logo
Kneecap hit back at Sharon Osbourne and say 'statements aren't aggressive' after US visa threat

Kneecap hit back at Sharon Osbourne and say 'statements aren't aggressive' after US visa threat

The Belfast rap crew Kneecap
has clapped back at demands
for the US to pull their visas following their charged Coachella gig, where they finished with
a pro-Palestinian message
.
On her social channels, TV star and music manager Sharon Osbourne
called out the hip-hop group
, saying they "took their performance to a different level by incorporating aggressive political statements." Kneecap fired back: "Statements aren't aggressive, murdering 20,000 children is though.
"If somebody is hurt by the truth, that's something for them to be hurt by, but it's really important to speak truth," Kneecap's manager Daniel Lambert said to the
RTE
. Lambert stood by the group, saying: "Thankfully the lads are not afraid to do that." He also relayed that the band faced death threats post-Coachella, calling the severity of these threats "too severe to get into."
Read More
Related Articles
Jenna Bush Hager announces major career move in heartfelt statement
Read More
Related Articles
Yellowstone star Kelly Reilly moves on from Kevin Costner series in new detective drama
The US State Department spokesperson explained to BBC News NI that visa cancellations are considered when facts "may indicate a potential visa ineligibility under US immigration laws, pose a threat to public safety, or other situations where revocation is warranted."
Sharon Osbourne demands that the US revoke Kneecap's visa
(Image: Getty Images)
In a Tuesday post on her platforms, Osbourne slammed the group for displaying "projections of anti-Israel messages and hate speech" during their set, accusing them of roaring support for "terrorist organizations."
Osbourne slammed the festival organizers, Goldenvoice, a branch of Anschutz Entertainment Group (AEG), for their handling of the situation.
"Reports indicate that Goldenvoice was unaware of Kneecap's political intentions when they were booked. However, after witnessing their performance during the first weekend, allowing them to perform again the following weekend suggests support of their rhetoric and a lack of due diligence," Osbourne remarked.
During their initial Coachella gig on April 11, Kneecap stirred controversy by initiating an anti-Margaret Thatcher chant - which was later excluded from the festival's livestream - along with calls for Irish unification.
In their second weekend set at Coachella, which wasn't broadcasted on the official YouTube channel of the festival, Kneecap displayed three provocative messages.
The first declared: "Israel is committing genocide against the Palestinian people," followed by: "It is being enabled by the US government who arm and fund Israel despite their war crimes," and the last message boldly stated: "[Expletive] Israel. Free Palestine."
During the act, band member Mo Chara commented: "The Irish not so long ago were persecuted at the hands of the Brits, but we were never bombed from the... skies with nowhere to go.The Palestinians have nowhere to go." The group also incited the crowd with chants of: "Free, free Palestine."
Osbourne stated that she has concerns regarding Kneecap's involvement in the US festival, particularly with their upcoming performance.
"This behavior raises concerns about the appropriateness of their participation in such a festival and further shows they are booked to play in the USA," she said, and "I know for a fact that certain people in the industry had written to Goldenvoice, airing their concerns around the booking of Kneecap." She then asked her followers to request that the group's US work visas be revoked.
The representative from the US State Department declined to comment on the group's visa process, citing that "due to privacy and other considerations, and visa confidentiality, we generally will not comment on department actions with respect to specific cases."
For all the latest news straight to your inbox, sign up for our FREE newsletters
here
.
For the latest local news and features on Irish America, visit our homepage
here
.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Things you didn't know about Baileys
Things you didn't know about Baileys

Tatler Asia

time29-05-2025

  • Tatler Asia

Things you didn't know about Baileys

The name Baileys isn't Irish either According to the Irish Times , Gluckman and Seymour-Davies borrowed the name from Baileys Bistro, a restaurant located beneath their new office in SoHo, London. It just sounded right. Baileys comes in more flavours than you'd expect Above From Dublin to the world: Baileys has won hearts with its variety of flavour twists (photo: Getty Images / Monica Schipper) Beyond the original Irish Cream, the brand has expanded its repertoire to include indulgent favourites like Salted Caramel, Espresso Crème, Chocolate Cherry and Vanilla Cinnamon. Seasonal specials such as Pumpkin Spice keep things fresh, while the vegan-friendly Baileys Almande—made with almond milk—offers a plant-based option. Limited-edition releases such as Strawberries & Cream, Chocolat Luxe and Dulce de Leche (the latter exclusive to Mexico) prove Baileys isn't afraid to experiment. Pure ingredients, proudly sourced Each year, Baileys uses more than 250 million litres of fresh milk sourced directly from Ireland. According to a 2015 report by the Irish government's Merrion Street agency, this milk is collected from over 40,000 cows across 1,500 carefully selected farms. It is then transported to the Baileys facility in Dublin, where it becomes the cream used in the liqueur—a product with a shelf life of up to two years. Above Baileys has come to symbolise indulgence and ease (photo: Instagram / @baileysofficial) At least five men have laid claim to its creation The names most often associated with Baileys' beginnings include David Gluckman, David Dand, Mac Macpherson, Steve Wilson and Tom Jago. Among them, Jago is widely regarded as the most credible source. A pioneer in spirits innovation, he also helped create Johnnie Walker Blue Label and Malibu, and later co-founded The Last Drop Distillers with James Espey. According to Jago, Gluckman and Seymour-Davies were copywriters, Macpherson served as the chemist, Wilson assisted him, and Dand oversaw the project. Together, they experimented with a mix of whiskey, cream, sugar and chocolate, along with a name that would eventually become world-famous. A favourite among women Above Versatile and stylish, Baileys pairs beautifully with a wide range of treats (photo: Instagram / @baileysofficial) With an approachable alcohol content of around 17% and a soft, sweet profile, Baileys holds strong appeal, particularly among women. In 2014, Diageo launched a female-focused campaign titled 'This is for Us,' conceived by an all-female creative team at BBH London. According to Irish Central, the campaign was crafted specifically for the Millennial woman. It isn't just for after dinner In 2019, Baileys debuted a line of coffee creamers (think cold brews in flavours such as Caramel and Irish Coffee) aimed at brightening up your morning ritual. The brand has also ventured into desserts, releasing products like yoghurt and chocolate biscuits for fans wanting a little extra indulgence.

K-Pop acts that took over Coachella through the years
K-Pop acts that took over Coachella through the years

Tatler Asia

time16-05-2025

  • Tatler Asia

K-Pop acts that took over Coachella through the years

Epik High – 2016, 2022 Veterans of Korean hip-hop, Epik High brought swagger and lyricism in equal measure. Their 2016 debut was low-key but magnetic; by 2022, they returned, ready to remind the crowd that rhythm, when wielded right, can be its own form of rebellion. BLACKPINK – 2019, 2023 (and beyond) Above BLACKPINK - 'Pretty Savage' Live at Coachella 2023 If there's a singular inflexion point in this saga, it's BLACKPINK in 2019. As the first K-pop girl group to perform at Coachella, their set was sleek, searing, and historically resonant. By 2023, they weren't merely part of the festival—they were the festival. Headliners. Icons. Four solo stages. One cultural phenomenon. And in 2025, Lisa and Jennie return, each taking the stage on their own terms, a kind of glittering déjà vu with more diamonds and fewer doubts. 2NE1 – 2022 A reunion whispered about in forums and willed into existence by collective nostalgia. When 2NE1 appeared, unannounced, to perform I Am the Best , time collapsed. It was a reminder that K-pop's history is rich, complicated, and deeply adored. aespa – 2022 Above aespa vlogs at Coachella Where 2NE1 summoned memory, aespa conjured the future. Their Coachella debut was all metaverse and momentum, a sonic spectacle powered by AI avatars and cybernetic flair. In a sea of indie boys and recycled synths, aespa felt like a glitch in the matrix—in the best possible way. Jackson Wang – 2022, 2023 Above Jackson Wang - Coachella 2023 Tech Rehearsal Video Charisma in human form, Jackson Wang was a moment in Coachella. His 2022 debut was charged, but 2023 saw him enter a new gear, teaming up with BIBI for Feeling Lucky before launching into a set that blurred the line between pop concert and fever dream. BIBI – 2022, 2023 Sultry, strange, and sublime, BIBI brings an edge that's hard to define. Her 2022 set hinted at chaos; her 2023 duet with Jackson confirmed it. Hers is a performance style that resists polish—and therein lies its power. DPR LIVE and DPR IAN – 2023 Think less boy band, more cinematic universe. The DPR collective delivered a visceral, genre-hopping performance in 2023, equal parts poetry and pyrotechnics. R&B, hip-hop, and the occasional existential crisis—all in one set. ATEEZ – 2024 Above ATEEZ in Coachella It took over a decade, but Coachella finally welcomed its first K-pop boy group in 2024. Their performance was a masterclass in stamina and synchronisation, the kind of set that leaves both fans and festival execs wondering: why didn't this happen sooner? LE SSERAFIM – 2024 With elegance and edge, LE SSERAFIM captivated 2024 audiences, melding powerful choreography with vocals that felt both sharp and tender. Theirs is a group that understands the paradox of performance—precision that still feels free. The Rose – 2024 For those seeking something quieter, something aching, The Rose offered respite. Their 2024 set was plaintive and poetic, a balm amidst the bombast. Proof that K-pop isn't a monolith—it's a spectrum. ENHYPEN – 2025 Above ENHYPEN at Coachella 2025 A newer group with old-school polish, ENHYPEN's arrival in 2025 felt inevitable—like the beat drop you know is coming, but still sends shivers when it hits. XG – 2025

Inside Gucci's ‘Bamboo Encounters' exhibition at Fuorisalone 2025 in Milan
Inside Gucci's ‘Bamboo Encounters' exhibition at Fuorisalone 2025 in Milan

Tatler Asia

time08-05-2025

  • Tatler Asia

Inside Gucci's ‘Bamboo Encounters' exhibition at Fuorisalone 2025 in Milan

Above Hand-blown glass for Srouji's pieces The exhibition highlighted the works of the Swedish-Chilean artist Anton Alvarez; Palestinian architect, artist and researcher Dima Srouji; Kite Club, a Dutch design collective comprising Bertjan Pot, Liesbeth Abbenes and Maurice Scheltens; Austrian designer Laurids Gallée; French artist Nathalie Du Pasquier; Seoul-based designer and artist Sisan Lee; and lastly, the back studio, featuring duo Eugenio Rossi and Yaazd Contractor, who are based in Turin and Mumbai. 'Gucci's use of bamboo in its bags, including the Gucci Bamboo 1947, inspired me to research the historical use of bamboo for basket making. I love the idea of holding nature in the palm of your hand, shaping organic materials into inanimate forms that, over time, become cherished emotional companions,' says Srouji, whose work, Hybrid Exhalations , showcased found bamboo baskets with hand-blown glass additions. 'The Gucci Bamboo 1947 handbag, much like a woven basket, serves as both a vessel and a mediator—it holds a private space within, and its exterior is what faces the world. Carrying that contained space by your side as you move from one place to the next is conceptually really interesting, as that personal contained void moves next to you along the journey. This dual role of containment and exposure reflects how we navigate personal and public identities, carrying fragments of our inner world while presenting a surface to those around us.' Srouji adds that the combination of glass with bamboo gives her a sense of weightlessness and lightness that sparks joy. Read also: From Blackpink's Jisoo wearing Dior to Rihanna carrying Gucci, how celebs style their luxury bags Above 'Gucci | Bamboo Encounters' poster When asked what aspects of bamboo have inspired her, the Palestinian artist quips, 'I love the anonymous artisans that have been weaving bamboo baskets worldwide through multiple traditions and techniques. Through my research, I fell in love with the different characters in the baskets. How the bamboo is handled tells us a lot about the patience and personality of the person behind the pieces.' Above Kite Club's Liesbeth Abbenes and Maurice Scheltens Above Kite Club's Bertjan Pot The Dutch design collective Kite Club's piece Thank You, Bamboo , a series of kites made from contemporary materials and bamboo, is a nod to their roots. 'We have been making and flying kites as teenagers before our creative practices started. Making kites feels a bit like returning to our roots and where our creativity started. Both studios, Bertjan Pot and Scheltens & Abbenes, are applied art practices where we often work on commission. Kite Club should always feel like a hobby where the most important people to please are us. In that sense, kites reflect freedom in many ways,' the collective expresses. Although kites have been made with bamboo for ages, Kite Club admits they are more used to working with glass fibre and carbon fibre for their kite frames. '[And yet,] Switching back to bamboo was much easier than expected, and these will probably not be the last kites we made with bamboo…The great thing about kites is that technique and design both work together…We will keep making kites with bamboo frames and thank bamboo for its strength, flexibility and lightness!' Pot, Abbenes and Scheltens unanimously declare. 'The great thing about kites is that technique and design both work together…We will keep making kites with bamboo frames and thank bamboo for its strength, flexibility and lightness.' - Kite Club - Above 'Thank You, Bamboo' by Kite Club at the exhibit Above Putting together Kite Club's piece for the exhibit Gallée, who reinterpreted the material through his resin design pieces titled Scaffolding , was drawn by the bamboo's strength, texture and the precision of its parallel lines. 'But beyond its aesthetic qualities, what fascinates me is how nature has 'manufactured' this near-perfect material,' he says. Gallée envisions this aspect; its simplicity and immediate usability will become increasingly important. 'Bamboo has been used for millennia as a low-tech construction material, but now, in contrast to objects that simply emerge from a printer, it has the potential to thrive as a more natural alternative.' Above Austrian designer Laurids Gallée working on Scaffolding Above Gallée reinterprets bamboo through his resin design pieces 'Mastering the details almost always leads to better work, so I don't see creativity and technicality as separate.' - Laurids Gallée - The Austrian designer also believes that technical precision is integral to the creative process. 'Mastering the details almost always leads to better work, so I don't see creativity and technicality as separate,' Gallée says, explaining that his work, Scaffolding, requires a deep understanding of materials and complex manufacturing techniques but that, in the end, the process should never overshadow the result. The final piece–the experience it creates–matters more than the technical challenges behind it. Alongside the exhibition that ran in April, Gucci | Bamboo Encounters hosted a series of special talks open to the public, featuring conversations with the exhibition's designers, industry guests and creatives. NOW READ A Fashion Odyssey: James Reid's style journey with Gucci Inside the Gucci family villa in Rome, now with a reduced selling price of US$13.02 million Bea Alonzo reflects on her career, life, love and learning to move on

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store