
Joe Jonas Just Earnestly Replied To A Comment That Quoted One Of Taylor Swift's Diss Tracks About Him, And People Can't Decide If He Is In On The Joke Or Not
If you cast your minds way back to the year 2008, you may remember that Taylor Swift and Joe Jonas's three-month relationship came to a pretty brutal end when he dumped her in a 25-second phone call, which she went on to expose on The Ellen Show.
Taylor, who was 18 years old at the time, was promoting her second album, Fearless, when she dropped the bombshell, telling host Ellen DeGeneres: 'When I find that person that is right for me, he'll be wonderful. And when I look at that person, I'm not even gonna be able to remember the boy who broke up with me over the phone in 25 seconds when I was 18.'
She also revealed that the Fearless track 'Forever & Always' was a last-minute addition to the album that she had written towards the end of their failed relationship. The heartbreak anthem includes the lyrics: 'Was I out of line? / Did I say something way too honest, made you run and hide / Like a scared little boy?'
A year later, Joe seemingly responded to Taylor's public comments about their breakup when he released the song 'Much Better' with his and his brothers' band, the Jonas Brothers. Aged 19, he appeared to throw shade at Taylor with the lyrics: 'I get a rep for breakin' hearts / Now I'm done with superstars / And all the tears on her guitar / I'm not bitter.'
While he didn't explicitly say that the song was about Taylor, it wasn't difficult for listeners to figure it out with the direct reference to her song 'Teardrops On My Guitar,' and if there was any doubt, Joe all-but-confirmed that he was taking aim at his ex when he changed the lyrics to ' done with country stars ' during a live performance — an obvious jibe about Taylor's country music roots.
Taylor and Joe went on to take subtle swipes at each other over the next couple of years. During Taylor's 2009 Saturday Night Live monologue, she famously sang: 'This is my musical monologue! / You might think I'd bring up Joe / That guy who broke up with me on the phone / But I'm not gonna mention him in my monologue.'
She then quipped: 'Hey Joe, I'm doing real well, tonight I'm hosting SNL but I'm not gonna brag about that in my monologue.'
Meanwhile, in 2013, Joe famously said in an interview with SiriusXM: 'The girl likes to date' when asked about Taylor's growing reputation as a serial dater.
But by 2015, Joe insisted that he and Taylor were ' cool,' and the two were spotted hanging out together at the Billboard Music Awards. In 2019, Taylor admitted that she regretted putting Joe 'on blast' in that infamous Ellen interview, adding: 'We laugh about it now, but that was some mouthy — yeah, just some teenage stuff there.'
Still, their newfound friendship didn't stop Taylor from releasing another diss track about Joe, ' Mr Perfectly Fine,' in April 2021 as part of her Fearless re-recording. She had originally written it for her 2008 album, but it didn't make the final cut, meaning that fans heard it for the first time when she released Fearless (Taylor's Version).
In the song, Taylor suggests that Joe effectively lovebombed her before turning cold and ending their relationship. She implies that what she struggled with the most amid their split was the "casually cruel" way that Joe acted like he hadn't done anything wrong, accusing him of issuing an "insincere apology" and scrambling to make sure that "he doesn't look like the bad guy."
Taylor also calls out the way that Joe was so effortlessly able to move on from their romance, and how his reputation continued to thrive. She sings: 'So dignified in your well-pressed suit / So strategized, all the eyes on you / Sashay away to your seat / It's the best seat, in the best room / Oh, he's so smug, Mr. 'Always wins' / So far above me in every sense / So far above feeling anything.'
Thankfully, releasing this song didn't appear to impact Joe and Taylor's relationship in 2021, with Joe's then-wife, Sophie Turner, even poking fun at the fact that her husband was the inspiration behind the song when she shared a screenshot of it to her Instagram story and quipped: "It's not NOT a bop." Taylor reposted this to her own story.
And just a month before their shock split in 2023, Sophie proudly posted a photo of herself wearing multiple friendship bracelets that read 'Mr. Perfectly Fine' in an apparent reference to Joe.
Meanwhile, Joe also seemed to be unphased, and a year after 'Mr Perfectly Fine's' release he changed the lyrics of 'Much Better' to more accurately reflect his and Taylor's current situation, singing: 'I got a rep for breaking hearts / Now I'm cool with superstars / And all the tears on her guitar.'
However, it seems likely that their relationship may have soured in recent years, with Taylor very publicly siding with Sophie amid her and Joe's incredibly messy and headline-dominating split in 2023. The star was spotted on multiple nights out with Sophie, and she even let the British actor stay in her New York City home.
Instagram @sophiet / Via instagram.com
During this time, 'Mr Perfectly Fine' was reexamined in a new light, with screenshots of the lyrics regularly going viral on social media as Sophie's fans related them to their breakup.
One comment read at the time: "I swear Taylor's roast of this assclown is so spot on. What a pathetic loser."
So, it's perhaps fair to say that Joe may have a bit of a difficult relationship with this song, which is why fans were caught off-guard when he earnestly replied to a TikTok comment quoting lyrics from it on Wednesday.
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New York Post
5 hours ago
- New York Post
Michelle Beadle doubles down on Stephen A. Smith digs as radio feud intensifies
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Yahoo
6 hours ago
- Yahoo
Law & Order: Organized Crime Recap: After a Death in the Family, Will Stabler Turn to the Dark Side?
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The unspoken message: Fear my wrath. On Emery's orders, Joe trashes the place afterward, but makes sure to leave a little clue for his brother before he goes. Det. McKenna is first on the scene and finds the foil-wrapped packet of drugs Joe placed at the scene. While McKenna doesn't know the ins and out of Joe's involvement, he knows enough to call Elliot to let him know what they found. The substance is something brand new, and when Det. Tanner gets wind that McKenna gave Stabler a heads-up, she wants to know why. Oh, and she also informs him that they're now working the case together. Stabler makes reference to his confidential informant being on the inside of whatever's going down, but when she presses him for more information, he's squirrelly. Eventually he lets her know that his CI is his brother, and I'm grateful for her very important reminder that THIS IS A TERRIBLE IDEA. 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'I held him,' Elliot barely gets out, crying as he looks down at Joe's blood on his hands. Tanner arrives and sits with him, telling him to go be with his family. We watch (but do not hear) as a montage shows him telling Randall and Kathleen. (But not Eli and Becky? Or BERNIE?) Then Stabler pulls his car into an alley where McKenna is waiting for him… with Emery's thug tied up in the trunk. 'I was going to book him, but then I heard about your brother. So, we can take him in, or we can go for a ride,' McKenna says. He's barely done speaking when Stabler makes his choice: 'Let's go for a ride.' Now it's your turn. Will you miss Joe? Do you think Stabler ultimately will make the right choice? Are you ready for next week's finale? Hit the comments with all of your thoughts! Best of TVLine Mrs. Maisel Flash-Forward List: All of Season 5's Futuristic Easter Eggs Yellowjackets Recap: The Morning After Yellowjackets Recap: The First Supper


Time Magazine
6 hours ago
- Time Magazine
How D-Day: The Camera Soldier Preserves Important History Using Immersive Tech
Friday marks 81 years since D-Day, the largest naval, air and land operation in history on June 6, 1944, in Normandy, France. Now, a new documentary will immerse viewers into the action of that pivotal day. Co-produced by TIME Studios's immersive division and the Emmy-nominated immersive documentary team Targo, D-Day: The Camera Soldier— available on the headset Apple Vision Pro —puts users into footage taken by photographer Richard Taylor, a soldier who filmed the landing on Omaha Beach in northwestern France, which saw the most casualties of all of the five beaches that the Allies targeted. It profiles Taylor's daughter Jennifer Taylor-Rossel, 67, who always struggled to relate to her short-tempered father and only saw her father's D-Day footage after his death. Researching her father's past—and venturing to Normandy from Connecticut—made her feel like she was close to him for once. 'Well, I'm crying,' Taylor-Rossel said after viewing the experience for the first time at TIME's Manhattan office on May 30. She had come armed with his Purple Heart, Silver Star, dog tags, and a folder full of letters he wrote about D-Day and photos from his time at war, even a picture of him eating ice cream in Paris. During the 20-minute immersive experience, she smiled when she saw footage of her trip to Normandy and gasped loudly when she watched her father get shot in the arm. The first thing she said when she took off the headset was, 'I hope we don't get into another war.' The immersive experience comes at a time when there are fewer and fewer D-Day veterans alive to talk about what it was like on that fateful day. Immersive media is one key way to preserve stories of people who lived through D-Day for future generations. Here's a look at the man behind the camera on Omaha Beach and what to expect when you're watching D-Day: The Camera Soldier. Who was Richard Taylor? Richard Taylor was born in Iowa in 1907 and left school at the age of 15 to take an apprenticeship at a photography studio. After working as a photographer in New York for several years, he enlisted, at 35, into the Signal Corps in the U.S. Army, charged with documenting World War II. He covered the Battle of the Bulge, Malmedy massacre, and the Battle of Hürtgen Forest. 'Remember we are essentially reporters,' the manual for Signal Corps members says, 'and the job is to get front line news and action…There is little time when in combat for the niceties of photography. Concentrate on good subjects and good basic camera performance, and telling a coherent story. Then you will have done your job.' In a July 1944, roundup of newsreel footage of D-Day broadcast in U.S. theaters, TIME called Taylor's footage from a landing barge under fire on Omaha Beach 'The finest shot of all.' When Taylor had Jennifer, he was in his early 50s and had been married twice before. He'd often complain about pain in his feet from too many nights sitting in cold water in foxholes throughout the war. He didn't really talk about D-Day, though she remembers the first time she saw a big scar on his arm, and when she asked him what happened, he stated very matter of factly that he got shot on D-Day. It's thought that he got hit with a piece of shrapnel. After he died in 2002, Taylor-Rossel found a box of his letters and paraphernalia from the war, but wasn't sure what to do with the items. A decade later, in 2022, a military history expert named Joey van Meesen contacted her, interested in researching Taylor's life and asked her if she saw the footage he shot on D-Day. When she said she had not, he sent it to her. She went out to meet him in Normandy. Taylor-Rossel describes her father as difficult, remote, and hard to have a relationship with. But 'Normandy was the place where I felt connected with him because I had done all of this research on him.' A product of that research is D-Day: The Camera Soldier. What it's like to experience D-Day: The Camera Soldier The Apple Vision Pro projects D-Day: The Camera Soldier onto a big screen, wherever you are viewing it. Users will hear Taylor's biography as they flip through an album of family photos, literally turning the pages themselves. Then, viewers are plopped down in the middle of Normandy American Cemetery with Joey van Meesen. Taylor-Rossel said she felt tears welling up in her eyes when she was surrounded by the D-Day grave-markers while wearing the headset, 'knowing that my dad was there and survived it, but then you look at all these men that didn't survive it.' There's one foreshadowing letter written by Taylor in cursive that users can pick up with their hands and move closer to their headset, in which he says he's 'anxious' about D-Day and 'if I live through it, it's going to be rather rough.' Then there's a box of objects that viewers can pick up themselves, like his dog tags, a thermos, a rations box, and a photo of Taylor holding his camera. Users will find it hard to get a grip on this replica of the camera he used on D-Day. That's intentional, says director Chloé Rochereuil: 'What struck me the most when I held it in real life was how heavy it was. It's a very big object, it's very hard to use. It made me just realize how incredibly difficult it must have been for him to carry this equipment while documenting a battlefield. And that makes the work even more significant.' The experience zooms in on the faces of soldiers, which are colorized. 'They're all like my son's age,' Taylor-Rossel says, marveling at how young the D-Day soldiers were after viewing the experience. As the barge lands on Omaha Beach, viewers begin to hear a male narrator who is supposed to be Richard Taylor, speaking straight from letters that Taylor wrote to family around the time of D-Day. 'In the next six or seven hours, hell would break loose,' he wrote in one. In another, reflecting on the moment when he got hit in the arm by a piece of shrapnel, he wrote, 'Thank God, I made it to the beach without getting more' and described having a hole in his arm 'large enough to insert an egg.' Rochereuil says she was not trying to do a play-by-play historical reenactment or make a video game. D-Day: The Camera Soldier not only provides a glimpse at what it was like to be on Omaha Beach that day, but it also might appeal to viewers who, like Taylor-Rossel, may have had a hard time getting a loved one who served in World War II to open up about their experience. 'Parents are the closest people to us, but often we don't fully know who they were before we existed—like, what were their dreams? What were their fears?' Rochereuil says. 'Her story touches on something universal, which is a relationship that we can have with one parent.' 'The only way to connect people to history is by making it personal. It's no longer abstract. My hope is that immersive media will make history feel alive and relevant again'