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National Canadian Film Day returns with record-breaking number of free screenings

National Canadian Film Day returns with record-breaking number of free screenings

CBC15-04-2025

Buy Canadian. As the U.S. trade war persists, that simple phrase has become a rallying cry at the checkout line. But are Canadians applying the same nationalistic fervour to all of their consumer habits? What about movies, for example? Is it time to watch Canadian too?
Wednesday is National Canadian Film Day, an initiative that aims to make homegrown cinema easier to access than usual. And according to organizers, this year's edition will boast a record-breaking number of free in-person screenings. Nearly 2,000 community events are scheduled for Wednesday, and no province or territory has been left behind.
Interest from new presenting partners saw an uptick this year, increasing by 60 per cent, and artistic director Sharon Corder says the recent wave of patriotic sentiment may account for the excitement. "I think in general there's a quiet pride in Canada, but this year it's a lot noisier," she says. "People want to join in and celebrate being Canadian."
On that front, approximately 100,000 audience members are expected to attend CanFilmDay events. Cineplex and Landmark Cinemas (both of whom are sponsors) have donated screens, and a plethora of public watch parties will be taking place in community venues including libraries and schools. But the celebration isn't limited to Canada. CanFilmDay screenings are also booked for 40 other countries (including the United States), and a searchable program guide is available on the event's website.
Ticketed entertainment is also on the schedule. New films will debut with key talent in attendance. CanCon classics such as Rude, C.R.A.Z.Y., Ginger Snaps and Waydowntown will be celebrated at special anniversary presentations. And a panel of stars (including Don McKellar and Mary Walsh) will appear on stage in Toronto for a town-hall discussion: Elbows Up for Canadian Culture.
For those who'd prefer to stay on the couch with a bag of all-dressed chips, the options are similarly plentiful thanks to partnerships with major broadcasters and streaming services, and according to organizers, approximately 2.5 million viewers sampled a Canadian film from home during last year's edition.
A collection of 60 movies has been highlighted by CanFilmDay organizers. This year's theme is "something to believe in," and among the dozens of titles is Universal Language, Matthew Rankin's absurdist comedy set in an alternate Winnipeg. (The film made a splash at Cannes last year.) Other contemporary offerings include Any Other Way: The Jackie Shane Story (2024), BlackBerry (2023) and Hey, Viktor (2023).
Corder co-founded National Canadian Film Day in 2014 with her husband and fellow filmmaker Jack Blum, and the initiative sprung out of their non-profit, Reel Canada. "It started with a desire for people to actually see the films we make," she says, and in Reel Canada's early days, Corder would meet students at school screenings across the country. "We were talking to young people and they didn't know the difference, in lots of ways, between us and the U.S., and that seemed dangerous and strange," she says. When CanFilmDay launched, she wanted to show audiences that Canada does, in fact, have a film culture of its own.
"Here are our films, they reflect us," she says. "They reflect where we live, they reflect our geography, they reflect our differences, they reflect our our samenesses, and so it just became more and more urgent for us — for people to take a look."
That mission hasn't changed, but CanFilmDay has welcomed the "elbows up" enthusiasm of the moment. "We're not saying never watch anything from another country, specifically a place south of us," says Corder. "But it's important to take a look at who we are and what we're about and to see what our values might be. To see what we look like, to see who we are. Just to reflect on us."

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This major international exhibition's Canadian premiere is being held at the MNBAQ from June 12, 2025, to January 4, 2026, celebrating the remarkable freedom that the French-American artist enjoyed in the 1980s and '90s, the last two decades of her career. The Québec City exhibition brings together over 150 works—sculptures, paintings, drawings, and art books—to provide a fascinating glimpse into the profound, inventive, dedicated, and colourful world of this leading figure in contemporary art. A FREE ARTIST Niki de Saint Phalle came to fame in the 1960s and '70s for her Tirs (paintings made by shooting canvas with a rifle), her involvement in the Nouveau Réalisme movement, and the flamboyant symbols of women's liberation known as Nanas. However, her late work in the 1980s and '90s also deserves recognition; for the artist, these iconic decades were characterized by great creative freedom, financial independence, and a passionate dedication to universal causes. 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JOY, AN UNEXPECTED FORCE "Having been a long-time rebel with a rifle […] I am giving something back to society. I want to bring people joy. […] I understood that there is nothing more shocking than joy." – Niki de Saint Phalle The artist also used joy as a strategy of resistance against violence and injustice, which is reflected in the motifs that ran through the featured decades: colourful monsters, sculptures covered in mosaics and mirrors, animals and Nanas, hearts and skulls. EMBRASSER PLUSIEURS CAUSES UNIVERSELLES Niki de Saint Phalle fought for social justice by getting involved in numerous causes, from the fight for women's rights and the fight against racism to the protection of animals and the environment. She was also one of the earliest supporters of AIDS sufferers. Her dedication to feminism and the environment, along with the fact that she saw all living things—human, plant, and animal alike—as interdependent, made her a pioneer of ecofeminism. 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The bright pink is a recurring colour in Saint Phalle's work, the white represents unpainted sculptures, and the yellow pays tribute to the deserts of California, where the artist spent her final days. The explosion of brilliant colours is sure to delight MNBAQ visitors! IMMERSIVE TOUCHES To bring the adventure of the Tarot Garden to life for visitors in Québec City, a film crew was tasked with producing a video of the masterpiece in Italy. Through a series of bird's-eye and up-close shots, visitors can explore different perspectives on the characters who populate this wholly unique green space and, above all, enjoy the creative genius Niki de Saint Phalle brought to the last 20 years of her career. This video fits into the Musée national des beaux-arts du Québec's innovative new approach to exhibition design, which involves creating immersive experiences that appeal to multiple senses and designing settings that encourage contemplation and consideration. To that end, visitors will be able to enjoy a collection of audio and video elements as they move through the exhibition. STRONG, STRIKING WORKS This exhibition, an homage to the imaginary, is divided into nine themes: The Snake Lady's Bestiary, Exploring the Tarot Garden, The Project of a Lifetime, The Skinnies, Living with Art, Fighting through Art, Writing the Self, The American Years, and Monumental Niki de Saint Phalle. One of the exhibition's main attractions is the Arbre Serpents. This tree, an intriguing giant that unites earth and sky, occupies a special place in Saint Phalle's work. It's a fountain sculpture that echoes the Tree of Life in the Tarot Garden. Its branches are massive snakes: an animal that represents the cycle of life, and which the artist found equal parts frightening and fascinating. The maquette of the Sphinx is one of the original maquettes that Niki de Saint Phalle designed for the monumental Empress sculpture in the Tarot Garden. The artist had dreamt of living in one of her sculptures and actually lived in the Empress ' belly for a few years as she supervised construction on her fantastical Garden. La Femme bleue serves as an introduction to Saint Phalle's Skinnies series. These sculptures, made of threadlike tubes, explore empty space and the play of light. La Femme bleue can also be seen as a mythical feminine figure bearing various esoteric symbols like the moon, stars, and a hand, which is both a symbol of protection and representative of The Magician's hand in the tarot deck. Le Banc des générations is a tribute to Niki de Saint Phalle's family; it features her great-grandson Djamal in a lovely polka-dot tie. This bench comes in three different colours, all produced in the same year. The iteration displayed at the MNBAQ is unique. It comes from the collection of the Mingei International Museum in San Diego and sports particularly vivid colours. The drawings in AIDS: You Can't Catch It Holding Hands attest to the artist's ability to share information on a difficult subject with humour and tenderness, in the form of a letter to her children. It focuses on deeply human, loving relationships. The artist was also aware of the importance of representing racialized groups in public spaces, leading her to create the Black Heroes sculpture series. With these sculptures, she pays tribute to athletes Michael Jordan and Tony Gwynn, as well as artists such as Miles Davis, Louis Armstrong, and Josephine Baker. The Angel of Temperance can be seen in the giant glass-walled showcase that is the Pierre Lassonde Pavilion's Grand Hall. This golden-winged Nana, over five meters tall, closely resembles the Temperance sculpture in the Tarot Garden. "Very early on, I decided to become a heroine. Who would I be? George Sand? Joan of Arc? Napoleon in a skirt? Whatever I ended up doing, I wanted it to be difficult, exciting, spectacular." – Niki de Saint Phalle, 1999 A self-taught artist, Niki de Saint Phalle was born in 1930 in Neuilly-sur-Seine in a noble family. Although she was born in France, she spent her youth in New York before returning to Europe in 1952 with her first husband, writer Harry Mathews (1930-2017), with whom she had two children and from whom she separated after several years. She first worked as a model and made her debut in the theatre. In 1953, she was hospitalized for depression and began to paint and produce collages. She abandoned the theatre and chose art as a form of life and survival. In 1956, she settled in the Impasse Ronsin, the locale of artists' studios in Paris, where she met sculptor Jean Tinguely, who became her life partner in 1960. Starting in 1961, she was the only woman artist associated with the group of new realists, and she developed her practice in opposition to convention. She produced shooting paintings. For two years, destruction sustained by rage and determination enabled her to reconstruct painting differently. In 1966, the Nanas became the most celebrated portion of her work, including Hon ("she" in Swedish), a monumental Nana. This army of Nanas in numerous shapes and colours is an artistic and feminist assertion, assumed and reasserted, in which we can all recognize ourselves. In 1967, Niki de Saint Phalle and Jean Tinguely visited Montréal to present Le Paradis fantastique on the terrace of the French pavilion at Expo 67. In 1978, she launched the construction of the Tarot Garden in Garavicchio (Capalbio, Italy), whose monumental sculptures are inspired by the major arcana of the tarot game. She worked for 20 years in this garden of wonders. The park opened in 1998. While her output in the 1960s and 1970s and the couple that she formed with Jean Tinguely, nicknamed the Bonnie and Clyde of art, are well known, it is also important to point out other facets of her work and life, especially her works from the period 1980 to 1990, marked by her social and political commitments, and her tremendous contribution to the artistic freedom of women. In 1980, the Centre Georges-Pompidou devoted a retrospective spanning 30 years of her career, which took stock from another angle of the work of Niki de Saint Phalle and included her on the list of great French women artists. Her works are presented in the foremost museum collections: the Centre Pompidou (Paris); the Musée d'Art Moderne de Paris (Paris); the Moderna Museet (Stockholm); Tate Modern (London); the Sprengel Museum Hannover (Hanover); the Hirschhorn Museum and Sculpture Garden (Washington, DC); The Museum of Modern Art (New York); the Musée d'Art Moderne et d'Art Contemporain (Nice); the Musée des Arts décoratifs (Paris); and the Whitney Museum of American Art (New York), among others. Niki de Saint Phalle died of respiratory failure at the San Diego Hospital on May 21, 2002. DIVE DEEPER WITH AN AUDIO GUIDE Creating, Resisting, Loving: Niki de Saint Phalle in the 1980s and 1990s An audio tour gives visitors the chance to dive even deeper into the incredibly rich world Niki de Saint Phalle created over the last two decades of her career. Some twenty stations introduce key works that highlight everything from her artistic experimentation to her feminist, environmental, and social activism. From the Tarot Garden to the most unexpected mediums, visitors will see how Saint Phalle blurred the lines between art and life, dream and reality, while turning joy into a true strategy of resistance. It's a fascinating exploration of the life of this French-American artist. Bring your headphones! TO LISTEN, click here! NEW! THROUGH A CHILD'S EYES To make the exhibition more inclusive for families, the MNBAQ has thoughtfully prepared special panels along the pathway. They're close to the works and easy to identify and read. In fact, you could even say it's child's play! With playful questions, suggestions for elements to focus on, and open-ended explorations, the panels help families enjoy an interactive, thought-provoking visit. They encourage parents and children to talk about the works, providing opportunities to share opinions and questions. The 12 panels are spread along the entire route and cover the works of Niki de Saint Phalle as an artist, and the themes she explored in her art. We bet that plenty of adults will also be curious enough to read them and follow this new path! MARGIE GILLIS DANCES NIKI DE SAINT PHALLE In conjunction with the exhibition, the Festival Quartiers Danses (FQD) has orchestrated a performance of pieces by the Margie Gillis Dance Foundation that draw inspiration from Niki de Saint Phalle's work. The renowned choreographer and dancer, along with the artists of the Legacy Project, will celebrate freedom of expression as well as women's creative power and profound connection to the world. The performance is being held on Sunday, June 15 at 2 p.m. in the Musée national des beaux-arts du Québec Sandra and Alain Bouchard Auditorium. On the program: a recent solo by Margie Gillis, Remembered Premonitions, created in 2024 for the FQD and performed to original music by Niko Friesen. Next, the Legacy Project dancers will perform The Whole Bloomin' Thing, a dance inspired by James Joyce that explores his seminal work Ulysses. A dance celebration you won't want to miss. CREDITS Niki de Saint Phalle – The 1980s and 1990s : Art Unleashed, An exhibition produced by the Musée national des beaux-arts du Québec in collaboration with les Abattoirs, Musée – Frac Occitanie Toulouse and with the participation of the Niki Charitable Art Foundation. The exhibition has received financial support from the Gouvernement du Québec and the Ville de Québec under the Entente de développement culturel. MANAGEMENT Jean-Luc MURRAY, Director General, Musée national des beaux-arts du Québec Anik DORION-COUPAL, Director of Exhibitions and International Partnerships, MNBAQ CURATORSHIP AND DIDACTIC TEXTS Maude LÉVESQUE, concept adaptation and texts, MNBAQ Annabelle TÉNÈZE, concept and original texts, Les Abattoirs, Musée – Frac Occitanie Toulouse MUSÉE NATIONAL DES BEAUX-ARTS DU QUÉBEC TEAM Loïc LEFEBVRE, Exhibition Designer Philippe LEGRIS, Graphic Design Coordination Claude-Olivier RICHARD, Noémie JUTEAU, Michel PELLETIER, Samuel POULIN, Jean-François ROY, Audiovisual – lighting design, video and technical integration Valérie ALLARD, Florence GARIEPY, Delphine EGESBORG, Anna-Sophie BLOUIN, Danielle BOUTIN, Éva CHATIGNY, Charlotte COUGNAUD, Jacinthe DUBE, Élisabeth GIRARD-DIONNE, Myriam DUFOUR, Agathe LEGENDRE, Claudèle MULLER, Emmanuel SIMARD, Julien ST-GEORGES-TREMBLAY, Rosalie ST-ONGE, Gallery Mediation – content and guided tours EXTERNAL COLLABORATORS Marc-André ROY, Graphic Design Paolo SODI, Anastasiia LAPITKSAIA, Dario FEDELE, Guglielmo BALDINI, Video Production – Tarot Garden PARTNERS AND LENDERS LES ABATTOIRS, MUSÉE – FRAC OCCITANIE TOULOUSE NIKI CHARITABLE ART FOUNDATION LA FONDATION DU JARDIN DES TAROTS SPECIAL THANKS To the Mingei International Museum of San Diego, to the Montreal Museum of Fine Arts and to all the lenders for their essential contribution to the exhibition. NIKI DE SAINT PHALLE – THE 1980S AND 1990: ART UNLEASHED Pierre Lassonde Pavilion at the Musée national des beaux-arts du Québec From June 12, 2025 to January 4, 2026 SOURCE Musée national des beaux-arts du Québec

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