Tripti Dimri Replaces Deepika Padukone in Prabhas's 'Spirit' — Here's What She's Charging
In a thrilling update from the world of Tollywood and Bollywood crossover, Tripti Dimri is all set to star alongside Prabhas in the much-anticipated Sandeep Reddy Vanga film, 'Spirit.' This comes after the film's original female lead, Deepika Padukone, stepped away from the project amid ongoing buzz. The exciting news was confirmed by both Tripti and director Vanga through their social media handles over the weekend, where Tripti shared a striking poster of the film featuring her name in multiple Indian and international languages — a clear sign of her rising global presence.
Sources reveal that Deepika was reportedly charging a whopping ₹20 crores for the role, a price tag that Sandeep couldn't accommodate. Enter Tripti Dimri, whose fee is said to be a more modest ₹4 crores, making her a perfect fit for the director's vision and budget — though this figure remains unofficial. Fans will remember Tripti from her powerful performance in Sandeep's previous blockbuster, 'Animals.'
Grateful and humble, Tripti took to social media, saying, 'Still sinking in… So grateful to be trusted with this journey. Thank you @sandeepreddy.vanga… Honored to be part of your vision.' Sandeep welcomed her with open arms, posting the same promo poster captioned, 'The female lead for my film is now official.' Clearly, this movie is shaping up to be a massive milestone in Tripti's career!
Meanwhile, speculations are swirling that Deepika Padukone is eyeing a comeback with Allu Arjun's upcoming film directed by Atlee. Although no official word has come yet, rumors also link her to Kalki's sequel and the Shah Rukh Khan starrer 'King.' Looks like Deepika is keeping her options open with some blockbuster projects!
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
India.com
an hour ago
- India.com
Meet actor who worked with Kamal Haasan, Rajinikanth, romanced Aishwarya Rai, Tabu, lost all his money, became a taxi driver, mechanic, cleaned toilets, mopped floors for survival, he is…
The entertainment industry is full of talent, and none of them go underutilised. While making a film, the actor believes in giving his best performance every time. There has never been a time when an artist feels like his full potential is yet to be discovered. Talking about artists, many rise to instant fame while some take time to build their stardom over many years of working. On the other hand, there are sections of actors who lost fame over time as well and completely disappeared from the industry. It is hard for anybody to go through a tough time, but the actor whom we are talking about struggled a lot after his popularity in the entertainment business fell drastically. This actor cleaned toilets and mopped floors, he even became a part-time mechanic to meet his daily needs. This is the same actor who gave back-to-back blockbusters with Kamal Haasan, Tabu, and Rajinikanth. Still couldn't guess which actor we are talking about? The actor in question is none other than Actor Abbas. He now lives a private life somewhere in New Zealand after he went out of business in the film industry. Actor Abbas was once a popular name in the industry, where he even worked in different industries, including Bollywood and Tollywood. Abbas was a chocolate boy of South Industry, his popularity among the audience was so much that his films used to do great business. Now, actor Abbas has done multiple jobs, including working as a taxi driver, and even cleaning the toilets to meet his daily needs. You'll be surprised to know Abbas has shared screens with big names like Mammootty, Tabu, and Aishwarya Rai Bachchan. His journey to the film industry is interesting, the actor was an instant hit after his debut film. He went on to dominate the industry for two decades, and today nobody even recognises him. Coming from West Bengal, Abbas, during his prime, made a mark in the industry with his versatile performance alongside stalwarts like Kamal Haasan in Hey Ram and Rajinikanth in Paddyappa. He was even a part of blockbuster films like Kandukondain Kandukondain, Anandham, and Minnale, showcasing his immense talent. According to media reports, Abbas filed for bankruptcy, after which he failed to get a job in the industry, forcing him to look for odd jobs outside India.
India Today
an hour ago
- India Today
Modi, mangoes and puppets: Usha Vance on her children's first India experience
Usha Vance, Second Lady of the United States, shared a heartfelt reflexion on her family's visit to India, fondly recounting her children's delightful encounter with Prime Minister Narendra at the US-India Strategic Partnership Forum in Washington, D.C., Usha Vance described how the journey impacted her family -- especially her children, who were visiting their ancestral homeland for the first we were at the Prime Minister's residence, our son was just so taken by everything and then taken by the entire cart of mangoes that was available for him to eat that he announced to the Prime Minister that he thought he could maybe live there,' she said, drawing laughs from the audience. 'Our children talk about it all the time. They've been all over the place and had wonderful opportunities to see the world, but this was really special to them.' Vance emphasised that the meeting with PM Modi wasn't just diplomatic -- it was deeply personal. 'I think it was a very productive conversation for JD and the Prime Minister, of course. But also, I think it was a real opportunity for us to kind of cement that personal relationship that they have, which I think is only to the good.'advertisementOne standout moment for the children was a traditional puppet show featuring acts from across India. 'There was a puppet show that was a particular highlight, with sort of puppeteering from all over the country, including from Andhra Pradesh, where my family is from,' she said. 'There were bits from the Ramayana, there were comedic bits with animals, and it was a huge hit. My kids have been trying to recreate it at home with construction paper.'Usha Vance also shared a tender moment when her children, jet-lagged after travelling through Europe, first laid eyes on the Indian Prime Minister. 'They saw an Indian man with a white beard and white hair, and they just put him in the grandfather category immediately,' she said with a smile. 'They are very into him; they just love him, and he really cemented his status by giving our five-year-old a birthday present that day. When we were able to visit his home, they just sort of ran up. They were hugging him. He was just incredibly kind and generous to them.''It really was the trip of a lifetime for us,' said Vance. 'My children had never been to India. They'd grown up just knowing so much about this country -- the stories, the food, and the relationships with grandparents and friends -- but they had never actually seen it, so it was just sort of mind-blown from their perspective.'She concluded by hinting at future plans to explore more of India, especially the southern regions where her family hails from. 'For JD and me, it just could not have been any more special. We had the opportunity to see some of the greatest sites in North India. Well, we're looking forward to our next trip and trying to get to the parts of the country where my family is from as well.'Must Watch
New Indian Express
an hour ago
- New Indian Express
Why Kandukondain Kandukondain remains a classic
Character sketch Rai's Meenakshi echoes Marianne's emotional spirit, while Tabu's Soumya reflects Elinor's sensibility — but with a uniquely Indian layer: the internalised burden of always having to please others. Social media critic Rino, who writes for carpe_diem_movies on Instagram, notes, 'Soumya is a poignant portrayal of a person suffering from a people-pleasing attitude, burdened by the label of being 'unlucky'. She silently endures its impact. She is overcompensating for the stigma of being unlucky.' Her growth — standing by Manohar (Ajith) while suppressing her own dreams, dealing with society's judgement — ends not just in love but in finding herself. Rino says, 'After a moment of intense doubt, she finally surrenders her self-doubt. It's a moment of profound self-realisation, signalling her growth as a person.' Instead of accepting her sister's 'fate', Rai's Meenakshi directly questions it, notes Meenakshi Girish. 'Why blame the woman? Why not consider that the guy was unstable or problematic? That kind of internal questioning within the film makes it feel intelligent and self-aware. The sisters don't just contrast — they complement each other,' she adds. The film also updated Austen's idea of marriage as a woman's primary goal. Dr Meenakshi explains, 'In Austen's world, marriage was an important way in which a woman found herself. In the modern world, especially in tradition-bound south India, carving an independent identity takes precedence over mere romantic interests. The ultimate fruition of romantic relationships take on strength and adds meaning from the assertion of newfound identities.' Soumya finds her voice before finding love. Her sister fiercely pursues her music career. Their romantic relationships feel earned, growing out of their personal journeys rather than defining them.
