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Sydney Sweeney Says ‘Euphoria' Season 3 Is More 'Unhinged' & Promises A 'Crazier' Cassie

Sydney Sweeney Says ‘Euphoria' Season 3 Is More 'Unhinged' & Promises A 'Crazier' Cassie

Yahooa day ago

In Season 2 of Euphoria, Cassie had 'never ever been happier,' and according to star Sydney Sweeney, in the forthcoming third season, she's never been been 'crazier.'
Speaking to Empire magazine in promotion for her new Apple TV+ film opposite Julianne Moore, Echo Valley, the actress-producer previewed what fans can expect from the long-delayed installment.
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'I have such a spot in my heart for Cassie, and I hold her really close and dear,' the Fifty Fifty Films founder began. 'She is crazy. She makes so many mistakes. She's flawed on so many levels, but she does it all from a place of love. It could be a sad version of love, as well. It's so much fun to play a character that is as crazy as she is. Sam [Levinson] is such a brilliant filmmaker to work with, because I'll read something, then I'll call him, and I'm like, 'Let's go crazier.' And he's like, 'I'm all in.' And this season is unhinged.'
When asked to clarify if the HBO dramedy is even 'more unhinged' than previous seasons, Sweeney laughed and replied, 'Yes.'
Produced in partnership with A24, the brainchild of Levinson, the show went darker and wilder in its sophomore installment, all culminating in a meta play that laid bare the East Highland High School gossip of the year, including Cassie's secret tryst with Maddie's (Alexa Demie) abusive ex-boyfriend Nate (Jacob Elordi).
Currently filming in Los Angeles, the series will take its characters out of high school for the first time, featuring a five-year time jump and set for premiere next year, four years after Season 2's conclusion — a gap largely attributed to the dual strikes and creative factors. Since then, actors Sharon Stone, Asante Blackk and Lucy Punch, as well as Rosalía, Marshawn Lynch and Kadeem Hardison, have joined returning series regulars Zendaya, Maude Apatow, Eric Dane, Hunter Schafer, Demie, Elordi and Sweeney. Colman Domingo will return as a guest star.
Outside of Euphoria, Sweeney just wrapped filming on an as-yet untitled biopic about boxer Christy Martin and production on The Housemaid, a Paul Feig-helmed adaptation which she co-produced. She is currently producing and starring in Scandalous!, directed by Domingo, about the relationship between Sammy Davis Jr. and Kim Novak (Sweeney). Her previously announced Barbarella remake is also in process. Outside that, she will be seen in Americana, releasing Aug. 22, 2025.
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New Doc Explores How Julia Sweeney's ‘SNL' Favorite Pat Became a Complex Nonbinary Icon
New Doc Explores How Julia Sweeney's ‘SNL' Favorite Pat Became a Complex Nonbinary Icon

Yahoo

timean hour ago

  • Yahoo

New Doc Explores How Julia Sweeney's ‘SNL' Favorite Pat Became a Complex Nonbinary Icon

Julia Sweeney's popular Saturday Night Live character Pat gets their plaudits (and some criticism) as a gender non-conforming pioneer in a new clip from the upcoming documentary, We Are Pat, premiering exclusively on Rolling Stone. Sweeney played Pat throughout her run on SNL in the early Nineties and even got to star in a spin-off film, It's Pat. The inscrutability of Pat's androgyny was pushed to comedic extremes, effectively offering prominent, yet thorny representation for gender non-conforming people on television long before the term 'nonbinary' was being widely used. More from Rolling Stone USC's SoCal VoCals Are Pitch Perfect in 'Just Sing' Documentary Trailer See 'SNL' Spoof Mike Myers' Infamous Kanye West Moment in Elevator Sketch 'SNL': Watch Bad Bunny Perform 'NUEVAYoL,' 'PERFuMITO NUEVO' We Are Pat director Ro Haber tells Rolling Stone in an email they 'wanted to make a film about transness that had humor at the heart of it,' and kept coming back to their complicated feelings about Pat. 'Why am I laughing at something that's meant to laugh at me? Why do I love Pat? Is Pat a nonbinary icon or a transphobic trope of yesteryear?' Haber continues. 'In exploring these questions, it was really important that the film embraced a spirit of curiosity and conversation rather than cancel culture and judgment.' The new clip opens with Karam Ann, a professor of TV studies, noting the prescience of Pat and how the relatively new discussion around nonbinary identity and the use of they/them pronouns has 'reanimated Pat from the grave.' Actor and filmmaker River Gallo, who is nonbinary, adds, 'What's interesting to me about being nonbinary, and the definition of nonbinariness, is it's saying you're not these two things. It's not really definable but only by what it isn't. It's interesting thinking of Pat in those ways.' We Are Pat will have its world premiere at the Tribeca Film Festival on Sunday, June 8. It's set to feature interviews with an array of queer and trans comedians and writers, including Molly Kearney, Esther Fallick, Abby McEnany, Pink Foxx, and Roz Hernandez. Sweeney also partook in the film, as did her SNL co-star Kevin Nealon. Haber says one of the most profound things they learned while making the film was from Sweeney, who created Pat while grappling with her 'own gendered pressure as a woman trying to make it in the Ninetes boys club of comedy and SNL.' 'Pat grew out of familial and societal expectations of femininity that were placed on Julia during that time, and Pat was something of an escape for her,' Haber says. 'In the film, she says, 'It was actually a joy to be Pat because I got to have a break from having to be a girl too.' That sense of reacting to a gender expectation placed on you felt really relatable to the comics in the film and me.' { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 1, }, pmcCnx: { singleAutoPlay: 'auto' } } }, playerId: "d762a038-c1a2-4e6c-969e-b2f1c9ec6f8a", mediaId: "4665abb0-57e9-4e09-a93a-fa846cda00cb", }).render("connatix_player_4665abb0-57e9-4e09-a93a-fa846cda00cb_2"); }); Best of Rolling Stone The 50 Best 'Saturday Night Live' Characters of All Time Denzel Washington's Movies Ranked, From Worst to Best 70 Greatest Comedies of the 21st Century

Famed Hudson Valley diner — believed to be the last of its kind still standing — asks $1.2M
Famed Hudson Valley diner — believed to be the last of its kind still standing — asks $1.2M

New York Post

timean hour ago

  • New York Post

Famed Hudson Valley diner — believed to be the last of its kind still standing — asks $1.2M

Talk about dishing up nostalgia. If the Elizaville Diner & Deli could talk, it would probably ask for a slice of cherry pie and a second take. This shimmering Hudson Valley roadside relic, with its candy-striped aluminum skin and curved Space Age roof, is not just a feast for the stomach — but also for the lens. Now listed for $1.2 million, the vintage 1956 Kullman Dutchess diner has become one of the Hudson Valley's most iconic set pieces, doubling as a time capsule and a business opportunity for the next proprietor with a taste for Americana. 16 Perched on a lakeside lot in Columbia County, the Elizaville Diner & Deli is a gleaming slice of 1950s Americana that's now for sale for $1.2 million. This Old Hudson 16 Originally built in 1956 in Lebanon, Pennsylvania, the Kullman Dutchess prefab diner was rescued from demolition and relocated to upstate New York in 2005. Elizaville Diner and Deli Located in Columbia County's hamlet of Elizaville, the 2-acre property includes the original prefabricated diner — thought to be the last of its kind still standing — and a separate, renovated deli structure overlooking a spring-fed quarry lake. Though both buildings are currently closed to the public, the site has continued to attract filmmakers, musicians and brands. Most notably, it served as the eerie backdrop for Jim Jarmusch's zombie flick 'The Dead Don't Die,' starring Bill Murray and Selena Gomez, and has made cameos in Apple TV+'s 'Brightside' and Rolling Stones-branded content. 'It's really a beautiful spot,' said Shaina Marron, the Houlihan Lawrence broker handling the listing. 16 It was painstakingly restored with original details like terrazzo floors, red vinyl booths, tabletop jukeboxes and a chrome soda fountain. This Old Hudson 16 The only known surviving example of its kind, the Elizaville Diner has since become a sought-after film and photography location, with credits including 'The Dead Don't Die' and Apple TV+'s 'Brightside.' This Old Hudson 16 Though it is currently no longer operating as a diner, the space has continued hosting private events and productions. This Old Hudson 'The owners basically just had a life change and they had to go back to their family … They really did a ton of amazing work on this space and just kind of really taking it to the next level.' The diner's story begins far from the Hudson Valley — back in Lebanon, Pennsylvania, where it originally opened as the Eat Well Diner. Constructed in 1956 by Kullman Dining Car Company, it eventually fell into disrepair and was slated for demolition in the early 2000s to make way for a car dealership. That's when the former owners stepped in, rescuing the building just days before its scheduled teardown. 'They paid to have it brought up and kind of sited there and then dug out a full foundation and basement,' said Marron. 'Typically these diners would have just been on a slab. But this one has a full basement underneath it, which has additional storage and also provides the deck work.' 16 A scene from 'The Dead Don't Die,' from left: Danny Glover, Bill Murray and Adam Driver. ©Focus Features/Courtesy Everett Collection 16 The property spans 2 acres and includes a fully renovated adjacent deli building, both connected by a pass-through kitchen. This Old Hudson 16 A look inside the deli space connected to the historic vintage diner. This Old Hudson The relocation in 2005 involved disassembling the diner into three parts and trucking it across state lines — along with 22 counter stools (reportedly dug out from a dirt basement), original booths, Formica-topped tables and even a Jefferson Golden Hour Mystery Clock. Its smoke-stained brass interiors, once dulled by decades of coffee steam and cigarette smoke, revealed their true colors after restoration: blue and chrome, gleaming like new under the soft glow of retro pendant lighting. 'It's got a fully functional kitchen and all equipment comes with it. So it's kind of really ready to roll,' Marron said. Inside, every detail oozes mid-century charm: terrazzo flooring, red vinyl booths, tabletop jukeboxes and a full-service soda fountain behind the counter. 16 Several film and television shows have, and continue to, rent the space for production. The Elizaville Diner and Deli 16 Listing rep Shaina Marron of Houlihan Lawrence said the site is 'ready to roll,' with a fully equipped kitchen, air conditioning, and a full basement — a rare upgrade for a diner of its era. This Old Hudson 16 It also includes parking for over 40 cars and a grassy backyard that slopes down to a spring-fed quarry lake, offering potential for outdoor seating and live music. This Old Hudson 'It has the majority of the original details … a lot of really gleaming chrome aspects to it,' said Marron. The companion deli next door offers a checkerboard-tile aesthetic that wouldn't be out of place in a David Lynch dream sequence. The two buildings are connected through a back passthrough, allowing food service to flow between the diner and the deli's walk-in coolers and prep area. The property also includes three bathrooms, ample storage in the cement basement and parking for more than 40 vehicles — making it as functionally viable as it is visually iconic. Its backyard offers sweeping views of the spring-fed quarry, an unusually scenic feature for a commercial property and a possible setting for outdoor dining and events. 16 The current owners, who revitalized the space further over the past four years, are moving due to family needs. This Old Hudson 16 Marron said the community would love to see the new owner maintain the diner's original spirit, though the property's flexible layout allows for a range of uses. This Old Hudson 'There's, I think, a lot of opportunity there to expand it however you see fit,' Marron said. 'You could even expand it in a sense, putting a lot of additional seating out back and having some live music.' Moreover, it all stands in the vicinity of the Hudson Valley's most prime destinations, such as Rhinebeck, Red Hook, Tivoli and Germantown. Marron refers to the location of the diner as a 'sweet center spot.' Although the diner officially closed in the summer of 2024, it remains open to short-term film rentals and special events. Marron said that it's been a magnet for creative productions, and even drew nostalgic attention online when she posted the listing on Instagram. 16 Inside, the space remains a vivid time capsule, from gleaming aluminum finishes to the fully restored Jefferson Golden Hour clock. This Old Hudson 16 The buildings can be used together or separately, with the deli offering event space or retail potential. This Old Hudson 'One of the commenters wrote that his grandfather used to take him to it in Pennsylvania to go get like cherry pie,' she said. Since its Hudson Valley debut nearly two decades ago, the diner and deli have served more than just milkshakes — it has dished out memories, style inspiration and even a bit of small-town stardust. 'The chain of ownership has only been four people total,' Marron noted, adding that its history remains remarkably intact. The original design, down to the tabletop jukeboxes, still echoes with the sounds of a bygone era. 'The community would love to see someone keep it as a diner,' she said. 'Ultimately it's up to the next owner to kind of steward it however works best for their needs. But it really is such a unique listing … I think it would be amazing if it could stay.' 16 The structure is a star in its own right. This Old Hudson Marron believes the time is ripe for diners to make a cultural comeback. 'I grew up on Long Island. Diners were definitely like a way of life,' she said. 'Maybe a real big rise in things like fine dining and the bringing back of people cooking more at home … caused a lull in the middle. But now we're seeing this rise again where people are looking for these community spots to kind of sit and share either a cup of coffee or breakfast or go back to that nostalgic experience.'

‘The Last of Us': Gabriel Luna on shooting flamethrowers and what Season 3 could mean for Tommy
‘The Last of Us': Gabriel Luna on shooting flamethrowers and what Season 3 could mean for Tommy

Yahoo

time2 hours ago

  • Yahoo

‘The Last of Us': Gabriel Luna on shooting flamethrowers and what Season 3 could mean for Tommy

Making a television series can be a lot like surviving the apocalypse. Most of the time you're thrown together with a group of strangers and forced to overcome differences with the hopes of achieving something larger than yourself — maybe even forming a sort of family along the way. And you shoot a flamethrower. More from GoldDerby 'St. Denis Medical' creators Eric Ledgin and Justin Spitzer discuss navigating the 'peaks and valleys of comedy' Liam Payne confirmed as judge for Netflix singing competition, 'Superman' hits hard, and today's other top stories Carrie Preston on fencing with Matthew Broderick and the heart, humor, and growth of 'Elsbeth': 'She's more than just quirky' That's been Gabriel Luna's experience making The Last of Us, the massive HBO production that over the course of two seasons so far has turned its cast and crew into a community not dissimilar from the ragtag forces defending the walls of Jackson Hole, Wyo., from a horde of infected. "It was very similar in the way that we kind of embraced each other off-screen and tried to build the fibers between the cast as quickly as we could," Luna told Gold Derby. "There were instances where people had kind of just met each other and were thrown into pretty intense subject matter." And considering what happens in Season 2, "pretty intense" might be putting it lightly. The Last of Us Five years have passed since the events of Season 1's finale, in which Pedro Pascal's Joel murdered a hospital full of resistance fighters in order to save the life of his surrogate daughter, Ellie (Bella Ramsey). The duo are now living in Jackson, with Joel's brother Tommy, played by Luna. Tommy has spent the past half decade years growing his family, nuclear and otherwise. He and his wife, Maria (Rutina Wesley), now have a young son, and they're leaders within the community of Jackson, which has grown to resemble something like the world before the Cordyceps. For Luna, returning to the world of The Last of Us for the second season meant expanding his off-screen family as well, welcoming in new cast members like Isabela Merced, Kaitlyn Dever, and Young Mazino and doing his best to foster the same camaraderie on set that made Season 1 such a special shoot. "Pedro and myself, Rutina, and Bella were kind of the elder statesman," Luna said. "We were trying to maintain the culture of the show, which is one of love, of real love. And that sounds kind of cliché, but it's, it's really true in this case." But soon the concerns of production were shifting from whether the costars got along to whether Luna could properly handle a flamethrower. The season's biggest set piece, in which hundreds of infected descend upon Jackson, involves Tommy facing down a massive bloater one-on-one, and Luna got to operate the fire-powered weapon himself on set — with less training than you might expect. "They give you a three-minute tutorial," Luna said with a laugh. "That's it a couple of days before you go on." The massive scale of the action in that episode is balanced with drama elsewhere that was painfully personal. Joel's brutal death at the hands of Dever's Abby defines the trajectory of the story that follows, sending Ellie off on a quest for revenge that takes her and Dina (Merced) all the way to Seattle. But when the action picks back up on Episode 3, the focus is on Tommy, now a grieving brother, as he prepares Joel's body for burial. The scene, for Luna, had greater implications for the show that went beyond the story. "It was kind of a farewell to the great leader," Luna said. "The great leadership that Pedro gave, and a transition into Bella's tenure, and myself and everyone else and Kaitlyn, who were going to continue telling the story. Yeah, I kind of let it all go in that moment." The scene was such an integral one that Luna had a unique request. Since Joel remains beneath a sheet during the sequence, Pascal's double, Philippe, laid on the slab for filming. And when production asked Luna whether it would help to have the actor opposite him in full, bloody makeup, he took them up on the offer — unfortunately for Philippe. "I apologized for having them put him in full makeup," Luna said with a laugh. "I'd have to lift that shroud and see his face, and I wanted something to to obviously engage with and react to, and [Philippe] was kind enough to go through several hours of prosthetic makeup to do the full look. And, but it all ended up being really effective for me and hopefully for the piece itself." And while Ellie's quest for Abby takes the action away from Jackson, Tommy eventually catches up with her, just in time to land at the center of the season's climactic cliffhanger. Held at gunpoint by Abby, the fate of Tommy and Ellie are left in the balance until Season 3. But Luna is excited for viewers to learn more about what his character was up to when the series' point of view shifts to Abby and winds the clock back two days. "What's special about the game and the perspective shift that occurs is that your heroes in one viewpoint are someone else's boogeyman," Luna said. "And I look forward to being that — if we do, in fact, handle that story that way. It's an opportunity to really show somebody who returns to their base instincts and the most destructive aspects of their nature and someone who gives in to the fury that that kind of grief sparks." Best of GoldDerby TV Hall of Fame: Top 50 best choices who should be inducted next Carrie Preston on fencing with Matthew Broderick and the heart, humor, and growth of 'Elsbeth': 'She's more than just quirky' 'RuPaul's Drag Race': Onya Nurve and Jewels Sparkles dish their 'ride of a lifetime,' stolen jokes, and turning drag 'inside out' Click here to read the full article.

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