Adolescence writer to join Sam Mendes's Beatles films
Weeks after the four leading cast members of Sam Mendes's forthcoming Beatles films were announced, it has been reported that the Oscar-winning director has secured three writers to join the production.
Award-winning British writers Jez Butterworth (Edge of Tomorrow), Peter Straughan (Conclave) and Jack Thorne (Adolescence) will join the four biopics, which are expected to hit the big screen in April 2028.
Thorne may be most recognised for his hit Netflix series Adolescence, which he co-created with Stephen Graham. When it debuted on Netflix earlier this year, the series sparked global conversations around the dangers of social media on young people and landed itself top on Netflix's 10 most-watched English series of all time. Thorne has also written the screenplay for films including Enola Holmes and The Swimmers.
In the world of TV he's worked alongside director Shane Meadows in the 2010 drama miniseries This Is England and on the adaptation of Philip Pullman's hit children's novels His Dark Materials. The Olivier Award-winning playwright also wrote Harry Potter And The Cursed Child (2016) and, most recently, National Theatre's The Motive and the Cue (2023), which was directed by Mendes.
Academy Award winner Straughan will also be joining as a screenwriter, having just won Best Adapted Screenplay for Edward Berger's Vatican thriller Conclave, starring Ralph Fiennes, John Lithgow, Stanley Tucci and Isabella Rossellini. The Oscar-award wining film follows the secret and mysterious ritual behind the election of a new Pope.
For TV, Straughan adapted Hilary Mantel's bestselling novel Wolf Hall. The series starred Damian Lewis and was nominated for multiple awards, winning the BAFTA for Best Drama Series in 2016. He also wrote its sequel, Wolf Hall: The Mirror and the Light.
Butterworth is an award-winning playwright who wrote the 2017 play The Ferryman, for which he took home the Tony for Best Play. He later wrote The Hills of California, which just received seven Tony nominations, including for best play (both were directed by Mendes).
For screen, Butterworth has written the scripts for James Mangold's Ford v Ferrari (2019), the James Bond film Spectre (2015), and Indiana Jones and the Dial of Destiny (2023).
The Beatles series will include four separate films, each focusing on a different member of the group, and stars Paul Mescal as Paul McCartney, Joseph Quinn as George Harrison, Barry Keoghan as Ringo Starr, and Harris Dickinson as John Lennon.
Mendes, the director behind films such as Skyfall, has been developing this unique take on the Fab Four for years, claiming that it 'was too big for one film'. In creating four films, he has stated that he wishes to create the 'first binge-able theatrical experience'.
This is the first time Apple, the Beatles's record company and the two living band members, McCartney and Starr, have granted the rights to their stories and music for a scripted film.
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Digital Trends
an hour ago
- Digital Trends
Brains vs. guts: Dangerous Animals cast relied on their instincts in new shark thriller
'People don't understand the hierarchy of animals in this world,' Tucker, a serial killer played by Jai Courtney (Suicide Squad), says in the new shark thriller Dangerous Animals. The eccentric Tucker explains how people think with their guts instead of their brains when the '300 razor-sharp teeth' from a shark are tearing at someone's flesh. Courtney had to trust his instincts to play a sadistic sociopath like Tucker. 'I'm a very gut instinct-driven person,' Courtney tells Digital Trends about his character choices in Dangerous Animals. 'Some people operate really cerebrally, and it's all about logic. I'm much more impulsive, and that all stems from here [pointing to gut].' Recommended Videos Directed by Sean Byrne, Dangerous Animals is a mash-up between a survival horror and a psychological thriller. Yellowstone's Hassie Harrison plays Zephyr, a free-spirited surfer looking to run away from her past. 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It's not the most typical choice to have a shark serial killer survival thriller mashup there, but it's a testament to the wonderful film that Sean directed. Josh Heuston: Incredible, really. Hassie Harrison: We're still processing it all. Was it your first time? Harrison: Yes, that was our first time. I think it was just so surreal to go to Cannes and have a movie premiere there. Also, for it to be so well received was just the loveliest thing. So it's your first time with a standing ovation. Does it move from gratitude to awkwardness? Courtney: It started with awkwardness. We were so proud of the movie, and the audience was so on board the whole time. To have that reception, I was totally embarrassed. I was literally telling people to cut it [motioning to his throat]. I've got producers down the wing being like, 'Let it happen.' And I'm like, 'All right. Are we good, everyone? That's enough. Should we all get to the bar?' Heuston: So fast for me. [Laughs] Harrison: I just want to say Australians don't really love attention and compliments. I get it. Sometimes, it can feel like people are singing Happy Birthday to you on repeat, and you're like, 'Ohh.' Heuston: I just didn't know where to put my hands. Harrison: [Laughs] That is our job as actors. Heuston: Yeah, but then I hugged everyone like four times, and I didn't know what to do. [Laughs] I was fascinated by one of Tucker's speeches. This idea of how humans think with their brains and guts. Outside of a shark situation, as actors, when you're developing characters and on screen, do you find yourself relying on your brains or your guts? Have you found a happy marriage between the two? Courtney: I'm a very gut instinct-driven person, like a lot of sacral energy. I have to feel like something is a 'hell yes' or a 'hell no.' I think the brain gets in the way of that sometimes. Some people operate really cerebrally, and it's all about logic. I'm much more impulsive, and that all stems from here [pointing to gut]. It doesn't necessarily mean I'm always making the right move, but I've learned to trust that. It's how I have to approach life. Harrison: I think you gotta listen to your instincts. That's how you keep your nose to the joy trail. We need our brains to function in the world as well. I think what you're saying is ultimately about listening to your heart. Heuston: As an actor, I guess you use your brain to do all your prep work and your research. You figure out and learn as much as possible about the character and the given circumstance. At the end of the day, you've got to wing it and go with your instincts and your gut. Yeah, I feel that's kind of the way. Did you trust your gut for that dancing scene? Courtney: Yeah. I mean, that thing was two takes, totally improvised. I might have had a couple of little whiskies just to loosen myself up. Sean said it was on a Friday, so it was the last thing you did. Courtney: It was the last thing we did that week. We didn't know what it was going to be. We had an idea like, OK, it's about this celebration for Tucker. Sean wanted me to let loose. We pumped that track up that he [Tucker] danced to, which is an Aussie classic, Evie. I didn't know it was going to happen either, but I had to get myself into a mindset of stepping outside my comfort zone. Don't be afraid to look ridiculous. Zephyr, the character, is a free spirit. She looks to be having the time of her life. Obviously, she's damaged on the inside. She lives in that van; it's her cage. To get into that cage, what was your way of finding that character? Harrison: Zephyr's pretty close to home for me. I've always been attracted to playing strong, resilient women. I loved that she's a fighter. Her strength … I think I had a fast track in. She lives so close to home for me. What stuck with me is the physicality of this movie. All of the strenuous activity — going out on the line over the water, the night shoots, etc. How did you find a way into this character through the physicality and the strenuous activity? Heuston: I was in that harness for like two or three days. By the end of it, you're truly in there. As I was saying before, you feel much more grounded in that experience. You are getting taken across with the crane and then dunked in the water and then taken back out. You're doing it on repeat, and that is physically draining, just like Moses would be in that moment. I loved it though, to be fair, in like a really sadistic way. [Laughs] It hurt, but it was like really fun. What about you, Hassie? Harrison: Yeah, this was a very physically demanding role, to say the least. All the water stuff — filming out on the ocean, not in a tank — it gives you so much as an actor to just dig into that discomfort. Being in the ocean at night when you're genuinely scared makes my job easier. There's a fearlessness required to play Tucker. How did you go to that place, to really let yourself go and find the courage to do what's required to play this character? Courtney: I came from theater, and one of the earliest things you learn to adopt when you're playing on stage is you have to shed this fear of being ridiculous or looking like the clown. It's almost like you have to embrace that. Be unafraid to fall. You're not going to make every right choice. You have to look like an idiot. But what that injects into young performers is you can be nimble. There's nothing at stake here other than an opportunity to find something new. I knew with this role that it had to be big. It's all there on the page for me to sink my teeth into. If it was reduced down to playing some wash of an evil guy, it becomes uninteresting, and we believe it less. It had to stem from the truth. He had to be this wounded child within. I wanted to flood him with this performer that we see on the boat because he's the captain of Tucker's experience. This is all real stuff. It's not all geared toward his killings. He runs a successful business, which is why he's able to hide in plain sight. I wanted that to feel real to me like him taking the stage on the back deck and the way he sheds his wisdom, even if he does love the sound of his own voice too much. He needed to be somewhat of an affable presence as well as a threat. That's interesting. Now, I think of him [Tucker] as a theater performer. The boat is his stage. Courtney: I mean, we've all met this guy before in some way or another. He's the cab driver that won't shut up. He's the uncle at the wedding that like… Please stay away. Courtney: Exactly! We know this guy, and that's what sprung off the page for me. I've spent time in the pub with this dude. I don't necessarily want to be around him anymore, but I can lock into who he is. 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Fox News
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Vogue
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