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A Rock Icon and a 100-Year-Old WWII Veteran Tell America's Story

A Rock Icon and a 100-Year-Old WWII Veteran Tell America's Story

Yomiuri Shimbun6 days ago

Matt McClain/The Washington Post
Kate O'Neill, 9, left, and her sister, Olivia O'Neill, 5, talk to Gene Simmons of Kiss as their great-grandfather, Hal Urban, sits atop a float they prepare to take part in the National Memorial Day Parade on Monday.
Harold 'Hal' Urban, in the same dress wool Eisenhower jacket he wore after helping liberate a concentration camp 80 years ago, gave the man standing next to him a head-to-toe inspection Monday morning.
'He's the one who sticks his tongue out?' Urban asked, before he met Gene Simmons on Memorial Day. 'Not really my music. I like Bing Crosby and Lawrence Welk.'
Simmons, in leather pants, white snakeskin boots and dark glasses – no Kiss makeup – did not show his tongue when he met Urban.
He stuck his hand out and held Urban's for a long, long beat, thanking the 100-year-old World War II veteran and Purple Heart recipient for his part in the iconic rocker's history. Simmons's mother, as a teen, was held in that concentration camp.
The men rode together on a sparkling, red-white-and-blue float through the nation's capital in the 20th annual Memorial Day parade that afternoon, bonded by a war story.
Some fans shrieked for Simmons: 'Rock and roll! Geeeeene!'
'Kiss is so American,' said Gabriel Lourenco, 38, a chef and culinary educator from Brazil now working in D.C. He once cooked for the Rolling Stones, so he came to his first Memorial Day parade to see a rock star.
Many cheered for Urban: 'Thank you, sirrrr!'
'What a story,' said Danielle Singley, 43, who comes to D.C. from Baltimore for every Memorial Day parade to honor her family members who served.
David Logan, 68, who served in the Gulf War, said it's important for veterans like himself and Urban to keep telling their stories for generations because 'if it comes time for the next generation to serve, they'll know why we did it and what it was for.'
The parade was a mix of local diehards, veterans and visitors, with a noticeable uptick on Trump gear and red Make America Great Again hats among the crowd.
As the parade crowd was gathering and Simmons and Urban were heading to their float, President Donald Trump delivered a speech to thousands of people at Arlington National Cemetery's Memorial Amphitheater. Families of fallen soldiers were gathered to commemorate the sacrifices of their loved ones, many of them carrying red and white roses to later place on top of headstones.
Accompanied by Vice President JD Vance and Defense Secretary Pete Hegseth, Trump laid a wreath at the Tomb of the Unknowns and reflected on the ultimate sacrifice paid by so many fallen warriors and their families.
'Every Gold Star family fights a battle long after the victory is won,' Trump said, 'and today we lift you up and we hold you high.'
Meanwhile, Simmons and Urban met in a quiet room to unpack their unlikely story.
Urban introduces himself as '101 in July,' when asked his age, not just 100. Ever forward-thinking.
Simmons, 75, told him: 'When I grow up, I want to be just like you.'
It was only recently that Simmons learned the details of his mother's harrowing life before immigrating to Israel and then Queens.
'My mother was in a concentration camp at 14 years of age,' he said.
Flora Klein spoke little of her life in Ravensbruck, a transfer camp, and Mauthausen, where she was 19 and the last survivor in her family when it was liberated on May 5, 1945.
'If it were not for the brave men like you,' Simmons said, pausing to hold back tears, 'I wouldn't be here. My mother wouldn't have been here. Millions and millions of people wouldn't be here. Even with the millions that were incinerated.'
Another long pause.
'I can't say enough about this,' said the rock legend, tall and commanding when he entered the room and visibly humbled as he heard more from Urban, who was wounded in the Battle of the Bulge, then sent back to the front line while his shrapnel wound continued to bleed.
In an M3 half-track mounted with a .50 caliber machine gun ready to hit aircraft, Urban ran the roadblock when Mauthausen was liberated.
'The concentration camps were all run by SS,' he said. 'They were the fanatics. You know, a lot of them did not want to surrender.'
He headed to the concentration camp on the second day.
'It was just a mess. People running all over. Some were crying, some were shouting … skinny and weak,' Urban said.
There's no way to know if he met or saw Simmons's mother, though they were both certainly there at the same time.
Earlier, Urban described the unshakable smell of burned flesh that permeated the camp. His fellow soldiers buried about 500 bodies that were in piles when the troops arrived. He didn't tell that part to Simmons.
'It was a bigger emotional thing, seeing this, than combat,' he said. 'Combat is what you're trained to do. But you weren't trained for that.'
About 90,000 people died in the camp along the Danube River near Linz, in the Austrian land annexed by Germany at the start of the war.
Urban left the Army on New Year's Eve in 1945 with relentless nightmares.
'The psychologist at our VA said, when you start raising a family, they sort of go away,' Urban said. He had nine children and became a soybean farmer in Illinois. The nightmares subsided.
'And then when your family's growing up, the psychologist said the nightmares start coming back,' he said. 'Which they did.'

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From Harajuku to Shibuya: Crowds and Youth Culture in the Yamanote's West

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Despite Ceasefire, India and Pakistan Are Locked in a Cultural Cold War
Despite Ceasefire, India and Pakistan Are Locked in a Cultural Cold War

Yomiuri Shimbun

time6 days ago

  • Yomiuri Shimbun

Despite Ceasefire, India and Pakistan Are Locked in a Cultural Cold War

Saumya Khandelwal/For The Washington Post A house in Indian-run Kashmir was left in ruins by cross-border shelling during the recent tensions between India and Pakistan. NEW DELHI – Even during the darkest moments of India and Pakistan's volatile history – through wars, terrorist attacks and diplomatic breakdowns – artists and activists tried to keep the countries connected. Mumbai's plays found an audience in Karachi. Lahore's painters held shows in New Delhi. Activists walked across the disputed border, past soldiers marching in elaborate drills, hoping to bridge one of the world's most intractable divides. 'When you travel, and meet the other side, it gives them a human face,' said Suhasini Mulay, an Indian actor and co-founder of the Pakistan-India Peoples' Forum for Peace and Democracy (PIPFPD). 'All that demonization that you've been fed – it just begins to melt away.' 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In April, Indian Olympic medalist Neeraj Chopra, who has praised Pakistani javelin thrower Arshad Nadeem, invited him to India, only to be met with severe blowback online. After Pahalgam, Chopra said, a visit by Nadeem was now 'out of the question.' Bani Singh, an Indian filmmaker, grew up hearing about her father's former hockey teammate from Lahore who switched teams after partition. A friend, her father told her, suddenly became a foreigner. When she traveled to Pakistan six decades later to find him, she found warmth and hospitality – but also loud silences. 'We never discussed terrorism or the political situation,' she said. 'When you are in a state of trauma, you cannot have a conversation about peace,' she continued. 'You have to first feel secure.' Every time there has been a flicker of 'possibility' between the countries, she said, it has been derailed by violence, and the cycle of mistrust is renewed. 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Japanese student in India reflects on her grandfather while filming World War II movie
Japanese student in India reflects on her grandfather while filming World War II movie

Japan Times

time6 days ago

  • Japan Times

Japanese student in India reflects on her grandfather while filming World War II movie

Mika Sasaki, a 32-year-old Japanese filmmaker studying in India, is creating a World War II-themed short film in the South Asian country, where her late grandfather is believed to have survived one of the fiercest battles during the war. The movie "Bougainvillea no Yume" ("Bougainvillea Dream") tells the story of a married couple who communicate through letters while separated by war and reunite in a dream. Sasaki — a native of Sabae, Fukui Prefecture — was inspired by a book by Mayumi Inagaki about "115 love letters" a Fukui woman sent to her husband while he was away at war. Sasaki decided to make the film to mark the 80th anniversary of the end of the war, as India, then part of the British Empire, was also a battleground. The first Japanese student at a national film institute in Kolkata raised the money to cover production costs via crowdfunding, gathered actors from Japan and India, shot the film in February, and is currently doing editing. She hopes to showcase it at film festivals in Japan and other countries in June or later. "I wonder how many young people died without seeing their families or loved ones (again)," says Sasaki. "As a new generation, it's meaningful to think about the Japanese who died here and what Japan did to other countries." Filmmaker Mika Sasaki poses with items left by her late grandfather during an interview in Kolkata, India, on May 18. | Jiji Her grandfather, Hisashi, was a member of an infantry regiment of the now-defunct Imperial Japanese Army that engaged in the Battle of Imphal in northeastern India, considered one of the most reckless campaigns during the war. Although he sent letters to relatives while in Manchuria, now northeastern China, he did not leave behind any wartime correspondence. He also never talked about the Imphal operation, and he died in 1995 at age 74. Still, a notebook he kept revealed that many of his fellow soldiers were killed in the battle, suggesting the possibility of Hisashi, himself, having advanced close to a city experiencing hell-like conditions. "It must have created serious trauma for him," Sasaki said. Sasaki also said the military conflict between India and Pakistan earlier this month "has changed the weight of the film." "I don't want to see war," she said. "It's really enough."

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