Overreaction Monday: Rich Eisen Talks Dodgers, 49ers, Packers & More
Garrett Wilson hopeful he'll be a 'Jet for life', excited to team back up with Justin Fields
New York Jets WR Garrett Wilson says he is ready to pick back up where he left off at Ohio State with QB Justin Fields and hopes that he will be a member of this organization for his entire career.
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Black America Web
3 hours ago
- Black America Web
Remembering Jet Magazine's Top 20 Singles Chart & Its Impact On Exposing Black Music
Source: Scott Olson / Getty Jet Magazine, a cultural mainstay in the African American community, has long been celebrated for capturing the pulse of Black America. Among its many features, the 'Top 20 Singles of the Week' chart became an essential barometer of musical success, offering a unique lens into the evolving soundtracks of Black culture. From its inception to its lasting legacy, this chart mirrored the rhythms, struggles, and victories of a community and left an indelible mark on the music industry. Origins of the Chart Jet Magazine was launched by John H. Johnson in 1951 as a companion to his first publication, Ebony . While Ebony focused on photo spreads of Black excellence, Jet served as a weekly digest of news, culture, and entertainment. Recognizing the centrality of music to Black life and identity, Jet introduced the 'Top 20 Singles of the Week' chart in the 1950s. Its mission was to spotlight the songs that resonated within the community, distinct from mainstream pop charts that often neglected Black artists. Authenticity defined the Jet chart. Its rankings weren't just about radio airplay or sales but about what truly mattered to its audience. It celebrated not just hits but cultural touchstones, elevating R&B, soul, gospel, and later hip-hop as they rose to prominence. Cultural Significance Before the digital age allowed instant access to music, Jet's Top 20 chart was a lifeline for fans eager to stay connected to the latest sounds. Its influence stemmed from its role as both a tastemaker and a time capsule. Each week, the chart reflected the collective mood, aspirations, and energy of Black America. It affirmed identities and uplifted artists who were often overlooked or underestimated by mainstream music platforms. More than just a list of songs, the chart captured key moments in Black history. During the Civil Rights Movement, tracks like Sam Cooke's 'A Change Is Gonna Come' resonated deeply and rose through the rankings, embodying the quest for equality. Later, in the 1980s and 1990s, hip-hop's ascendancy was chronicled in real-time through artists like Run-D.M.C., LL Cool J, and Tupac Shakur, as their anthems became staples of the chart. Reflections of Change Over the decades, the chart told the story of music's evolution and, by extension, shifting cultural landscapes. Early charts were dominated by soul and rhythm & blues, celebrating pioneers like James Brown, Aretha Franklin, and Marvin Gaye. These artists laid the foundation for the genre's crossover success while maintaining their roots in Black culture. By the late 1970s and early 1980s, disco fever hit the chart, with artists like Donna Summer and the Jacksons delivering infectious dance tracks that united people on the floors of nightclubs. The 1990s brought a wave of hip-hop and neo-soul, with artists like Lauryn Hill and Maxwell bridging the gap between old school and new school influences. Each entry on the chart bore witness to the community's changing tastes and values. Impact on the Music Industry Jet's chart was more than a reflection of its audience's preferences; it was a tool for shaping the music industry's recognition of Black talent. Record labels paid attention to Jet's rankings, treating the chart as an indicator of what would succeed commercially. For many Black artists, landing on Jet's Top 20 signified both representation and validation, a milestone that reflected their connection with the audience that mattered most. The chart also played a vital role in breaking boundaries. It challenged mainstream industry norms by shining a light on independent and emerging artists, sometimes serving as a stepping stone to broader success. When traditional institutions overlooked genres like rap or downplayed the rise of regional music scenes, Jet tipped its hat early, amplifying a diversity of voices. Key Milestones The chart's long history encompasses numerous defining moments: The emergence of Motown classics in the 1960s, with chart toppers like The Supremes and Marvin Gaye setting new standards for crossover appeal. The rise of funk and disco in the 1970s, led by groundbreaking acts like Parliament-Funkadelic and Earth, Wind & Fire. The explosion of hip-hop in the 1980s and 1990s, reflecting the growing dominance of the genre as a voice for a new generation. The recognition of female R&B stars in the 2000s, with artists like Beyoncé and Alicia Keys dominating the rankings and ushering in an era of empowered Black women in music. A Legacy of Influence Jet Magazine's 'Top 20 Singles of the Week' chart ended its run when the publication ceased print production in 2014, transitioning to a digital-only format. However, its legacy endures. It stands as both a reminder of the power of music to connect people and an archive of Black America's evolving tastes and triumphs. From soul-stirring ballads to defiant rap lyrics, the chart encapsulated the heartbeat of a culture. While Jet's print days have ended, its soundtrack remains timeless. The 'Top 20 Singles of the Week' chart wasn't just a list of hits; it was, and still is, a symbol of joy, resilience, and artistry in the African American experience. Want to know what was on Jet's Top 20 Singles around this time 35 years ago? Scroll down to find out! (Featuring Jet's Top 20 Singles the week of June 11, 1990) Remembering Jet Magazine's Top 20 Singles Chart & Its Impact On Exposing Black Music was originally published on Black America Web Featured Video CLOSE
Yahoo
5 hours ago
- Yahoo
Strauss sexual assault documentary trailer released
COLUMBUS, Ohio (WCMH) – In just four days, the documentary on the Dr. Richard Strauss sex abuse scandal at Ohio State University will have its world premiere at the Tribeca Film Festival before moving to HBO beginning June 17. The trailer for the documentary was released on Thursday and can be viewed by clicking here. Hundreds of the survivors of the 20-year-long string of sexual assaults by the Ohio State team doctor still have cases against the university pending in federal court. Unsolved Ohio: Who killed Amy Jo Nelson? Family wants answers in 2017 homicide NBC4's Colleen Marshall was interviewed for the documentary after reporting on the scandal for many years, dating back to 2018. Many of those appearing in the documentary were part of NBC4's reporting on the scandal. In a statement, an Ohio State University spokesperson said: Ohio State led the effort to investigate and expose Richard Strauss, and we express our deep regret and apologies to all who experienced Strauss' abuse. The university is forever grateful to the survivors who participated in the independent investigation, which could not have been completed without their strength and courage. Since 2018, we have reached settlement agreements with more than half of the plaintiffs, 296 survivors, for more than $60 million. All male students who filed lawsuits have been offered the opportunity to settle. In addition, the university continues to cover the cost of professionally certified counseling services and other medical treatment, including reimbursement for counseling and treatment received in the past. Ohio State was not involved in the production of this film. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
USA Today
6 hours ago
- USA Today
Ohio State football coach Ryan Day makes bold claim over Big Ten's access to the CFP
Ohio State football coach Ryan Day makes bold claim over Big Ten's access to the CFP By all accounts and measures, the new, expanded 12-team College Football Playoff was a resounding success, especially if you had rooting interests cloaked in the colors Scarlet and Gray. After all, winning a national championship tends to leave you with fond opinions of the format. Not only did we see the first-ever on-campus CFP games, but we saw some pretty magnificent matchups, and even some upsets along the way in crowning a national champion. It was everything most fans wanted, and more. Heck, even traditionalists seemed to get on board by the end of it. But like everything in college football these days, things are more than likely to change with the CFP format. There are talks about expanding even further to 16 teams to give more access to teams and programs that wouldn't otherwise, and with that, the powers that be are circling the wagons, looking to help guide the CFP Committee on what should happen. One of those things that will need to be hammered out is what teams receive automatic bids to the playoff. Right now, recent history would say that the Big Ten and SEC are the power brokers of the sport, and because of that, Ohio State head coach Ryan Day believes his conference deserves the benefit of the doubt and somewhat preferential treatment when it comes to whatever format is settled upon. While sitting down for an interview with ESPN's Adam Rittenberg, Day said that the Big Ten deserves multiple teams in the CFP every year as staple to whatever is ironed out, and not just two teams. He went even further. "We're in the Big Ten, and we have 18 teams and some of the best programs in the country," Day told Rittenberg. "I feel like we deserve at least four automatic qualifiers." Day pointed to recent expansion that brought really quality programs from the West Coast as another reason for his comments. "You would have had at least a team or two [in the CFP] from out there," Day said, referring to the original Pac-12. "So it only makes sense when you have 18 teams, especially the quality of teams that you would have [in] that many teams representing the Big Ten." Not only that, but the Ohio State head coach also believes that having automatic qualifiers will lead to juicier matchups during the regular-season nonconference, like the game between the Buckeyes and Texas Longhorns this year. "If you don't have those automatic qualifiers, you're less likely to play a game like we're playing this year against Texas, because it just won't make sense," Day said. "If we do, then you're more likely to do that, because we play nine conference games in the Big Ten. The SEC doesn't. So it's not equal." He has a point there. The SEC has always thought that simply playing in the land of sweet tea and grits would qualify a team for a stronger schedule and a more deserving path than elsewhere. However, the devil's advocate in all of this is the cyclical nature of the sport. The Big Ten may have closed the gap and surpassed the SEC the last couple of years and are clearly two of the most competitive and rich leagues (along with the SEC) in the sport, but what if things change in the future. It wasn't that long ago when the Big Ten was suffering from a perception problem with Ohio State seemingly the only program that was ever in the mix for a national championship. At some point, the most deserving and most qualified teams have to have access to a playoff, and I for one can't see providing automatic qualifications beyond winning a league title for the Big Ten, SEC, or the other power conferences. But hey, money talks and right now the Big Ten makes more revenue than any other league out there, so maybe Day and the rest of the league can kind of control the river rather than the river's rapids taking them to whatever shore it wants to land on.
