This Cree influencer helps youth learn the language online and in her community
Novalee Fox says getting on a healing path helped her reconnect with the Cree language. Now, she's working with local elders to teach the language to youth in her home community of Ochapowace Nation. And she has a popular TikTok where she gives tips and tricks to her many followers.
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Montreal Gazette
01-06-2025
- Montreal Gazette
Dunlevy: Montreal documentary hunts for stolen indigenous masks that inspired surrealists
The repatriation and restitution of art and cultural materials is a hot topic these days. A prime example is estates trying to reclaim objects taken by the Nazis or sold by Jews under duress as they fled Germany. But there's another example closer to home. Montrealer Joanna Robertson and Cree filmmaker Neil Diamond's absorbing new documentary So Surreal: Behind the Masks explores what happened to Yup'ik and Kwakwaka'wakw ceremonial masks taken from these indigenous tribes in Alaska and British Columbia's northwest coast more than a century ago by traders, government officials and collectors. The masks were brought as far as New York, where they inspired some of the great European surrealist artists, who were living in exile mid-century, and eventually made their way to auction houses, world-famous museums and private collections. Leading us on an investigative journey to learn the significance of these masks, the circumstances of their removal and where they ended up is Diamond. He appears on camera throughout the film as an unassuming, intrepid protagonist, pushing the narrative forward with playful determination. He has done the same in his other films, including 2009's Reel Injun, which examined the problematic portrayals of Native Americans in Hollywood westerns, earning him and co-directors Catherine Bainbridge and Jeremiah Hayes three Gemini Awards and a Peabody Award. 'I've gotten quite comfortable (on screen),' Diamond said recently, over coffee with Robertson at Outremont's Croissanterie Le Figaro. 'Sometimes I forget the camera's rolling and I just act real goofy.' 'I think people appreciate it,' Robertson said. 'You bring a lot of humour to these (potentially) doom and gloom situations.' One amazing shot in the documentary shows Diamond puffing on a cigarette as he rides a bicycle down the middle of the road in the bustling Champs Élysées, with the Eiffel Tower behind him, and ponders his next move. Inspired by their subjects, the filmmakers take a surrealist approach to the storytelling as they weave together disparate clues and different ways of seeing the situation. On the one hand are Yup'ik tribe members who are happy to see their masks being preserved and showcased under the same roof as the Mona Lisa: One magical moment finds Yup'ik artist and storyteller Chuna McIntyre singing and dancing joyously as he approaches one of his tribe's masks on display at the Louvre, during an after-hours visit. On the other are members the Kwakwaka'wakw and their allies, who are in a continuing fight to see their masks — including many stolen during Canada's Potlach ban in 1921 — come home. At the heart of the intrigue is a quest to locate a mystical Raven Transformation Mask and possibly converse with its current owner about its eventual return. Somewhere in the middle are the wild surrealists — Max Ernst, André Breton, Roberto Matta, Enrico Donati and Joan Miró — and their friends, including famed French anthropologist Claude Lévi-Strauss, who were endlessly stimulated by the otherworldly dreamscapes evoked by these masks. The extent to which they were aware of how these artifacts were obtained is unclear. 'I'm grateful we're able to shine a light on these stories, which are so fundamental to our understanding of who we are — of colonization and also the importance of Indigenous storytelling and culture,' Robertson said. 'The surrealists saw something — they lived through war after war after war — and they saw something in these masks, however problematic, as a reminder there's another way of being, and of seeing the world.' She expressed hope their film can foster empathy toward indigenous communities and all that they have lost. 'Yeah,' Diamond agreed, 'because if you lose your culture, you have nothing else.'
Vancouver Sun
29-05-2025
- Vancouver Sun
5 top shows to watch as APTN celebrates 25 years of Indigenous stories
The Aboriginal Peoples Television Network (APTN) is celebrating its 25th anniversary. The Canadian broadcaster is the first national public television station for Indigenous peoples, and holds the same status as CBC TV, Radio-Canada and TVA. The station is found on regular cable services, in high definition on APTN HD and streaming on APTN Lumi. In celebration of its quarter-century milestone, a new channel called APTN Languages is launching with programming in at least 15 Indigenous languages from across Canada. Programs range from the cross-cultural cooking show Moosemeat and Marmalade to the hit comedy DJ Burnt Bannock about a struggling Cree DJ. Monika Ille is the APTN CEO and a member of the Abenaki First Nation of Odanak. A recipient of the King Charles III Coronation medal in recognition of her contributions to Indigenous storytelling in Canadian media, Ille oversees a broadcast operation that produces shows ranging from mystery-thrillers and cooking shows, to documentaries and sports, all delivered from an Indigenous viewpoint. Get top headlines and gossip from the world of celebrity and entertainment. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sun Spots will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Even such venerable shows as Hockey Night in Canada get an Indigenous spin, broadcast in both Cree and Inuktitut. Ille says that when APTN applied to the CRTC 25 years ago, it was a dream to have a national Indigenous network. The broadcaster's impact on Indigenous identity, inside and out of communities, has been profound. 'It was something completely new at the time with only a handful of Indigenous producers and creators to work with,' said Ille. 'Now, we work with hundreds, making sure that our Indigenous stories and languages are more present than ever before with us in control of not only our image, but how we want to say it. I think that makes a very big difference in our relationship with non-Indigenous people.' She sees the launch of APTN Languages as one more development in ongoing reconciliation, noting that restoring native languages is key to reclaiming culture. 'In the 21 years that I have been at APTN, I always felt that we needed to do more to make Indigenous language be accessible to all people across the country who want to hear the beauty of these languages,' she said. 'Most of the shows are also subtitled in English and French, so they are accessible. More and more Indigenous peoples are reclaiming their languages, which is essential to their identity.' APTN is based in Winnipeg, but its programs are created all across the country. B.C.'s busy Hollywood North industry is no stranger to APTN productions, with many of the broadcaster's biggest hits coming out of the province. Staff at the network provided a list of the five most popular made-in-B.C. APTN programs. 1491 — Untold Stories of the America's Before Columbus : 'An older program, but still one of our most popular series,' said Ille. 'It tells the story of many people's histories pre-European contact.' (English and French) Moosemeat and Marmalade : 'This cooking show is an all-time fan favourite,' said Ille. 'You can learn so much about people through their food and the relationship between Art Napoleon and Dan Hayes has really built a bridge between Indigenous and non-Indigenous peoples.' The show has drawn over 16 million international viewers. (English) Nations at War : This history program dives into the many wars Indigenous peoples have fought between one another and with settlers over the centuries. (English/French/ and Hul'Q'umi'num') Ocean Warriors : A docuseries about the Ahousaht's Coastal Nations Coast Guard Auxiliary team and its ongoing mission to carry out marine rescues, find missing divers, address environmental disasters and more. (English/French/ Nuučaan̓uɫ) Yukon Harvest/Dän K'eht'e : Filmed mostly in the Yukon, but also in Kamloops, Fort St. John and Stewart in B.C., this show focuses on Indigenous hunters across Canada and their culture. Nominated for a trio of Canadian Screen Awards in 2022. (English/Dän K'i) sderdeyn@
Vancouver Sun
28-05-2025
- Vancouver Sun
Edmonton Folk Music Festival lineup: Allison Russell, Rainbow Kitten Surprise, Taj Mahal join The Roots and Mt. Joy
With swirling hip-hop legends The Roots and fuzzy-feelings L.A. rockers Mt. Joy already out of the bag as Saturday and Sunday's headliners — bam! — the rest of the Edmonton Folk Music Festival's lineup has been revealed! The 46 th annual love-in running Aug. 7-10 on Gallagher Park hill is bursting with international deep-cut delights to shining local talent, aglow with soul, folk, rock, country, Afrobeats, blues and more. Nearly 60 more acts just dropped, including North Carolina alt-rock Rainbow Kitten Surprise topping Thursday night after Juno-winning Oji-Cree singer-songwriter Aysanabee and the lovable be-hatted powerhouse Serena Ryder open the fest up — tunes starting Thursday at 6:35 p.m. Get top headlines and gossip from the world of celebrity and entertainment. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sun Spots will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Friday night's main stage 9:05 p.m. on is Gen X singer-songwriter Stephen Wilson Jr. — self-identified as 'Death Cab for Country' — and the return of the multi-style, roots Grammy-winning Allison Russell, last here in 2022. Amid the whirl of Saturday sessions, east L.A.'s Las Cafeterias will pepper up the main stage at 2 p.m. with Chicano rhythm and zapateado dancing. Then, Saturday night, the cultural call-and-response slides in with 83-year-old bluesman Taj Mahal at 6:45; indie pop DJ and model Goldie Boutilier also out of L.A. up next; back from last year, public defender and powerhouse soul/R&B belter Danielle Ponder; bringing us of course to 2025's big-name booking: Philadelphia's The Roots. World-travelling Democratic Republic of Congo ensemble Jupiter & Okwess start things off centre stage at 2 Sunday afternoon, then shifting gears, it's the Seattle folk-rock of Richy Mitch & the Coal Miners at 6:50. This is followed by an American-Australian roots jam with John Butler, then Mt. Joy and the Sunday-night lantern parade, then cue Four Strong Winds. The Roots were something else at Calgary Folk Fest last year, and I'd say you don't want to miss the electrified blues guitar and drumming of Cedric Burnside — but longtime festival producer Terry Wickham is happy to offer his deep cuts and must-sees. 'Watch out for Jesse Welles,' says Wickham. 'He's got a big online presence, very political. He talks about what America's like right now, all of that. 'Riley Walker and Bill McKay, two great guitarists — so I think that's going to be a sleeper hit.' Wickham adds the psychedelic soul of Monophonics to the list, noting Willi Carlisle's also a lot of fun. 'Ian Ngo is a great songwriter in the country vein, so he's going to be really strong. Māmā Mihirangi & the Māreikura are going to be exciting — a lot of looping and that kind of stuff,' Wickham notes. 'And Calvin Vollrath, we're not going cheap, so we're bringing him in with a five-piece.' As far as general operations go, no big announcements this year — more food trucks, some extra shade, that sort of thing — though we did get a bit doomy talking about worst-case scenarios if fire season forced a cancellation due to air-quality safety. 'A couple of rainfalls this week were good,' says Wickham. 'The farmers need rain, the gardens need rain — it just makes the place look better. But I don't think that's going to have any impact on August. 'We're in for a dry spell coming up, so we'll see if things start to spark up. 'I mean, wildfire smoke is an existential threat to all the festivals outdoors.' That consideration aside, costs have also been reliably rising, especially headliner fees. 'It's doubled or quadrupled, post pandemic,' notes the producer of the non-profit festival. 'Dynamic pricing, excess demand, etc. And it won't stop until people stop buying tickets at crazy prices.' This makes it especially noteworthy that ticket and pass prices this year are holding steady, no increases. 'We could go up and people would grumble,' says Wickham, but I'm so tired of inflation everywhere, that at least one place, for one year, we can hold the line.' He notes the folk fest will always continue to do what it can, and that 'money is not everything to all the artists. 'They do look for special places to play,' says Wickham, noting Ben Harper once said it was his favourite. 'And I did hear two band members from The National talking and saying, 'Which is your favourite, here or Red Rocks?' So that kind of thing is nice to hear.' Bringing it home, the local acts include AV & the Inner City, St. Albert's Current Swell, Nîpisîy, Secondhand Dreamcar and let's note Shaela Miller's country music by way of Lethbridge. School of Song will also highlight local talent Asiah Holm, Halfway Home, Sam Steffen and Tayler Grace, and the Nikamowin indigenous programming will spotlight even more locals by the fest's central tipi. 'There's a lot of great talent out there,' says Wickham. 'I said yes to a lot of people who have been knocking on the door for a few years. 'About 60 per cent of the artists have never played here before. We haven't been too nostalgic. So I feel good.' Pre-GST and fees, adult personal weekend passes (25-64) are $234, single tickets Thursday or Friday are $109, and Saturday or Sunday $115. Seniors 65-79 are $179 for a Personal Pass, $56 for single days, and 80+ get in for free. U-25 (18-24) is $189 for a Personal Pass. And for youth 12-17, $117 for a Personal Pass, $42 for a single day, with children 11 and under free. All passes and single days go on sale at 10 a.m. Saturday, June 7, online only at . Now, please enjoy the full list of 2025 EFMF acts! AHI Allison Russell AV & the Inner City Aysanabee BALTHVS Blackburn Brothers Blue Moon Marquee Burnstick Calvin Vollrath Cedric Burnside Charlie Cunningham Current Swell Danielle Ponder De Temps Antan Dervish Dry Bones Elizabeth Moen Goldie Boutilier Haley Heynderickx Ian Noe Jeffrey Martin Jennifer Castle Jesse Roper Jesse Welles John Butler Julianna Riolino Jupiter & Okwess Ken Pomeroy Kíla Kim Churchill Las Cafeteras Madi Diaz Māmā Mihirangi & the Māreikura Mama's Broke Marcus Trummer Martyn Joseph Mary Gauthier Melissa Carper Monophonics Mt. Joy Nîpisîy Rainbow Kitten Surprise Richy Mitch & The Coal Miners Ryley Walker & Bill MacKay School of Song: Asiah Holm , Halfway Home , Sam Steffen , Tayler Grace Secondhand Dreamcar Serena Ryder Shaela Miller Steph Strings Stephen Wilson Jr. Taj Mahal Talisk The Roots The Sensational Barnes Brothers The Slocan Ramblers Wesli Willi Carlisle Yasmin Williams fgriwkowsky@ @ Bookmark our website and support our journalism: Don't miss the news you need to know — add and to your bookmarks and sign up for our newsletters here. You can also support our journalism by becoming a digital subscriber. Subscribers gain unlimited access to The Edmonton Journal, Edmonton Sun, National Post and 13 other Canadian news sites. Support us by subscribing today: The Edmonton Journal | The Edmonton Sun.
