on in their relationship. 'He had told her about a previous suicide attempt that had taken place when he was with the mother of his eldest child.' The mother of his eldest child was not named, although both she and Miss Simms were present for the hearing at Inner West London Coroner's Court. On the morning of March 29 last year, Mr Ellis left Ms Simms' house and sent her a message saying 'he was going to end it all, that he was tired and ready to go.' 'He expressed he was sorry but couldn't continue the battle,' Mrs Harkin added. Ms Simms tried to communicate with him but received no answer. Mrs Harkin added: 'After a while she knew something was different this time. 'She felt in her heart that he had gone through with it.' Ms Simms went to where Mr Ellis had been living at Wimbledon Art Studios in south west London but a building manager couldn't gain access to his unit. She then asked her stepfather to try and break in and he found Mr Ellis hanging. PC Michelle Brown was the first police officer at the scene and identified the musician from his passport which was found nearby. There was no note, the door was locked from the inside and Mr Ellis had no injuries, save those caused by the noose around his neck. At 10.01am that day he had sent a text message saying: 'I'm on the chair. Bye' and had also said he 'should just hang the demon' referring to himself, the court heard. Det Sgt William Hanlan, of the Met Police, told the court he was brought in to look into whether some of the interactions between Mr Ellis and Ms Simms 'may have led to Jevon taking his own life.' There were tens of thousands of messages found on Mr Ellis' Macbook, which highlighted a 'very fractured' relationship, Det Sgt Hanlan said. 'They clearly love each other but they clearly have a love-hate relationship also,' he said. 'There has been quite a lot of discussion about suicide,' he added. 'Mica is understanding of Jevon's struggles but you can also see levels of frustration from her sometimes. 'There is a lot of heated discussion but there's nothing to suggest Mica knew or encouraged Jevon to take his own life.' He added that there had been domestic incidents between them from both sides and they were 'both either the aggressor or the victim at one time or another.' He concluded that no one else had been involved with Mr Ellis' choice to end his life. Dr Marcus Hughes, consultant psychiatrist at St George's Hospital in Tooting, south west London, outlined his team's contact with the 30-year-old and said he had no recorded history of poor mental health prior to 2023. He had three emergency assessments - one in February 2023 and two in December the same year. The one in February took place after Mr Ellis took an overdose and was taken to A&E, but he said he wasn't suicidal and had had taken the tablets 'impulsively' and 'was expressing remorse.' He was given details of a crisis line, and Dr Hughes added: 'I think what came through very strongly was his distress at not having access to his daughter.' He was given further details for Fathers4Justice and Families Need Fathers, a charity for parents, and was encouraged to return to the hospital if he felt he was unable to remain safe. But he returned for a second time on December 13, 2023, saying he was having suicidal thoughts. Dr Hughes added: 'He said he wanted help to be a better father and felt he needed therapy. 'He also spoke about cult-like behaviours he experienced producing music in Los Angeles, from big names and people of power.' Just over a fortnight later he was brought in for a third time following fears he may hang himself in his music studio. A friend abroad had called British police when he sent her a text showing an image of a noose. But he promised he wasn't suicidal and just wanted the clarification of a diagnosis, Dr Hughes added. Asked if he felt Mr Ellis had received appropriate treatment, Dr Hughes said: 'He was offered a lot of opportunity of access to mental health services and the type of problems that seem to be emerging are some emotional instability and suicidal thoughts that he wasn't completely open about. 'The likelihood is we might have helped him had he engaged with treatment over a period of months in the community, rather than emergency presentations.' The court heard that in July 2023 he told a GP that he had low mood, but wasn't suicidal and he was given a community mental health team referral, agreeing that counselling may help. A telephone consult followed in December 2023 and talking therapies were suggested but he didn't answer the phone. A further telephone consultation was offered the same month but Mr Ellis said he preferred to be contacted by email as he was abroad. There was no record of Mr Ellis being known to mental health services in Coventry, where he had lived from the age of 10 up until he moved to London in 2017. A toxicology report was clear of drugs and alcohol and the cause of death was found to be hanging. Mr Ellis' sister Ria, who attended the hearing with his parents, helped raise £13,500 for Mr Ellis' children on a Just Giving page. She said 'the Ellis family cannot even begin to convey our gratitude for the outpour of love we have received from everyone who loved and knew Jevon.' And she added: 'If you knew Jev, you knew that nothing mattered more to him than his children… 'Your kindness and compassion will help to provide Jevon's children with a glimmer of hope during this dark period of grief which is all he would have wanted.' Coroner Mrs Harkin recorded a verdict of suicide. She said: 'Jevon had no reported mental health illness prior to his later years. 'Jevon reported distress at not seeing his daughter. It's clear he saw his son, but not his daughter. 'I'm satisfied that the help that was given to Jevon was appropriate. In addition the police investigated Jevon's death and found no evidence of third person involvement. 'He was given the opportunity to look into any problems he thought he had by contact with the crisis team and other organisations and there is no evidence that any mental health diagnosis developed over time. 'Jevon performed the act himself without a third person and by performing that act Jevon intended to die. 'Although there was no note of intent it's clear that Jevon had considered hanging as a form of ending his life.' And she added: 'It's very clear that Jevon was a gifted musician. He was charismatic, confident and also encouraged to pursue his dreams. 'He was kind, generous and a mentor to others and he had two children that he loved. 'I hope that these memories give his family some comfort.'


The Guardian
5 hours ago
- The Guardian
A Midsummer Night's Dream review – Nicholas Hytner's revels return with bawdy, uninhibited mischief
Shenanigans reign in this neck of the woods. Boogying back to the Bridge after six years, Nicholas Hytner's rollicking production of Shakespeare's great comedy feasts on bawdy mischief and aerial antics. Radiating charisma, Emmanuel Akwafo's uninhibited Bottom instructs his ragtag group of am-dram players to rehearse 'most obscenely and courageously'. Hytner's production, with somewhat more rigour and expertise, takes note. Bunny Christie's luscious set of beds, leaves and trapdoors has us at once rising from the murky depths of the forest and floating among the clouds of sleep. Half the audience mill amid the foggy underland, skilfully shuffled by stage management, while the rest of us sit up among the fairies. The immersive setup complements the play's shapeshifting unreality; in this world, we become another set of magical creatures lurking in the shadows. Rules of gravity are forgotten here. Led by David Moorst's spiky, spidery Puck, who reclaims his role from the original production, the disco-ready fairies barely touch the ground, gambolling instead across bedframes and dangling effortlessly from loops of aerial silks. Their astonishing acrobatics have echoes of the 1970 Peter Brook production of this play, albeit with more brazenly bisexual energy, which sweeps over the show like confetti. In the lovers' clamorous scene of misunderstandings, Puck amuses himself by floating above them, swivelling the direction of their affections like spinning tops. One of the production's greatest feats is switching the dialogue of fairy royalty Oberon (JJ Feild) and Titania (Susannah Fielding), which puts the power firmly in Titania's hands. With the two actors doubling up as Theseus and Hippolyta, their motivations and memories are folded into one another, so that Hippolyta's simmering rage at Theseus's entrapment of her feeds Titania's vengeful actions towards Oberon. The gender-flipping also gifts us Oberon's riotous seduction of Bottom, a scene so joyful the whole audience seems drunk on delight. The cast are comedy gold, their ad-libs winking to the crowd, though we could do without the distraction of the looser modern soundbites. Unlike in the 2019 run, the party doesn't carry on beyond the show, but the production itself is enough. When all the characters are awake and the evening's events seem distant, memories of what they did and who they kissed flicker through them. Even when dawn breaks, the night of giddy revels remains. At the Bridge theatre, London, until 20 August