Alexander From The Traitors' Reaction To Everyone's Thirst Posts Is Just So Him
The Traitors finalist Alexander Dragonetti has responded to the wave of admiration that's come his way since appearing on the reality show.
Ever since his debut in the first episode of the Bafta-winning reality show, Alexander has become something of a heartthrob among viewers, which only intensified as the weeks wore on.
By the time last week's final rolled around, a quick search for the former diplomat's name on social media brought up all manner of thirst posts – which he was asked about during a recent interview with Cosmopolitan.
Responding to one specific post on X which described him as having 'rom-com energy', Alexander quipped: 'I don't really feel like it's my decision whether I have rom-com energy, I suppose, I'll leave that for others to judge.'
He was later presented with a second post, in which someone remarked they were only tuning in to see him, prompting a question about how it feels to have 'everyone thirsting over you'.
'Surprising,' he responded, before – ever the diplomat – adding simply: 'Thank you for the support. It has been absolutely brilliant. It has just made this whole thing so much more fun, and so much more enjoyable. I am enormously grateful for all the support.'
Alexander then disclosed that he is single, remarking: 'No further comment.'
Since The Traitors came to an end, Alexander has been in the headlines thanks to fans of his making waves of donations to the learning disability charity Mencap.
When the finale aired, it emerged that Alexander was competing in the hopes of donating his prize money to Mencap, who helped his family while his brother – who had a global developmental delay and autism – was still alive.
All three seasons of The Traitors UK are available to watch on BBC iPlayer, with the first ever celebrity edition of the show premiering later this year.
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San Francisco Chronicle
40 minutes ago
- San Francisco Chronicle
‘We had our own Lauryn Hill': Raphael Saadiq goes off about Lucy Pearl bandmate Dawn Robinson at Oakland show
Raphael Saadiq did not hold back during the final night of his 'No Bandwidth: One Man, One Night, Three Decades of Hits' tour, which concluded in his hometown of Oakland. The special one-man show, which kicked off on May 31 at the historic Apollo Theater in New York before subsequent stops in Washington, D.C. and Los Angeles, wrapped up with two consecutive performances at the Fox Theater over the weekend that were as revealing as the crowds were rowdy. The format was reminiscent of 2020's 'Beastie Boys Story' on Apple TV+, though even more sparse and not as technically tight (certain sound and video cues didn't quite sync up). Saadiq on a sparse stage featuring a couple of stools, two guitars, a bass, a turntable and a piano as he shared personal stories about the triumphs and tragedies of his life growing up as a scrawny boy in East Oakland to becoming the co-founder of the 1990s hitmakers Tony! Toni! Toné! and a Grammy-winning producer. 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Reflecting on Lucy Pearl's abrupt dissolution in late 2001, just about two years the group formed, Saadiq recalled a tour stop in Amsterdam — their last — where he learned Robinson wanted to leave the band. 'I couldn't believe it. We did an album in six months, but toured for less than a month,' he said, referring to their self-titled debut that had dropped just a year before. At one point, Saadiq started singing the hook from the Lucy Pearl hit 'Dance Tonight,' which was sung by Robinson. 'See! I didn't need her. I could've sang it myself,' he quipped. To end the segment about what he called his 'Lucifer's Pearl' era, he dismissed recent reports of Robinson living in her car, saying bluntly, 'That sh— about her living in her car is not real.' This rare openness added gravity to a night that was as chaotic as it was thrillingly insightful. Fans showered Saadiq with a deafening outpouring of love, but their exuberance occasionally cut through his storytelling. A woman in the front repeatedly declared her undying love, and another went so far as to flash the musician. Saadiq's connection to Oakland — the city where his career began — only fueled the hooting and hollering throughout the venue. From namedropping his buddy and school 'bodyguard' Huston Lillard, father of NBA star Demian Lillard, to his alma maters Elmhurst Middle School and Castlemont High School as well as a slew of Oakland landmarks, he received rapturous cheers, many shouting out their connections to each he listed off. Saadiq appeared amused, every so often blowing kisses to fans, but also annoyed. He jokingly scolded and shushed the crowd, threatening to randomly name spots in Walnut Creek or Pinole because, he quipped, 'I know y'all don't leave to go out there.' Of course, the audience was most electrified when Saadiq sang his biggest hits with Tony! Toni! Toné! like 'Feels Good,' "Anniversary" as well as his solo tracks, 'Me and You' and 'Ask of You.' 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'Kell's a bad boy,' he acknowledged, referring to the disgraced R&B singer convicted of multiple sex crimes. 'They should have gotten him some help.' It was a truly raw, unapologetic look into the 59-year-old's life and career. Just before wrapping up at 11:30 p.m. with anecdotes about his late big brother D'Wayne Wiggins, who died of bladder cancer at 64 in March, he wanted to make sure he made good with the crowd. 'I didn't mind the noise,' he told the packed theater. 'It was all love.'


Los Angeles Times
2 hours ago
- Los Angeles Times
Tony Awards: Hollywood A-listers brought the spotlight to Broadway, but stage thespians carried the day
Broadway finally got its groove back. The 2024-25 season was the highest-grossing season on record and the second-highest in terms of attendance. Hollywood A-listers, such as George Clooney in 'Good Night, and Good Luck,' and Denzel Washington and Jake Gyllenhaal in 'Othello' got in on the action, raising Broadway's media profile along with its ticket prices. Two Emmy-winning alums of HBO's 'Succession,' Sarah Snook in 'The Picture of Dorian Gray' and Kieran Culkin in 'Glengarry Glen Ross,' have been treading the boards, as has Netflix's 'Stranger Things' standout Sadie Sink in 'John Proctor Is the Villain.' And though the experience seems to have been memory-holed, Robert Downey Jr. made a respectable Broadway debut in September in Ayad Akhtar's too-clever-by-half AI drama, 'McNeal.' On Sunday, the Tony Awards paid homage to the astonishing array of acting talent that drew audiences back to the theater. But it wasn't star power that determined the evening's prizes. 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Off-Broadway has been filled with marquee talents connecting with audiences whose main interest is potent work. Patsy Ferran, starring opposite Paul Mescal in the Almeida Theatre production of 'A Streetcar Named Desire' at the Brooklyn Academy of Music's Harvey Theater, was, hands down, the best performance I saw all year. Andrew Scott in 'Vanya' at the Lucille Lortel Theatre, Adam Driver in Kenneth Lonergan's 'Hold on to Me Darling' also at the Lortel, Lily Rabe in Mark O'Rowe's adaptation of Ibsen's 'Ghosts' at Lincoln Center Theater's Mitzi E. Newhouse and Nina Hoss and Adeel Akhtar in the Donmar Warehouse production of 'The Cherry Orchard' at St. Ann's Warehouse left me feeling, as only theater can, more consciously alive and connected. The speeches at the Tony Awards, for the most part, skirted politics. This reticence was surprising given what we're living through. But there's something deeply political when we gather to look in the mirror that artists hold before nature. The politics are implicit, and this year Broadway reminded us that our humanity depends upon this ancient, timeless art.
Yahoo
2 hours ago
- Yahoo
‘Étoile': Exclusive 4-part conversation with creators, star Luke Kirby, cinematographer, and choreographer
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