BREAKING NEWS Oscar-winning actress Marion Cotillard is tight lipped as she and partner Guillaume Canet SPLIT after 18 years
The Oscar-winning actress Marion Cotillard and her partner Guillaume Canet revealed on Friday that they had ended their longtime relationship.
Cotillard, 49, and Canet, 52, had been in a relationship going back to 2004, but they announced in a terse statement that they were going their separate ways.
Although Cotillard has starred in numerous acclaimed French films, she has established herself as a successful international star of many English-language films, including Christopher Nolan 's Inception and The Dark Knight Rises.
She and Canet represented a star couple in France, where he is also an acclaimed actor and filmmaker.
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Times
38 minutes ago
- Times
A champion mum, love for doubles and punctual fans — my Wimbledon wish list
I had to wipe away a tear when Kim Clijsters won the US Open in 2009 and her young daughter skipped onto the court to celebrate with her. As more women return to elite competition after giving birth we need to see more of them being successful if only to prove you do not need to curtail your career to start a family. No mother has won Wimbledon since Evonne Goolagong Cawley in 1980 so it is about time — which sort of piles the pressure on Tatjana Maria, whose win at Queen's managed to be a fairytale without being saccharine. For a start, she had not one but two daughters courtside, the younger taking a nap, the older keenly eyeing the contest for hints to help her own game. The German's slice-and-dice style was such fun and so evidently infuriating to play against. And she is nearly 38. I cannot imagine the Wimbledon crowd doing anything other than warmly cheering her to get past the semi-final stage she reached three years ago. I have not quite recovered from Alexander Bublik, upon defeating Jack Draper at Roland Garros in dramatic fashion, standing up and being told by the on-court interviewer that he was tall. It's not easy conducting such post-match chats when emotions are running high but, really, it was so very awkward. And then we had Queen's, where the post-match vibe was to be seemingly deliberately flirty, so it is to be fervently hoped Wimbledon does not follow a similar path, which it won't for as long as they use Karthi Gnanasegaram, the best in the business for live tennis lowdowns. It took time for those with tickets to file back to Centre Court after watching the women's singles final last year but when they did they were treated to the most thrilling and emotional contest of the championships as Britain's Henry Patten and his Finnish partner Harri Heliovaara took the men's doubles trophy against the odds and through three nail-biting tie-breaks. Naturally the pair were invited to the champions dinner but their achievement was, astonishingly, ignored on the night and the All England Club only issued an apology after Patten raised a complaint. It couldn't happen again, could it? Well, maybe it could. The promotional literature and video for this year's tournament ignored Patten again, which is simply peculiar. Maybe the fact that this time around the men's doubles final will be staged at 1pm, before the women's singles showpiece kicks off at 4pm, will improve visibility, ensure more bums on seats and make it harder for the powers that be to be so starstruck by the likes of Carlos Alcaraz that they forget to laud homegrown success. The gender of commentators and pundits seems to matter to some people a lot more than it should. But for anyone who claims to be unable to listen to women describing sport, I would point them in the direction of the women's final at Queen's, where Sam Smith and Anne Keothavong provided for the BBC what was the most informative double act I have heard in years. The pair provided a steady stream of facts and figures and insight delivered with understated panache and just the right level of humour. It was so compelling, so mesmeric, so professional that all ensuing efforts from their male counterparts have felt a bit lightweight and sloppy. Smith and Keothavong should be given more airtime across both the men's and women's matches so we can all blink into the sunlight knowing exactly why the contest we just witnessed unfolded as it did. If you are a mixed doubles specialist it is fair to say you won't be rich, but if successful at least you can aim for a grand-slam title — although not in New York this year. The US Open has ditched the traditional format for a glitzy invitational event so we can all speculate if Emma Raducanu and Alcaraz are more than just a tennis couple. It is all a bit of a slap in the face for the specialists who are suffering by virtue of not being as famous as Casper Ruud and Iga Swiatek. And so it would be nice if the All England Club could show the mixed teams some love and offer them grandeur and a promise not to follow suit. Supporters who leave football grounds early are not really supporters. Spectators who take their seats during the second set are not really tennis fans. At least footie fans could have transport issues preventing them from staying until the 99th minute but at Wimbledon we know it's the turbot with champagne sauce. Please eat faster, but if that's not doable then at least support Draper in avuncular rather than desperate fashion.
Daily Mail
an hour ago
- Daily Mail
As the BBC airs punk band's shocking chants, STEVE POLLARD asks: Has baiting Jews become the new national pastime?
The Glastonbury music festival bills itself as a celebration of all that is good in the world, with great artists communing with a crowd of 200,000 self-styled progressives, for whom the festival is a chance to wallow in their own goodness and smug sense of superiority. But nothing better illustrates the darkness that has entered the soul of today's progressives than the crowd's response yesterday to punk duo Bob Vylan, whose screams of 'Free, free Palestine ' and 'Death, death to the IDF' were chanted back with such fervour that the scene was like a 2025 version of Hitler's Nuremberg Rallies. The chant was 'Death, death to the IDF', but what they meant – because the IDF is the army of the world's only Jewish state – was 'Death, death to the Jews'. Imagine being a Jew at Glastonbury, knowing that you are hated by almost everyone around you. In Sasha Baron Cohen's satirical film, Borat, the character describes a game, 'Hunt the Jew'. Everyone laughed at that when the film came out in 2006. But yesterday's Glastonbury chanting showed that its satire is all too pointed. Imagine, I ask you, being a Jew in Britain. In the 20 months since 1,200 Jews were massacred by Hamas in Israel, the UK has seen a leap in anti-Semitic incidents. Between January and June last year there was a 41 per cent increase in assaults on Jews. But that is almost the least of it. The biggest impact in Britain of the October 7 attack has been the unleashing of this torrent of Jew-hate – the likes of which we saw yesterday. Every other week there are hate marches in London and elsewhere with chants to ' globalise the intifada' – to kill Jews, in other words. There is open support for Hamas and Hezbollah, not least by Kneecap, another band performing at Glastonbury. There is pure hatred and poison. But for Jews in Britain, the real point about all this is the double standard. Can you imagine if someone had stood on that stage and screamed 'Death to Muslims'? There would certainly – and quite rightly – have been anger from the crowd. But when it is Jews who are the target, they cheer. And where are the police? Whatever your views of Lucy Connolly's imprisonment after her Southport riot tweets, the double standard is shocking. The lead singer of Bob Vylan incited a mob. Will he be arrested, charged and prosecuted? There is, I suggest, not the slightest chance if the past 20 months of open anti-Semitism is anything to go by. For those who make a regular pilgrimage to Glastonbury, it is more than just a music festival – is a carnival of light and peace. Not for Jews. Palestinian flags fly everywhere. Leaders of Palestine Action – shortly and rightly to be proscribed as a terrorist organisation – are given a platform to spread their bile. The now infamous Kneecap rapper J J O Dochartaigh wore a 'We are all Palestine Action' T-shirt on stage and led a Free Palestine chant. Glastonbury, in reality, reflects the state of modern progressivism – a poisonous cocktail of anti-Israeli prejudice, support for Islamist terror and a moral calculus so warped that Nazi-style chanting is seen as upstanding and worthy.
BreakingNews.ie
an hour ago
- BreakingNews.ie
Police assessing videos of Kneecap and Bob Vylan's Glastonbury performances
Police are assessing videos of comments made by acts Bob Vylan and Kneecap at Glastonbury to decide whether any offences may have been committed. Rapper Bobby Vylan, of rap punk duo Bob Vylan, led crowds on the festival's West Holts Stage in chants of: 'Free, free Palestine' and: 'Death, death to the IDF', before a member of Irish rap trio Kneecap suggested fans 'start a riot' outside his bandmate's upcoming court appearance. Advertisement Bob Vylan also displayed pro-Palestinian images (Yui Mok/PA) In a post on social media, Avon and Somerset Police said: 'We are aware of the comments made by acts on the West Holts Stage at Glastonbury Festival this afternoon. 'Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation.' Bob Vylan performing on the West Holts Stage (Ben Birchall/PA) UK culture secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a British government spokesperson said. They added: 'We strongly condemn the threatening comments made by Bob Vylan at Glastonbury. Advertisement 'The Culture Secretary has spoken to the BBC Director General to seek an urgent explanation about what due diligence it carried out ahead of the Bob Vylan performance, and welcomes the decision not to re-broadcast it on BBC iPlayer.' There was a display of pro-Palestinian flags and t-shirts during Kneecap's set (Yui Mok/PA) A BBC spokesperson said: 'Some of the comments made during Bob Vylan's set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' Kneecap, who hail from Belfast, have been in the headlines after member Liam Og O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence. In reference to his bandmate's upcoming court date, Naoise O Caireallain, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots just love and support, and support for Palestine.' Advertisement In the run-up to the festival at Worthy Farm in Somerset, several British politicians called for Kneecap to be removed from the line-up and UK prime minister Sir Keir Starmer said their performance would not be 'appropriate'. During the performance Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' He also said a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up. O hAnnaidh, 27, wore a keffiyeh during the set, while member JJ O Dochartaigh, who performs under the name DJ Provai, wore his signature tri-coloured balaclava as well as a T-shirt that said: 'We are all Palestine Action', in reference to the soon-to-be banned campaign group. Advertisement News broadcasts criticising the hip hop trio played from the sound system before they walked onto the stage were booed by the Glastonbury Festival audience. The trio opened with the song Better Way To Live from their 2024 album Fine Art and also performed tracks including Get Your Brits Out and Hood. Access to the area around the West Holts Stage was closed around 45 minutes before their performance after groups of fans arrived to form a sea of Irish and Palestinian flags. A Bob Vylan member crowd-surfs surrounded by Palestinian flags (Yui Mok/PA) Earlier on Saturday, the BBC confirmed they would not be live-streaming the set but said the performance is likely to be made available on-demand later. Advertisement O hAnnaidh was charged with allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah, while saying 'up Hamas, up Hezbollah' at a gig in November last year. On June 18th, the rapper was cheered by hundreds of supporters as he arrived with bandmates O Caireallain and O Dochartaigh at Westminster Magistrates' Court in Free Mo Chara T-shirts. He was released on unconditional bail until the next hearing at the same court on August 20. Elsewhere at the festival, Haim were revealed as the surprise act on the Park Stage at 7.30pm on Saturday. The band bounced on to the stage in black and silver outfits and tore into a raucous version of hit single The Wire. After the song, singer Danielle Haim said: 'On our first album, we came to Glastonbury and we played the Park Stage, I love you, and it was the best show I had ever played, until now, this tops everything.' The band was revealed as the surprise act with a red LED sign, similar to the one on their new LP I Quit, which was released earlier this year. The sign read 'the Haim show is about to begin'. Haim also dipped into some of their best-known songs, such as Summer Girl, Want You Back and one of their latest singles, Relationships. On the Pyramid Stage, Pulp were revealed to be Patchwork with the Sheffield-formed Britpop band paying homage to their breakthrough 1995 stand-in headline set during the performance.
