Art on track: Al Hoota's old train gets vivid makeover
Muscat – In a unique blend of public art and tourism promotion, the out-of-service train at Al Hoota Cave has now been transformed into a vibrant graffiti mural, thanks to the creative vision of Omani street artist Abdulmalik Sultan al Maskari.
The 19m-long train, previously installed at the entrance to one of Oman's most iconic natural attractions, now stands as a vivid gateway, adorned with images of the cave's dramatic rock formations and native wildlife.
Speaking exclusively to Muscat Daily, Maskari said, 'The idea was not easy at all. The train was long, unused, and the surface was difficult to work on. But I love challenges, so I decided – along with a group of my friends – to turn it into a visual delight that supports national tourism.'
The project began on October 10, 2024, and was completed on November 10, 2024. The transformation unfolded over several weekends with support from Maskari's brothers and close friends.
Backed by Omran Group – particularly its Youth and Cultural Projects Department – the initiative aimed to enhance the visitor experience by merging art, nature, and culture into one compelling installation. The final artwork draws inspiration from the natural colours and terrain of the cave, encouraging visitors to interact, take photos, and share their experience.
'Graffiti art grabs attention instantly,' Maskari said. 'When visitors see the train, the vivid images spark curiosity. It's an invitation to explore the cave's hidden beauty.'
Creating the artwork under Oman's sweltering summer sun posed major challenges. 'Transforming a metal train in that heat was no easy task,' he noted. 'We had to use special tools and materials to ensure that the colours adhered properly to the metal surface. We also coordinated closely with the site's management to avoid disrupting visitors.'
Maskari added, 'When we get permission to spray outdoors, there is always a message in the murals. I personally put deep thought into my work. I prefer quiet colours – especially shades of blue – because I want the public to feel calm rather than overwhelmed. Art should relax, not stress.'
With his graffiti journey that began in 2007, Maskari has participated in numerous major art initiatives, both locally and abroad. These include creating a large-scale mural in Mina Zayed, UAE, in collaboration with international artists, as well as landmark projects in Oman at hotel W Muscat, Al Mouj Marina, commercial venues, gyms, and various public spaces. He had also taken part in the Frankincense Tree Exhibition at Zubair Foundation.
Looking ahead, Maskari hopes this project will inspire a broader movement to promote Oman's diverse landmarks through public art. 'My dream is to expand this initiative to other sites – castles, old souqs, natural reserves – anywhere that showcases the richness of Oman's culture and heritage. Art is a universal language, and through it, we can tell the world about the beauty of our country.'
Maskari expressed gratitude to his brothers – Abdulsalam Sultan Said al Maskari and Abdullah Sultan Said al Maskari – and his friends Qusai Ali Saif al Musallami and Saeed Salem Said al Naabi, whose support and dedication were instrumental in bringing the project to life.
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