Renowned Wagner tenor Peter Seiffert dies aged 71
The renowned German opera singer Peter Seiffert has died at the age of 71, his agency reported on Tuesday.
Seiffert, a celebrated interpreter of Wagner, passed away on Monday in his adopted home near the Austrian city of Salzburg after suffering from a severe illness.
The Bayreuth Festival, the annual celebration of Wagner music, released an obituary stating, "The opera world loses a truly great, a wonderful singer with him."
Seiffert, known for the lightness of his voice, portrayed the title role in Wagner's "Lohengrin" and Walther von Stolzing in "Die Meistersinger von Nürnberg" (The Master-Singers of Nuremberg) at the festival from 1996 to 2005.
The festival noted that Seiffert impressed not only with his voice but also with his profound character interpretation.
Bavarian Minister of Arts Markus Blume praised Seiffert, saying, "He was not just a singer but also a storyteller, magician and charmer." The conservative politician highlighted the strong connection Seiffert had with Bayreuth and the Bavarian State Opera, noting the audience in Bavaria adored him.
Seiffert was born in 1954 in Düsseldorf as the son of singer and pop composer Helmut Seiffert.
He began his career in the late 1970s at the Deutsche Oper am Rhein in Düsseldorf and Duisburg. From 1984 to 1992, he was a member of the ensemble at the Deutsche Oper Berlin. His career also took him to many major opera houses in cities such as Vienna, Milan, London and New York.
Seiffert's signature roles included not only Wagnerian heroes like Parsifal, Tannhäuser or Tristan but also characters from French and Italian works, such as the title role in Verdi's "Otello."
Seiffert was awarded the German honorific title of Kammersänger (Chamber Singer) for distinguished singers of opera and classical music multiple times.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


USA Today
16 hours ago
- USA Today
The 'true' origin story of 'The Ritual' is even more hair-raising: 'Begone Satan!'
The 'true' origin story of 'The Ritual' is even more hair-raising: 'Begone Satan!' Show Caption Hide Caption 'The Ritual': Al Pacino, Dan Stevens take on exorcism horror Al Pacino and Dan Stevens star in "The Ritual," a horror film based on the account of a 1928 American exorcism. "The Ritual" exorcism horror drama (now in theaters), starring Al Pacino as the real-life German-American Capuchin friar Theophilus Riesinger and Dan Stevens as Father Joseph Steiger, proudly claims to be "based on true events." The star duo delivers hair-raising moments as they recreate the 1928 exorcism of Emma Schmidt (Abigail Cowen). But on a horror level, it pales in comparison to the more sensational source material. Writer-director David Midell has made it clear "The Ritual" is inspired by the 1935 "Begone Satan!" book by Father Carl Vogl, a German priest and author. Vogl's exclamation point-filled "true account" of the proceedings in Earling, Iowa, is still available online and makes for great, campy reading. How 'Begone Satan!' emerged as the source of 'The Ritual' in Time magazine Steiger's job was to host (other churches declined) and to take notes during the harrowing (and reportedly successful) exorcism. The Steiger notes are the purported source of "Begone Satan!" which made front-page news in religious publications like Denver's Catholic Register years later. Time magazine brought the story to mainstream readers with a Riesinger-heavy 1936 account of the "diabolical possession." The Time article demonstrates some skepticism by reminding readers "that no Catholic is obliged to believe in any particular account of a case of diabolical possession outside of those recounted in Scripture." At the end of this long, twisted, and sometimes dubious road, "The Ritual" earns the right to make the carefully worded claim in its closing: "The 1928 exorcism of Emma Schmidt represents the most thoroughly documented and well-known exorcism in American history." The devil will apparently mess with your car In an early "Ritual" scene, Steiger apologizes for failing to pick up Riesinger at the train station, attributing the oversight to the devil's mischief. With 19 exorcisms to his name, he knows that the devil will mess with cars. In "Begone Satan!" Steiger can't explain why his "tip-top" car takes two hours to get to the station. Riesinger points out that the traveling mishap is the devil "doing his utmost to foil our plans." Later, Steiger is nearly killed after inexplicably losing control of his still-new car on a familiar road and crashing it to "smithereens." The book's car-totaling "devil's trick" doesn't make "The Ritual," which is a shame, given the rich real-life irony: Stevens' "Downton Abbey" character, Matthew Crawley, was killed in a Season 3 car crash that allowed him to pursue a film career. In "Begone Satan!" Steiger's congregation pitches in to buy a new car for the pastor, which frankly could have been an alternate film ending (with a Ford sponsorship). Riesinger had met Schmidt's demons before In "The Ritual," Riesinger makes it clear that the case is personal because he had previously exorcised Schmidt. "Begone Satan!" says Riesinger "freed her from this possession" in 1912, but Schmidt "became possessed again" in her 40s. Schmidt is said to be possessed by four entities that announce themselves as Beelzebub, betraying disciple Judas, Schmidt's abusive father Jacob and Mina (Jacob's lover and Schmidt's aunt). The devil didn't mess with the 'Ritual' nuns Three nuns are injured while dealing directly with the possessed Schmidt in "The Ritual," and Sister Rose ("Twilight" star Ashley Greene) has her hair pulled out of her scalp. In "Begone Satan!" the devil never attacked the nuns, saving his blows for the bigwigs — Pastor Steiger or Mother Superior (played by "Everybody Loves Raymond" star Patricia Heaton). In "The Ritual," the demons within Schmidt taunt Steiger with knowledge of his brother's recent death by suicide. There's no suggestion of these low blows in "Begone Satan!" But in the book, Steiger gives some memorable verbal shots in that never made the movie, like "detestable hellhound" and "vile serpent." Satan also calls Riesinger "dumbbell" when the overtired priest doesn't get his prayers right. That didn't make the movie, either. 'Begone Satan!' has the possessed woman flying over bed like 'The Ritual' The possessed Schmidt throws up black bile often in "The Ritual," but not as much as in the book. 'It was not unusual for her to vomit 20 to 30 times a day," the book says, including bedside descriptions of wretched output "resembling vomited macaroni." The movie scene featuring Schmidt flying over the bed is detailed in "Begone Satan!" "The possessed woman broke from the grip of her protectors and stood erect before them," the book says. "Only her heels were touching the bed." How 'Begone Satan!' ends the story Unlike the movie, the Iowa exorcism reportedly took place in three stages, in August, September and December 1928. The book's climax differs from "The Ritual" ending, which has Schmidt running through the church catacombs, and Steiger stepping up with an exorcist hero moment, shouting down the demon with the Bible in hand. In the book, levitating Schmidt returns to the bed, and "Satan was forced to leave his victim at last to return to Hell." Schmidt utters, "My Jesus mercy! Praised be Jesus!" showing she's clear. The woman "reportedly lived out the rest of her life peacefully," the movie says in the closing credits. "Begone Satan!" backs up that happy ending, adding "there were still possessions, but of a milder nature."


New York Post
18 hours ago
- New York Post
Bill Maher explains how Trump and Musk went from ‘Brangelina' to ‘Godzilla vs. King Kong'
The fiery feud between President Trump and Elon Musk is the most exciting public breakup since the days of Brangelina, according to Bill Maher. The late-night comedian compared the public warfare and vitriol to that of 'Godzilla vs. King Kong if Godzilla was on ketamine and King Kong had a combover.' The big beautiful break-up is even more shocking because Trump and Musk were 'so close,' like celebrity couples Brad Pitt and Angeline Jolie, and Ben Affleck and Jen Lopez, whose seemingly strong but ultimately whirlwind romances gripped tabloids for decades. Advertisement 3 Bill Maher compared President Trump to King Kong if he 'had a combover.' AFP via Getty Images 'They had their own couple name: E-lump,' Maher said. But like the actor pairings, the Musk and Trump demise was a long time coming, he continued. Advertisement 'I can't really think of anything other than the Trump-Elon [fight],' Maher said in his opening monologue Frday for HBO's 'Real Time.' The talk host did a brief rundown of the pair's political breakdown, pinpointing the potential beginning of the end to Trump's meeting with German Chancellor Friedrich Merz in the Oval Office last week when Musk showed up sporting a black eye. 3 The feud started when Elon Musk declined Trump's offer to borrow makeup, according to Maher. Getty Images The President claimed he offered makeup to the former Department of Government Efficiency head, but was turned down, which he found 'interesting.' Advertisement 'Yeah, weird, Elon, what sort of man turns down makeup?' Maher chided. The feud slowly simmered as the pair lobbed further accusations against one another, including Musk claiming Trump's tariffs would cause a recession and the President responding that no one wants to buy Tesla's electric vehicles — but 's–t got real' when Musk claimed he was the reason Trump won the election. 3 Trump and Musk had their own couple name, Maher aid: 'E-lump.' MAX 'And Trump said, 'Well, you know what Mars is a s–thole planet.' And Musk said, 'Oh my god, you are not the same man I used to heil,'' Maher said. Advertisement The fighting has only grown worse in recent days, with Musk shockingly claiming on X that Trump's involvement in the Epstein files is the reason they haven't been released. Musk has since deleted the X post. Trump, on the other hand, has tried to play it cool, saying he hasn't given much thought to his former 'First Buddy.' 'The stakes are so high because the winner faces Blake Lively,' Maher joked, referencing the recent public downfall of the actress's previously beloved image. Any good feeling between the two men is likely gone after Musk stepped up his criticism of the Trump-backed 'Big, Beautiful Bill' — and then called for the impeachment of the president and a new political party to challenge the GOP.


USA Today
18 hours ago
- USA Today
'Ballerina' Ana de Armas spills on that explosive 'John Wick' ending
'Ballerina' Ana de Armas spills on that explosive 'John Wick' ending Show Caption Hide Caption Ian McShane talks working with Ana de Armas in 'Ballerina' Ian McShane shares why it was smart to bring Ana de Armas into the "John Wick" franchise in the new film "Ballerina." Spoiler alert! We're discussing important plot points and the ending of 'Ballerina' (in theaters now), so beware if you haven't seen it yet. Ana de Armas goes through snowy hell to find vengeance in 'Ballerina,' and by the end, she winds up a wanted woman. The 'John Wick' franchise spinoff introduces dancer/assassin Eve Macarro (de Armas), who's trained by the same Ruska Roma organization that begat John Wick (Keanu Reeves). She's still a rookie hitwoman when Eve discovers that the mystery men who murdered her father when she was a little girl belong to a killer cult. Eve defies the wishes of the Ruska Roma's Director (Anjelica Huston) and goes after the cult and its leader, the Chancellor (Gabriel Byrne). Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox Along the way, Eve also has to rescue Ella, the young kidnapped daughter of an ex-cult member (Norman Reedus). And before the explosive finale, Eve learns that Lena (Catalina Sandino Moreno), one of the Chancellor's enforcers, is actually her long-thought-dead older sister, though Lena is killed by her own people soon after the revelation. 'She really is alone,' de Armas says of her character. 'So she really now feels like she has nothing to lose except for maybe Ella. Maybe that's what's going to give her some purpose from now on.' Let's dig into the best spoilers from 'Ballerina,' from the very Keanu ending to a mystery awaiting Eve's next mission. What happens in the ending of 'Ballerina'? Eve travels to a little Austrian town full of murderous locals to track down the Chancellor, and as she gets closer to accomplishing her mission, he reaches out to the Director to help deal with his problem. (Because the cult is such a wild card, Ruska Roma and other crime organizations try to keep the peace with them.) The Director sends in the feared 'Baba Yaga,' John Wick (who's still alive at this point in the story, which takes place between the third and fourth 'Wick' movies), to take care of the situation. John gives Eve an out, explaining that her actions have consequences but she can leave peacefully if she wants. She refuses and they tussle, though John doesn't kill her – they have a quite a bit in common, from being orphans to wanting vengeance for loved ones. Wick gives her a half hour to take care of the Chancellor before he needs to take care of her, but just before time runs out, and Eve is confronting the villain, Wick shoots him from a sniper position. Eve returns Ella to her dad and goes to the ballet to see the performance of an old Ruska Roma friend who couldn't cut being an assassin. Eve's phone pings, she sees that there's a $5 million bounty on her head, and she walks out quietly from the theater. 'It is a really good ending,' de Armas says. 'It can go anywhere from here. I do feel like she found herself. She got what she wanted: 'I chose this life, this is what I want to do.' ' Although 'she looks up to John,' de Armas adds, Eve can't take his or anyone else's advice to move on from her loss. 'Literally every person she goes to tells her, 'Stop it. Let it go.' And she can't, it's just stronger than her. There's some relief in her and now she will deal with the consequences. She's not afraid of that and it'll be what it'll be.' Does the new 'John Wick' movie have a post-credits scene? Nope! Although 'John Wick: Chapter 4' had a mid-credits sequence, 'Ballerina' doesn't. What it does boast, however, is the rockin' new Evanescence track 'Fight Like a Girl' (which is a theme in the movie). For those looking for a tease of where Eve could go next, director Len Wiseman says to pay attention to the bounty on Eve at the end of the movie. That was 'a Keanu idea,' the filmmaker says, and it speaks to 'the spirit of the consequences behind this world.' But 'it's ambiguous who put that contract out,' Wiseman adds. And while audiences will have to wait to see who that mystery person is, 'I have my fun, really dark ideas.'