
Pregnant news anchor stays on air during labor. ‘If I disappear, that's what's going on,' she says
ALBANY, N.Y. (AP) — Local news co-anchor Olivia Jaquith went ahead with a three-hour morning newscast even after her labor contractions began and her water broke, keeping viewers updated about the coming birth of her first baby.
'We do have some breaking news this morning — literally,' co-anchor Julia Dunn said at the top of the CBS6 Albany broadcast Wednesday morning. 'Olivia's water has broke, and she is anchoring the news now in active labor.'
'Early labor, early labor,' replied Jaquith, who was two days past her due date.
Jaquith stayed on air as Dunn kept recording on Facebook Live.
'I'm happy to be here, and I'll stay on the desk for as long as I possibly can,' Jaquith said. 'But if I disappear, that's what's going on.'
Jaquith had the option of going home, but she told the Times-Union that she decided to pass the time at her job rather than 'nervously waiting around at the hospital.'
'Having the entire morning team alongside me cracking jokes helped me get through contractions much easier,' she said in a text to the newspaper.
The birth of her baby boy, Quincy, was announced Thursday.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Toronto Star
4 hours ago
- Toronto Star
AP PHOTOS: David Beckham to be awarded a knighthood by King Charles
London, ENGLAND (AP) — David Beckham, the former England soccer captain who has been an ambassador for the U.N. children's fund for two decades, is to receive a knighthood in next week's honors list from King Charles III, according to U.K. media reports Friday. Without citing sources, the BBC said Beckham is set to receive further recognition both for his soccer career, and his contributions to British society. ____ This is a photo gallery curated by AP photo editors.


Winnipeg Free Press
5 hours ago
- Winnipeg Free Press
Film Festival showcases what artificial intelligence can do on the big screen
NEW YORK (AP) — Artificial intelligence 's use in movie making is exploding. And a young film festival, now in its junior year, is showcasing what this technology can do on screen today. The annual AI Film Festival organized by Runway, a company that specializes in AI-generated video, kicked off in New York Thursday night with ten short films from around the world making their debut on the big screen. 'Three years ago, this was such a crazy idea,' Runway CEO Cristóbal Valenzuela told the crowd. 'Today, millions of people are making billions of videos using tools we only dreamed of.' The film festival itself has grown significantly since its 2023 debut. About 300 people submitted films when it first began, Valenzuela said, compared to about 6,000 submissions received this year. The one and half-hour lineup stretched across a range of creative styles and ambitious themes — with Jacob Alder's ' Total Pixel Space ' taking home the festival's top prize. The 9-minute and 28-second film questions how many possible images — real or not — exist in the digital space, and uses math to calculate a colossal number. A stunning series of images, ranging from the familiar life moments to those that completely bend reality, gives viewers a glimpse of what's out there. Meanwhile, Andrew Salter's 'Jailbird,' which snagged second place, chronicles a chicken's journey — from the bird's perspective — to a human prison in the United Kingdom to take part in a joint-rehabilitation program. And 'One,' a futuristic story by Ricardo Villavicencio and Edward Saatchi about interplanetary travel followed in third place. The 10 films shown were finalists selected from thousands submitted to Runway's AI Film Festival this year. The shorts will also be shown at screenings held in Los Angeles and Paris next week. How AI is used and executed is a factor judges evaluate when determining festival winners. But not every film entered was made entirely using AI. While submission criteria requires each movie include the use of AI-generated video, there's no set threshold, meaning some films can take a more 'mixed media' approach — such as combining live shots of actors or real-life images and sounds with AI-generated elements. 'We're trying to encourage people to explore and experiment with it,' Valenzuela said in an interview prior to Thursday's screening. Creating a coherent film using generative AI is no easy feat. It can take a long list of directions and numerous, detailed prompts to get even a short scene to make sense and look consistent. Still, the scope of what this kind of technology can do has grown significantly since Runway's first AI Film Festival in 2023 — and Valenzuela says that's reflected in today's submissions. While there are still limits, AI-generated video is becoming more and more life-like and realistic. Runway encourages the use of its own AI tools for films entered into its festival, but creators are also allowed to turn to other resources and tools as they put together the films — and across the industry, tools that use AI to create videos spanning from text, image and/or audio prompts have rapidly improved over recent years, while becoming increasingly available. 'The way (this technology) has lived within film and media culture, and pop culture, has really accelerated,' said Joshua Glick, an associate professor of film and electronic arts at Bard College. He adds that Runway's film fest, which is among a handful of showcases aimed at spotlighting AI's creative capabilities, arrives as companies in this space are searching for heightened 'legitimacy and recognition' for the tools they are creating — with aims to cement partnerships in Hollywood as a result. AI's presence in Hollywood is already far-reaching, and perhaps more expansive than many moviegoers realize. Beyond 'headline-grabbing' (and at times controversial) applications that big-budget films have done to 'de-age' actors or create eye-catching stunts, Glick notes, this technology is often incorporated in an array of post-production editing, digital touch-ups and additional behind-the-scenes work like sorting footage. Industry executives repeatedly point to how AI can improve efficiency in the movie making process — allowing creatives to perform a task that once took hours, for example, in a matter of minutes — and foster further innovation. Wednesdays Columnist Jen Zoratti looks at what's next in arts, life and pop culture. Still, AI's rapid growth and adoption has also heightened anxieties around the burgeoning technology — notably its implications for workers. The International Alliance of Theatrical Stage Employees — which represents behind-the-scenes entertainment workers in the U.S. and Canada — has 'long embraced new technologies that enhance storytelling,' Vanessa Holtgrewe, IATSE's international vice president, said in an emailed statement. 'But we've also been clear: AI must not be used to undermine workers' rights or livelihoods.' IATSE and other unions have continued to meet with major studios and establish provisions in efforts to provide guardrails around the use of AI. The Screen Actors Guild-American Federation of Television and Radio Artists has also been vocal about AI protections for its members, a key sticking point in recent labor actions. For Runway's AI Film Festival, Valenzuela hopes screening films that incorporate AI-generated video can showcase what's possible — and how he says this technology can help, not hurt, creatives in the work they do today. 'It's natural to fear change … (But) it's important to understand what you can do with it,' Valenzuela said. Even filmmaking, he adds, was born 'because of scientific breakthroughs that at the time were very uncomfortable for many people.'


Winnipeg Free Press
5 hours ago
- Winnipeg Free Press
Renée Elise Goldsberry talks new album, whether ‘Hamilton' return is an option and EGOT aspirations
LOS ANGELES (AP) — Renée Elise Goldsberry is most inspired by artists bold enough to take a career leap, even when there's no guarantee of a safe landing. Over the years, Goldsberry spent her celebrated career surrounded by fearless risk-takers. Now, the Tony and Grammy winner, best known for her breakout role in the Broadway musical 'Hamilton,' is taking a bold move of her own. She's stepping into the spotlight as a solo artist: Her debut album, 'Who I Really Am,' was released Friday. 'I'm surrounded by friends that do really crazy, brave, 'I could fail miserably' things,' said Goldsberry, whose role as Angelica Schuyler in Hamilton won her a Tony in 2016 for best featured actress in a musical. In that same year, she earned a Grammy for best musical theater album. 'They jump off cliffs, they start to fly, we get to see it and it's so inspiring that you put out an album,' she said. Goldsberry has made her presence felt in other Broadway projects including 'Rent' and 'The Color Purple.' She's had standout work on 'Girls5Eva' and 'The Good Wife ' and was on the daytime soap 'One Life to Live.' With 'Who I Really Am,' Goldsberry is carving her own musical path. The album is a 13-track project filled with soul, funk, blues and gospel vibes featuring a reimagined version of her iconic 'Hamilton' song 'Satisfied,' which was originally penned by Lin-Manuel Miranda. In a recent interview, Goldsberry talks to The Associated Press about finding her identity through the album, whether returning to 'Hamilton' is an option and aspirations for an EGOT, a term for the rare person who's won an Emmy, Grammy, Oscar and Tony award during their career. This interview has been edited for length and clarity. ___ AP: You wrote 11 songs on the album. While creating this project, what did you discover more about yourself? GOLDSBERRY: I need to give myself license to be more than one thing. I think that's always been the case with recorded music for me. I've been writing since I was a kid. The challenge for me has always been feeling like you have to be extremely specific about a box when you're a recording artist. It has to all sound like one mood, one vibe. I had to give myself permission to not try to fit into a box that exists, or even a box that's specific. I gave myself license to express myself in all the ways it naturally comes out. AP: You started the album process in 2020. What was your initial thoughts on re-recording 'Satisfied'? GOLDSBERRY: Somebody said to me 'You could probably get a record deal and do an album if you re-record 'Satisfied.'' I said 'Absolutely no.' I'm absolutely not doing that. It already exists. It's perfect. The show is perfect. AP: What shifted your thinking? GOLDSBERRY: In the process of recording all the music, we rented a studio in Nashville. It's where Dolly Parton recorded 'Jolene.' It felt like all this history was there. We had all these great musicians there. We booked the studio for a week or two and we finished early, and they were going to let everybody go home. And I was like 'We might as well record this version of 'Satisfied' that I do in my concert, because we're sitting here.' And these cats are amazing. We started playing. They started playing, and our minds exploded. The control booth. Our brains exploded. It was so good. Then I started singing it. I said to us 'This belongs.' AP: Your 'Girls5Eva' co-star Sara Bareilles wrote the song 'Smiling.' How was it reuniting with her? GOLDSBERRY: I think she is one of the greatest singer-songwriters that has ever existed and might ever exist. I had the privilege of being in a concert with her. I opened for her at the Hollywood Bowl a couple of months ago. She was doing something new. I love artists and I'm one of them in this moment. But I love artists that do new things that might not work, bravely. She had orchestrated all of her music. She had a huge symphony orchestrated show. All the music that she had written. AP: What happened next? Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. GOLDSBERRY: We got to see her jump off a cliff for the first time. It was one of the greatest things I ever saw in my life. I could start crying right now. It was so great. It's so brave. I'm surrounded by people like that, and it's so inspiring. They're all doing crazy things. All of them. Leslie Odom Jr. decided to go back to 'Hamilton.' Like that's insane. AP: Would you ever return to 'Hamilton'? GOLDSBERRY: That's what Leslie taught us: Never say never. AP: You're halfway to EGOT status. Is that something you feel like it's achievable? GOLDSBERRY: I'm not going to lie, I've thought of different ways I could slip in the back door, you know what I mean? Like I have a documentary called 'Satisfied' (which premiered at the Tribeca Film Festival last year) about the journey in my life when I was part of the original company of 'Hamilton' and also trying to raise my young family. We were like, 'What original song can we put in this movie to contend for slipping in the Oscar category. … It's possible. But I'm less interested in the results of a journey than the journey itself.