Hill Kourkoutis on creating Toronto's Sonic ID for the 2026 FIFA World Cup
It might seem like a long way away, but celebrations for the 2026 FIFA World Cup have already begun. This month, FIFA released a Sonic ID (or a city anthem) for each of its 16 host cities. For Toronto, the Juno-winning songwriter and producer Hill Kourkoutis was selected to create the track The Sound of Toronto. She drops by the Q studio to talk to Tom Power about being chosen, what it means to make an anthem for a city, and how she went about creating a distinctly Toronto sound.
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Toronto Sun
8 hours ago
- Toronto Sun
Tony Awards offer many intriguing matchups in a star-studded season
Published Jun 08, 2025 • 3 minute read George Clooney appears at the "Good Night, and Good Luck" Broadway opening night on April 3, 2025, in New York. Photo by Andy Kropa/Invision / AP, File Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. NEW YORK — A pair of singing androids. Two Pulitzer Prize-winning plays. A drunken Mary Todd Lincoln. A musical with a corpse as its hero. Romeo, Juliet and teddy bears with rave music. Not to mention George Clooney. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Broadway has had a stuffed season with seemingly something for everyone and now it's time to recognize the best with the Tony Awards, hosted by Cynthia Erivo, set for Sunday night on CBS and streaming on Paramount+. Broadway buzz is usually reserved for musicals but this year the plays — powered by A-list talent — have driven the conversation. There's Clooney in 'Good Night, and Good Luck,' Denzel Washington and Jake Gyllenhaal in 'Othello,' Sarah Snook in a one-woman version of 'The Picture of Dorian Gray' and her 'Succession' co-star Kieran Culkin and Bob Odenkirk in 'Glengarry Glen Ross.' (Clooney, Snook and Odenkirk are nominated for Tonys.) There were two Pulitzer winners — 2024 awardee 'English' and 'Purpose' from 2025 — but perhaps one of the season's biggest surprises was 'Oh, Mary!,' Cole Escola's irreverent, raunchy, gleefully deranged revisionist history centred on Mary Todd Lincoln. All three are nominated for best play, along with 'John Proctor is the Villain' and 'The Hills of California.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. On the musical side, three options seem to be in the mix for the top prize: 'Maybe Happy Ending,' a rom-com about a pair of androids; 'Dead Outlaw,' about an alcoholic drifter whose embalmed body becomes a prized possession for half a century; and 'Death Becomes Her,' the musical satire about longtime frenemies who drink a magic potion for eternal youth and beauty. 'Maybe Happy Ending,' 'Death Becomes Her' and another musical nominee, 'Buena Vista Social Club,' lead nominations with 10 apiece. The 2024-2025 season took in $1.9 billion, making it the highest-grossing season ever and signaling that Broadway has finally emerged from the COVID-19 blues, having overtaken the previous high of $1.8 billion during the 2018-2019 season. This advertisement has not loaded yet, but your article continues below. 'We're going through this strange period, which I would think someday we can draw the line from COVID to this, as you can draw the line from the early 1980s with AIDS to the explosion of big musicals again,' says Harvey Fierstein, who will get a special Tony for lifetime achievement. Audra McDonald, the most recognized performer in the theatre awards' history, could possibly extend her Tony lead. Already the record holder for most acting wins with six Tonys, McDonald could add to that thanks to her leading turn in an acclaimed revival of 'Gypsy.' She has to get past Nicole Scherzinger, who has been wowing audiences in 'Sunset Blvd.' And Kara Young — the first Black female actor to be nominated for a Tony Award in four consecutive years — could become the first Black person to win two Tonys consecutively, should she win for her role in the play 'Purpose.' This advertisement has not loaded yet, but your article continues below. Other possible back-to-back winners include director Danya Taymor, hoping to follow up her 2024 win with 'The Outsiders' with another for 'John Proctor Is the Villain,' and 'Purpose' playwright Branden Jacobs-Jenkins, who won last year with 'Appropriate.' Other possible firsts include Daniel Dae Kim, who could become the first Asian winner in the category of best leading actor in a play for his work in a revival of 'Yellow Face.' And Marjan Neshat and her 'English' co-star Tala Ashe could become the first female actors of Iranian descent to win a Tony. Broadway this season saw a burst in alt-rock and the emergence of stories of young people for young people, including 'John Proctor is the Villain' and a 'Romeo + Juliet' pitched to Generation Z and millennials. Sunday's telecast, as usual, will have a musical number for each of the shows vying for the best new musical crown, as well as some that didn't make the cut, like 'Just in Time,' a musical about Bobby Darin, and 'Real Women Have Curves.' This year, there's also room for 'Hamilton,' celebrating its 10th year on Broadway. But the musicals 'BOOP! The Betty Boop Musical' and 'SMASH' didn't get slots. Sports Sunshine Girls Canada Sunshine Girls Columnists
Winnipeg Free Press
2 days ago
- Winnipeg Free Press
How groundbreaking gay author Edmund White paved the way for other writers
NEW YORK (AP) — Andrew Sean Greer, a Pulitzer Prize-winning novelist, remembers the first time he read Edmund White. It was the summer of 1989, he was beginning his second year at Brown University and he had just come out. Having learned that White would be teaching at Brown, he found a copy of White's celebrated coming-of-age novel, 'A Boy's Own Story.' 'I'd never read anything like it — nobody had — and what strikes me looking back is the lack of shame or self-hatred or misery that imbued so many other gay male works of fiction of that time,' says Greer, whose 'Less' won the Pulitzer for fiction in 2018. 'I, of course, did not know then I was reading a truly important literary work. All I knew is I wanted to read more. 'Reading was all we had in those days — the private, unshared experience that could help you explore your private life,' he said. 'Ed invented so many of us.' White, a pioneer of contemporary gay literature, died this week at age 85. He left behind such widely read works as 'A Boy's Own Story' and 'The Beautiful Room Is Empty' and a gift to countless younger writers: Validation of their lives, the discovery of themselves through the stories of others. Greer and other authors speak of White's work as more than just an influence, but as a rite of passage: 'How a queer man might begin to question all of the deeply held, deeply religious, deeply American assumptions about desire, love, and sex — who is entitled to have it, how it must be had, what it looks like,' says Robert Jones Jr., whose novel above love between two enslaved men, ' The Prophets,' was a National Book Award finalist in 2021. Jones remembers being a teenager in the 1980s when he read 'A Boy's Own Story.' He found the book at a store in a gay neighborhood in Manhattan's Greenwich Village, 'the safest place for a person to be openly queer in New York City,' he said. 'It was a scary time for me because all the news stories about queer men revolved around AIDS and dying, and how the disease was the Christian god's vengeance against the 'sin of homosexuality,'' Jones added. 'It was the first time that I had come across any literature that confirmed that queer men have a childhood; that my own desires were not, in fact, some aberration, but were natural; and that any suffering and loneliness I was experiencing wasn't divine retribution, but was the intention of a human-made bigotry that could be, if I had the courage and the community, confronted and perhaps defeated,' he said. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Starting in the 1970s, White published more than 25 books, including novels, memoirs, plays, biographies and 'The Joy of Gay Sex,' a response to the 1970s bestseller 'The Joy of Sex.' He held the rare stature for a living author of having a prize named for him, the Edmund White Award for Debut Fiction, as presented by the Publishing Triangle. 'White was very supportive of young writers, encouraging them to explore and expand new and individual visions,' said Carol Rosenfeld, chair of the Triangle. The award was 'one way of honoring that support.' Winners such the prize was founded, in 2006, have included 'The Prophets,' Myriam Gurba 's 'Dahlia Season' and Joe Okonkwo's 'Jazz Moon.' Earlier this year, the award was given to Jiaming Tang's ' Cinema Love,' a story of gay men in rural China. Tang remembered reading 'A Boy's Own Story' in his early 20s, and said that both the book and White were 'essential touchpoints in my gay coming-of-age.' 'He writes with intimate specificity and humor, and no other writer has captured the electric excitement and crushing loneliness that gay men experience as they come of age,' Tang said. 'He's a towering figure. There'd be no gay literature in America without Edmund White.'
Canada Standard
2 days ago
- Canada Standard
Studio Ghibli marks 40 years, but future looks uncertain
Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation. But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84. The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985. Its popularity has been fuelled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world. In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator -- raising questions over copyright. The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region. Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child. "I started collecting all the DVDs," she told AFP. Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26. "I probably watch 'Spirited Away' about 10 times a year still." 'Whiff of death' Before Ghibli, most cartoons in Japan -- known as anime -- were made for children. But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP. "It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films. For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude", Goro said. Even "My Neighbor Totoro", with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained. Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees. "In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said. The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example. The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued", Napier said. Natural world Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world. A case in point was 1997's "Princess Mononoke", distributed internationally by Disney. The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie", Napier said. It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess". Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change", she added. Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature. "That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time". French connection Miyazaki and Takahata -- who died in 2018 -- could create imaginative worlds because of their openness to other cultures, Yonemura said. Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees". Takahata studying French literature at university "was a big factor", Yonemura said. "Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories." Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology. Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges", Yonemura said. Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive", Napier said. "The more I study, the more I realise this was a unique cultural moment," she said. "It's so widely loved that I think it will carry on," said Ghibli fan Divall. "As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said. Originally published on France24
