
Canadian trans musicians cancel U.S. shows citing fear and policies targeting gender identity
Toronto singer-songwriter Bells Larsen and Halifax pop artist T. Thomason have both announced today that they are cancelling their U.S. tour dates and a festival appearance, respectively, due to safety concerns and visa policies that discriminate against trans artists.
"I received an email on Tuesday from the American Federation of Musicians stating that I am no longer able to apply for a visa because U.S. Immigration now only recognizes identification that corresponds with one's assigned sex at birth," Larsen posted on Instagram. "To put it super plainly, because I'm trans (and have an M on my passport), I can't tour in the States."
Larsen has had to cancel six tour dates following the upcoming release of his sophomore album, Blurring Time, which was crafted to follow Larsen's transition, harmonizing the artist's pre- and post-transition voice.
"This is indescribably gutting," wrote singer-songwriter Georgia Harmer, who worked on Blurring Time, on Larsen's Instagram post. "I'm so sorry this is happening right when people need the healing power of your songs more than ever. I love you so much. Standing with you. Got your back forever."
"This is absolutely horrific and incredibly unfair. I'm so, so sorry that this is happening to you," wrote rapper Cadence Weapon. "All the best to you on your Canadian dates and hope to see you again soon."
Thomason was scheduled to play Maine's All Roads Festival in May, but posted in a video on Instagram today that although he has a current visa until June — given to him before U.S. President Donald Trump took office — he doesn't feel safe going across the border "as a Canadian trans guy."
"I just don't feel like it's worth the risk," Thomason said.
Trump declared in his inaugural address on Jan. 20 that "it will henceforth be the official policy of the United States government that there are only two genders, male and female," and swiftly issued executive orders and changes to the government's policies on gender and diversity. Those would include Secretary of State Marco Rubio's memo titled " Guidance for Visa Adjudicators on Executive Order 14201: 'Keeping Men Out of Women's Sports,'" which encompassed the directive that "all visas must reflect an applicant's sex at birth."
With increasing reports of people being detained by ICE or refused entry into the States, more and more artists are reconsidering tours over U.S. border detention fears — including Neil Young.
"When I go to play music in Europe, if I talk about Donald J. Trump, I may be one of those returning to America who is barred or put in jail to sleep on a cement floor with an aluminum blanket," the dual Canadian-American citizen said recently.
Larsen revealed in his Instagram post that he's been undecided for weeks as to whether he should follow through with his U.S. tour dates. "If random people are getting randomly questioned/stopped/detained at borders, how can I — as someone wanting to make money abroad by exhibiting my lived experience as a trans person — expect to pass go and get out of jail free?" he wrote. "This new policy has crushed my dreams. I'm cradling a very broken heart and the realization that I don't know if or when I will be able to tour in the States again."
In his cancellation announcement, Thomason mentioned Larsen's news, and pointed to the wider effects this discrimination will have on Canadian trans artists.
"The U.S. is a huge market, there's a lot of weight put on being able to break into that market," he said. "There's a lot of record labels and managers who really look to that as a benchmark of viability and success with an artist. And if you're an artist that is legally not able to get into the U.S., that's a huge hit to your career."
"I think we really need to see support from the industry right now," he continued, "and we need to be shown by our community, or music community in Canada, this is not OK, and they're not gonna let trans artists be forgotten and just be sort of a brief headline and then everybody moves on and we deal with the consequences and ripple effects by ourselves. I really, really hope that we're not gonna let that happen."
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Winnipeg Free Press
3 hours ago
- Winnipeg Free Press
New Brunswick's Justin Collette is the ghost with the most in ‘Beetlejuice' musical
TORONTO – Even the walls of Justin Collette's dressing room scream, 'Beetlejuice, Beetlejuice, Beetlejuice.' While most theatre actors would choose a Zen-like atmosphere in their backstage quarters, Collette prefers a little anarchy. Hanging around the room are nearly a dozen fan sketches of the living dead trickster he portrays in 'Beetlejuice: The Musical,' as well as drawings of his goth teen sidekick Lydia and the grotesque sandworm that invades her suburban home. 'This is like a fifth of fan art I've been given — so many cool, cool things,' Collette says with a smile, while the music of Italian rock band Måneskin blares over a speaker. 'I have to ship much of it home because it's hard to travel with anything on the road.' Collette is preparing for opening night at Toronto's CAA Ed Mirvish Theatre, where 'Beetlejuice: The Musical' runs for six weeks, until July 19. It's the longest stop for the travelling show where he plays the character made famous by Michael Keaton in Tim Burton's 1988 dark comedy film. The New Brunswick native says he's excited to plant himself in a city where he once lived. Everything about his life on the road is a routine, including the hours leading up to his nightly performance. He comes into his dressing room, surveys the fan art, and then settles into a chair as makeup artist Andrew Ozbun begins to apply his Beetlejuice face. It's a process that Ozbun says once took an hour, but he now manages to finish in about half that time. Over the past 2 1/2 years, Collette has been criss-crossing North America, playing the wisecracking Beetlejuice practically every night. It's a gruelling role that calls for high energy, spastic movements and improvised witty quips. Before the show, Collette slips in and out of the character with ease, adopting the gravelly voice and wide-eyed mannerisms like he's flipping on a switch. 'One of the things about doing this for like 900 shows is that my facial muscles are atrophying,' he says. 'I don't know how Jim Carrey isn't lopsided because I have to get dry needled all the time to get my eyes and jaw to work.' Despite the physical challenges, Collette is buzzing about this opportunity to entertain Canadian audiences for a good chunk of the summer. He spent his early career in Toronto sharpening his skills as an improv comedian, and the crew has draped a banner of little Canadian flags across his wardrobe as a reminder of his homecoming. 'I feel like here I can relax into my own sensibilities,' he says of performing for locals. 'Because I kind of agree with them on what is good and what isn't, because I'm one of them.' Collette made his name on Broadway in the 2015 adaptation of 'School of Rock,' playing Dewey Finn, the music-obsessed teacher first portrayed by Jack Black in the Hollywood comedy. On stage, Collette took over the role from Alex Brightman, who decided to leave 'School of Rock' to become live theatre's first Beetlejuice. 'He was so excited about how funny it was,' Collette remembers of his friend's leap to the ghostly character. 'When I went to see (it), I agreed. It really was like nothing I'd ever seen on Broadway.' Collette didn't think he'd ever get to play Beetlejuice, until one day the opportunity arose for him to audition for the lead part in a travelling production of the show. 'I knew exactly how I wanted to do it,' he says of the character. 'It's hard to explain. I heard the cadence of how I was going to (speak) … even when I read the script. I just knew.' After Collette got the part, he began refining his version of Beetlejuice to make it independent of his predecessors. 'I don't think it looks good when somebody does an impression of somebody else's character in one of these things,' he says. 'It's just diminishing returns because you'll inevitably just get compared to them.' Collette did lift a few mannerisms from the cinematic source material, he admits. Most notably, he liked Keaton's 'open-legged goblin run' in one scene of the movie, which he uses several times in throughout the musical. '(It's) little things, because I don't want him to be unrecognizable, right?' Collette says. 'So you've got to borrow some stuff.' Staying in the Beetlejuice role this long hasn't lost its appeal for him either. Collette says he's set personal goals for his portrayal, and then pushed himself to go further by 'sharpening movements and trying to dig into moments to mine them for little comedy bits.' Each night, as he stares out into the crowd of theatregoers and costumed Beetlejuice fans, he rises to another challenge of making Beetlejuice a little more his own. ''Make it your own' sounds so lame to me,' he interjects. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. 'You have to figure out who you are.' And with that, his makeup is finished, and Collette is buzzing with mischievous energy. Surveying his dressing room one last time, he pauses before whipping out one of Beetlejuice's trademark phrases, punctuated by his hearty growl. 'It's shooowtiiime!' he shouts. This report by The Canadian Press was first published June 15, 2025.

Montreal Gazette
12 hours ago
- Montreal Gazette
Where the rich and famous stay on Grand Prix weekend
News By Montreal's the Ritz-Carlton was launched with quite the bang on New Year's Eve in 1912, and the party has yet to stop at this ever-chichi Golden Mile institution more than a century later. The Ritz's Royal Suite was also inaugurated that soirée following the bash, and while there's nothing official about who bedded down there then, speculation is that it was some prominent captain of industry. But the suite, although altered over the years, has since drawn more than its fair share of regal figures — among them, Queen Elizabeth II and family — as well as heads of state and noted dignitaries from around the planet. But come the annual Canadian Grand Prix here — this year taking place June 13-15 at Circuit Gilles-Villeneuve — it has hosted another kind of royalty: top-tier F1 drivers, high-end Hollywood celebs and CEOs, as they are among the precious few able to pony up its $18,000-a-night cost — with a four-night minimum. Of course, this is no run-of-the-mill suite. Spread over 4,700 square feet, this mini-palace features one principal bedroom, two not-so-minor bedrooms, four bathrooms, a dining area, a separate dining and living room, and all manner of eye-catching art and antiquities over the suite's exquisite marble flooring. And as a bonus, complimentary wireless internet and a coffee/tea maker just in case that might be a deal breaker. Under 'posh' in dictionaries, the definition could well include a pic of this space. Suffice it to say that Grand Prix week is the most impactful business period of the year in these parts, fuelling our economic engine like no other event in the city and estimated to be generating around $100 million in revenues. A large chunk of that cash comes from tourists, mostly American and European, who get a big wallop for their buck from our dollar — in the U.S. 70-cent range — and who spend liberally with gusts to wildly at city boutiques and restaurants. Nor do they hold back on hotel room expenses, and hoteliers, ever wise to the ways of supply and demand, are able to up the ante on what they charge over this period. Regardless, our hotels are nearly fully booked for the period, and quite often reserved many months in advance of the actual race. For the record, the Ritz's Royal Suite can be had for a mere $12,000 a night the rest of the year — not exactly a commoner's price but still a relative cash break. The Ritz, with its 120 other luxurious rooms, has by no means the market cornered on lavish suites in town. The downtown Le Mount Stephen Hotel, within eyeshot of the Ritz, has a most stately, 5,000-square-foot penthouse suite, replete with an outdoor terrace and countless amenities like an in-house butler. The hotel can even install a private gym — at a price — should its occupant so desire. The suite can go for up to $15,000 a night — gym not included, with a four-night minimum during race week. It is rumoured that no less than British F1 royalty figure Lewis Hamilton has spent quality time here in the past and might even return again. Of course, it has been rumoured that Sir Lewis has stayed at the Ritz. Le Mount Stephen also offers three Sky Loft Suites, two Luxury Suites and seven Junior Suites going from $3,000 to $5,000 a night. Its other 90 rooms start at $1,300 a night. Not to be outdone is W Montreal at Square Victoria with its three EWOW suites, each with an outdoor terrace affording a panoramic overview of the city with nary an orange cone in sight. The W also has the aptly named WOW suites without terraces. Prices range from $1,300 to $5,000 a night — with a four-night minimum. Without doubt, though, the Ritz is turbo-charged for the Grand Prix, whether or not those who surface there occupy any of its suites, although many of the race's major players and visitors have also booked some of the hotel's 129 rooms, which start at $3,200 a night — with four-night minimum — with prices spiralling upwards toward the $18,000 Royal Suite. No matter, since the entire inventory of its rooms is sold out, notes Katia Piccolino, the ball of fire who serves as the Ritz's director of sales and marketing. 'We are the hub of anything off the track downtown,' Piccolino trumpets. No doubt. The tea-and-crumpet set vanishes as of Tuesday, June 10 as the lobby and restaurant area is transformed into a party zone for visitors. Festivities officially kick off at the Ritz on Thursday, June 11 with its 'Streets of Monaco' salute, with high-end sports cars dotting the hotel's Sherbrooke St. entrance and crowds converging outside to check out the who's who of celebs checking in. The most heralded Grand Prix party of all, the $1,000 evening bash takes place Friday the 13th with luminaries from the worlds of sport, culture, fashion and finance hobnobbing over caviar and champagne in the hotel ballroom. Cost of the affair is close to $1.6 million, and a percentage of ticket proceeds goes to the Barry F. Lorenzetti Foundation for mental health. So who's coming to the hotel? 'We are the Ritz so we do have to be discreet, but we can say that off the track people will see glimpses of those who may be on the track,' Piccolino somewhat discreetly notes. 'And let's just say that the occupant of the Royal Suite, which I would describe as 'old-school luxury,' is very well known and is from Hollywood. There will also be a lot of celebs and athletes staying here as well.' A previous Royal Suite occupant was Italian cinema icon Sophia Loren, who dazzled her guests and staff by concocting pasta dishes in the room's kitchen. Over the years, the hotel has also hosted Jennifer Aniston, Adam Sandler and Charlize Theron as well as Hamilton's Ferrari teammate Charles Leclerc and late/legendary Brazilian driver Ayrton Senna and Inter Miami superstar Lionel Messi. And gawkers outside the Ritz, particularly during Friday night's ball, can count on catching a flurry of Habs stars, past and present, as well as other NHL and NBA stalwarts, not to mention American fashion model Niki Taylor and possibly cast members like Naomi Watts, Tye Sheridan and Michael Imperioli from the film The Housewife currently shooting in town. 'Toronto has TIFF and we have the Grand Prix, which is the most lucrative week there is in Montreal and we have to rise to the challenge in keeping the vibe going and in innovating it every year,' Piccolino says. Le Mount Stephen account manager Amy Cadiz echoes Piccolino's comments: 'There is no question that Grand Prix week is our most important of the year, but it's our mix of new and old dating back to the times of its founder Lord George Stephen in 1926 that really resonates with our guests. And those fortunate enough to have stayed at the penthouse are so blown away by it. Many have said it's like living in a museum. It is truly one of a kind.' This gargantuan suite features three bedrooms, two bathrooms, two kitchens, a living room, dining room and an office, not to mention a butler at the guests' disposal. It sleeps 6, but frankly it could accommodate not only the F1 drivers but also much of their paddock-team members — and perhaps even their racecar. W Montreal offers a different ambience with a more modernistic touch but also butler — called an 'insider' here — availability. 'We have a kind of unique recipe as far as lifestyle goes — it's part of our brand DNA. We call it 'luxury liberated.' We don't have the formality of a luxury hotel, but we do have the luxury touches,' says Alexandre Tessier, the hotel's director of sales and marketing. 'The Grand Prix has been a kind of mini-Olympics for us. It's been such a huge blessing for hoteliers to have this every year, where demand always surpasses supply. It's our best time of the year by far revenue-wise.' Tessier credits the Netflix F1 series Formula 1: Drive to Survive in enticing more Americans to attend our Grand Prix and to stretch their dollar in the process: 'They don't count their dollars. … The race has been a real game-changer for us.' Though not necessarily geared to the needs of all F1 drivers, Nico Hülkenberg of the Haas team, has previously decamped here as have members of the Red Bull Canada sponsorship team. On the celeb side over the years, it's a different story as the W has welcomed Christina Aguilera, Gwen Stefani, Céline Dion, Snoop Dogg, Ice Cube and Tommy Lee. 'Rihanna almost stayed with us,' points out W's marketing manager, Sarah Le Bars. 'She was set to sleep in one of our EWOW suites, but her team decided not to wake her up after her show — so she ended up spending the night in her tour bus right in front of the hotel. A true missed opportunity … but a great story.' And then there are those Grand Prix regulars to the city who want none of the glitz associated with it. Nor do they seek swank amenities like gyms/swimming pools or restos/bars inside the hotel. What they seek instead is old-school charm that won't necessarily break the bank. And where they can find it is at Le Petit Hôtel on St-Paul St. Provided they were lucky enough to have booked one of this One-Key Michelin hotel's 28 rooms. Alas, they're long gone for this year's race. Situated in a heritage building — one of the oldest in Old Montreal — the hotel, launched in 2009, retains many of its original features, including its exposed stone walls, lancet windows and wrought-iron railings and has meshed them with Quebec-crafted furniture and stylish décor. Rooms, petit but cozy, range in price from $800 to $1,200 during the Grand Prix but prices drop significantly the rest of the year. Only continental breakfasts — featuring St-Viateur bagels — are served. No F1 drivers and only the occasional celeb — like Samuel L. Jackson, Alfre Woodard and Jake Gyllenhaal — seeking some serenity show up here. Far more A-listers turn up at the Petit Hôtel's much larger, more glam sister spot in Old Montreal, the 120-room Hôtel William Gray. 'Quite often, our guests book right after the Grand Prix for the next year's event,' says Georgia Antonopoulos, the vice-president of sales, revenues and marketing for the Gray Collection, owners of the two aforementioned spots. 'We cater to those who want to explore the city and are not looking to have their meals in the hotel. But when you wake up here, you know you're in Montreal.' The Gray Collection group is also the proprietor of the recently opened Le Petit Hôtel Notre-Dame in Old Montreal. Even plus petit than Le Petit Hôtel, this latest features but 17 rooms. 'Montreal is the North American flagship of the Grand Prix and really makes the city a global destination, putting a spotlight on the city and showcasing both the big and small attractions. We can almost forget about the street work — which may never end — during Grand Prix week,' cracks Antonopoulos, glancing over at the closed, construction-laden section of St-Paul St. outside Le Petit Hôtel. Sitting in the tiny lobby area, Philippe Cassidy, a former hotel employee, is totally oblivious to the clamour outside. 'I've worked at and have stayed at many hotels over the years, but, to my mind, Le Petit Hôtel is the best in the world,' Cassidy marvels. 'It is just so distinct.' Petite or princely, distinct does best describe lodging havens in Montreal — as it does just about everything else in this town. This story was originally published June 6, 2025 at 5:00 AM. Bill Brownstein montrealgazette Born and bred in Montreal, Bill Brownstein has been a columnist at the Gazette since 1987, commenting on the city and the splendid array of characters therein. Also a broadcaster, podcaster (Corner Booth), documentarian (Bill Lee: Profile of a Pitcher, Skating on Thin Ice), author (Down the Tube, Montreal 24, Schwartz's Hebrew Delicatessen: The Story).
Montreal Gazette
12 hours ago
- Montreal Gazette
‘I came because the métro is open': Crescent St. booms with fans for Grand Prix Festival
News Rob Jenkinson arrived in Montreal before 9 a.m. Friday, but the early wake up didn't stop him from attending the Grand Prix Festival on Crescent Street. It's the Buffalo, N.Y., native's third time at the event. He plans to take it all in, from practice to the big race on Sunday. But it isn't just the sport that he loves, it's also the city. In the past, he and his family visited Atwater Market and walked along the Lachine Canal, and took in the sights in Old Montreal. 'Montreal is such a city cool city to begin with and then how much more international it is, it's really fun,' he said Friday. 'And our kids enjoy it, too.' Jenkinson said for how close Montreal is to his own city, what he appreciates is that 'it's so different.' He did notice a few more questions when entering the Canadian border this time, he said. When asked about possible tensions from locals over the tariff war, he cheekily pointed out that he's not the president. 'I haven't found anything too different from in the past. I found they always welcomed Americans,' he said. Crescent was already bustling by noon Friday, where energy drinks, alcohol samples and free ice cream were being handed out. Fans decked out in jerseys and F1 merch took photos next to splashy cars on display, while others took part in games. 'We're very excited,' said Steve Gloyd, who came in with his friends from Maryland and is staying in Griffintown. 'We wanted to see all the activities, the cars and hear the live music, and experience all the shops' downtown, he said. Locals also checked out the scene. Shaun Hughson, who lives on the south shore, enjoyed seeing tourists and getting free ice cream. 'I came today because the métro is open,' Hughson said, referring to the STM strike that impacted service earlier in the week. The city's public transit system will be operating at full capacity throughout the weekend while maintenance workers are on a nine-day strike. Bus and metro service will be maintained throughout F1 as masses flock to Jean-Drapeau Park. 'A happy time' The Grand Prix is a boon for businesses, generating an estimated $100 million in revenues. Ziggy Eichenbaum, owner of Ziggy's Pub, said this weekend brings in about a month's worth of business. His staff is doubled for the period. Not only is it good for his pub, but he said it's great for Montreal. He also gets to meet people from all over the world, including Spain and Japan. 'It's a happy time,' Eichenbaum said. Outside, a few regulars who have been coming to the pub for Grand Prix for more 20 years were taking in the sunny day and each other's company. Paul Brisebois was among those having a beer, saying he liked the atmosphere and people the most. 'Today's a good day because I get to meet the boys and the friends,' he said. More security Montreal police and security guards will also be present throughout the weekend, including at the festival where the department had a tent set up. Police said Friday that officers will be at F1 race site 'to ensure everyone's safety' though it didn't specify the number of officers on the ground, citing security reasons. 'We adapt our operations according to each situation and people's behaviour. Our officers are always ready to intervene should there be any excesses or violations of laws and regulations,' a police statement said. Police also met with hotel mangers and employees from transportation companies in hopes of 'preventing and raising awareness about sexual exploitation.' Brochures were also distributed at different venues, according to the SPVM. 'Community outreach officers also manned information booths in certain central neighbourhoods before the festivities began.' This story was originally published June 13, 2025 at 4:37 PM.