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Love Island's Laura Anderson slammed after she backs Meg in clash with new bombshell

Love Island's Laura Anderson slammed after she backs Meg in clash with new bombshell

The Sun6 hours ago

LOVE Island alumni Laura Anderson has come under fire from fans for backing Megan Moore amid her fallout with bombshell Malisha Jordan.
Scots-born Laura, who starred in Love Island in 2018, has thrown her weight behind Meg for branding Malisha"disrespectful".
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Meg lost her cool with Malisha after she took Dejon Noel Williams on a date before asking if he'd like to go for a chat in The Hideaway.
Malisha, meanwhile, hit back and told Meg - who is coupled up with fitness coach Dejon - to "grow up".
The bombshell called her "an idiot" and pointed out that Meg had only known Dejon for a matter of days.
But despite the majority of the population siding with Malisha, with some fans even threatening to complain to Ofcom about Meg's reaction, Laura is backing the other horse.
Commenting on Love Island's official Instagram account, 36-year-old Laura wrote: "#TeamMegs."
Slamming mum-of-one Laura, one viewer of the ITV2
Another added: "Wrong team darling."
A third wrote: "I can't believe you."
And someone else remarked: "That says a lot about you."
But another Love Island fan told they "100 per cent" agreed with her.
Love Island fans slam Meg for 'trying to be iconic' as she furiously confronts rival and villa descends into chaos
Meg and Malisha's row has been escalating over the past few days.
It began when Malisha entered the villa on Friday night and took Dejon on a date - all under the watchful eyes of Meg.
She and the rest of the Love Island OG girls were watching on a big screen in the villa garden.
At the time, Meg even branded Malisha a "b****" despite not having met her in person yet.
A feud then exploded between the girls on Sunday night after Malisha had returned to the villa with Dejon and asked if he'd like to chat in The Hideaway.
The row left Malisha in tears and, as a result, has caused a divide in the villa.
Alima Gagigo was quick to comfort her before confronting Meg and the other girls about their treatment of Malisha.
Storming outside, she urged them all to be kind.
Shakira Khan and Toni Laites have also thrown their support behind the newbie, insisting that Malisha's actions were not "disrespectful".
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Sister Wives star Janelle Brown clears the air about her sexuality and reveals what she's looking for in a man
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timean hour ago

  • Daily Mail​

Sister Wives star Janelle Brown clears the air about her sexuality and reveals what she's looking for in a man

TLC's Sister Wives brought their 19th season to a close on Sunday with the fourth and final installment of their One-on-One special, where Janelle Brown opened up about her sexuality. Janelle, 56, was the the second to marry Kody Brown in 1993, following Meri tying the knot in 1990, and she was also the second to leave him in 2023, after Christine left in 2021. While only one of the Sister Wives remain we d to Kody - Robyn, who tied the knot in 2010 - they are all still a part of the show, though this year's "reunion" was instead a series of one-on-one interviews with Sukanya Krishnan. Janelle used part of her time to clear up speculation that she is 'asexual,' which she assured viewers is not the case. 'I promise you, I'm not asexual. Everybody has this idea just because I didn't want to have assembly line kisses with Kody or whatever, that I was asexual,' Janelle said. 'And the hormones are hell when you're single. But, you know, it's like, you just deal with it or whatever,' she added. 'I suspect that someday down the road, if there's somebody else, then that will be part of it,' she added. She added of the rumors, 'It's so wild to me that everybody has assumed. So, just trust that I am not. I am very... I'm a very sexual being. I'm a very Earth mama.' When asked if she would be part of a polygamous relationship again, Janelle added, 'I'm not gonna say no, but I just don't foresee that I'm gonna meet very many people who live plural marriage these days.' When asked if she would be open to a monogamous relationship, she said, 'Maybe, but I'm definitely not gonna be dating on those weird apps.' Host Sukanya Krishnan asked Janelle to describe the kind of man she is looking for, as she responded, 'Someone who's very solid, who knows who they are.' She added that she doesn't want someone who is, 'super flashy,' adding, 'I'm kind of done with flashy.' Janelle welcomed six children with Kody - Hunter, Madison, Logan, Gabriel, Savanah and the late Garrison, adding she has had an interesting experience watching her daughters with their husbands. 'You know, it's interesting. I watch my children, our children with their husbands, and I'm like, "Wow, that's a really different experience,"' she said. 'I suspect that someday down the road, if there's somebody else, then that will be part of it,' she added. 'They're very engaged with each other and so, I don't know, I guess I'm just like, "Huh, maybe I want something a little bit more like that,' she admitted. Krishnan said near the end of the special that it was her hope that they could get everybody on a couch together at some point. 'Yeah, maybe. I'd really like that. I actually... that could happen. That'd be very interesting,' she said.

‘It was love at first sight, again': Prague exhibition celebrates work of pair at heart of Europe's avant garde
‘It was love at first sight, again': Prague exhibition celebrates work of pair at heart of Europe's avant garde

The Guardian

timean hour ago

  • The Guardian

‘It was love at first sight, again': Prague exhibition celebrates work of pair at heart of Europe's avant garde

They created some of the most riveting abstract art of the 20th century, fought Nazis with the gun and the pen, married, divorced and married again. Now the continent-spanning and nigh-forgotten love story of the Burton-Tayloresque couple at the heart of the European avant garde is finally being given its due at a major art institution. And We'll Never Be Parted, exhibiting at Prague's Kunsthalle gallery, is the first show to reunite the Norwegian painter Anna-Eva Bergman and German-born Hans Hartung. Consisting of 350 items across two floors, the exhibition features paintings, photographs, tools – and the extraordinary breakup letter that spelled the pair's separation but allowed them to remarry as creative equals 15 years later. Born in Stockholm to a Swedish father and a Norwegian mother, Bergman trained as an artist in Oslo and Paris, where she and Hartung met and married in 1929 before moving to Dresden. In the early phase of her career she made a living as an illustrator, including of anti-Nazi cartoons. Hartung, born in Leipzig in 1904, was quicker to hit his stride as a serious artist. His idiosyncratic scribbles, swirls and scratch marks helped him achieve international recognition as a key figure of art informel, a largely European counter-movement to American abstract expressionism. Where the action paintings of Jackson Pollock and Willem de Kooning were often violent in their gestures, Hartung executed his ideas in a more controlled manner, preparing his marks with smaller sketches and a grid system. Though single works by each featured in a 1932 group show in Oslo, it was Hartung who enjoyed most of the limelight. In their reviews, some critics referred to Bergman simply as Mrs Hartung. On 14 April 1937, Bergman announced her separation from Hartung in a bluntly phrased letter sent from Sanremo, Italy. While insisting that 'the cause is not another man', it noted that 'from an erotic point of view, we are simply not a match'. Above all, what motivated her decision to leave their marriage, she wrote, was the need to develop as an artist in her own right. 'I shall thus try to make my way through the world on my own, and I shall succeed. I must be completely free and alone, and above all with a lot of time – no housework and other worries – to focus just on my own work while still having time to rest on the side.' Bergman concludes her breakup note with: 'May your art always come first, just as before. It has been your strength and perhaps also (on a human level) your weakness.' Sign up to Art Weekly Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions after newsletter promotion After moving back to Norway, she studied ecclesiastical art and the use of gilding, making abstract paintings that drew inspiration from the bleak landscape around her, returning again and again to archetypal natural forms such as mountains, rocks and fjords. 'Without the separation, they wouldn't have developed as artists in the way they did,' said Theo Carnegy-Tan, one of the show's curators. 'They needed the time apart.' Having seen communist and Jewish friends 'disappeared' under the Nazis, both artists experienced first-hand the rise of fascism. Bergman went into hiding in the Norwegian countryside to avoid being captured by occupying German forces, while Hartung was interrogated and roughed up by the Gestapo. After war broke out, he refused to serve under the German flag and joined the French foreign legion, later losing a leg after sustaining severe injuries in the Battle of the Vosges in 1944. Confronted with mutilated bodies on the battlefield, and inspired by the Spanish painter Julio González, whose daughter he married after the breakup from Bergman, he returned briefly to more figurative painting. Yet after writing each other a series of cautious letters, the pair met again for the first time after the end of the war, at a González retrospective in Paris in 1952. 'It was love at first sight, again,' said co-curator Pierre Wat. In 1961, the remarried couple acquired a plot of land to house their villa-studio in Antibes, southern France, where they expanded their artistic practices. They died two years apart, Bergman in 1987 and Hartung in 1989. While Hartung's standing as a key figure of abstract expressionism in Europe was advanced immediately after his death, Bergman's work has been rediscovered only over the past five years. Her first major retrospective was at the Museum of Modern Art in Paris in 2023 and her first solo show at Oslo's National Museum in 2024. 'Bergman stood outside the big artistic movements of her time, and it took some time for her reputation to be elevated,' said Carnegy-Tan. 'It wouldn't have been right for this reunion to take place until they are treated as equals.'

New diamonds please — the invention of the tennis bracelet
New diamonds please — the invention of the tennis bracelet

Times

timean hour ago

  • Times

New diamonds please — the invention of the tennis bracelet

Summer is the season for tennis with its green lawns and strawberries and cream. And if rain happens to pause your Wimbledon viewing, why not take a moment to consider your sporting jewellery? Tennis bracelets are a classic option — slim lines of gemstones to wear on tanned tennis-playing arms. According to a 1923 advert for 'Bracelets for bare arms' — 'when fashion dictates the short sleeve, it is a good opportunity to display a dainty bracelet'. Line or eternity bracelets became inseparable from tennis in 1978 when Chris Evert's diamond bracelet fell off during a match, halting play while it was retrieved. When she was asked what had caused the delay, she explained, 'It was my tennis bracelet', giving the jewel its new name. This article contains affiliate links that can earn us revenue The classic line bracelet, now marketable as a tennis bracelet, took off in style. In 2022 Evert collaborated on a modern line of tennis bracelets with the jeweller Monica Rich Kosann. One design joined different diamond cuts to represent the white lines of the court with a rectangular green emerald or tsavorite for the grass. A diamond drop adds a glamorous representation of the player's sweat (£800 to £20,000, Cartier's current version of the tennis bracelet can be found in its Essential Lines range, including a pretty example with alternating diamonds and sapphires (from £26,000, Boodles' tennis bracelet features a diamond and gold ball attached to a line of diamonds (£13,000, while Tiffany's Victoria collection has a little floral detail, forming the clasp (£20,500) or encircling the wrist (£56,500, Chris Evert wasn't the first to connect tennis and jewellery. In July 1877, The Times noted that lawn tennis was 'the most recent pastime which has lately been adopted as an outdoor amusement'. Tennis became the sport of choice for fun-seeking young Victorians and 1920s flappers. Not only did it offer the pleasures of exercise and competition, it was also a way for young people to socialise in mixed-sex groups, with the appropriate clothes and jewels. Many a love affair or marriage started on the tennis court. Tennis players and fans could buy racket-shaped brooches decorated with jewelled balls or charm bracelets with tennis-themed accessories to show off their hobby. In 1893, the Fleetwood Chronicle's list of Christmas jewellery for men stated that 'the latest cufflinks have each side of a totally different design; for instance, a jockey cap is combined with a whip, a horse shoe to a hunting crop, a tennis racquet to a ball, all highly appropriate if presented to lovers of the various sports thereof'. Fans of vintage jewellery could look out for Tiffany's green and white enamel cufflinks with racket detail or tennis rackets set with diamond balls, originally retailed by Hennells of Bond Street. Sport has been an inspiration to fashion designers from the early 20th century. Coco Chanel's beach wear and comfortable sports inspired clothes turned away from the corsets and laces of the prewar years and caused a sensation. The New York Herald, June 4, 1916, claimed they were 'so smart that the women must have them at all costs'. Chanel continued to explore sporting fashions in their 2024 Haute Joaillerie Sport collection with clean graphic lines united to fabulous coloured gemstones. Aluminium tube chains become necklaces and snap hooks turn into sporty brooches. Yachting is also a summer pleasure, both a sport and a social occasion, particularly at competitions such as the Cowes races. Yacht owners and visiting sailors in the early 20th century liked to wear little pins and brooches in the shape of the triangular burgee flag. Colour could be added through enamel or gemstones. Nautical styles appealed to the British royal family, especially Edward VII, Queen Victoria's society-loving oldest son. Jewellers like Cartier and Fabergé created fantastic nautical jewels, like a lifebelt-shaped brooch enamelled with the name of the Russian Imperial yacht and an iconic egg with a model of the Standart Yacht. Nautical jewellery was also available for less exalted wearers. The Daily Mirror told its readers in August 1912 that 'few people living on board a yacht go away without purchasing some piece of yachting jewellery. […] Bangles adorned with little jewels and enamelled port and starboard lamps are one of this year's novelties, and jewelled burgees set in circles of diamonds are also to be seen'. Benzie of Cowes has supplied these yachting novelties since 1862 and continues to do so. In the 1960s and 70s, Cartier took inspiration from naval life with its gold anchor-shaped brooches and chains shaped like the links of an anchor chain. A 1960s Bulgari necklace used a fully functional carabiner to connect golden links of ship's chain. Messages at sea, before the invention of direct ship to ship communication, were transmitted through a system of flags. This nautical language was deployed to send jewelled messages of affection or to spell out the initials or name of the wearer. But, caution was required, according to a newspaper of 1895, which warned its readers that the flag brooch or bracelet might convey an unexpected message, noting that — 'one sees a saucy little brooch with three flags, which to the yachting man plainly says 'come alongside'.' Perhaps not quite the intention of the wearer. Golf offered the same opportunities for socialising and stylish dressing as tennis and also inspired jewelled accessories. Golf-themed jewellery was particularly popular around the end of the 19th century, with tie pins and brooches in the shape of niblicks, drivers, golf bags and balls, sometimes enamelled with the apt motto 'Far and Sure'. Today Aspinal of London has a range of sterling silver sport-themed cufflinks, including these featuring a little golf bag (£220, Sport offers healthy exercise, a feeling of independence, freedom to socialise and even the opportunity for romance, but through history, it has also inspired jewellery firms to create the perfect themed objects for their customers.

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