At 87, Jane Fonda feels and looks fabulous, but does admit to one fear
If celebrity health and wellness is your jam, there can be no celebrity that embodies your message more closely than double Oscar-winning aerobics queen Jane Fonda, now 87 years young.
Fonda is on our shores on a mini-speaking tour at the Melbourne Convention and Exhibition Centre on Thursday and Sydney's ICC Theatre on Sunday, brought out by wellness brand Wanderlust True North.
The company's executive chairman is Radek Sali, who made his multimillion-dollar fortune similarly mixing up a celebrity/wellness brew that proved marketing catnip for Swisse vitamins, which was subsequently flogged to the Chinese for $1.7 billion in 2015.
Last year a similar Wanderlust gig pulled in large audiences with Drew Barrymore producing onstage tears from singer Tones and I when the singer revealed fame had ended her relationship with her best friend.
Before Thursday's main event, Sali hosted a VIP event for celebrities including podcaster and journalist Jessica Rowe, journalist Liz Hayes, performer Rob Mills and punters who had paid from $1000 for a premium meet and greet ticket.
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At 6pm, the door opened to reveal a startled Fonda, clearly expecting a full house rather than the 200 seated for a media preview. But she recovered instantly with aplomb.
The star took to the main stage for an intimate conversation with Hayes about passions, defining moments and how life shapes you. Well, as intimate as you can get at the Melbourne Convention and Exhibition Centre Plenary, which at full stretch can seat 5500.
We can report that at age 87, Fonda is still looking fabulous and making people feel fabulous. Not so much the proof is in the pudding, but the proof is in the low-carb keto-approved spinach mushroom tomato mini frittata.
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Perth Now
5 hours ago
- Perth Now
Donald Sutherland wore gas mask to cast party
Donald Sutherland attended a Pride + Prejudice cast party in a gas mask. The late screen legend - who died a year ago aged 88 - had a clause in his contract that nobody be allowed to smoke cigarettes anywhere near him but he relaxed his rule to hang out with the rest of the stars on the 2005 period drama by taking his own precautions. Discussing her favourite memory from making the film, Keira Knightley told Vanity Fair: "There was the party that Donald Sutherland came to. "You weren't allowed to smoke. He had it in his contract that nobody on the set was allowed to smoke anywhere near, and you couldn't smell of smoke. "But of course everyone smoked back then. And everybody would be smoking, and then you'd be sort of spraying yourself. "But the party he came to, he came in a gas mask. And he was like, 'I want you to all be able to smoke. And I wanted to come to the party.' " Donald also amused the cast when he suddenly remembered a luxury car he'd forgotten he had owned for years and had it delivered to the set. Rosamund Pike said: "He was amazing. He also remembered halfway through shooting that he had a Rolls-Royce Silver Shadow that he'd bought while making Don't Look Now or something and completely forgotten about. [He] remembered it was garaged somewhere up near Manchester and had it delivered to set." The two actresses admitted very few co-stars have matched the entertainment they got from Donald. Keira said: "I have to say, most actors have been a disappointment since then." Rosamund agreed: "Donald was pretty legendary. We did have dinners with him sometimes, and he told us some pretty wild stories which cannot be shared." Keira was nominated for an Oscar for her work on Pride + Prejudice, which she found "confusing" because she felt she was viewed as a "terrible actress" because of her role in Pirates of the Caribbean. She reflected: "It was pretty big for my career. If people will come up to me, it'll be about that one. "Pirates of the Caribbean had already come out, but I think in the public consciousness, I was seen as a terrible actress. "But I had this phenomenally big success with Pirates. And I think this was the first one that was a phenomenally big success, but was also critically acclaimed. "So I remember it coming out maybe the same year, maybe around the same time as Pirates 2. And I got the worst reviews ever for that, and then also being nominated for an Oscar at the same time—it was, in my 21-year-old head, quite confusing."


The Advertiser
14 hours ago
- The Advertiser
Dakota Johnson just about convinces us that it's tough to make a match
Materialists M, 117 minutes 4 Stars The dreamy, introspective relationship drama, Past Lives, was so successful several years ago with an Oscar nomination that the challenge of creating a follow-up feature would have been a daunting task. Not for Canadian writer-director Celine Song, who has landed on her feet again with this sharp relationship drama set in the world of modern dating. Materialists is a three-cornered romantic drama with a smart, ambitious young matchmaker, Lucy (a sparkly Dakota Johnson), who works at Adore, a dating agency in New York that aims high. It promises to match singles with the love of their life, no less. She hasn't found hers yet and says she is celibate at the moment, but there is an ex (Chris Evans) who she still has feelings for, while someone very rich and tall, dark and handsome who has also just appeared in her life. Harry (Pedro Pascal) checks all the boxes - such a rare catch. Pascal (a lead in The Last of US TV series) has the unenviable role of playing the unicorn, the perfect man who scores the highest on the measures that count, namely physical attractiveness and financial worth. He's genial, with an old-fashioned matinee idol look, complete with Burt Reynolds moustache, that is vaguely amusing. While Lucy is waiting for the perfect match herself, we can see she's a skilled negotiator who has a way with words. We see her in action as she tries to convince a reluctant bride out of the bedroom where she has stalled, weeping. Flattery works a charm, and the wedding goes ahead. Brother of the groom Harry is at the event too, and introduces himself to Lucy at the singles table. He is smooth and confident, and works in finance. At precisely the moment they are making each other's acquaintance, Lucy's ex-boyfriend John (Evans) delivers her drink order. He is on the wait staff, serving guests at the function, and he is neither smooth nor wealthy. Yet, with effortless ease, Evans brings a sweet, natural presence as John. His character is an aspiring actor, taking waitering work on the side to get by, and his private life is a shambles with two guys who are serious slackers sharing his apartment. Despite the perils of having high-profile actors like Pascal and Evans (Captain America in the Avengers) in a romantic relationship drama like this, the dynamics are convincing, the light comedy effective. It's nicely balanced with the film's critique of the dating business and of assessing partners "by doing the math", played out in the sharp exchanges between characters, especially Harry and Lucy. They get right to the point. While the business of matchmaking is brought into sharp focus every now and then, the difficulties of finding partners in a hard, fast urban world of anomie are acknowledged too. What is the average punter to do? Why not trust a dating agency to find the love of your life? Moreover, there are difficult clients who lack self-awareness. A couple of montages make the point here. A gallery of random male clients at the Adore interview stating their preferences for dating much younger women, while a montage of female clients reveals how difficult it is to work with people in this intimate area. And then there are some clients who present a serious risk. While screenwriter Song has done some serious thinking about these things, her three lead actors contribute engaging performances to carry it off. With lively, mobile features and a natural, gamine presence that grounds her character, Johnson brings her familiar vibrant presence. It is easy to understand why matchmakers are sought in traditional societies where young adults have only restricted access to prospective partners. And today, it is fascinating to observe how the pace and anonymity of city life have seen matchmaking become a thriving business and online dating the name of the game. Materialists M, 117 minutes 4 Stars The dreamy, introspective relationship drama, Past Lives, was so successful several years ago with an Oscar nomination that the challenge of creating a follow-up feature would have been a daunting task. Not for Canadian writer-director Celine Song, who has landed on her feet again with this sharp relationship drama set in the world of modern dating. Materialists is a three-cornered romantic drama with a smart, ambitious young matchmaker, Lucy (a sparkly Dakota Johnson), who works at Adore, a dating agency in New York that aims high. It promises to match singles with the love of their life, no less. She hasn't found hers yet and says she is celibate at the moment, but there is an ex (Chris Evans) who she still has feelings for, while someone very rich and tall, dark and handsome who has also just appeared in her life. Harry (Pedro Pascal) checks all the boxes - such a rare catch. Pascal (a lead in The Last of US TV series) has the unenviable role of playing the unicorn, the perfect man who scores the highest on the measures that count, namely physical attractiveness and financial worth. He's genial, with an old-fashioned matinee idol look, complete with Burt Reynolds moustache, that is vaguely amusing. While Lucy is waiting for the perfect match herself, we can see she's a skilled negotiator who has a way with words. We see her in action as she tries to convince a reluctant bride out of the bedroom where she has stalled, weeping. Flattery works a charm, and the wedding goes ahead. Brother of the groom Harry is at the event too, and introduces himself to Lucy at the singles table. He is smooth and confident, and works in finance. At precisely the moment they are making each other's acquaintance, Lucy's ex-boyfriend John (Evans) delivers her drink order. He is on the wait staff, serving guests at the function, and he is neither smooth nor wealthy. Yet, with effortless ease, Evans brings a sweet, natural presence as John. His character is an aspiring actor, taking waitering work on the side to get by, and his private life is a shambles with two guys who are serious slackers sharing his apartment. Despite the perils of having high-profile actors like Pascal and Evans (Captain America in the Avengers) in a romantic relationship drama like this, the dynamics are convincing, the light comedy effective. It's nicely balanced with the film's critique of the dating business and of assessing partners "by doing the math", played out in the sharp exchanges between characters, especially Harry and Lucy. They get right to the point. While the business of matchmaking is brought into sharp focus every now and then, the difficulties of finding partners in a hard, fast urban world of anomie are acknowledged too. What is the average punter to do? Why not trust a dating agency to find the love of your life? Moreover, there are difficult clients who lack self-awareness. A couple of montages make the point here. A gallery of random male clients at the Adore interview stating their preferences for dating much younger women, while a montage of female clients reveals how difficult it is to work with people in this intimate area. And then there are some clients who present a serious risk. While screenwriter Song has done some serious thinking about these things, her three lead actors contribute engaging performances to carry it off. With lively, mobile features and a natural, gamine presence that grounds her character, Johnson brings her familiar vibrant presence. It is easy to understand why matchmakers are sought in traditional societies where young adults have only restricted access to prospective partners. And today, it is fascinating to observe how the pace and anonymity of city life have seen matchmaking become a thriving business and online dating the name of the game. Materialists M, 117 minutes 4 Stars The dreamy, introspective relationship drama, Past Lives, was so successful several years ago with an Oscar nomination that the challenge of creating a follow-up feature would have been a daunting task. Not for Canadian writer-director Celine Song, who has landed on her feet again with this sharp relationship drama set in the world of modern dating. Materialists is a three-cornered romantic drama with a smart, ambitious young matchmaker, Lucy (a sparkly Dakota Johnson), who works at Adore, a dating agency in New York that aims high. It promises to match singles with the love of their life, no less. She hasn't found hers yet and says she is celibate at the moment, but there is an ex (Chris Evans) who she still has feelings for, while someone very rich and tall, dark and handsome who has also just appeared in her life. Harry (Pedro Pascal) checks all the boxes - such a rare catch. Pascal (a lead in The Last of US TV series) has the unenviable role of playing the unicorn, the perfect man who scores the highest on the measures that count, namely physical attractiveness and financial worth. He's genial, with an old-fashioned matinee idol look, complete with Burt Reynolds moustache, that is vaguely amusing. While Lucy is waiting for the perfect match herself, we can see she's a skilled negotiator who has a way with words. We see her in action as she tries to convince a reluctant bride out of the bedroom where she has stalled, weeping. Flattery works a charm, and the wedding goes ahead. Brother of the groom Harry is at the event too, and introduces himself to Lucy at the singles table. He is smooth and confident, and works in finance. At precisely the moment they are making each other's acquaintance, Lucy's ex-boyfriend John (Evans) delivers her drink order. He is on the wait staff, serving guests at the function, and he is neither smooth nor wealthy. Yet, with effortless ease, Evans brings a sweet, natural presence as John. His character is an aspiring actor, taking waitering work on the side to get by, and his private life is a shambles with two guys who are serious slackers sharing his apartment. Despite the perils of having high-profile actors like Pascal and Evans (Captain America in the Avengers) in a romantic relationship drama like this, the dynamics are convincing, the light comedy effective. It's nicely balanced with the film's critique of the dating business and of assessing partners "by doing the math", played out in the sharp exchanges between characters, especially Harry and Lucy. They get right to the point. While the business of matchmaking is brought into sharp focus every now and then, the difficulties of finding partners in a hard, fast urban world of anomie are acknowledged too. What is the average punter to do? Why not trust a dating agency to find the love of your life? Moreover, there are difficult clients who lack self-awareness. A couple of montages make the point here. A gallery of random male clients at the Adore interview stating their preferences for dating much younger women, while a montage of female clients reveals how difficult it is to work with people in this intimate area. And then there are some clients who present a serious risk. While screenwriter Song has done some serious thinking about these things, her three lead actors contribute engaging performances to carry it off. With lively, mobile features and a natural, gamine presence that grounds her character, Johnson brings her familiar vibrant presence. It is easy to understand why matchmakers are sought in traditional societies where young adults have only restricted access to prospective partners. And today, it is fascinating to observe how the pace and anonymity of city life have seen matchmaking become a thriving business and online dating the name of the game. Materialists M, 117 minutes 4 Stars The dreamy, introspective relationship drama, Past Lives, was so successful several years ago with an Oscar nomination that the challenge of creating a follow-up feature would have been a daunting task. Not for Canadian writer-director Celine Song, who has landed on her feet again with this sharp relationship drama set in the world of modern dating. Materialists is a three-cornered romantic drama with a smart, ambitious young matchmaker, Lucy (a sparkly Dakota Johnson), who works at Adore, a dating agency in New York that aims high. It promises to match singles with the love of their life, no less. She hasn't found hers yet and says she is celibate at the moment, but there is an ex (Chris Evans) who she still has feelings for, while someone very rich and tall, dark and handsome who has also just appeared in her life. Harry (Pedro Pascal) checks all the boxes - such a rare catch. Pascal (a lead in The Last of US TV series) has the unenviable role of playing the unicorn, the perfect man who scores the highest on the measures that count, namely physical attractiveness and financial worth. He's genial, with an old-fashioned matinee idol look, complete with Burt Reynolds moustache, that is vaguely amusing. While Lucy is waiting for the perfect match herself, we can see she's a skilled negotiator who has a way with words. We see her in action as she tries to convince a reluctant bride out of the bedroom where she has stalled, weeping. Flattery works a charm, and the wedding goes ahead. Brother of the groom Harry is at the event too, and introduces himself to Lucy at the singles table. He is smooth and confident, and works in finance. At precisely the moment they are making each other's acquaintance, Lucy's ex-boyfriend John (Evans) delivers her drink order. He is on the wait staff, serving guests at the function, and he is neither smooth nor wealthy. Yet, with effortless ease, Evans brings a sweet, natural presence as John. His character is an aspiring actor, taking waitering work on the side to get by, and his private life is a shambles with two guys who are serious slackers sharing his apartment. Despite the perils of having high-profile actors like Pascal and Evans (Captain America in the Avengers) in a romantic relationship drama like this, the dynamics are convincing, the light comedy effective. It's nicely balanced with the film's critique of the dating business and of assessing partners "by doing the math", played out in the sharp exchanges between characters, especially Harry and Lucy. They get right to the point. While the business of matchmaking is brought into sharp focus every now and then, the difficulties of finding partners in a hard, fast urban world of anomie are acknowledged too. What is the average punter to do? Why not trust a dating agency to find the love of your life? Moreover, there are difficult clients who lack self-awareness. A couple of montages make the point here. A gallery of random male clients at the Adore interview stating their preferences for dating much younger women, while a montage of female clients reveals how difficult it is to work with people in this intimate area. And then there are some clients who present a serious risk. While screenwriter Song has done some serious thinking about these things, her three lead actors contribute engaging performances to carry it off. With lively, mobile features and a natural, gamine presence that grounds her character, Johnson brings her familiar vibrant presence. It is easy to understand why matchmakers are sought in traditional societies where young adults have only restricted access to prospective partners. And today, it is fascinating to observe how the pace and anonymity of city life have seen matchmaking become a thriving business and online dating the name of the game.

Sydney Morning Herald
17 hours ago
- Sydney Morning Herald
This regional post office may be home to the best burger in Australia
Anyway, all this adds up to a tower of fresh flavour where each bite is underlined by a different ingredient. The bacon is generous. The onions, translucent but not browned. It may take a few bites until you hit pineapple. The 130-gram patty is lean on fat, which some burger purists will hate, but I don't mind finishing the thing and still feeling human. The perfect trinity of salty, sweet and lightly pickled. I brought a second burger back to Moss Vale for my partner, who was less keen to leave the throw-rug of our Airbnb for the half-hour trip to Wingello. By this time, all the components have had more time to mingle and develop in their white paper bag. Brilliant with half a glass of last night's gamay at 11:30am. Thanks go to two-time Golden Spurtle World Porridge Making Championship finalist, and taco chef, Toby Wilson for alerting me to the burger three weeks ago. Wilson only discovered it after seeing an ad for the cafe before The Penguin Lessons at Bowral's Empire Cinema. (NB: The Bruggeman family has a YouTube channel where you can watch all their house-made cinema ads, dating back to 2020. It is absolutely worth your time.) Like our regional Chinese restaurants, agricultural shows and vanilla slice-famous bakeries, Wingello Village Store is one of those great 'only in Australia' spots that tourism boards could spend more time promoting – especially to city-dwellers who would increasingly rather jump on a Disney Wonder cruise than explore their own backyard. The burger doesn't taste like cheap thrills and corporate grease. It tastes like Paul Kelly singalongs and sunsets and Sunday drives. It tastes like a kitchen that gives a damn.