The upcoming shows on at the Churchill Theatre in Bromley this April
This April, the Churchill Theatre in Bromley is rolling out a packed schedule of live entertainment.
From world-class illusion and hilarious comedy to family-friendly performances, opera classics, and unforgettable musical tributes, this local gem is pulling out all the stops.
Whether you're looking to laugh, sing along, or be spellbound, the Churchill Theatre has a show to suit your mood.
Here's a look at what's hitting the stage this April.
Derren Brown: Only Human
Tuesday, April 8 to Saturday, April 12
While the details of the show remain tightly under wraps, audiences can expect Brown's signature psychological wizardry in what promises to be a breathtaking performance.
Tickets are priced between £29 and £59, and with Brown's shows known for selling out fast, early booking is advised.
The Wizard of Oz (Easter Panto)
Wednesday, April 16
Families are invited to journey Over the Rainbow with a vibrant Easter panto adaptation of The Wizard of Oz.
Bromley's own Fanny Galore stars as Glinda Galore in this glittering, fun-packed retelling full of colourful scenery, catchy songs and classic panto humour.
Supreme Queen
Thursday, April 17
On April 17, rock fans can look forward to Supreme Queen, one of the world's top Queen tribute acts.
With tickets priced at £30, the production promises a powerful musical experience with authentic stage sets and jaw-dropping sound and lighting design.
Mess!
Saturday, April 19
Families with little ones can enjoy Mess!, a magical puppetry adventure following Princess Olive on a tidy-up quest.
Designed for children aged 2+, the show features original music, humour and interactive storytelling, with tickets priced from £12.50 to £15.
Jon Culshaw: Imposter Syndrome
Wednesday, April 23
Comedy fans can catch impressionist and radio star Jon Culshaw on Wednesday, April 23 in his critically acclaimed show Imposter Syndrome.
Fresh from a sell-out Edinburgh Fringe run, Culshaw brings to life a cavalcade of famous voices in a unique blend of comedy and music. Tickets are £32.
Legends: The Divas
Thursday, April 24
This is a tribute concert celebrating six decades of music from Diana Ross, Whitney Houston and Beyoncé.
With a full live band and powerhouse vocalists, this one-night-only celebration of legendary women in music is priced between £30 and £32.
Baby Broadway/Menopause the Musical 2
Friday, April 25
A double bill of entertainment follows on Friday, April 25.
In the morning, Baby Broadway brings a lively interactive concert for babies, toddlers and their grown-ups with West End singers, bubbles and songs from hit musicals.
Tickets start at £6.50.
In the evening, the hit show Menopause the Musical 2 – Cruising Through Menopause sets sail with a hilarious sequel to the beloved original.
Starring Carli Norris, Maureen Nolan and Rebecca Wheatley, this joyful comedy touches on friendship, aging and self-discovery.
Tickets range from £31.50 to £35.
La Bohème
Saturday, April 26
Opera lovers are in for a treat with Ellen Kent's production of La Bohème.
This beautifully staged version of Puccini's romantic classic features snow effects, stunning period sets and even a live dog on stage.
Performed in Italian with English surtitles, tickets are priced from £34.50 to £51.
Churchill Comedy Club
That same evening, the theatre transforms into a comedy club as the Churchill Comedy Club returns with a double-headliner line-up of top UK comics and resident host Carly Smallman.
A relaxed night of laughs is guaranteed with tickets at £15.
Showaddywaddy
Sunday, April 27
Glam glam rock legends Showaddywaddy bring their infectious energy and decades of hits to Bromley.
Known as 'The Greatest Rock & Roll Band in the World', their show promises feel-good nostalgia with hits like Under the Moon of Love and Three Steps to Heaven.
Tickets are £33.50.
The Ladyboys of Bangkok
Monday, April 28
The Ladyboys of Bangkok return with their 2025 tour, a spectacular mix of cabaret, comedy and dazzling costume changes.
With more than 400 costumes and endless musical numbers, the show is a whirlwind of glitz and fun, with tickets from £31 to £37.50.
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Things to do in Montgomery for June 12-18
The Montgomery Dragon Boat Festival is back for the 11th year. The festival will be held on June 14 at Riverfront Park on the Alabama River. It's free for spectators to come watch. Stroll into Riverfront Park, 355 Commerce St., through the tunnel and you'll be on your way to a really fun day watching the teams race colorful dragon boats. The opening ceremony starts at 8:30 a.m., and the first races start at 9 a.m. Races will wrap up by around 3 p.m. There's also an after-party with music from the band Boukou Groove performing at Red Bluff. For tickets call the box office at 334-271-5353 or visit The Wizard of Oz: July 9-Aug. 17, on Festival Stage. Follow the yellow brick road in this delightful stage adaptation of L. Frank Baum's beloved tale, featuring the iconic musical score from the MGM film. The timeless tale, in which young Dorothy Gale travels from Kansas over the rainbow to the magical Land of Oz, is a thrill for audiences of all ages. By L. Frank Baum. Thrills and music for the family. (Ages 5+) For tickets call the box office at 334-481-5100 or visit their newly designed website at June 18 — EJI Juneteenth Celebration with Yolanda Adams and Donald Lawrence & Company — 7:30 p.m. $10-$25 June 28 — Montgomery Gentry featuring Eddie Montgomery — 8 p.m. $25-$55 July 7-11 — Concert Tech Summer Camp for ages 14-18 — 9:30 a.m.-3:30 p.m. $50 registration per person at Aug. 10 — Devon Allman's Blues Summit: Featuring The Devon Allman Project, Jimmy Hall, Larry McCray and Sierra Green — 7:30 p.m. $25-$55 Aug. 23 — Mac McAnally and Scotty Emerick: Margaritas and Memories — 7:30 p.m. $42-$62 Aug. 29 — R&B and Southern Soul Music Fest — Featuring Calvin Richardson, Q Parker, Cupid, 69 Boyz, Mike Clark, Jr., Toy Toy, and hosted by MC Lightfoot — 8 p.m. $45-$85 Sept. 18 — Reckless Kelly — 7:30 p.m. $27.50-$47.50 Sept. 25 — St. Paul & The Broken Bones — 7:30 p.m. $35-$65 Oct. 2 — Billy Bob Thornton & The Boxmasters — 7:30 p.m. $25.50-$52.50 Oct. 10 — Mickey ad the Motorcars — 7:30 p.m. $22-$47 Oct. 11 — The Era of Yacht Rock — 7:30 p.m. $37.50 - $42.50 Oct. 12 — Mark Lowry, with special guests Endless Highway — 6:30 p.m. $37.50-$55 Nov. 8 — Mania: The ABBA Tribute — 7:30 p.m. $23.50-$70.50 Nov. 21 — Nutcracker! 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Become a member of the Capri Community Film Society and receive ticket discounts, plus admission benefits at art house theaters across the country. Member tickets are $10, and non-member tickets are $12. Ticket books will be $90 for a pack of 10. 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Barrie's classic book focuses on Wendy's transition from a child to a responsible young lady -- with plenty of adventure in between! When Wendy refuses to leave the nursery and sleep downstairs, her mother gives her a mysterious box containing Peter Pan's shadow. Unable to resist, Wendy opens it, Peter arrives, and they're off to Neverland! But even there, Wendy must learn what it means to grow up. Full of enchanting music and beloved characters, this fast-paced adaptation of Barrie's Peter and Wendy is a treat for children of any age. ~ Playscripts Sept. 11-21 — "The Immigrant" — The story of a young Russian-Jewish couple and the local couple that take them in, as religion meets religion, culture meets culture, fear meets fear, and love meets love. This is the true story of Haskell Harelik, 'the Immigrant.' 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Every bit as relevant to audience members who will remember the original as it will be to newcomers, Young Frankenstein has all the of panache of the screen sensation with a little extra theatrical flair added. September 25, 26, 27, October 2, 3, 4, 9, 10, 11 at 7 p.m. Matinee: October 5 at 2 p.m. Tickets: $20. "Over the River and Through The Woods" — Every Sunday, Nick crosses the river to New Jersey and has dinner with both sets of his Italian-American grandparents. But Nick has dreams, and when he receives the perfect job offer from the west coast, he is determined to take it. His grandparents – Frank, Aida, Nunzio, and Emma – are just as determined that he stay put. Thus begins a series of shameless schemes and hilarious shenanigans that will have you roaring in your seat while reminding you of the wonderful zaniness that is family. November 6, 7, 13, 14, 20, 21, 22 at 7 p.m. Matinee: Nov 9 and 16 at 2 p.m. Tickets: $20 334-738-8687, 101 N. 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There are rare moments in the culture when a children's book resonates with everyone. Parents who buy the book for their kids find themselves moved by a story that is not intended for them but somehow speaks to them. Peter Brown's 'The Wild Robot' is one such book. A tender-hearted fable about a robot who washes ashore on a remote island and goes native, the 2016 middle-grade novel from Little, Brown Books for Young Readers has spawned two sequels and last year's hit (and Oscar-nominated) adaptation from DreamWorks Animation, with book sales for the series topping 6.5 million worldwide. Brown has now created a picture book titled 'The Wild Robot on the Island,' a gateway for those still too young to read the original work. 'This new book gave me a chance to create these big, colorful, detailed illustrations, while still maintaining the emotional tone of the novel,' says Brown, who is Zooming from the Maine home he shares with his wife and young son. 'I've added some little moments that aren't in the novel to give younger readers an introduction and when they're ready, they can turn to the novel.' The new book's mostly-pictures-with-some-words approach is a return to Brown's earlier work when he was creating charming fables for toddlers about our sometimes fraught, sometimes empathetic attitude toward nature. In 2009's 'The Curious Garden,' a boy encounters a patch of wildflowers and grass sprouting from an abandoned railway and decides to cultivate it into a garden, while 2013's 'Mr. Tiger Goes Wild' finds the title character longing to escape from the conventions of a world where animals no longer run free. This push and pull between wilderness and civilized life, or wildness versus timidity, has preoccupied Brown for the duration of his career, and it is what brought Brown to his robot. 'I was thinking about nature in unlikely places, and the relationships between natural and unnatural things,' says Brown, a New Jersey native who studied at Pasadena's Art Center College of Design. 'And that led to the idea of a robot in a tree.' Brown drew a single picture of a robot standing on the branch of a giant pine tree, then put it aside while he produced other work. But the image wouldn't let him go: 'Every couple of months, I would think about that robot.' Brown began researching robots and robotics, and slowly the story gestated in his mind. 'Themes began to emerge,' says Brown. 'Mainly, the idea of this robot becoming almost more wild and natural than a person could be. That was so fascinating to me that I wanted to let this thing breathe and see where it took me.' Brown knew the involved narrative he had imagined wouldn't work in picture book form; he needed to write his story as a novel, which would be new territory for him. 'When I pitched the idea to my editor, she basically said, 'Pump your brakes,' ' says Brown. 'If I was going to write, I had to include illustrations as well. The publisher thought it was a bit of a risk. They wanted pictures in order to sell it, because of what I had done in the past.' Brown locked himself away out in the wilds of Maine, in a cabin with no Wi-Fi, and got down to it. 'I was nervous, and my editor wasn't sure, either,' says Brown, who cites Kurt Vonnegut as a literary influence. 'I realized there was no other option but for me to do it. And once I got into it, I had a blast.' Like all great fables, Brown's story is deceptively simple. A cargo ship full of robots goes down in the middle of the ocean. Some of these robots, still packed in their boxes, wash ashore on a remote island. A family of otters opens one such box, which turns out to be Roz, Brown's wild robot. As Roz explores this strange new world, she encounters angry bears, a loquacious squirrel and industrious beavers, who regard her as a malevolent force. But the robot's confusion, and the animal's hostility, soon dissolve into a mutual understanding. Roz is the reader's proxy, an innocent who acclimates to the complex rhythms of the natural world. Eventually she is subsumed into this alien universe, a creature of nature who allows birds to roost on her chromium shoulder. 'Roz has been programmed to learn, but her creators, the men who built her, don't expect her to learn in this particular way,' says Brown. 'And so she uses that learning ability to mimic the animals' behavior and learns how to communicate with them. Roz is the embodiment of the value of learning, and part of that is adapting, changing, growing.' The story isn't always a rosy fairy tale. There are predators on the island; animals are eaten for sustenance. Real life, in short, rears its ugly head. 'It gets tricky. Life is complicated, right?', says Brown. 'But thanks to Roz's influence, all the animals discover how they are all a part of this interconnected community.' Roz adopts an abandoned gosling that she names Brightbill, and the man-made machine is now a mother, flooded with compassion for her young charge. Their relationship is the emotional core of Brown's series. At a time when the world is grappling with the increasing presence of robotic technology in everyday life, Brown offers an alternative view: What if we can create robots that are capable of benevolence and empathy? Roz reminds us of our own humanity, our capacity to love and feel deeply. This is why 'The Wild Robot' isn't just a kid's book. It is in fact one of the most insightful novels about our present techno-anxious moment, camouflaged as a children's book. 'Technology is a double-edged sword,' says Brown. 'There's obviously a lot of good that is happening, and will continue to happen, but in the wrong hands it can be dangerous.' He mentions Jonathan Haidt's bestselling book 'The Anxious Generation,' and Haidt's prescriptions for restricting internet use among children, which Brown endorses. 'I don't have a lot of answers, but I just think we need to reinvest in our own humanity,' he says. 'We have to make sure things are going in the right direction.' In subsequent books, the outside world impinges on Roz's idyll. 'The Wild Robot Escapes' finds Roz navigating the dangers of urban life and humans with guns, while a toxic tide in 'The Wild Robot Protects' leaves the animals scrambling for ever more scarce resources. None of this is pedantic, nor is it puffed up with moral outrage. Brown knows children can spot such flaws a mile away. Like all great adventure tales, Brown's 'Wild Robot' stories embrace the wild world in all of its splendor, without ever flinching away from it. 'In the books, I just wanted to acknowledge that the world is complicated, and that people we think are bad aren't necessarily so,' says Brown, who is currently writing the fourth novel in the 'Wild Robot' series. 'Behind every bad action is a really complicated story, and I think kids can handle that. They want to be told the truth about things, they want to grapple with the tough parts of life.'
