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My favorite Charlotte Tilbury face palette is back! Shop the new Super Nudes Contour System

My favorite Charlotte Tilbury face palette is back! Shop the new Super Nudes Contour System

AI-assisted summary
Charlotte Tilbury launched the Super Nudes Contour System on May 1.
The collection includes the new Shapewear Lip Cheat Duo, Big Lip Plumpgasm in Nudegasm Diamonds and Shapewear Brush, along with the return of the Glowgasm Face Palette in Nudegasm.
A 20% discount is available on Charlotte Tilbury complexion products with the purchase of Super Nudes items.
Charlotte Tilbury has done it again, darlings! The popular British makeup artist is known for her brand's cult-following, influencer-approved products like the Pillow Talk Lipstick and Hollywood Flawless Filter. Personally, the Pillow Talk Push Up Lashes! Mascara is one of my desert island makeup picks.
Well, the brand is back with the new Super Nudes Contour System that just dropped today, May 1. The collection is designed to give you that flawless, sculpted look with minimal effort. The new 2-in-1 products in particular will inevitably save you time from digging around your makeup bag for that missing lip liner or brush.
The glamorous collection features the new Super Nudes Shapewear Lip Cheat Duo, the Big Lip Plumpgasm in Nudegasm Diamonds and Super Nudes Shapewear Brush, plus the return of the highly-requested Glowgasm Face Palette in Nudegasm that I am freaking out about.
Shopping tip: Save 20% on all Charlotte Tilbury complexion products when you shop any of Charlotte's new Super Nudes beauty icons
If you're obsessed with achieving that perfect contour and plump pout, Charlotte Tilbury's Super Nudes Contour System is about to become your new best friend. Below, I unpack the magic of each new product.
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Shop the Charlotte Tilbury Super Nudes Contour System
Charlotte Tilbury Big Lip Plumpgasm in Nudegasm Diamonds
The Big Lip Plumpgasm in Nudegasm Diamonds is the same comfortable, loved formula but now in a universally-flattering champagne-nude shade. The plumping lip gloss infused with diamond sparkle, making your lips look bigger and more luscious instantly. With Plumpgasm Heat + Ice Technology and hyaluronic acid, your lips will feel hydrated and plump, giving you that irresistible pout. It's like adding a touch of diamond magic to your makeup routine!
Charlotte Tilbury Super Nudes Shapewear Lip Cheat Duo
The Super Nudes Shapewear Lip Cheat Duo is a 2-in-1 lip pencil designed to define and enhance your lips with one tool. The duo includes a darker, sculpting shade with a powdery texture to outline your lips for a shadow effect and a lighter, creamier fill shade for all-over lip color. The result? Perfectly contoured, fuller-looking lips that scream 90s supermodel vibes.
Charlotte Tilbury Glowgasm Face Palette in Nudegasm
The insanely popular Nudegasm Face Palette is finally back. This is one of my go-to palettes because it is a one-stop shop for a flawless, lifted look with minimal effort. The hybrid cream-powder contour and bronzer shades blend seamlessly, while the pearlescent pigments of the blush and highlighter add a touch of glow.
Charlotte Tilbury Super Nudes Shapewear Brush
The 2-in-1 Super Nudes Shapewear makeup brush simplifies artistry, effortlessly blending highlight and contour for a seamless, sculpted finish. Crafted with 100% synthetic fibers, it ensures precise application. The angled sculpting brush contours and defines areas like the sides of your nose and under your lip. The fluffy, tapered end blends, softens, and sets, perfectly nestling into smaller areas for flawless shadows without harsh lines.

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Why Is Everyone on Television So Rich Now?
Why Is Everyone on Television So Rich Now?

Atlantic

timea day ago

  • Atlantic

Why Is Everyone on Television So Rich Now?

Watching Carrie Bradshaw—erstwhile sex columnist, intrepid singleton, striver—float down the majestic staircase of her new Gramercy townhouse on a recent episode of And Just Like That while wearing a transparent tulle gown, on an errand to mail a letter, is one of the most cognitively dissonant television experiences I've had recently. And Just Like That has never been a particularly imaginative show with regard to women in midlife, but there's still something fundamentally off about seeing one of the canonical female characters of our era transformed into a Gilded Age archetype, worrying about a garden renovation and choosing back-ordered fabric for a chaise. Carrie, suddenly, has many hats. She communicates with a lover via handwritten notes while she waits for his liberation from the home front in Virginia. What's happened to Carrie, truly, is money. Two decades after Sex and the City rolled to a televised close, acknowledging that its own cultural relevance was waning, its characters continue in zombified form on And Just Like That, pickled in a state of extreme privilege where nothing can touch them. The drama is lifeless, involving rehashed old storylines about beeping alarm systems and 'a woman's right to shoes' that serve mostly as a backdrop for clothes. Charlotte, in a questionable lace workout jacket, worries that her dog has been unfairly canceled. Miranda, in one of a series of patterned blouses, gets really into a Love Island –style reality show. (Remember Jules and Mimi?) Lisa wears feathers to a fundraiser for her husband's political campaign. Seema, in lingerie, nearly burns her apartment down when she falls asleep with a lit cigarette, but in the end, all she loses is an inch or so of hair. The point of the show is no longer what happens, because nothing does. The point is to set up a series of visual tableaus showcasing all the things money can buy, as though the show were an animated special issue of Vogue or Architectural Digest. What's stranger still is that a series that once celebrated women in the workplace has succumbed to financial ideals right out of Edith Wharton: The women who earned their money themselves (Miranda and Seema) somehow don't have enough of it (spoiler—they still seem to have a lot), while the ones who married money (Carrie, Charlotte, Lisa) breeze through life as an array of lunches, fundraisers, and glamping trips, with some creative work dotted into the mix for variety. The banal details of exorbitant wealth—well, it's all quite boring. Lately, most of television seems stuck in the same mode. Virtually everything I've watched recently has been some variation of rich people pottering around in 'aspirational' compounds. On Sirens and The Better Sister, glossy scenes of sleek couture and property porn upstage the intrigue of the plot. On Mountainhead, tech billionaires tussle in a Utah mountain retreat featuring 21,000 square feet of customized bowling alleys and basketball courts. On Your Friends & Neighbors, a disgraced hedge-fund manager sneers at the vacuous wealth of his gated community (where houses cost seven to eight figures), but also goes to criminal lengths to maintain his own living standards rather than lower them by even a smidge. And on With Love, Meghan, the humble cooking show has gotten a Montecito-money glow-up. 'I miss TV without rich people,' the writer Emily J. Smith noted last month on Substack, observing that even supposedly normie shows such as Tina Fey's marital comedy The Four Seasons and Erin Foster's unconventional rom-com Nobody Wants This seem to be playing out in worlds where money is just not an issue for anyone. This is a new development: As Smith points out, sitcoms including Roseanne and Married … With Children have historically featured families with recognizable financial constraints, and the more recent dramedies of the 2010s were riddled with economic anxiety. Reality television, it's worth noting, has been fixated on the lifestyles of the rich and bored virtually since its inception, but as its biggest stars have grown their own fortunes exponentially, the genre has mostly stopped documenting anything other than wealth, which it fetishizes via the gaudy enclaves and private jets of Selling Sunset and Bling Empire. Serialized shows, too, no longer seem interested in considering the stakes and subtleties of most people's lives. Television is preoccupied with literary adaptations about troubled rich white women, barbed satires about absurdly wealthy people on vacation, thrillers about billionaire enclaves at the end of the world. Even our contemporary workplace series (Severance, Shrinking) play out in fictional realms where people work not for the humble paychecks that sustain their lives, but to escape the grief that might otherwise consume them. What does it mean that our predominant fictional landscapes are all so undeniably 'elevated,' to use a word cribbed from the Duchess of Sussex? And Just Like That is evidence of how hard it is for shows that take wealth for granted to have narrative stakes, and how stultifying they become as a result. But we also lose something vital when we no longer see 99 percent of American lives reflected on the small screen. Money isn't just making TV boring. It's also reshaping our collective psyche—building a shared sense of wealth as the only marker of a significant life, and rich people as the only people worthy of our gaze. We're not supposed to be able to empathize with the characters on-screen, these strutting zoo animals in $1,200 shoes and $30,000-a-night villas. But we're not being encouraged to empathize with any other kinds of characters, either—to see the full humanity and complexity of so many average people whose lives feel ever more precarious in this moment, and ever more in need of our awareness. On an episode in the final season of Sex and the City, a socialite named Lexi Featherston cracks a floor-to-ceiling window, lights a cigarette, and declares that New York is over, O - V - E - R. 'When did everybody stop smoking?' she sneers. 'When did everybody pair off?' As the hostess glares at her, she continues: 'No one's fun anymore. Whatever happened to fun? God, I'm so bored I could die.' Famous last words: Lexi, of course, promptly trips on her stiletto, falls out the absurdly dangerous glass panel, and plummets to her death. Her arc—from exalted '80s It Girl to coked-up aging party girl—was supposed to represent finality, the termination of the city's relevance as a cultural nexus. 'It's the end of an era,' Carrie says at Lexi's funeral, where Stanford is elated to have scored VIP seats next to Hugh Jackman. 'The party's officially over,' Samantha agrees. After six seasons of transforming how a generation of women dated, dressed, even drank, Sex and the City seemed to be acknowledging that its own moment had come to an end. The characters were undeniably older, no longer seeking anthropological meaning in a SoHo nightclub at 3 a.m. But the city that the show documented—and popular culture more broadly—had shifted, too: toward less spontaneity, less rebellion, and infinitely higher incomes. The year that final season aired, 2004, is possibly when television's prurient obsession with rich people really kicked off, with the launch of shows including Desperate Housewives, Entourage, and, notably, The Apprentice. A year earlier, Fox had premiered a soapy drama called The O.C., which charted the rags–to–Range Rover adventures of a teen from Chino who ended up ensconced in the affluent coastal town of Newport Beach. Until then, it had never occurred to me that teenagers could wear Chanel or drive SUVs that cost six figures, although watching them rattle around in McMansions the size of the Met provided much of The O.C. 's visual thrill. In direct response to the show's success, MTV debuted the reality show Laguna Beach: The Real Orange County a year later, and in 2006, Bravo countered with its own voyeuristic peek into the lives of the rich and fabulous— The Real Housewives of Orange County. Documenting wealth enticingly on television is a difficult balancing act: You want to stoke enough envy that people are inspired to buy things (gratifying advertisers along the way), but not so much that you risk alienating the viewer. Reality TV pulled it off by starting small. The women on the first season of Real Housewives were well off, but not unimaginably so. They lived in high-end family homes, not sprawling temples of megawealth. Similarly, when Keeping Up With the Kardashians debuted in 2007, the family lived in a generous but chintzy bungalow, having not yet generated the billions of dollars that would later pay for their minimalist compounds in Calabasas and Hidden Hills. During the 2008 financial crisis, a critic for The New York Times wondered whether the tanking global economy might doom the prospects of shows such as The Real Housewives of Atlanta, which had just premiered, and turn them into 'a time capsule of the Bling Decade.' But the fragility of viewers' own finances, oddly, seemed to make them more eager to watch. Shows about money gratified both people's escapist impulses and the desire to critique those who didn't seem worthy of their blessings. As Jennifer O'Connell, a producer for The Real Housewives of New York City, put it to the Times a year later: 'Everyone likes to judge.' The toxic, unhappy, rich-people shows that have more recently proliferated on prestige TV—the Succession and White Lotus and Big Little Lies variation—cover their backs with cynicism. Money doesn't make you happy, they assert over and over, even though studies suggest otherwise. The documentation of extreme wealth on television with such clarifying bitterness, they imply, surely inoculates audiences from pernicious aspiration. Except it doesn't: The Four Seasons San Domenico Palace in Sicily was fully booked for a good six months following the second season of The White Lotus, despite the fictional bodies floating in the water. And a study conducted at the London School of Economics in 2018 found that a person's increased exposure to shows that regularly 'glamourize fame, luxury, and the accumulation of wealth' made them more inclined to support welfare cuts; it also noted other studies that found that the more people watched materialistic media, the more anxious and unhappy they were likely to be in their own lives. Watching shows about wealth does, however, seem to stimulate the desire to shop, which is maybe why this latest season of And Just Like That feels intended for an audience watching with a second screen in their hand—all the better to harvest the aspirational consumption the show's lifestyles might generate. Streaming services are already tapping into the reams of data they have on viewers by serving them customized ads related to the series they might be watching, and many are also experimenting with e-commerce. 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'Sex and the City 'Star Kristin Davis Clarifies That She Never Dated Chris Noth
'Sex and the City 'Star Kristin Davis Clarifies That She Never Dated Chris Noth

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timea day ago

  • Yahoo

'Sex and the City 'Star Kristin Davis Clarifies That She Never Dated Chris Noth

Sex and the City stars Kristin Davis and Chris Noth were previously rumored to have dated during their time on the show But on Friday, June 6, a fan of the show asked Davis in her Instagram comments if the decades-old rumors were true The HBO star promptly replied, and clarified that she and Noth "didn't" dateKristin Davis is clearing up decades-old rumors. The Sex and the City and And Just Like That... star clarified in an Instagram comment on Friday, June 6, that she and her costar, Chris Noth, never dated. Davis, 60, currently hosts the Are You A Charlotte? podcast, where she chats all things Sex and the City with guests, including Megan Thee Stallion on the Monday, June 2 episode. The 30-year-old musician has notably shared her distaste for Noth's character, Mr. Big, Carrie Bradshaw's on-and-off again love interest through the series and films. On Friday, June 6, Davis shared a clip of her discussion with the Grammy winner, who said, 'I'm not pro-Big. I hate Big.' But one follower commented, 'Maam didn't you date him??' Davis retorted and finally put to rest the rumors that have swirled about her and Noth. 'No i didnit!!!' The Instagram user thanked Davis for her candor. 'omg I have been lied to thank you for setting me straight!! i even googled this and there are several links saying you did i swear i didn't make this up.' Davis starred as Charlotte, alongside Noth, 70, and Sarah Jessica Parker. She was one of Carrie's three best friends, along with Miranda (Cynthia Nixon) and Samantha (Kim Cattrall). During Megan Thee Stallion's appearance on Davis' podcast, the rapper asked if Big (a.k.a. John James Preston) was a part of the Sex and the City spinoff, And Just Like That… 'Something happened to him,' Davis said with a knowing smile, before asking, 'Should I ask her? I don't want to ruin it for you.' 'Tell me,' the musician said, and Davis very quietly whispered, 'He died,' leaving the singer shocked with her mouth agape. In the And Just Like That… premiere in 2021, Carrie and Mr. Big are in wedded bliss, only for their happiness to come to an abrupt halt when Big suffers a fatal heart attack after a 45-minute ride on his at-home Peloton bike. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. Shortly after the episode aired, Noth was accused of sexually assaulting multiple women, which he denied. Davis, Parker and Nixon issued a joint statement: "We are deeply saddened to hear the allegations against Chris Noth.' The statement continued: "We support the women who have come forward and shared their painful experiences. We know it must be a very difficult thing to do and we commend them for it." In an August 2023 interview with USA Today, he maintained that his only transgression was cheating on his wife, Tara Wilson. Noth denied the other allegations, calling what he termed the "add-ons" to the women's stories "completely ridiculous" with "absolutely no basis in fact." Read the original article on People

Princess Charlotte Set To Shine With a Bigger Royal Role This Summer
Princess Charlotte Set To Shine With a Bigger Royal Role This Summer

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time2 days ago

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Princess Charlotte Set To Shine With a Bigger Royal Role This Summer

Princess Charlotte has a big summer ahead of her as her parents, Prince William and Kate Middleton continue to expand her royal role — one event at a time. The young royal, who turned 10 last month, is expected to have a busy summer holiday after wrapping up her school year in the coming weeks. The first event on her agenda will be Trooping the Cloud on June 14, per Hello! Magazine. As mom, Kate has been protective over her three children, including sons Prince George, 11, and Prince Louis, 7, so she only wants them to step into the spotlight when they are ready. More from SheKnows Prince Harry Reportedly Explored a Major Personal Change That Would Rock the Royal Family It's why a palace insider described Charlotte to People as 'a strong character' who is 'almost wise beyond her years.' That calm presence that royal fans consistently witness is 'truly her personality — it's not forced,' per childrenswear designer Amaia Arrieta. 'She looks very confident and at ease with herself and the environment she's in,' she told the media outlet. 'The maturity that comes with that responsibility—she seems to nail it every time.' It's why tennis fans are likely to see Princess Charlotte back at Wimbledon in July with her older brother to support their mother's royal patronage of the All England Lawn Tennis Club. Charlotte handled meeting Wimbledon champion Carlos Alcaraz like a pro last summer, so it wouldn't be out of the ordinary to see more moments like that this summer. Her leadership skills were noticed early on with her late great-grandmother, Queen Elizabeth II, pointing out that Charlotte had great confidence, even as a little girl. 'The queen has joked that at home, even at Buckingham Palace, Charlotte rules the roost. And I think that very much is the feeling amongst the Cambridges,' royal expert Katie Nicholl told Entertainment Tonight in September 2019. 'Prince George may be the eldest child, but I think it's Charlotte who calls the shots and has everyone running rings around her.' Still, William and Kate are making sure Charlotte and her siblings experience as normal a childhood as they can. That means there will be plenty of downtime at their country home at Anmer Hall in Norfolk, England, and the royal family retreat to Balmoral Castle in Scotland in August. No matter what the summer of 2025 brings, Princess Charlotte appears to be of SheKnows From Free-Range to Fully Offbeat, These Celebs Embrace Unconventional Parenting Styles These '90s Girl Names Are All That and a Bag of Chips 26 Stunning, Unique Jewelry Brands & Pieces for Teens

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