Anarchy unfolds on Melbourne streets ahead of A-League Grand Final
The streets of Melbourne looked more like the set of a Hollywood blockbuster on Saturday night ahead of the A-League Grand Final.
A haze of smoke filled the streets as Melbourne City and Melbourne Victory fans marched through Richmond towards AAMI Park.
A large police presence did little to quell the chaos as flares were let off all over the place ahead of the Derby decider.
Swan Street in Richmond was overtaken by football fans as police lined the streets with images looking like something taken from a Mad Max instalment.
As reported by the Herald Sun, large anti-police chants could be heard coming from the G bar shortly after 5pm.
Once the fan march got underway the flares began to fly as more police arrived to keep things under control.
Tensions however began to escalate as the crowd reached the Precint Hotel on their way towards the stadium.
Fans ultimately made their way into AAMI Park to witness the first ever Derby Grand Final between the cross-town rivals.
City fans didn't have to wait long for the celebrations to erupt with Yonatan Cohen finding the back of the net inside the opening 10 minutes.
A scintillating run down the left side by Aziz Behich set up Andreas Kuen who crossed into the middle of the box.
The cross found Max Caputo who's shot slammed off the crossbar and rebounded to Cohen who made no mistake with his strike.
Despite their best efforts Victory could not get an equaliser with City holding the 1-0 advantage at halftime.
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ABC News
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Morris says the support The Torch provides to connect or reconnect artists with art practice, Country and culture gives them strength and purpose. And, importantly, the money the participants make from their art (100 per cent of the artwork price goes to the artist) enables them to support their families and imagine a life for themselves beyond prison. "[It means] you're not just on the outside of society. You're actually included, and you have a part to play, and you have a story to tell." As we walk through Blak In-Justice, Morris's stories send us zig-zagging across the room — stories of those in The Torch who have gone on to major art awards, like ceramicist Raymond Young, or who have come back to teach or otherwise work as part of the program, like Stacey Edwards. "It's not just based around being an artist," Morris says. "This really is about people removing the shackles and finding their pathway. 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