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Andor is the best Star Wars TV show I've ever watched – here are 3 reasons why you should catch season 2 when it releases in April

Andor is the best Star Wars TV show I've ever watched – here are 3 reasons why you should catch season 2 when it releases in April

Yahoo10-03-2025

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If, like me, you grew up with the original Star Wars movies as a kid then you will love Andor. It's the backstory of Cassian Andor, a Rebel Alliance intelligence officer we first met in the Rogue One: A Star Wars Story film, and his five year journey from scavenger and thief to passionate revolutionary that leads up to the events of the film. In a way, his journey parallels Han Solo's transformation from smuggler to General in the Rebel Alliance.
Unlike other recent offerings from the Disney Star Wars universe, like Skeleton Crew and The Acolyte, which while fun are really made for kids, Andor is a Star Wars TV show that's aimed squarely at the Gen X audience who were there for the original Star Wars trilogy.
Andor season 2 is set to launch on Disney+ on April 22 in the US and April 23 for those in the UK and Australia. Not sure if the new Star Wars Disney Plus show is for you? Here are three good reasons why you won't want to miss it.
It's hard to explain what it was like to see the original Star Wars in a cinema as a child. From the opening shot showing an absolutely huge Star Destroyer chasing down a Rebel Alliance vessel you were transported to another universe. Everything about Star Wars was believable, from the grisly way a lightsaber could cut through flesh to the constantly malfunctioning droids. I'd never seen anything like it before and I didn't want it to end.
Looking back, and with the benefit of hindsight, I think the Ewoks in Episode VI – Return of the Jedi were a foreshadowing of the way things were going to go further down the line with Star Wars franchise, but I wasn't emotionally prepared for the chasm of despair (Darth Maul aside) that the George Lucas' Episode I, II and III films were going to create in my soul.
Sure, I can accept that they were made for children who were the same age as I was when I watched the original trilogy, but they were very different films and the fact that George Lucas himself had happily gone down the route of CGI-laden slop with zero emotional connection to the characters just made it all the worse.
When the third trilogy of films kicked off with Episode VII – The Force Awakens, I was interested again. It had promise. It laid the groundwork for some interesting plot developments and the characters were intriguing. Then, Gareth Edwards' Rogue One appeared out of nowhere filling in the story before A New Hope started, and it had that same thrill and excitement that the original Star Wars movies had given me as a kid. Things were looking up again.
Sadly, Episode VIII – The Last Jedi and Episode IX – The Rise of Skywalker seemed utterly pointless and directionless, casually throwing away good story lines and demoting key characters to mere bit parts, destroying my faith in the Star Wars universe.
Until, that is, Andor, one of the way-too-many Star Wars spin-off shows that Disney had invested in, appeared in 2022 and changed everything. I didn't really know anything about Andor when I started watching it, but I was instantly hooked.
In a way each Star Wars TV show or movie has its own universe. Andor exists in the serious Star Wars universe of Rogue One. It's not made for kids and it tackles the big issues of life. We get to revisit the characters we met in Rogue One and find out exactly how they got there, what events shaped their lives, and what sacrifices they had to make along the way.
It's been noted that the first season of Andor was a Marxist allegory. It follows a group of characters dealing with an oppressive regime (the Empire) and we can watch how a revolution by the proletariat begins, but you don't need a degree in politics to appreciate the show. What matters is how well it's made.
Series one of Andor apparently cost Disney a staggering $271.6 million, which was all money well spent if you ask me. It looks amazing, the acting is first rate, the plot is gritty, and the characters are believable. While it moves at a slower pace than the modern world often demands and expects, Andor delivers the kind of emotional punch that you only get from slow burn introductions to fully fleshed-out characters that you really care about.
As much as I loved the original Star Wars films, the concept of the light side of the force vs the dark side that underpinned the whole trilogy was laughably simplistic. In Andor you are asked to inhabit a world of complexity where nothing is truly black and white. Good people have to occasionally do bad things and bad people can still have redeeming features.
If you need further persuading to join the resistance and fight the empire, the first season of Andor has a 96% critics rating on Rotten Tomatoes, and an 87% audience score, and if you haven't seen it then there's still time to watch it before season two drops.
Andor season 2 trailer teases Orson Krennic and K-2SO's return, the Death Star's creation, an absurd amount of action and... a Star Wars dance number?
A blood-pumping spy thriller that might be the best Star Wars show yet: Andor review
Star Wars should learn from Andor and stop making Disney Plus shows that are so obsessed with the Jedi

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'Adults' star Malik Elassal: Add Canadian comedian, actor and writer to the list of comedy sensations
'Adults' star Malik Elassal: Add Canadian comedian, actor and writer to the list of comedy sensations

Yahoo

time35 minutes ago

  • Yahoo

'Adults' star Malik Elassal: Add Canadian comedian, actor and writer to the list of comedy sensations

For decades, comedy has been considered one of Canada's greatest exports, including notable talents like Eugene Levy, Martin Short, Catherine O'Hara and the late John Candy. Adding to that legacy is Malik Elassal, who stars in the popular new show Adults (on Disney+ in Canada, Hulu in the U.S.), created by Ben Kronengold and Rebecca Shaw (The Tonight Show Starring Jimmy Fallon). Making the move from Alberta to the U.S., incredibly skilled in hysterical stand-up comedy, with moments from his sets going viral, Elassal is set to be another of one Canada's comedy legends. And what makes Adults a great introduction for many is that the show really showcases each cast member's unique comedy strengths. "We all come from these different places, but when we come together there's something between all of us," Elassal told Yahoo Canada. "Amita [Rao] is an improviser. Lucy [Freyer] was an actor in Juilliard. But then when we come together, we sort of have our our own rhythm that's outside of improv training, outside of more standard actors training, or outside of TikTok." In Aults, a group of friends move in together in Samir's (Malik Elassal) childhood home in New York. Samir is trying, at least sometimes, to take on more responsibility in life, Billie (Lucy Freyer) is pursuing a career in journalism, Anton (Owen Thiele) was Samir's college roommate who can be friends with anyone. Issa (Amita Rao) is taking on odd jobs with her infectious personality, and she's dating Paul Baker (Jack Innanen), who she convinces Samir to let move in with the rest of the group. The show in intensely funny in a way that leans into absurdity at times, awkwardness at others, and navigates different elements and styles of comedy effortlessly, largely thanks to this impressive cast. With Elassal already receiving positive feedback from the show, he's really just happy to make people smile and laugh. "It feels like it falls in line with my love language, to give somebody this big thing and for them to enjoy it," he said. As Elassal described, a lot of the brilliant on-screen chemistry we see between this group of friends in Adults was formed by the natural evolution of the group's off-screen dynamic. "[When] we started hanging out and started being on set, you just realize that somebody has been on the same version of the internet as you," Elassal said about his friendship with fellow Canadian Jack Innanen. "We just really became close." With Samir having a particularly close frienship with Billie in the show, Elassal added that even just taking walks with Lucy Freyer and ribbing each other in real life informed what we see on-screen. Additionally, Kronengold and Shaw looked to the actors to inform their scripts. "We started to find out that things from our lives would end up in the script," Elassal said. "So we'd have takes where we got to add things in there, and that was always really fun." A particularly hysterical moment in the show is Episode 6, where Billie is hosting her boyfriend, and her former high school teacher, played by Charlie Cox, for dinner. As Billie tries to get all of her roommates in line with the hopes of a more sophisticated evening, things quickly take an unexpected and hysterical turn when Cox's character shows up high on a "pony dose" of ketamine, and Paul Baker's friend, who happens to be Julia Fox (who's playing herself), comes over for the meal. "We were block shooting the whole series, so every episode was over the span of like four or five days, or so. And usually we have different locations and we were going to different places, but ... for like four or five days in a row we're just in this house, basically," Elassal explained about that epiosde. 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"And I was like, 'Oh, this is the coolest person I've ever seen.'" "I think something from that time might have gotten in my head of like, that's a real, worthwhile thing to do in your life, is to be able to make a group of people that happy." While a Canadian making the move to the U.S. always feels like a big professional step, it was a "culture shock" for Calgary-raised Elassal. "It's insane. It's such a culture shock," Elassal said. "You're going to the airport in America and they have signs up like, hey please don't bring your gun on the plane. And I'm like, are people doing that? Like, accidentally?" "I mean, there's a craziness to America. And it's fun to live there. But whenever I come back to Canada, I still feel at home, even though New York is home right now." As Elassal's career progresses, from stand-up comedy to TV, and even joining projects from other famed comedians, like Pete Holmes' podcast, "You Made It Weird," we certainly can't wait to see what Elassal does next. "It's unbelievable. I'm consistently so happy to get to meet all these people that I was already such a fan of, and it's amazing to get to work with them," he said. "It's such a dream come true. ... I'm really lucky that I get to have my dreams come true."

'Adults' star Malik Elassal: Calgary-raised comedian, actor and writer is Canada's new comedy sensation
'Adults' star Malik Elassal: Calgary-raised comedian, actor and writer is Canada's new comedy sensation

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'Adults' star Malik Elassal: Calgary-raised comedian, actor and writer is Canada's new comedy sensation

For decades, comedy has been considered one of Canada's greatest exports, including notable talents like Eugene Levy, Martin Short, Catherine O'Hara and the late John Candy. Adding to that legacy is Malik Elassal, who stars in the popular new show Adults (on Disney+ in Canada, Hulu in the U.S.), created by Ben Kronengold and Rebecca Shaw (The Tonight Show Starring Jimmy Fallon). Making the move from Alberta to the U.S., incredibly skilled in hysterical stand-up comedy, with moments from his sets going viral, Elassal is set to be another of one Canada's comedy legends. And what makes Adults a great introduction for many is that the show really showcases each cast member's unique comedy strengths. "We all come from these different places, but when we come together there's something between all of us," Elassal told Yahoo Canada. "Amita [Rao] is an improviser. Lucy [Freyer] was an actor in Juilliard. But then when we come together, we sort of have our our own rhythm that's outside of improv training, outside of more standard actors training, or outside of TikTok." In Aults, a group of friends move in together in Samir's (Malik Elassal) childhood home in New York. Samir is trying, at least sometimes, to take on more responsibility in life, Billie (Lucy Freyer) is pursuing a career in journalism, Anton (Owen Thiele) was Samir's college roommate who can be friends with anyone. Issa (Amita Rao) is taking on odd jobs with her infectious personality, and she's dating Paul Baker (Jack Innanen), who she convinces Samir to let move in with the rest of the group. The show in intensely funny in a way that leans into absurdity at times, awkwardness at others, and navigates different elements and styles of comedy effortlessly, largely thanks to this impressive cast. With Elassal already receiving positive feedback from the show, he's really just happy to make people smile and laugh. "It feels like it falls in line with my love language, to give somebody this big thing and for them to enjoy it," he said. As Elassal described, a lot of the brilliant on-screen chemistry we see between this group of friends in Adults was formed by the natural evolution of the group's off-screen dynamic. "[When] we started hanging out and started being on set, you just realize that somebody has been on the same version of the internet as you," Elassal said about his friendship with fellow Canadian Jack Innanen. "We just really became close." With Samir having a particularly close frienship with Billie in the show, Elassal added that even just taking walks with Lucy Freyer and ribbing each other in real life informed what we see on-screen. Additionally, Kronengold and Shaw looked to the actors to inform their scripts. "We started to find out that things from our lives would end up in the script," Elassal said. "So we'd have takes where we got to add things in there, and that was always really fun." A particularly hysterical moment in the show is Episode 6, where Billie is hosting her boyfriend, and her former high school teacher, played by Charlie Cox, for dinner. As Billie tries to get all of her roommates in line with the hopes of a more sophisticated evening, things quickly take an unexpected and hysterical turn when Cox's character shows up high on a "pony dose" of ketamine, and Paul Baker's friend, who happens to be Julia Fox (who's playing herself), comes over for the meal. "We were block shooting the whole series, so every episode was over the span of like four or five days, or so. And usually we have different locations and we were going to different places, but ... for like four or five days in a row we're just in this house, basically," Elassal explained about that epiosde. 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"And I was like, 'Oh, this is the coolest person I've ever seen.'" "I think something from that time might have gotten in my head of like, that's a real, worthwhile thing to do in your life, is to be able to make a group of people that happy." While a Canadian making the move to the U.S. always feels like a big professional step, it was a "culture shock" for Calgary-raised Elassal. "It's insane. It's such a culture shock," Elassal said. "You're going to the airport in America and they have signs up like, hey please don't bring your gun on the plane. And I'm like, are people doing that? Like, accidentally?" "I mean, there's a craziness to America. And it's fun to live there. But whenever I come back to Canada, I still feel at home, even though New York is home right now." As Elassal's career progresses, from stand-up comedy to TV, and even joining projects from other famed comedians, like Pete Holmes' podcast, "You Made It Weird," we certainly can't wait to see what Elassal does next. "It's unbelievable. I'm consistently so happy to get to meet all these people that I was already such a fan of, and it's amazing to get to work with them," he said. "It's such a dream come true. ... I'm really lucky that I get to have my dreams come true."

Trump Embraces Authoritarianism for ‘Les Misérables' Moment
Trump Embraces Authoritarianism for ‘Les Misérables' Moment

Yahoo

timean hour ago

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Trump Embraces Authoritarianism for ‘Les Misérables' Moment

Watching from the audience in the Kennedy Center, Donald Trump would no doubt identify with the protagonist in Les Misérables. Jean Valjean is, after all, a felon who rebuilds his life. He owns a factory and becomes mayor. He finds redemption. With Melania at his side, and the seats filled with donors who have paid up to $2 million each to join the president, Trump's world is more cosseted. Less Cosette. Inside the reconstituted center no longer resembling anything Kennedy (RFK Jr. notwithstanding), all talk of revolution is confined to the stage and a bygone era in 19th-century France. And Valjean remains one step ahead of the law. Trump is chairman of the Kennedy Center board he has personally picked. He is the king. The audience is there at his favor, as is his Cabinet and the Republican lawmakers who have bent to his will. Outside, though, the people aren't singing. They are beginning to fight. For generations, Los Angeles has been an enduring symbol of American optimism. The promised land of sun-kissed beaches and Hollywood dreams. On the day Beach Boy Brian Wilson died, downtown L.A. was under curfew, and Marines and National Guard troops walked the streets. Six days of rioting on the West Coast put the entire country on edge. The city with fire seared into its consciousness was once again in flames. It represented the perfect opportunity for the president who would be king. Trump is always the main character of his own story, and he has found the perfect way to move the plot along from last week's Tesla car-wreck of a squabble with Elon Musk. The Democratic Party was outfoxed and out-hought when it was forced to defend the deported Maryland dad, Kilmar Abrego Garcia, with a history that is questionable at least. Now, Trump was doubling down on the 'insurrectionists' protesting against the ICE raids that have turned 7-Elevens and Home Depots around the nation into no-go zones for minorities. The Authoritarian Show was playing to Trump's core audience. Karoline Leavitt called the L.A. protests 'left-wing riots.' Texas Governor Greg Abbott, a Trump buddy, called in the National Guard—just in case. The president also presented a heavily politically oriented MAGA rally to troops at Fort Bragg on Tuesday. A military parade to celebrate Trump's 79th birthday and the Army's 250th anniversary will rumble around Washington, D.C. on Saturday as a reminder of the president's power. He likes strong men. He considers himself one. Parades are what they do. But not everyone is buying it. California Governor Gavin Newsom sees Trump more as a Star Wars villain, making his autocratic move. Newsom believes this is the time for his close-up, but he is insistent that bringing in the military is over the top. It's Trump's latest production, Law and Order: Special ICE Unit. 'Deploying military forces and conducting militarized ICE raids in immigrant neighborhoods is not about public safety,' said Arturo Flores, Mayor of Huntington Park. 'It is about political theater that is rooted in fear.' On Tuesday, 86 protesters were arrested during an anti-ICE demonstration in Chicago. There have been disturbances in Dallas, New York, and Washington, D.C. Activists across the country are planning protests on Saturday as part of the 'No Kings' movement. Press secretary Karoline Leavitt walked out of her press briefing when she was pressed about the 1st Amendment. The spokeswoman for the White House didn't want to discuss free speech. She was asked earlier if she thought Trump saw himself as a king. 'The president views himself as the president of the United States of America,' she said. 'This is a constitutional republic.' Fine words, indeed. It's a popular misconception that Victor Hugo based his epic 1862 novel, Les Misérables, on the French Revolution of 1789. He actually used the June Rebellion of 1832, when a group of revolutionaries tried to overthrow the French government. More than 100,000 Parisians raised barricades and rioted in the hopes of overthrowing the newly established King Louis Philippe. They were ultimately crushed by 20,000 National Guard troops and 40,000 regular army soldiers drafted into the capital. The show of power was successful, at least for a while. In 1848, the monarchy fell after Louis Philippe sought to hand the throne down to his 9-year-old grandson. It was the beginning of the Second French Republic. 'King' Donald is taking a calculated risk in ignoring the First Amendment. But in suppressing democracy in such brazen fashion, he may be risking the future of America's 236-year republic.

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