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Russian supermodel Irina Shayk has sold her NYC condo following a series of discounts

Russian supermodel Irina Shayk has sold her NYC condo following a series of discounts

New York Post22-04-2025

Irina Shayk has sold her West Village condo for $3.25 million.
The Russian supermodel, who shares a daughter with her actor ex Bradley Cooper, sold the two bedroom, three bathroom residence after a series of price cuts. The Real Deal first reported on the recent sale.
The 2,462-square-foot condo boasts 11-plus-foot ceilings, wide-plank oak floors and large windows. The first floor includes a small foyer, a home office, a powder room and an open chef's kitchen.
8 Irina Shayk.
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8 The Russian supermodel first attempted to sell her West Village duplex nearly a decade ago.
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The primary suite is separated from the living area by a 10-foot sliding-glass pocket door and features a spa-like tub.
The 2.5 bathrooms all boast heated floors. An entertainment suite and extra room can be found in the condo's windowless basement.
The 19-unit glass building at 166 Perry St. was built in 2008. Amenities include a 24-hour doorman and a rooftop terrace with views of the city skyline and Hudson River views.
8 The living room features large windows and high ceilings.
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8 The open kitchen and eating area.
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8 The modern chef's kitchen.
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8 The primary bedroom and standing tub.
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8 An additional bedroom with ample built-ins.
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8 The bathrooms feature heated floors.
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Shayk, 39, bought the Perry Street duplex for $1.96 million in 2010, according to city records. She was famously dating soccer star Cristiano Ronaldo at the time.
Shayk listed the first-floor home for $4.2 million last June. The listing got a whopping $1 million discount in December. The last recorded listing price on Zillow was $3.19 million in March.
The Sports Illustrated model first tried to unload the home nearly a decade ago, in late 2015, for nearly $4 million. Perhaps the sale was in anticipation of her purchase at 150 Charles St., where she bought a two-bedroom condo for $6 million in 2016. Ben Stiller and Jon Bon Jovi have also called the luxe West Village address home. 150 Charles recently made headlines for the sale of the priciest apartment ever sold in downtown Manhattan.
The buyer of Shayk's longtime Perry Street pad is a trust linked to the daughter of Michael Ashner, the head of a property management and real estate investment firm, the Real Deal reported.
Compass' Adrian Radomski, Nicholas Lounsbury and Justin Hopwood held the listing.

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time42 minutes ago

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Bruce Willis' daughter Rumer gives update on his dementia battle with devastating Father's Day message

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Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. The concept of beauty is being redefined—not by genetics or societal consensus, but by algorithms, filters, and the cold precision of artificial intelligence. For many, the perfect face is no longer born; it is built—designed by AI, refined by cosmetic surgery, retouched on photo-editing apps, and approved by dating algorithms. In this landscape, even global beauty icons of the past—Marilyn Monroe, Grace Kelly, Cleopatra—are suddenly being called "mid," a Generation Z insult that translates to plain or average. That startling change came into focus in a viral TikTok video posted on May 2 by Faye Oakley, a full-time student and musician based in the U.K., whose commentary struck a cultural nerve with viewers online. 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From left: American actress and model Marilyn Monroe poses for a portrait wearing a red dress in Los Angeles, California, circa 1960; and an AI-generated image of a "beautiful woman" by TikTok creator @wizawoza. From left: American actress and model Marilyn Monroe poses for a portrait wearing a red dress in Los Angeles, California, circa 1960; and an AI-generated image of a "beautiful woman" by TikTok creator @wizawoza. Getty Images / @wizawoza The short clip went on to trigger a wave of agreement—and backlash—that revealed just how deeply this issue runs. Beauty Icons Deemed 'Mid' The notion that historically revered beauties would now be dismissed as average and plain struck many as jarring, but Oakley said it is not hyperbole. Her post referenced an earlier video of a young woman who had described herself as having a "timeless face." She was subsequently bombarded with comments aimed at undermining her confidence. 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The Rise of "Algorbeauty" Dr. Benjamin Caughlin, a board-certified facial plastic surgeon, has coined the term "algorbeauty" to describe the fusion of algorithm-driven aesthetics and modern beauty standards. Caughlin, who is preparing a book on the topic, said that digitally driven ideals are not just shaping physical features—they are influencing identity and self-worth. In his clinical work, Caughlin has noted an uptick in patients requesting surgeries to emulate AI-generated or heavily altered images. The implications, he added, are concerning. From Filters to Fillers Celebrity makeup artist Amanda Gabbard said she sees the same trend from her makeup chair. Clients frequently present her with AI-generated faces or airbrushed photos of celebrities as their Pinterest board to create a makeup look from. "They are chasing a version of beauty that is not real, yet they believe it is attainable," Gabbard told Newsweek. 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"Hyper-optimization is the name of the game in modern-day beautification rituals and practices, resulting in further homogenization of beauty ideals," Gabriel said. "On social media, we see the flawless outcome, not the complex process of engineering this new reality. "Whether through advanced surgical interventions or artificially generated imagery, the line between reality and fiction has been fundamentally blurred." The question, then, is why people who are conventionally attractive within Western beauty standards—such as Grace Kelly or Marilyn Monroe—now seem "average" to so many. "Because the convention—that which is considered to be the standard in our culture—has been disrupted and altered in a way that has skewed our perceptions of attraction, desirability, and perceived flawlessness," Gabriel said. "Digital users are increasingly bombarded with this type of imagery through social media at a rate not seen in the history of humanity. "Our brains are, therefore, being rewired to see hyper-optimization in beauty forms as the new normal." Gabriel also connected these shifting standards to broader social dynamics. "Humans have always striven to attain the unattainable in pursuit of greater social standing," she said. "And beauty is no exception: it has historically been how we express who we are or, rather, who we aspire to be." Gen Z and the 'Mid' Culture Part of the shift may also be generational. Gen Z—raised on a steady diet of social media—has grown comfortable rating and ridiculing people's appearances in ways that feel normal within their digital communities and how they communicate online. Oakley noted that it is easier to be critical over a screen and that this drive to "humble" people online may facilitated by the detachment of social-media platforms. In this environment, even confident women become targets. Margot Robbie, best known for Barbie and The Wolf of Wall Street, became the subject of many similarly critical comments on social media in 2023, when she was labeled "mid" after being announced as the lead in Barbie. "Nowadays, people feel emboldened enough to tell confident women that they have no right to be as secure as they are," she said. Once down to the eye of the beholder, between AI-enhanced images, cosmetic procedures, dating apps gamifying attraction, and a culture increasingly obsessed with perfection, the definition of beauty has become markedly less anchored to reality. "People are not able to appreciate natural features of women," Oakley said. "They have every tool at their disposal to erase or 'fix' these features." And so the paradox persists: in a world overflowing with filtered, sculpted, and synthetically perfected beauty, even the icons of the past and present are no longer good enough.

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