
King's Birthday Honours List: All celebrities recognised
The King's Birthday Honours celebrate individual outstanding achievements and contributions to British society.
Honours are given to people involved in a range of fields, including sport, health, science and technology, education, business, and the arts and media,
While Sir Gareth Southgate and Sir Sadiq Khan were names on the New Year Honours, here are some of the famous faces you might recognise that have made the new King's Birthday Honours list.
Sir Gareth Southgate 🏴
Our former manager and player has been awarded a Knighthood in the King's New Year Honours List for 2025 for his services to association football 👏 pic.twitter.com/TsYcKYOusb
Here are some of the celebrities recognised in the King's Birthday Honours list, what honour they have received and what it is for.
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Any member of the public or an official body can nominate someone for an honour.
UK nationals and citizens of 15 Commonwealth 'realms', of which the King is head of state, are eligible for nomination.
People living or working overseas, whose achievements were made in another country or in the UK and have a significant international element, can be nominated too.
Nominations are submitted to the Cabinet Office's Honours and Appointments Secretariat, which oversees the honours system.
A group of 10 independent honours committees, each covering a specialist subject area such as sport or health, consider nominations.
King Charles ultimately decides who is recognised in the Birthday Honours list (Image: Temilade Adelaja/PA Wire) The recommendations of these groups of independent experts and senior civil servants are passed on to the Prime Minister and, ultimately, the King for approval.
There are two sets of honours per year, at New Year and in June on the King's official birthday.
Once all recipients have been decided and checked, the Central Chancery of the Orders of Knighthood at St James's Palace arranges investitures for the presentation of medals.
These ceremonies, held about 30 times a year at Buckingham Palace, Windsor Castle and, occasionally, the Palace of Holyroodhouse in Edinburgh, and are hosted by senior royals.
The most senior ranks of the Order of the British Empire are Knight or Dame Grand Cross (GBE) and Knight or Dame Commander (KBE or DBE).
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The order's ranks, after Knighthood or Damehood, are Commander (CBE), Officer (OBE) and Member (MBE).
Other honours include Companion of Honour (CH), British Empire Medal (BEM), Royal Victorian Order (RVO), Order of the Bath and Order of St Michael and St George.
There is also Royal Red Cross (RRC), King's Police Medal (KPM), King's Fire Service Medal (KFSM) and King's Ambulance Service Medal (KAM).
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Daily Mirror
an hour ago
- Daily Mirror
Chart-topping musician admits BRIT Awards leaving London is 'right move'
EXCLUSIVE: Sigma star Cameron Edwards has opened up on his views following the news that the BRIT Awards are leaving London for the first time, admitting it's time to celebrate all UK music Sigma's Cameron Edwards admits it's "right" that the BRIT Awards are finally leaving London. It was announced earlier this week that the glitzy music event will be leaving London for the first time. For the first time, the annual event, which celebrates the best of British music, as well as international artists, will be moving to Manchester's Co-op Live for 2026 and 2027 after 45 ceremonies in London. Chart topper, Cameron Edwards, one half of drum and bass duo Sigma, believes this is the right move. Despite being from the south of England, Cam and Joe Lenzie met in 2006 while studying at Leeds University, so have a strong connection to the north. "It's probably about right," Cam exclusively told the Mirror, following the release of their latest track, Jungle, featuring Stefflon Don and Yung Saber. He added: "I mean, it's the BRITs, it should be Britain, right? Why not? There's a lot of talent outside of London so it should be celebrated." Speaking of Sigma's origins, he explained: "We were at university up there, that's how we met and sort of formed everything we did. There's a big divide in terms of the way people are with you in the north and the south. "Generally, the further up north you get, the friendlier people are. I lived in Manchester for almost 10 years and absolutely loved it, Leeds is an amazing city. I've got very fond memories of both places, so why not take the BRITs elsewhere?" But while Sigma have previously worked with major labels, the duo have since gone independent for their latest record, Day One. "We were part of the major label system for just over 10 years," he said, before adding: "Like any sort of longterm relationship, it had its ups and downs but it's nice to come out of it and have that kind of knowledge we probably didn't have when we started, having had ten years of experience with a major label and be able to make decisions on our own. "It's more down to how quickly we can make decisions because there's just Joe and I. We don't have to ask anyone, so we're doing everything ourselves – it's been very liberating to be honest, and it's been a great start." However, he admits while it's stressful working independently, he believes that there had always been stress behind the scenes. "Doing everything independently, you forget, it's literally everything you see that happens we've made a decision on," Cam said. He went on to explain that this includes social media posts, people they are working with and who they choose to record with. In more recent years, independent artists including RAYE, Sugababes and The Zutons have gone on to have astronomical success after steering away from major labels and making decisions themselves. However, he acknowledges that major labels do have an important part to play when it comes to breaking new artists, and budgets are often a lot higher. "If something starts doing well, they can generally throw money behind it, almost like a bank," he said, admitting that Sigma don't have the opportunity to plough into a huge campaign. Now, the duo have to "carefully" plan things. "I think there's definitely a shift at the moment," he said of musicians working independently, adding: "I think if you're an established name, you've got a bit of a fanbase already, maybe people are realising they don't maybe need the full structure of 30 people working for you. "Obviously, the percentages are much better when you're independent as well," noting that record labels, management and publicists often take a percentage of any money generated by the artist. Creative freedom is also a bonus, with Cam and Joe being able to decide who they collaborate with. Their track with Stefflon Don and Yung Saber came by chance. "Some of these tunes we'd had loops we'd started and some people we reached out to," he said, before reflecting on their track, R U SLEEPING with Dizzee Rascal. He revealed that he and Joe dropped the musician a direct message on social media, but Dizzee sadly didn't see it. Their luck changed when they bumped into him at a festival in Bournemouth, with the rapper instantly agreeing to jump on the record. He, however, admits the Stefflon track was very different. "We worked with Yung Saber and he dropped the lyric in the track that says '16 shots like Stefflon Don' and we were like 'Imagine having her on it'. "I think Joe had been speaking to one of her producers and studio guys, and I was like 'Let's just send him the tune and see if we can lock it in.' It was a Sunday, and she came back to us and said she loved the track. It was completely random, totally unscripted," before adding it was "organic and a mad story." He admits the track is a "nod" to the drum and bass sound, which has had a resurgence in recent years. Cam says the genre was "very popular" when Sigma emerged ten years ago, but has now seen a new generation of artists coming through and putting vocals on drum and bass tracks. One singer who you wouldn't have imagined on a drum and bass track is Paloma Faith, who joined the lads on their 2014 Number 1, Changing. "It was Ella Eyre who first did the vocal on that tune," Cam said, but unfortunately, Ella couldn't commit to being on the record, meaning Paloma took over. But since their first release of Lassitude with DJ Fresh in 2010, Cam says there have been "a lot of positive moments," but the duo have also faced "hard moments." He said: "I think this journey of independence feels very close to home. We were very lucky to have a lot of success ten years ago. "It was ten years ago when I was probably in a slightly different place as a man, and Joe was as well in terms of our egos. We probably didn't handle it as well as we probably are now. It's a very different time, the little wins we get now really mean the world to us because it's something that we've put all of our effort into, all of our backing, all of my money, everything." He added: "I would say this journey of independence is probably a highlight for us." Cam says that when Sigma were topping the charts, he felt as though the duo had imposter syndrome after arriving at Radio 1 to collect their Official Number 1. "I didn't really think I should be there," he said, adding that he was "blocking it out" as it felt "strange." "If we ever were to have that success again, mentally, we'd be in a different place to appreciate it more," Cam said. Day One is scheduled for release in October this year via DAY ONES. Jungle feat Stefflon Don and Yung Saber is available now.


Wales Online
an hour ago
- Wales Online
Wales rugby greats sing iconic song together to help famous Welsh club after historic season
Wales rugby greats sing iconic song together to help famous Welsh club after historic season The club are raising funds after a massive promotion A a dozen former Wales and British and Irish Lions players belted out a Beach Boys classic as part of a fundraising effort for London Welsh – and the heartwarming choral rendition has been caught on camera. Mike Phillips, Gareth Edwards, Robert Jones and Gerald Davies were just some of the names in attendance in the English capital as they belted out Sloop John B by the iconic American rock band. 1971 Lions choirmaster John Taylor conducted the rendition of the famous track, with the likes of Scarlets head coach Dwayne Peel and Wales legend Ken Owens also in attendance and singing along. The event was put on to raise funds for Welsh to invest in their facilities following a landmark season. All former rugby stars, including Sir Ian McGeechan and former England hooker Brian Moore, looked immaculate in their smart clothes, with everyone getting stuck into the song, with arms raised and smiles across the board. It was held at The Brewery on Chiswell Street, with famous Welsh comedian Rob Brydon a guest speaker on the night. It celebrated the 120th year since the first of more than 50 of the club's players represented the Lions. It's been a joyous season for the iconic club, who recently secured promotion back to the National Leagues after being booted out of the Championship back in 2017. Sign up to Inside Welsh rugby on Substack to get exclusive news stories and insight from behind the scenes in Welsh rugby. After years of hard work by all those behind the scenes, like former Ospreys star Cai Griffiths, the club have climbed their way back to the upper echelons of English rugby and won the league title in the process. Article continues below Despite their ascent, director of rugby Griffiths assured WalesOnline back in March that the club have no intention of targeting a return to the Premiership, they simply want to retain their players and take it season by season. "We want to target top six next season. And then we will basically build on that. The biggest thing is sustainability," he said. "When you start thinking about Championship, Premiership, you start chasing it, that means stupid decisions: payments and costs spiral out of control. "For us, we've done well getting into this league, we want to get into that top six and build again the following year, then hopefully we can get more success. "Retaining 90% of the squad (is our goal), it's a key thing. If we do that, then they'll potentially be five players going to 100 caps next season. "These guys are still young. Seeing the areas we do need to bolster up, it's a big league, as in the players are bigger, there's more games. "You need that strength in depth. The quality is there, even in the second team now. There are a lot of players who have come from the seconds to the firsts. We want to keep on with that pipeline of players." Next season, Welsh will be competing in the National League Two division, which is the fourth tier of English rugby. Join our WalesOnline rugby WhatsApp community here. The project to get promoted was three years in the making, with Griffiths an Co initially focusing on developing young players, and now it's clear that approach has paid off. Article continues below "The group of players that we've got now, we've had them for four, five years. There's a couple of 70-cappers in there which is fantastic and also some players who haven't won anything, so it's fantastic for them to experience that," said Griffiths.


The Guardian
an hour ago
- The Guardian
I'm a headteacher and a dad – this is how to help boys struggling with masculinity
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In recent research we commissioned at St Dunstan's Education Group, the group of private schools that I lead, we found that nearly half (49%) of 18 to 25-year-old men felt there were very few strong male role models in society, while 17% of young men said that credible accusations of sexual assault would not change their perception of someone they considered a role model. More than half (59%) of young men felt that feminism had gone too far. Although it's clear that boys are failing to understand their place in the world and are misguidedly blaming feminism and broader advances in women's rights for their perceived irrelevance, this is far from inevitable. While our instinct might be to judge young men, we need to unpick the context in which they grow up. As the youngest generation of men retreat online, they have moved away from traditional concepts of what makes a person admirable. Real-life role models have been eclipsed by an unregulated online world that capitalises on teenage uncertainty and presents viewers with misrepresentations of sex, body image and success. In my years as a teacher, I have seen how the curriculum can help to support people through these challenges. Carving out meaningful time to work with young people and have discussions about their identity, purpose and choices is invaluable. Unpicking the positive attributes of masculinity and feminist thinking helps students understand the complexity of these topics. At our school in south-east London, we introduced courses that examine identity and online spaces, pornography addiction, toxic representations of gender and online influencers. We felt it was important to create time for young people to sit together and talk through these issues. Teaching these subjects requires sensitivity, careful consideration and meaningful time. Although relationships and sex education (RSE) is compulsory in all secondary schools, it is often shoehorned into odd corners of the curriculum and tutor time. This fragmented approach limits its impact, particularly when it is delivered by undertrained, non-specialist teachers. Despite the urgency of issues like consent, online safety and gender identity, time devoted to exploring these topics remains far too short. The PSHE Association (the national body for PSHE education) recommends at least one hour per week across all key stages, but this is rarely guaranteed and, in many state schools, PSHE receives far less attention than other subjects. To address this, reform must extend beyond well-resourced independent schools. Over 90% of children in the UK are educated in the state sector, where schools face stricter timetable constraints and less curricular flexibility. A society-wide issue demands a society-wide solution, which should be led by the government and the Department for Education. National policy should establish clearer expectations, including protected curriculum time, dedicated teacher training and financial support. Only then can we ensure that every child, regardless of background, receives the education they need to navigate relationships, identity and the modern world with resilience and understanding. Yet curriculum reform is only one part of the solution. As the father of two young children and as an educator, I was particularly reassured by other statistics from our research: for the majority (50%) of young men, their biggest role model is still their father, while a fifth (20%) chose a male teacher as the second most significant person in their life. It's easy to despair at what the future may hold for the next generation, but there is something deeply reassuring that those closest to young people still have real influence on them and the power to provide an antidote to misogynistic influencers. Putting down our phones, being present, playing with our children, going for walks, talking to them about choices and values, offering support when needed: all of this can be just as potent as any online narrative, if not more so. When young people turn to online spaces, what they're looking for is guidance, and if we can offer that in an alternative, positive and reinforcing way we can begin to counteract the harmful language and stereotypes that flourish there. As educators and as individuals, we have the ability to stand up to this challenge. We can reshape young people's understanding of not just masculinity, but gender, relationships, sexuality and our values as a society. In my professional and personal life I have witnessed the value of speaking to young people in the language they recognise, even about topics they may find particularly difficult or confusing. The challenge is great, but together we have the tools to rise to it. Nick Hewlett is chief executive of the St Dunstan's Education Group, a network of private schools in south-east London