logo
Annual Holocaust Commemoration to be held Sunday in Beckley

Annual Holocaust Commemoration to be held Sunday in Beckley

Yahoo26-04-2025

BECKLEY, WV (WVNS) — Beckley's Temple Beth-El will host its' annual Holocaust Commemoration ceremony Sunday, April 27, 2025, at Carter Hall on WVU Tech's campus.
Beckley Pride 2025 event cancelled
The event will begin at one in the afternoon with music curated around the theme of 'common humanity.'
That's according to Dr. Joseph Golden who is organizing the ceremony.
He said following the music will be a reading of the story of Max Lewin, a local Holocaust survivor who inspired the ceremony thirty years ago by breaking his silence about his experiences.
There will be several other readings, including 'And Then They Came for Me', a quote by German pastor Martin Niemoller.
Rabbi David Sofian will address the attendees next, followed by a communal mourning prayer called the Kaddish.
Finally, the event will be closed by the blowing of a ceremonial ram's horn, called a shofar.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

African prisoners made sound recordings in German camps in WW1: this is what they had to say
African prisoners made sound recordings in German camps in WW1: this is what they had to say

Yahoo

time3 hours ago

  • Yahoo

African prisoners made sound recordings in German camps in WW1: this is what they had to say

During the first world war (1914-1918) thousands of African men enlisted to fight for France and Britain were captured and held as prisoners in Germany. Their stories and songs were recorded and archived by German linguists, who often didn't understand a thing they were saying. Now a recent book called Knowing by Ear listens to these recordings alongside written sources, photographs and artworks to reveal the lives and political views of these colonised Africans from present-day Senegal, Somalia, Togo and Congo. Anette Hoffmann is a historian whose research and curatorial work engages with historical sound archives. We asked her about her book. About 450 recordings with African speakers were made with linguists of the so-called Royal Prussian Phonographic Commission. Their project was opportunistic. They made use of the presence of prisoners of war to further their research. In many cases these researchers didn't understand what was being said. The recordings were archived as language samples, yet most were never used, translated, or even listened to for decades. The many wonderful translators I have worked with over the years are often the first listeners who actually understood what was being said by these men a century before. The European prisoners the linguists recorded were often asked to tell the same Bible story (the parable of the prodigal son). But because of language barriers, African prisoners were often simply asked to speak, tell a story or sing a song. We can hear some men repeating monotonous word lists or counting, but mostly they spoke of the war, of imprisonment and of the families they hadn't seen for years. Abdoulaye Niang from Senegal sings in Wolof. Courtesy Lautarchiv, Berlin275 KB (download) In the process we hear speakers offer commentary. Senegalese prisoner Abdoulaye Niang, for example, calls Europe's battlefields an abattoir for the soldiers from Africa. Others sang of the war of the whites, or speak of other forms of colonial exploitation. When I began working on colonial-era sound archives about 20 years ago, I was stunned by what I heard from African speakers, especially the critique and the alternative versions of colonial history. Often aired during times of duress, such accounts seldom surface in written sources. Joseph Ntwanumbi from South Africa speaks in isiXhosa. Courtesy Lautarchiv, Berlin673 KB (download) Clearly, many speakers felt safe to say things because they knew that researchers couldn't understand them. The words and songs have travelled decades through time yet still sound fresh and provocative. The book is arranged around the speakers. Many of them fought in the French army in Europe after being conscripted or recruited in former French colonies, like Abdoulaye Niang. Other African men got caught up in the war and were interned as civilian prisoners, like Mohamed Nur from Somalia, who had lived in Germany from 1911. Joseph Ntwanumbi from South Africa was a stoker on a ship that had docked in Hamburg soon after the war started. In chapter one Niang sings a song about the French army's recruitment campaign in Dakar and also informs the linguists that the inmates of the camp in Wünsdorf, near Berlin, do not wish to be deported to another camp. An archive search reveals he was later deported and also that Austrian anthropologists measured his body for racial studies. His recorded voice speaking in Wolof travelled back home in 2024, as a sound installation I created for the Théodore Monod African Art Museum in Dakar. Chapter two listens to Mohamed Nur from Somalia. In 1910 he went to Germany to work as a teacher to the children of performers in a so-called Völkerschau (an ethnic show; sometimes called a human zoo, where 'primitive' cultures were displayed). After refusing to perform on stage, he found himself stranded in Germany without a passport or money. He worked as a model for a German artist and later as a teacher of Somali at the University of Hamburg. Nur left a rich audio-visual trace in Germany, which speaks of the exploitation of men of colour in German academia as well as by artists. One of his songs comments on the poor treatment of travellers and gives a plea for more hospitality to strangers. Stephan Bischoff, who grew up in a German mission station in Togo and was working in a shoe shop in Berlin when the war began, appears in the third chapter. His recordings criticise the practices of the Christian colonial evangelising mission. He recalls the destruction of an indigenous shrine in Ghana by German military in 1913. Also in chapter three is Albert Kudjabo, who fought in the Belgian army before he was imprisoned in Germany. He mainly recorded drum language, a drummed code based on a tonal language from the Democratic Republic of Congo that German linguists were keen to study. He speaks of the massive socio-cultural changes that mining brought to his home region, which may have caused him to migrate. Together these songs, stories and accounts speak of a practice of extracting knowledge in prisoner of war camps. But they offer insights and commentary far beyond the 'example sentences' that the recordings were meant to be. As sources of colonial history, the majority of the collections in European sound archives are still untapped, despite the growing scholarly and artistic interest in them in the last decade. This interest is led by decolonial approaches to archives and knowledge production. Sound collections diversify what's available as historical texts, they increase the variety of languages and genres that speak of the histories of colonisation. They present alternative accounts and interpretations of history to offer a more balanced view of the past. This article is republished from The Conversation, a nonprofit, independent news organization bringing you facts and trustworthy analysis to help you make sense of our complex world. It was written by: Anette Hoffmann, University of Cologne Read more: Rashid Lombard: the photographer who documented both resistance and celebration in South Africa 3 things Ngũgĩ wa Thiong'o taught me: language matters, stories are universal, Africa can thrive Mbare Art Space: a colonial beer hall in Zimbabwe has become a vibrant arts centre Anette Hoffmann does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

From New Orleans to Normandy: Honoring Louisiana's WWII heroes
From New Orleans to Normandy: Honoring Louisiana's WWII heroes

Axios

time6 hours ago

  • Axios

From New Orleans to Normandy: Honoring Louisiana's WWII heroes

As the nation remembers D-Day on Friday's 81st anniversary, a dwindling number of World War II veterans remain with us. About 300 WWII vets are still living in Louisiana, according to the latest figures from the Department of Veterans Affairs. The big picture: About 16.4 million Americans served in WWII, but only about 66,100 were still living as of September 2024, per the VA's projections. "We have the enormous responsibility to ensure that the memories and experiences of the war will not be lost as those who lived through it leave this world," said Stephen J. Watson, president and CEO of the National WWII Museum in New Orleans, in a statement. Zoom out: The museum is welcoming back WWII veterans as part of its commemoration events. It had an overnight display Thursday with 2,510 candle luminaria to honor the Americans who died on D-Day. At 6:30am Friday, there's a remembrance gathering to mark the moment the invasion of Normandy began. About 25 WWII veterans and Holocaust survivors will open the museum at 8:50am Friday to a hero's welcome. The main ceremony, which is also free, starts at 11am. Full list of events. Meanwhile, it's also the museum's 25th anniversary. The venue opened in 2000 as The National D-Day Museum. It was housed in a single exhibition hall and dedicated to telling the stories of the Americans who participated in the amphibious invasion. Today, the museum spans seven pavilions and has immersive exhibits and an expansive collection of artifacts. Fun fact: The Higgins boats used on D-Day were designed and built in New Orleans. Fewer than 10 original boats remain in existence. President Dwight D. Eisenhower called Andrew Higgins "the man who won the war for us" thanks to his namesake landing craft.

Nuclear power stations and Robbie Williams
Nuclear power stations and Robbie Williams

Yahoo

time7 hours ago

  • Yahoo

Nuclear power stations and Robbie Williams

Here's our daily pick of stories from across local websites in the West of England, and interesting content from social media. The family of Jack O'Sullivan who went missing in Bristol in March, 2024, have told Bristol Live of the "unimaginable hell" they've been through as they continue their search for answers. Somerset Live shared the latest pictures from Hinkley Point C where work to build the domed roof on the second reactor is under way. And Gloucestershire Live told the story of how a group of women who all suffer with chronic pain have set up a group to support others living with the condition. 'My German family was torn apart hours after VE Day' MP diagnosed with autoimmune condition after illness Travel warning as 11 day Severn Tunnel works start A Weston-super-Mare based funeral home have been offering free prom night limo rides for those who are struggling financially. The leader of North Somerset Council has addressed confusion over the ongoing restoration work at Birnbeck Pier and says every pound spent can be accounted for. Residents in Bath have expressed concern over the potential for a university open day, Ladies Day at Bath Racecourse and a Robbie Williams concert on the Royal Crescent all happening on the same day. Follow BBC West social channels in Bristol, Gloucestershire, Somerset and Wiltshire. Send your story ideas to us on email or via WhatsApp on 0800 313 4630.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store