
Alex Consani spent 'four months' working on her Met Gala outfit
Alex Consani spent "four months" working on her Met Gala outfit.
The 21-year-old model made her debut at the annual event in New York on Monday (05.05.25) and ultimately "felt gorgeous" in her suitdress that was adorned with Swarovski crystals.
She told 'Entertainment Tonight': "I'm some Swarovski with a little bit of scandalous back, I'm feeling gorgeous. I'm feeling stunning tonight. It took about four months to get this stuck together so I'm really happy to finally be here at my first Met Gala so I can be up here!"
The catwalk star was, however, surprised that the famous staircase - in which A-Listers make their entrance to the Metropolitan Museum of Art for the fundraising festival - was not as long as she originally thought, but didn't mind so much because her dress was "so long" in the first place.
She added: "It feels good but I'm not gonna lie, [the staircase] is not as long as I thought. I thought it was gonna be more steps but I'm kind of happy about that because this dress is long!"
However, Alex did regret not spending as much time getting ready because, as she recalled, she simply arrived at her hotel the night before and painted her nails but did not put much more thought into her overall look for the evening.
She said: "Girl, I wish that I'd prepared a little bit harder because I literally just showed up to the hotel last night and did my nails."
Last year, Alex - who became the world's youngest transgender model at the age of 12 - onto the runway for the Victoria's Secret, followed shortly afterwards by Valentina Sampaio and though she knew it was a "really impactful moment", she hadn't appreciated just how significance her presence was until afterwards.
She told Teen Vogue magazine: 'That was a really impactful moment. It's crazy, though, because I didn't even realize I was the first to walk until after I walked the show.
"I thought that Valentina had already walked a while ago, so having that in my mind took the pressure away.
'At this level, [there] haven't been any references.
'It's really impactful to be [among] the first [to walk for Victoria's Secret] because I'm able to take the hate. If I get called out for something, but it's something that I truly and morally believe in, I have absolutely no problem with it.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Perth Now
18 hours ago
- Perth Now
Larry Birkhead opens up on 'hard' life as parent since the death of Anna Nicole Smith
Larry Birkhead has "always tried to protect" his daughter since the death of Anna Nicole Smith. The 52-year-old photographer is father to Dannielynn, 18, with the legendary supermodel - who died of a of a drugs overdose at the age of 39 just six months after she gave birth in 2007 - and admitted it was "hard" to know just who to trust when he was bringing their daughter up alone. He told E! News: "It's hard. When she was younger and had friends over, or went out, it was tough figuring out who was genuine. "I've always tried to protect her not just from media and paparazzi, but even people we let into our circle. "Some had great intentions, but others didn't. "Some would say, 'I want to hang out with you because I think I can get on Entertainment Tonight,' or 'Can you help my kid model? or 'We need a vacation but can't afford it. You hear all kinds of things." Larry added that to this day, while Dannielynn has "great friends", he is always on guard and "scanning the room" whenever she spends time with someone. He said: "She has great friends—but I've learned to keep one eye open. "It feels like I'm always on security duty, always scanning the room. We've had to make life adjustments. But at the same time, we've had so much support." Ahead of Father's Day, Larry revealed that members of the public often praise him on what he has managed to do as a single parent. He said: "People come up and say, 'You've inspired me as a single parent,' or 'Anna inspired me.' Especially around Father's Day, I get those comments—and I actually make them repeat it. "I'm like 'Could you say that again? Oh, I'm a good dad? One more time, please!'" Larry also shared an update on his daughter, and revealed that she is pursuing an education in the way that her mother never did. He said: "Her mom only went to school until the 10th grade, and I've always encouraged Dannielynn to aim higher—even higher than me. "I'm proud of the young woman she's become: silly, smart, fun and beautiful."

Sydney Morning Herald
21 hours ago
- Sydney Morning Herald
I loved confronting the left-wing mob on the Q+A panel. I'll miss it dearly
The irony. After making its name in the heady days of internet cancellations, the ABC's Q+A has finally received a taste of its own medicine. Not for the crime of expressing non-conformist opinions, for which panellists were pursued, but for the crime of becoming so conformist there was no thrill left in switching on the TV. So says the cynic in me. Unsentimentally – but no less acutely – I will miss a show that once inspired Australians to engage with politics and talk about policy as though it were theirs to shape. Over the past few years I have appeared a number of times on Q+A, hosted by Tony Jones, then Hamish Macdonald and Patricia Karvelas. All of the hosts were unfailingly kind, as were their producers. I have a particular soft spot for Lindsay Olney, a talented senior producer who overcame my view of the show as a firing squad trained on non-progressives and convinced me that it might be OK to go on – just this once. Also for Tony Jones, the host of the first show I appeared on, who sensed my nerves and ensured I was treated with courtesy. It wasn't these people who eventually killed the ABC talk shows. It was the people whose response to an unfamiliar view is not curiosity, but outrage. The live tweet stream that was the genius stroke for democratising the show unfortunately also encouraged online mob behaviour around each episode. It could be hard to take. Politicians, especially from the right of politics, learnt to decline invitations to join the show. What was originally an opportunity to include the audience in a discussion became a trap. A word out-of-place or simply misconstrued would be weaponised by partisans and political opponents. When politicians did appear in later times, it was to deliver contrived messages rather than spontaneous answers. The advice to first-timers going onto Q+A was to lock yourself out of Twitter (and then X) for the week. The comments could be brutal and highly personal. Inevitably they would include threats and sexualised comments from some particularly unhinged netizens. Producers admitted that conservative women were often reluctant to come on because the attacks on them outweighed any possible professional benefit appearing could confer. That makes me angry. So many clever women have been silenced by zealots from the side of politics that claims to champion female empowerment. They were a loss to the viewers of the ABC. Loading There was a similar dynamic around The Drum, which stopped screening at the end of 2023. Many on the right were critical of that show as well, for similar reasons. Both Q+A and The Drum tended to invite only one token 'right-winger', who would be there to represent a broad spectrum of ideas against a panel of 'left-wingers'. They had a point. This one-against-all sense was amplified on Q+A by the live studio audience. It was always supposed to be selected to reflect the spectrum of community opinion, but those who clapped and booed seemed invariably to come from the left of the political spectrum. Yet personally, I relished the set-up. I'm always at my happiest taking on the world and challenging lazy thinking and intellectual orthodoxy. These shows, and even this quirk of balance, was tailor-made for me. That was my motivation for going on. But the thoughtful feedback I'd receive afterwards showed me there was value in it for others as well. For many viewers, these ABC panel shows were the only exposure they had to non-left ideas. People would write to me, when I'd been on, to say they'd appreciated hearing a perspective they'd never considered. For a year after The Drum was taken off-air, people would stop me in the street or come up to me in shops to say how sad they were that it was no longer screening. I expect with Q+A it'll be the same.

The Age
21 hours ago
- The Age
I loved confronting the left-wing mob on the Q+A panel. I'll miss it dearly
The irony. After making its name in the heady days of internet cancellations, the ABC's Q+A has finally received a taste of its own medicine. Not for the crime of expressing non-conformist opinions, for which panellists were pursued, but for the crime of becoming so conformist there was no thrill left in switching on the TV. So says the cynic in me. Unsentimentally – but no less acutely – I will miss a show that once inspired Australians to engage with politics and talk about policy as though it were theirs to shape. Over the past few years I have appeared a number of times on Q+A, hosted by Tony Jones, then Hamish Macdonald and Patricia Karvelas. All of the hosts were unfailingly kind, as were their producers. I have a particular soft spot for Lindsay Olney, a talented senior producer who overcame my view of the show as a firing squad trained on non-progressives and convinced me that it might be OK to go on – just this once. Also for Tony Jones, the host of the first show I appeared on, who sensed my nerves and ensured I was treated with courtesy. It wasn't these people who eventually killed the ABC talk shows. It was the people whose response to an unfamiliar view is not curiosity, but outrage. The live tweet stream that was the genius stroke for democratising the show unfortunately also encouraged online mob behaviour around each episode. It could be hard to take. Politicians, especially from the right of politics, learnt to decline invitations to join the show. What was originally an opportunity to include the audience in a discussion became a trap. A word out-of-place or simply misconstrued would be weaponised by partisans and political opponents. When politicians did appear in later times, it was to deliver contrived messages rather than spontaneous answers. The advice to first-timers going onto Q+A was to lock yourself out of Twitter (and then X) for the week. The comments could be brutal and highly personal. Inevitably they would include threats and sexualised comments from some particularly unhinged netizens. Producers admitted that conservative women were often reluctant to come on because the attacks on them outweighed any possible professional benefit appearing could confer. That makes me angry. So many clever women have been silenced by zealots from the side of politics that claims to champion female empowerment. They were a loss to the viewers of the ABC. Loading There was a similar dynamic around The Drum, which stopped screening at the end of 2023. Many on the right were critical of that show as well, for similar reasons. Both Q+A and The Drum tended to invite only one token 'right-winger', who would be there to represent a broad spectrum of ideas against a panel of 'left-wingers'. They had a point. This one-against-all sense was amplified on Q+A by the live studio audience. It was always supposed to be selected to reflect the spectrum of community opinion, but those who clapped and booed seemed invariably to come from the left of the political spectrum. Yet personally, I relished the set-up. I'm always at my happiest taking on the world and challenging lazy thinking and intellectual orthodoxy. These shows, and even this quirk of balance, was tailor-made for me. That was my motivation for going on. But the thoughtful feedback I'd receive afterwards showed me there was value in it for others as well. For many viewers, these ABC panel shows were the only exposure they had to non-left ideas. People would write to me, when I'd been on, to say they'd appreciated hearing a perspective they'd never considered. For a year after The Drum was taken off-air, people would stop me in the street or come up to me in shops to say how sad they were that it was no longer screening. I expect with Q+A it'll be the same.